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Showing posts with label God. Show all posts
Showing posts with label God. Show all posts

Wednesday, July 01, 2026

SONNETS LEANING LEFT, RIGHT

by Olga Livshin


Left-Leaning Sonnet
                           For Maria Gapotchenko

What can we do   WHAT CAN WE DO   We
can hide in a sonnet   Its milky worn 
warmth  You look hot in a sonnet 
Like a baby elephant  Pull the taffeta   

over your eyes  Turn off the news  
How to help from under a word comforter  
Stick out one hand   Poke the nearest sufferer
Hey fellow victim   Hola      Pryvit     How’s it all

hanging   Do you need anything
I know about tragedies  Can I write one about you
Or sing you into the velvet car of my ghazal  
Sell all my books and Venmo you a little sum

I would send a sun      or my hardy son   but 
don’t know  what am I doing   What have I done




Right-Leaning Sonnet

I say you can’t see borders from space  just fat land slices
and blue elixir  He chuckles When did that ever matter 
I say  You make money from different parts of the world
He talks about the history of empire

and dictators cycling like water   I say  Nature 
flits like pixies       Burning Siberian peat
brought Anchorage  soot He says  Sad Not 
your fault Enjoy your short life   I say I am  

enjoying my friendships in Lviv and Kharkiv  and 
want hamsters and parakeets to live on  He replies 
Arrive  Thirty-four years late  Better than never   
Look    The whole planet on your well-chosen plate

Sweet and staring at us both with disbelief
Docile and looking up with brilliant hope


Olga Livshin’s poetry recently appears in Poetry, The Southern Review, and AGNI. She is the author of A Life Replaced: Poems with Translations from Anna Akhmatova and Vladimir Gandelsman (Poets & Traitors Press, 2019) and translator of Today is a Different War by the Ukrainian poet Lyudmyla Khersonska (Arrowsmith Press, 2023). 

Tuesday, April 28, 2026

DREDGING

by Barry Foy

in the manner of Noël Coward, with tinkling piano





Like a blowtorch to asbestos,

The Almighty’s keen to test us

In a way that nearly always entertains.

With a knowing smile He chastens, He

Takes aim at our complacency

To guarantee we won’t turn soft, or vain.

 

It’s as if, at His own pleasure,

He employed a cosmic dredger,

That was poised at any time to scrape and plow,

Just in case we thought we’d bottomed out,

Had reached bedrock without a doubt,

And were sure it couldn’t get much worse than now.

 

But there always is tomorrow,

And we’ve found out, to our sorrow,

That the worst can worsen worser than expected.

Take our current situation—it defies amelioration,

Till it seems like God Himself could not correct it. 

 

Oh, we oughtn’t to be scandalized

To find the White House vandalized

By rogues and chancers, plutocrats, and cons,

But this latest iteration boasts a record concentration 

Of the sort of scum that floats atop a pond.

 

With the drone of putrid tweetings

And the endless unhinged bleatings,

It is all enough to render one quite solemn.

It would seem—of course, one never knows—

That to try to keep us on our toes

God’s dredged us up a soul-destroying golem.

 

He has lies for each occasion

And a list of depredations

That his lackeys all are willing to abet,

And he says he’ll make this country great,

But indicators indicate

That’s not about to happen—(ahem) not quite yet.

 

As he mocks, maligns, and threatens,

He inspires ranks of cretins

To intimidate their neighbors brown and black.

With their slogans and their marches,

And their swastikas and torches,

They survey what isn’t theirs—and want it back.             

 

They’ve decided that the man next door

And total strangers at the store

And worshippers in temples are their foes,

And that out of all the sundry types

The right to claim the Stars and Stripes

Is theirs alone. How could they? Heaven knows!

 

In the days of brutes long fallen

Such as Mao Zedong or Stalin,

They at least could cite doctrinal points of view.

They’d explain away atrocity

With political philosophy,

And only do what dogma bade them do

(Or so they claimed).

 

But compare this clown shambolical,

In his helmet formed of follicles,

Who measures out his neckties by the yard.

He’s possessed of a psychology

So riddled with pathology

That he’s nasty just to make his penis hard. 

 

I don’t hesitate to shame him,

But in truth I do not blame him,

After all, it’s just the way that he was fashioned.

In the manner I was raised, at least,

They said if you can’t praise, at least

Accord that sort your pity and compassion.

 

He can’t help it if he’s not too bright

And doesn’t read and barely writes

Or hasn’t much to live for but his wealth,

Or that, eyeing his reflection,

It bypasses his detection

That there’s pocket lint where others have a self.

 

But no similar forbearance

Can we grant to his adherents,

Who’ve forsaken everything they learned from Mother,

And allied themselves with rot and sleaze,

Made governance a foul disease, 

And behaved as turncoats even to each other.

 

Let them proffer no excuses for the insults and abuses

They as cynical enablers heaped upon us,

For the way they cruelly cursed us all

By daring to immerse us all

In something that’s so toxic and dishonest. 

 

They’ve disgraced themselves and me and you,

Their chain-migrated forebears too,

And descendants through the next five generations,

Yet pouring poison down our well

Has not, as far as I can tell,

Inspired in them the least self-condemnation.

 

So, once God has had His little joke,

What say we take these dreadful folk

And board them on a fleet of little boats,

Where, as they drift for mile on mile,

Without an outlet for their bile, 

Eventually they’ll cut each other’s throats?

                                              

Let’s carve their names in tuna,

Fly the pieces to Bermuda,

And then stand upon a pier and chuck them in,

Where at depths of many fathoms

We will let the sharks have at them

In the hope we’ll never see those names again.

 

We, the upstarts who protest today,

Were none of us born yesterday,

And we know, with hist’ry’s lessons well in mind,

That it’s not a liberal fantasy

That crimes against humanity

Quite often sprout from seeds of just this kind.

 

Be it we who made this thing occur

Or God (or Zeus, if you prefer),

Empow’ring all these wolves in sheeps’ apparel,

There can be no further dredging

Of the sort that I’m alleging,

’Cause we’ve truly reached the bottom of the barrel.

 

If you lie with dogs, you wake with fleas,

If you lie with germs, you get disease,

If you lie with poison, you’ll pick up the toxin.

It’s a fine, imperfect nation

But it cries for fumigation—

It’s our henhouse, and we’ve gone and let the fox in.



Barry Foy is a musician, song lyricist, and the author of Field Guide to the Irish Music Session and The Devil’s Food Dictionary: A Pioneering Culinary Reference Work Consisting Entirely of Lies. His “Rabbit Story” was selected for Paul Auster’s anthology I Thought My Father Was God, and Mr. Auster read it on NPR. Recent/current/upcoming venues for Foy’s poetry and prose include The OffingDefenestrationTough Poets Review, and Syncopation Literary Journal.

Thursday, April 09, 2026

TAXES, SEEN FROM THE MOON

by Indran Amirthanayagam
 




NASA photo


I walked in the woods 

today, a spring in my step,

the Great Leader had

stepped back from 

his threats 


to the sovereign 

Republic of X,

and my tax deadline 

loomed even clearer; 

no more time 


to distract with poems, 

even this one a lazy 

fingering,  extracting juice 

from the rind of past fears, 

raising arms to God 


to say thank you

for your intervention.

But what’s ten minutes 

to a poet avoiding reckoning 

with the IRS?  Only ten 


minutes to say thanks, 

 to say I love you  and keep 

in touch always. Ten minutes 

to say tomorrow will come—

it already has—

 

despite the terrible words

and bombs exploded

until now in the latest 

killing fields 

of our one Earth


lit by the rising Sun seen 

now for the first time 

by the Artemis crew,

from the dark side 

of the Moon. 



Indran Amirthanayagam writes a SubstackHe has just published Isla itinerante ( Editorial Apogeo, Peru, 2025) and White Space Sonnets ( Sarasavi publishers, Sri Lanka, 2025)His other publications include El bosque de deleites fratricidas ( RIL Editores), Seer (Hanging Loose Press),The Runner's Almanac (Spuyten Duyvil), Powèt Nan Pò A: Poet of the Port (Mad Hat), and Ten Thousand Steps Against the Tyrant (Broadstone Books). He is the translator of Kenia Cano’s Animal For The Eyes (Dialogos Books) and Origami: Selected Poems of Manuel Ulacia (Dialogos Books). He edits The Beltway Poetry Quarterly, hosts the Poetry Channel on YouTube, and publishes poetry books with Sara Cahill Marron at Beltway Editions.

Wednesday, April 08, 2026

HINGE DAY

by Tricia Knoll
 
 


So much needs exercising, soothing for the opening to beyond and next. Where applause for sun reverberates across plains and oceans to replace fumes of exhaust. Even on the balconies of apartments in my hometown. My car hides in the garage to avoid the steep price of gas. I plot where to scatter a bag of saved marigold and zinnia seed. Where mornings come unchallenged by worst-yet shock. When the bully pulpit voice, a vulgar weaving from Greenland to birthright, issues ultimatums that seem to threaten using nukes to resurrect the stone age and abuses the many names we use for god. A cardinal teeters on my fencepost listening to the oven bird. 

 
Tricia Knoll’s The Unknown Daughter was a finalist in the 2025 New England Poetry Club chapbook contest. Her poems appear in journals and nine collections, full-length or chapbook. Wild Apples (Fernwood Press) details downsizing and moving 3,000 miles from Oregon to Vermont. After 18 years of working with free verse, she now writes mostly prose poems. Fernwood Press will publish her full-length poetry book, Gathering Marbles, in July 2027. Knoll serves as a Contributing Editor to the online journal Verse Virtual.

Wednesday, March 18, 2026

CULTURE (AND OTHER) WARS

by Adele Evershed


"God is nonbinary": GOP activates over Talarico’s past comments characterizing him as too radical for Texas Texas Tribune, March 12, 2026

 
A fresh-faced politician insisted—

God is non-binary
like a snail, like a worm
maybe a gynandromorph—
half-female, half-sod,
like a Hebrew Character moth,
a real name that asks you to suspend disbelief
in other words—have faith
 
I imagine God—
the clownfish of the skies,
slipping behind enemy lines
a double agent
in the gender wars—
it almost makes me smile
 
But I can’t be bothered with any of this—
if God exists at all
their gender is the least of it

The real question,
as men, women, and children
are obliterated, is simple—

Are you even there?


Adele Evershed is a Welsh writer who swapped the Valleys for the American East Coast. A Pushcart-nominated poet, her work has appeared in Poetry Wales, Comstock Review, Literary Mama and Modern Haiku, amongst others. Her poetry includes the collection, Turbulence in Small Spaces (Finishing Line Press) and a forthcoming collection, In the Belly of the Wail (Querencia Press). Her flash fiction includes the three novellas-in-flash Wannabe and Schooled (Alien Buddha Press) and A History of Hand Thrown Walls (Unsolicited Press).

Tuesday, February 24, 2026

ALL IN THE FAMILY

by Alan Walowitz




Maybe you wake up cranky again, 

and the sun’s unwelcome as ever

through the broken slat in the blinds.

You holler across the hall, 

You’ve got to make something of your life.

Then, he hardly stirs when you go to shake him, 

but he tells you of his plan to kill you.

There’s no use talking it out.

No coming to some understanding.

He means it this time 

 

Sometimes, I get crazy thoughts myself—

I’m too old for this. 

What’s left of my youth

has leached out slow like air from a tire. 

How murder is where we come from, 

Cain and Abel, the Flood, and then the Golden Calf—

which was only a sign of our shared impatience.   

 

So, you take him to some tangled place

and it all unwinds like a movie,

part of you watching, and part of you 

present in a way you’ve never been.

Maybe you’re hoping some voice intervenes.

You’d gladly call it God, if the script requires, 

though you’re probably considering the headlines, 

the generations to come who might never understand. 

Or, perhaps, there is no voice. 

and it's just you, come to your senses. 

 

No matter. Chances are he’ll only remember 

a trip to the country, just a kid and his dad.

A nice enough day, the story might go, 

except for maybe this cheap device

that never would solve anything: 

the bleat of another innocent animal,  

caught in the brambles, ready or not,

to take our place.



Alan Walowitz is a Contributing Editor atVerse-Virtual, an Online Community Journal of Poetry.  His chapbook Exactly Like Love  comes from Osedax Press.   The Story of the Milkman and Other Poems  is available from Truth Serum Press.  From Arroyo Seco Press,  In the Muddle of the Night, written with poet Betsy Mars.  The chapbook The Poems of the Air is from Red Wolf Editions and is free for downloading.