WISHING WARS HAD SOMETHING LIKE REGULATION TIME TO DECIDE THE OUTCOME

 by Steve Rodriguez

 

 

They’re so easy to start, plenty hard to end.

That’s why we prefer baseball’s nine inning rule. 

Hate it when bad guys bleed, but refuse to bend. 

 

Football’s fixed finite four quarters also send

the age old message for any war-like fool.

They’re so easy to start, plenty hard to end. 

 

Even a marathon contest will depend

on a set distance to score a runners’ duel.   

Hate it when bad guys bleed, but refuse to bend.  

 

Like a delicious shock and awe milkshake blend,

we now crave a shot of Desert Storm old school

form. So easy to bomb, plenty hard to end.

 

Were sudden death overtime gods to descend, 

we’d rush to strike a deal, discount enriched fuel

possession. Good guys would plead… bad guys, please bend.   

 

Narrow strait’s closure reflects a nagging trend—

warrior patience is a requisite tool 

when stuck in a stalemate that just won’t end.

Such a drag when bad guys bleed, but do not bend.  

 

 

Steve Rodriguez resides in San Diego, CA. He is a retired U.S. Marine Corps officer and a retired high school English teacher.  

INTO THE DARKNESS

by Karen Marker

AI-generated graphic by NightCafé for The New Verse News.

If this isn’t the end, I don’t know what is.

I didn’t always wake up feeling this weary, 

feeling the pain of the wound in my chest

like I held a dead child. Like someone 

had stolen my sword and the light

of the grail was gone. I used to sleep 

through the night, trusted the widening gyre 

was leading me out of the dark.

 

If this isn’t the end, I don’t know what is 

after he flat out said he’s sending the military 

into our cities because he’s sick of the mentally ill, 

addicted, disabled, veterans, the hungry, unhoused, 

that he’s sick of those who come in needing shelter, 

jobs, a better life, that he’s sick of protestors.

 

I didn’t always wake up this worried

that if the Department of War blows up ships 

in the Caribbean they say are carrying drugs,  

ignoring all laws, it won’t be long before 

they’re waging war on us to make the world safer 

for the billionaires, sending off the unwanted

to concentration camps in the desert.

 

If this isn’t the end, I don’t know what is 

after the government shut down goes on and on

while the thugs on the streets get paid

to carry out “the Lords’ work.”

 

If this isn’t the end, I don’t know what is

except a comet coming straight at the Earth 

and all of it exploding.

Karen Marker is an Oakland, CA. poet activist who has committed to  writing a poem a day of protest and hope in response  to current events. Her first poetry book Beneath the Blue Umbrella came out recently with Finishing Line Press and explores family mental illness, stigma and healing. 

I DREAMED LAST NIGHT

by Gordon Gilbert

Mile Stretch Road, Fortunes Rocks, Maine. Photo by the poet.

I Dreamed Last Night
of Mile Stretch Road and of a world to come,
perhaps only after I myself am gone,
but perhaps in my remaining years.  
 
I dreamed last night
that I was walking south
along a down-east beachside stretch
of crumbling asphalt.
 
On either side the road lay only ruins
where once stood so many houses
up and down the beach,
like all those visited behind
and not so far ahead,
what I feared I’d soon see.
 
But then I saw the colors
blue and red and white
on wooden boards covering a window
in all that still remained of a beach house,
and I walked over for a closer look
and realized why all this came to be: 
It was the end of immigration,
as the nation forgot
that it was the immigrants
who made this country great.
  
It was end of the commons,
as all had been privatized,
further enriching the already rich,
further depriving the already deprived.
 
In the end, it was the end
of all that we once had,
the end of the American dream. 


Gordon Gilbert is a writer living in the west village in NYC, who finds solace in walks along the Hudson River, even while contemplating with trepidation another new year of climate change and political mayhem.  

RITUAL

by Amy Shimshon-Santo

the year crawls toward an end 
sharp knife between its teeth
& bleeding tongue

a year of vowels

displaced from their consonants,
zipped together 

by a three letter word 
that is not good for children 
& other living things

I walk to the edge of language
thin stick between my hands 
holding a makeshift flag

colorless as the memory of water
scavenged from cotton 
clothing of the departed

it is time to place the year inside 
an urn, bury it in the Earth
lie down beside the unimaginable

hear the new year drumming
& dreaming itself into being, wanting
to be born

Dr. Amy Shimshon-Santo is a warm-blooded vertebrate with hair. She writes  poetry, essays, performs spoken word, improvisation, and choreography. Read or listen to her poetry collections: Catastrophic Molting (2020), Even the Milky Way is Undocumented (2020), and look for her forthcoming book Random Experiments in Bioluminescence (2024). Teaching and facilitating trans-local community arts projects have been central to her social practice for 30+ years. She is available as a guest artist, arts educator, coach, and editor. Dr. A has been nominated for an Emmy Award and three Pushcart Prizes in poetry and creative non-fiction. She was a finalist for the Night Boat Poetry Prize, and earned a place in the U.S. Service Learning Hall of Fame. Connect with her at @shimshona / @amyshimshon

THE GREEN LIGHT

by Lynn White

US Army Major General Chris Donahue, commander of the 82nd Airborne Division, steps on board a C-17 transport plane as the last US service member to leave Hamid Karzai international airport in Kabul, Afghanistan. Photograph: Us Army/Reuters via The Guardian, August 31, 2021

When she saw the green lights

her first thoughts were of Triffids.

Of course she knew they were imaginary 

but was less sure about the green lights 

which enabled their freedom,

an unintended consequence 

of the activity

of some government or other,

a terrifying aftermath.

And who knew what the aftermath 

of this green sky would be.

She could still see them

glowing above her.

So, not yet blind,

she thought.

But then, she reconsidered.

Metaphorically speaking

perhaps we were all blinded

a long time ago

when the green light was given

to the Triffids

who are already rampaging.

We just haven’t noticed yet,

such is our loss of sight.

Lynn White lives in north Wales. Her work is influenced by issues of social justice and events, places and people she has known or imagined. She is especially interested in exploring the boundaries of dream, fantasy and reality and writes hoping to find an audience for her musings. She was shortlisted in the Theatre Cloud 'War Poetry for Today' competition and has been nominated for a Pushcart Prize and a Rhysling Award. Her poetry has appeared in many publications including: Apogee, Firewords, Peach Velvet, Light Journal and So It Goes.

NOW THE DYING WHO ARE ALMOST DEAD, ARE DEAD

by DeWitt Clinton

“The end of the earth,” acrylic painting by Tobi Star Abrams

The end?  Well, we could hardly call it that, as if

Whatever just happened, isn’t found in an old

Paper thin tome nobody’s read for a zillion years,

Instead, the end, or The End, just keeps blistering

The heck out of nearly everyone, though some

Are immune, and will never know when any End

Is just around, looking for hopeless dopes like most

Of us are now, prayers done with, floors mopped

With Clorox, as if that would scare anyone away,

But the Bugs like that deep inhalation we take when

We walk into any room, like sniffing lighter fluid

Right into the lungs where it plans to stay and stay

Until all of us are turned over onto our stomachs

By the kindest of medical staff, hoping the deep

Breaths will pull us out, but most of us have already

Died, and had no clue anything was like The End as

So many are whispering about now, as if Breaking

News isn’t about a new political cataclysm, but rather

Breaking the hearts of so many in so many hugely

Different parts of our world, everywhere even in

Antarctica, and who brought the Bugs in to such a

Pristine, icy world anyway?  ICU’s are now in gift

Shops, chapels, parking lots with unique tenting

Materials and refrigerator trucks behind and out

Of sight, keeping all the dead quite cool until we

Find a place that will prepare the dead without

Ending up as the prepared dead.  That’s our new

World with the best hopes of looking ahead nearly

Two or three years out, and even then, new varieties

Will awaken all of us again, those who aren’t quite

Living any more, but just waiting, you know for what

Don’t you, call it what you want but here, it’s The End.

Recent poems by DeWitt Clinton have appeared in Lowestoft Chronicle, The New Reader Review, The Bezine, The Poet by Day, Verse-Virtual, Poetry Hall, Muddy River Poetry Review, Across the Margin, Art + Literature Lab, One Magazine, Fudoki Magazine (England), and The New Verse News.  He has two poetry collections from New Rivers Press; a recent collection, At the End of the War; and By a Lake Near a Moon: Fishing with the Chinese Masters, poetic adaptations of Kenneth Rexroth’s 100 Poems from the Chinese.  He is Professor Emeritus at the University of Wisconsin—Whitewater, and lives in Shorewood, Wisconsin.

THE END

by George Held

Image source: Christian Science Monitor

The ending becomes clearer,
The fire and ice of catastrophe,
Ecological collapse or nuclear
Dystrophy striking Earth’s
Set for the last time on its human stage,
“The End” dissolving on its screen . . .
The exits are closed
While the Harvest Moon
Looks indifferently down.


George Held, a frequent contributor to TheNewVerse.News, has a new poetry collection Bleak Splendor (Muddy River Books, 2016).