Today's News . . . Today's Poem
The New Verse News
presents politically progressive poetry on current events and topical issues.
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Wednesday, July 01, 2026
SONNETS LEANING LEFT, RIGHT
Tuesday, April 28, 2026
DREDGING
in the manner of Noël Coward, with tinkling piano
Like a blowtorch to asbestos,
The Almighty’s keen to test us
In a way that nearly always entertains.
With a knowing smile He chastens, He
Takes aim at our complacency
To guarantee we won’t turn soft, or vain.
It’s as if, at His own pleasure,
He employed a cosmic dredger,
That was poised at any time to scrape and plow,
Just in case we thought we’d bottomed out,
Had reached bedrock without a doubt,
And were sure it couldn’t get much worse than now.
But there always is tomorrow,
And we’ve found out, to our sorrow,
That the worst can worsen worser than expected.
Take our current situation—it defies amelioration,
Till it seems like God Himself could not correct it.
Oh, we oughtn’t to be scandalized
To find the White House vandalized
By rogues and chancers, plutocrats, and cons,
But this latest iteration boasts a record concentration
Of the sort of scum that floats atop a pond.
With the drone of putrid tweetings
And the endless unhinged bleatings,
It is all enough to render one quite solemn.
It would seem—of course, one never knows—
That to try to keep us on our toes
God’s dredged us up a soul-destroying golem.
He has lies for each occasion
And a list of depredations
That his lackeys all are willing to abet,
And he says he’ll make this country great,
But indicators indicate
That’s not about to happen—(ahem) not quite yet.
As he mocks, maligns, and threatens,
He inspires ranks of cretins
To intimidate their neighbors brown and black.
With their slogans and their marches,
And their swastikas and torches,
They survey what isn’t theirs—and want it back.
They’ve decided that the man next door
And total strangers at the store
And worshippers in temples are their foes,
And that out of all the sundry types
The right to claim the Stars and Stripes
Is theirs alone. How could they? Heaven knows!
In the days of brutes long fallen
Such as Mao Zedong or Stalin,
They at least could cite doctrinal points of view.
They’d explain away atrocity
With political philosophy,
And only do what dogma bade them do
(Or so they claimed).
But compare this clown shambolical,
In his helmet formed of follicles,
Who measures out his neckties by the yard.
He’s possessed of a psychology
So riddled with pathology
That he’s nasty just to make his penis hard.
I don’t hesitate to shame him,
But in truth I do not blame him,
After all, it’s just the way that he was fashioned.
In the manner I was raised, at least,
They said if you can’t praise, at least
Accord that sort your pity and compassion.
He can’t help it if he’s not too bright
And doesn’t read and barely writes
Or hasn’t much to live for but his wealth,
Or that, eyeing his reflection,
It bypasses his detection
That there’s pocket lint where others have a self.
But no similar forbearance
Can we grant to his adherents,
Who’ve forsaken everything they learned from Mother,
And allied themselves with rot and sleaze,
Made governance a foul disease,
And behaved as turncoats even to each other.
Let them proffer no excuses for the insults and abuses
They as cynical enablers heaped upon us,
For the way they cruelly cursed us all
By daring to immerse us all
In something that’s so toxic and dishonest.
They’ve disgraced themselves and me and you,
Their chain-migrated forebears too,
And descendants through the next five generations,
Yet pouring poison down our well
Has not, as far as I can tell,
Inspired in them the least self-condemnation.
So, once God has had His little joke,
What say we take these dreadful folk
And board them on a fleet of little boats,
Where, as they drift for mile on mile,
Without an outlet for their bile,
Eventually they’ll cut each other’s throats?
Let’s carve their names in tuna,
Fly the pieces to Bermuda,
And then stand upon a pier and chuck them in,
Where at depths of many fathoms
We will let the sharks have at them
In the hope we’ll never see those names again.
We, the upstarts who protest today,
Were none of us born yesterday,
And we know, with hist’ry’s lessons well in mind,
That it’s not a liberal fantasy
That crimes against humanity
Quite often sprout from seeds of just this kind.
Be it we who made this thing occur
Or God (or Zeus, if you prefer),
Empow’ring all these wolves in sheeps’ apparel,
There can be no further dredging
Of the sort that I’m alleging,
’Cause we’ve truly reached the bottom of the barrel.
If you lie with dogs, you wake with fleas,
If you lie with germs, you get disease,
If you lie with poison, you’ll pick up the toxin.
It’s a fine, imperfect nation
But it cries for fumigation—
It’s our henhouse, and we’ve gone and let the fox in.
Barry Foy is a musician, song lyricist, and the author of Field Guide to the Irish Music Session and The Devil’s Food Dictionary: A Pioneering Culinary Reference Work Consisting Entirely of Lies. His “Rabbit Story” was selected for Paul Auster’s anthology I Thought My Father Was God, and Mr. Auster read it on NPR. Recent/current/upcoming venues for Foy’s poetry and prose include The Offing, Defenestration, Tough Poets Review, and Syncopation Literary Journal.
Thursday, April 09, 2026
TAXES, SEEN FROM THE MOON
I walked in the woods
today, a spring in my step,
the Great Leader had
stepped back from
his threats
to the sovereign
Republic of X,
and my tax deadline
loomed even clearer;
no more time
to distract with poems,
even this one a lazy
fingering, extracting juice
from the rind of past fears,
raising arms to God
to say thank you
for your intervention.
But what’s ten minutes
to a poet avoiding reckoning
with the IRS? Only ten
minutes to say thanks,
to say I love you and keep
in touch always. Ten minutes
to say tomorrow will come—
it already has—
despite the terrible words
and bombs exploded
until now in the latest
killing fields
of our one Earth
lit by the rising Sun seen
now for the first time
by the Artemis crew,
from the dark side
of the Moon.
Wednesday, April 08, 2026
HINGE DAY
So much needs exercising, soothing for the opening to beyond and next. Where applause for sun reverberates across plains and oceans to replace fumes of exhaust. Even on the balconies of apartments in my hometown. My car hides in the garage to avoid the steep price of gas. I plot where to scatter a bag of saved marigold and zinnia seed. Where mornings come unchallenged by worst-yet shock. When the bully pulpit voice, a vulgar weaving from Greenland to birthright, issues ultimatums that seem to threaten using nukes to resurrect the stone age and abuses the many names we use for god. A cardinal teeters on my fencepost listening to the oven bird.
Wednesday, March 18, 2026
CULTURE (AND OTHER) WARS
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| "God is nonbinary": GOP activates over Talarico’s past comments characterizing him as too radical for Texas —Texas Tribune, March 12, 2026 |
God is non-binary
like a snail, like a worm
maybe a gynandromorph—
half-female, half-sod,
like a Hebrew Character moth,
a real name that asks you to suspend disbelief
in other words—have faith
the clownfish of the skies,
slipping behind enemy lines
a double agent
in the gender wars—
it almost makes me smile
if God exists at all
their gender is the least of it
as men, women, and children
are obliterated, is simple—
Are you even there?
Adele Evershed is a Welsh writer who swapped the Valleys for the American East Coast. A Pushcart-nominated poet, her work has appeared in Poetry Wales, Comstock Review, Literary Mama and Modern Haiku, amongst others. Her poetry includes the collection, Turbulence in Small Spaces (Finishing Line Press) and a forthcoming collection, In the Belly of the Wail (Querencia Press). Her flash fiction includes the three novellas-in-flash Wannabe and
Tuesday, February 24, 2026
ALL IN THE FAMILY
Maybe you wake up cranky again,
and the sun’s unwelcome as ever
through the broken slat in the blinds.
You holler across the hall,
You’ve got to make something of your life.
Then, he hardly stirs when you go to shake him,
but he tells you of his plan to kill you.
There’s no use talking it out.
No coming to some understanding.
He means it this time
Sometimes, I get crazy thoughts myself—
I’m too old for this.
What’s left of my youth
has leached out slow like air from a tire.
How murder is where we come from,
Cain and Abel, the Flood, and then the Golden Calf—
which was only a sign of our shared impatience.
So, you take him to some tangled place
and it all unwinds like a movie,
part of you watching, and part of you
present in a way you’ve never been.
Maybe you’re hoping some voice intervenes.
You’d gladly call it God, if the script requires,
though you’re probably considering the headlines,
the generations to come who might never understand.
Or, perhaps, there is no voice.
and it's just you, come to your senses.
No matter. Chances are he’ll only remember
a trip to the country, just a kid and his dad.
A nice enough day, the story might go,
except for maybe this cheap device
that never would solve anything:
the bleat of another innocent animal,
caught in the brambles, ready or not,
to take our place.
Alan Walowitz is a Contributing Editor at Verse-Virtual, an Online Community Journal of Poetry. His chapbook Exactly Like Love comes from Osedax Press. The Story of the Milkman and Other Poems is available from Truth Serum Press. From Arroyo Seco Press, In the Muddle of the Night, written with poet Betsy Mars. The chapbook The Poems of the Air is from Red Wolf Editions and is free for downloading.


