DON’T MOURN THE THORNS

by Corey Weinstein

Did you smile, even laugh aloud,

A smirk tumbling out of simmering glee?

Yes I was among the first 26,743,226

to feel joy when Notre Dame burned,

A spire collapsed shooting fireballs

through the attic, crashing the crosses,

Yellow flames licked the towers

and tickled my giggle bone,

 

From what abominations the fire sparked?

Of what burnt and musty stench like earth

where children are buried unmarked?

Rats running from their snuggle spots,

The ancient rot to their liking,

Dirty sins in the Savior’s name purified

Plastic icons oozed and bubbled black,

and is the toxic smoke pleasing to God?

 

The grand Dame’s construction marked

two hundred years of persecution

of expulsion, return and expulsion.

Built on the bones and bank notes 

of two centuries of violation,

feeding off the destruction

and exile of the Jews.

 

I won’t be contributing to the Church

where kings were crowned,

Where the crown of thorns stands in state.

Ask me again when plans include

a health center for family planning

and care for survivors of priestly abuse.

 

My joy only muted by the despair of the faithful

and knowing the stinking thing will rise as before.

Corey Weinstein’s poetry has been published in Vistas and Byways, The New Verse News, Our California 2024, The Ekphrastic Review, Forum (City College of San Francisco), California State Poetry Society, Visitant, Abandoned Mine, Speak Poetry of San Mateo County, California State Poetry Society and Jewish Currents, and he wrote and performed a singspiel called Erased: Babi Yar, the SS and Me.  He has been an advocate for prisoner rights and founded California Prison Focus, and he led the American Public Health Association’s Prison Committee for many years. In his free time, he hosts San Francisco OLLI’s Poetry Interest Group and plays the clarinet in his local jazz band, Tandem, his synagogue choir and woodwind ensembles.

THE TALE OF THE HORSE'S ASS

by Samantha Pious

In times of old (but not so old

as Greece or Rome, nor yet, I’m told,

so recent as the Renaissance)

disaster struck the realm of France:

war with England, war with Flanders,

the king’s own family prone to scandals,

mounting deficits, inflation,

civil strife, unjust taxation,

the summary burning at the stake

of enemies of church and state,

the persecution of the Jews... 

in short, the usual abuse.

But, worst of all, the royal court

was currying favor with—a horse!

This horse’s coat, it’s strange to say,

was neither chestnut, brown, nor bay,

sorrel, black, white, brindled, gray,

nor any color known today

in France or the U. S. of A.

From head to hoof, this horse was orange.

Most people viewed it with abhorrence

but some decided (whether they

grew foolish or were born that way)

to fatten it on oats and hay,

to pander to its every neigh, 

to stroke its coat with brush and comb,

to let it make itself at home 

behind the lofty palace walls,

to clean its hooves, muck out its stall... 

all in the hopes that it would give

its friends a handout. Which it did!

Sporadically, it would provide

good luck in spades. It also lied.
It lied about the coming plague.

It promised it would never raise

our taxes. It would drain the swamp.

With utmost circumstance and pomp,

it would transform mice into men.

The nation would be great again.

Ah, what a gallant, noble steed!

And it was lying through its teeth.

This orange horse (of yellow mane)—

tell us, Muse, what was its name?

Was it Fauvel, the word for “fable”?

Was there a placard for the stable

genius? Come Judgment Day,

when every horse is called to pay

its debts, say, when they sound the trump,

who will be driven by the rump

down to the fiery pits of Hell?

Say, who but Tr——I mean, Fauvel?

Samantha Pious is a poet, translator, editor, and medievalist with a PhD in Comparative Literature from the University of Pennsylvania. "The Tale of the Horse's Ass" is inspired by a  14th-century French and Latin satire, the Roman de Fauvel, which really does feature an orange horse as its anti-hero.

UNTIL FURTHER NOTICE: ASYLUM IS OUT OF STOCK

by Joanne Godley

The United Nations refugee convention of 1951 provides the basis for American asylum laws. Unlike the Trump plan, it does not prevent refugees from traveling through several countries before landing in the United States and seeking asylum. But it does ban signatories to the convention, like the United States, from deporting asylum seekers to countries where their safety is at risk, a process formally known as “refoulement.” —The New York Times, September 14, 2019. Photo: Members of a migrant caravan made up mostly of Hondurans and Cubans resting in the town plaza of Escuintla, Chiapas, Mexico, in April.Credit: Brett Gundlock for The New York Times.

put the word out  on the street    we’re out of asylum         finished      weʻre not stocking asylum this season    there’ll be no safe harbor here    if you were looking for justice / equality / a listening hand / freedom from persecution     we used to carry all those things but no more
asylum was way too popular!     everybody wanted it!   we couldn’t keep it on the shelves    it got out of hand     anyway we won’t be offering asylum under this current management
you ask—is there anywhere  you can go to  get some asylum these days? under the table? you’d pay above market price?  you say  you just want a whiff?  well   you might try our neighbor to the  north—they may have a small amount of vintage asylum  left         i wouldn’t advise trying our southern neighbor    they’re liable to tell you “si, como no    asylum”  then try and  interest you in  some AR-15s smuggled from here to there

Joanne Godley is a practicing physician and poet whose work has appeared in the anthology 50/50: Poems and Translations by Women over Fifty and the Kenyon Review blog. She lives in Maine.

HANUKKAH DEMONSTRATION AGAINST HATE

by Judith Lechner

More than 75 people from the new Hudson Valley chapter of the group Jewish Voice for Peace gathered at Wall and North streets in Uptown Kingston late Wednesday afternoon to demonstrate their solidarity with Muslims and other minority groups. —Kingston (NY) Daily Freeman, December 21, 2016

Candles challenge city lampposts, neon signs, passing headlights.

            A miraculous oil lit the lamps in the Temple.

Crowd’s voices gather strength, shout “Love, not hate, makes America great.”

            Hanukkah candle flames remind us of ancient battle against oppressors.

December night chills hands holding placards of painted candles that tell their story.

            Holy Temple in Jerusalem 170 B.C.

            Greek-Syrian despot Antioch  forbids Jewish worship.

            Sends soldiers to massacre resistors in Land of Israel.

            Invaders erect altar to Zeus defiling the Temple.

            Long struggle led by Judah Maccabee wins back the holy site.

            Only enough oil to purify the Temple for one day.

            A miracle—oil burns for eight days.

Hanukkah is the memory of the rededication of the Temple.

            Purification celebrated by lighting eight candles one a day.

We dedicate ourselves to fighting hate in the temple within.

            Shine light on the persecution of Muslims and Blacks. 

We form a human menorah to display our unity in diversity.

            Lights spell out our message of brotherhood and justice.

Each candle helps illuminate inner darkness, clear hatred from clouded eyes.

             The message of Hanukkah --“a miracle can happen here.”

Judith Lechner—poet, short story and essay writer—has also written 24 nonfiction books for school libraries. Her poetry book The Moon Sings Back appeared in 2011. She is a member of the Goat Hill Poets, a performance group and has won the Green Heron Poetry Prize and Tattoo Haiku contest.