THE DEMOCRATS' POST-MORTEM 2024

by William Aarnes

Graphic credit: Eniola Odetunde  Axios

That shamelessness could triumph is our shame.  

What tactic worked? Beyoncé’s walk-on song?

We have nobody but ourselves to blame.

Resentful people rule. So why inflame

them more with hopeful talk they hear as wrong?    

That shamelessness could triumph is our shame.  

You’d think by now we’d play a better game.    

Why hint at climate? Why not go along—

back fossil fuels? We have ourselves to blame.

The ads we ran were far too nice. So tame.

Why not something like Haitians don’t belong?

That shamelessness could triumph is our shame.  

Our nuanced stances came across as lame.    

Why didn’t we present ourselves as strong  

enough to bring—in days!—world peace? We’re to blame.

Next time let’s make attracting men our aim.

Why didn’t we bring up that golfer’s schlong?

That shamelessness could triumph is our shame.  

We have nobody but ourselves to blame.

William Aarnes lives in Manhattan.

A FAIR WITNESS

by Gina A. Turner

 

A Fair Witness [a profession invented in Stranger in a Strange Land by Robert Heinlein] is an individual trained to observe events and report exactly what is seen and heard, making no extrapolations or assumptions. – Wikipedia

I hear that people who shouldn’t be in this country are eating pets

I see state troopers at schools in Springfield, Ohio

I hear a candidate say “I have to create stories so that the media pays attention”

I see Springfield’s CultureFest cancelled over safety concerns

I hear what the 45th president said: people from Haiti “all have AIDS”

I see colleges in Ohio holding classes remotely

I hear lawful residents in Ohio called “illegal aliens”

I see elementary schools evacuated due to dozens of bomb threats

I hear what our country’s former leader said: Haiti is one of the “shithole countries” 

I see my Haitian friend promote her book on achieving a just economy

I hear a member of the Haitian community say

“We’ve been receiving a lot of threats, physically and verbally”

I hear parents say that their children are terrified

 

I hear people say that they are still undecided about their vote

Gina A. Turner is a Professor of Psychology at a community college in Pennsylvania. Her work has appeared in Poets Online, The New Verse News, and her school’s literary magazine The Laconic. She lives with her husband and dog in Lambertville, New Jersey. 

ZERO SUM HUMANITY

by Tricia L. Somers

“All the People—Oppressed by Black Cloud,” 1982, by Evelyn Williams

Under the rubble

Our loved ones, homes, and any kind of hope

We’ve been robbed

by a criminal we cannot see

Our loved ones killed and already buried

We are victims of this Climate Crime Catastrophe

Under a bridge

Huddled with our scared children

Our faith has been shaken

and our babies are still...shaking

Invite the world to witness your humanity

Anxious and jittery awaiting a fleeting glimpse

Like an endangered species or already extinct

Under hooves and cracking whip

We find ourselves in seeking but a mere chance

Have us to walk over your bridges

Only in shame do you chase us away

You don’t necessarily need an earthquake

for your country to crumble away

Tricia L. Somers can be found at Outlaw Poetry, Milk Carton Blog, and the upcoming Rat’s Ass Review for Winter 2021. Also the semi-annual print journal The American Dissident includes poetry, essays and debates with the editor, who is known to be somewhat testy. Issues 41 and upcoming 42.

HORRIBLE

by Alejandro Escudé

‘We must demand that national leaders create a fair and humane immigration system, including a path to citizenship for immigrants, and a safe and fair asylum process for Haitians and all others seeking refuge in the US.’ —Xochitl Oseguera, The Guardian, September 28, 2021. Photograph: Félix Márquez/AP

There are horses galloping 

Within the word, horrible.

Lashing at migrants, 

Centaur on the Rio Grande.

The water parts at first 

To let in the fifteen thousand,

Refugees from Atlantis 

Who bore a hurricane, a quake. 

Children held aloft by mothers 

With earth-bare arms.

I paint the scene for you 

In poetic bronze, a cowboy

Breaking a colt in chaps 

On a corner store in Sedona.

Only this bronze is flesh, 

A border patrol agent in chaps,

Lassoing a sun containing 

The origin of language. 

Syllables like hooves, 

Ten gallon hats, and boots along

The river the color of bronze, 

Dividing a land formed 

Of bodies from the land itself. 

Congo moon, Texas slug. 

Alejandro Escudé published his first full-length collection of poems My Earthbound Eye in September 2013. He holds a master’s degree in creative writing from UC Davis and teaches high school English. Originally from Argentina, Alejandro lives in Los Angeles with his wife and two children.