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Showing posts with label park. Show all posts
Showing posts with label park. Show all posts

Thursday, July 30, 2026

PUBLIC TRUST

by Dustin Miller

this morning
a woman walked alone
through the park

early sixties maybe
black mullet
lycra shorts 
cutoff cotton shirt

the sleeves removed
close to the seam

across her chest
in white and red:

TRUST GOD 
NOT GOVERNMENT

i heard instruction
or warning

the path continued
smooth beneath her

trust GOD
not government

sprinklers turned
their measured arcs
across the grass

trust god 
NOT government

a city truck
moved slowly
along the curb

trust god 
not GOVERNMENT

trash emptied
branches cleared
a bench bolted into shade

four words
and already
i had made her unreasonable

given her
the voice
i needed
the shirt to have

i believed the park
proved me right
because i trusted
the government enough
not to see it

the path
the water
the doggy bags
the expectation
that she could walk alone
and keep walking

but the stress was mine

nothing on the shirt
said where
to place the weight

nothing told me
what had failed her
what had held
what god meant
inside her mouth

or whether the shirt meant anything
beyond the shirt

she passed beneath the trees

black cotton gathering
beneath one arm

for several steps
god disappeared

then government

then both returned
with her stride

the path held her weight

she did not thank it


 
Dustin Miller is a Dallas-based poet whose work appears or is forthcoming in Cathexis Northwest Press, Eunoia Review, Jackdaw Review, Audience Askew, Icebreakers Lit, and Wingless Dreamer. His poems explore embodiment, desire, language, queer identity, place, and the systems that shape intimacy.

Friday, December 19, 2025

MASS SHOOTING #8

600 block of Jackson Ave., Muskegon, MI, Dec 6, 2025



by Ron Riekki

“Sure, this world is full of trouble

I ain't said it ain't.”

—Douglas Malloch, “It’s Fine Today”





They say there are 200 different words for snow
in the Sámi language, like the northern Sámi
 
vahtsa, which is new snow on old snow, which
now is the case, driving a rented car on plowed
road, but then turning onto the street of our latest
 
mass shooting in Michigan and instantly it’s
unplowed, so thick with snow that it scrapes
 
the bottom of the vehicle, yet ice on the tires
so that the car swerves back and forth, with
a realization that I can’t stop, so I drive by
 
a house with caution tape lying in snow, but
it doesn’t look like the photos or videos online
 
of where the shooting happened and I wonder
if it’s another incident, especially since this city—
Muskegon, Michigan—has been plagued with
 
a dozen shootings: 9mm and Glock and “AR-
style rifle” and “stolen pistol” and “handguns”
 
and another shooting on the 1400 block of
Gyrock and a “19-year-old has been arraigned”
and nine killed and eleven injured in Muskegon
 
this year alone, a population of 38,000, and it’s
26 degrees with the wind chill, two months since
 
the last mass shooting; and a Democrat online
tells me it’s due to the cold, and someone else
online says it’s due to astrology, wants to know
 
the alignment of the stars, and I stare at the home
I think where the shooting happened, but I can’t
 
stop, the street empty, absolutely nobody outside,
and the house where it happened looks dead, no
lights on inside, but, later, down the street, I see
 
a window with bright white Christmas decorations,
a snow-colored fake tree elegant in the window,
 
and I swing the car around once there’s plowed
road and go down it again, still not able to stop,
still swerving, windows down, the cold frowning
 
into the car, a church nearby unplowed as well
as if no human has been down this street since
 
the shooting, the feel of abandonment, how that
tends to be the feeling of so many of these sites
of shooting, and I stop at a shop, a garage, closed
 
for the night, a large sign saying BLOOD’S all
in red, all in caps, such an odd name for a “front
 
end clinic,” the address 13-something, and
the building bone-colored; getting my bearings,
I drive, looking for anyone to talk to, but all
 
is winter-quiet, a worker stepping out of a back
exit of a restaurant, wiping sweat off his fore-
 
head with his sleeve, his breath visible, and
then, amidst all these closed stores: a liquor
store, how so many of these mass shootings
 
are near liquor stores and churches, parks
and cannabis dispensaries. A 4-year-old
 
was shot at this mass shooting. A 22-year-
old woman and 25-year-old man killed.
A worker throws out piles of cardboard
 
into a dumpster—no recycling—massive
letters of SAM’S DRINK ALL on the store,
 
such a bizarre name, like a command, and
the worker tells me he has no thoughts on
the shooting, doesn’t want to talk about
 
the shooting, doesn’t want me going into
the store, calls and confirms that I am not
 
allowed into the store, but then teenagers
walk into the liquor store and there seems
to be no problem with this. Seeing two
 
children alone in a car, the mother later
emerging from inside. I talk with a 14-
 
year-old who wanders up, says that his
birthday is tomorrow. He’s with a friend.
I ask how we stop gun violence, if they
 
heard about the shooting. They tell me
they know there’ve been shootings. How
 
do we stop them? One of them walks
away, into the store.  The 14-year-old
remains, saying it’s “parenting” and
 
"finances," that “it gets harder every year,”
that people sell drugs to survive. I ask
 
how he’s avoided it: “work and school
and sports.” Football.  Behind him,
the words liquor – beer – wine – lotto.
 
These liquor stores near mass shootings,
always so busy. The 14-year-old goes inside.


Tuesday, February 25, 2025

ROCK CREEK

by Jeremy Nathan Marks

-for Roberta Flack



Today Roberta Flack reunites with Donny Hathaway at a Carter Barron concert among crowds of Washington’s famed cherry trees peeper frogs visiting dignitaries
Marvin Gaye in attendance an alternate inauguration out of doors among glorious birds
Ben Shahn might paint a syrinx chorus oh how the capital creek flows Amanda Gorman
Richard Blanco Robert Frost Maya Angelou read their work
 
I grew up here and I’ve strolled the park with the crows and the deer
watching winter turn to spring  
from far away its song of the public good is still softly killing me
 
Roberta Flack is about as well known among the mandarins in the Maison Blanche
as Richard Wright James Baldwin and Ralph Bunche Emmanuel Macron comes to town
and between correcting facts and straightening records he says France isn’t just a remembrance
of past things like the Somme the Ardennes and Maginot it’s also Nina Simone Josephine Baker
 
I grew up here have often wondered  
where is the love?
not among trees and flowers natives and exotics imperial gifts and the green thumbs
of Lady Birds in our quondam swamp of Camelot the Brain Trust on the Potomac

Rather within those amnesiacs who cannot see what it takes to get to be how great we already are
the ranging octaves and ingenious melodies rhapsody of a people who keep offering everything 
after every betrayal because getting my own means putting it out but as Ms. Flack asked

Compared to what?


Jeremy Nathan Marks lives in the Great Lakes Region of Canada. His latest book is the short fiction collection, Captain's Kismet (Alien Buddha Press, 2025). You can follow him @Sandcounties on Substack.

Monday, April 11, 2022

A TANKA FOR THE TWO PEOPLE KILLED IN KHARKIV BY A RUSSIAN MORTAR SHELL

"A loaf of bread on a park bench, collecting snow. A puddle of blood nearby. Those were the traces of two lives lost this past week, two people killed as they sat sharing a late lunch or an early dinner, or maybe just feeding pigeons. No one seemed to know their names. They died at around 5:30 in the afternoon on Sunday in the southeastern Slobidskyi district of Kharkiv from a mortar strike, residents said, describing the victims as an older woman and a middle-aged man." —Thomas Gibbons-Neff and Natalia Yermak, The New York Times, April 6, 2022. Original photo by Tyler Hicks/The New York Times


Jimmy Pappas is the Zoom moderator for the Poetry Society of New Hampshire.

Wednesday, March 10, 2021

LAST WEEK

by Anton Yakovlev


Photo via Pinterest


There used to be a rocking chair upstairs.
I’d listen to the news. The news was stark:
wildlife repopulating city squares,
containment efforts always off the mark.
Vending machines have long run out of prayers.
Torn passports waft through the uprooted park.
There used to be a rocking chair upstairs.
Last week even the poltergeists went dark.


Anton Yakovlev’s latest chapbook Chronos Dines Alone (SurVision Books, 2018) won the James Tate Poetry Prize. The Last Poet of the Village, a book of translations of poetry by Sergei Yesenin, was published by Sensitive Skin Books in 2019.

Saturday, May 02, 2020

OTHER PLACES WE MIGHT WANT TO DUMP SOME CHICKENSH*T

by Melissa Balmain


The southern Swedish city of Lund spread stinking chicken-manure on the grounds of a central park to discourage a public celebration there on Thursday. It’s traditionally a big festive day among Swedish students and youth. Gustav Lindblad from Lund’s environmental committee told Swedish newspaper Sydsvenskan that “we get the opportunity of fertilising the lawns in the park and, at the same time, it will stink and it may not be so nice to sit and drink beer in the park.” The city says up 30,000 people from different parts of Sweden—mostly students from Lund University—have in previous years gathered to the Stadspark to celebrate Valborg, a spontaneous festival that marks the arrival of spring for Swedes. AFP Photo: Gardener Robert Nilsson gets ready to fertilise lawns in Lund’s Stadsparken park with chicken manure on Thursday.  —The Weekend Australian, May 2, 2020


On beaches and bistros in Fla.
and on barbershops down in the Peach State;
on rib joints in Texas that (wha…?)
soon will be in an easy-to-reach state;
but mostly on anyone who
doesn’t care if his countrymen sicken
for the sake of a Dow point or two,
and tweets sh*t like a flatulent chicken.


Melissa Balmain's poetry and prose have appeared in The American Bystander, The Hopkins Review, Lighten Up Online, McSweeney's, The New Yorker, Poetry Daily, and elsewhere. She edits Light, a journal of light verse.  

Saturday, July 08, 2017

THE SHORES OF BROOKLYN

Saturday July 1, 2017, 3 p.m.

by Tsaurah Litzky


Pier 5 Brooklyn Bridge Park, photo by Etienne Frossard


Seen from my kitchen window, the line in front of Luke’s Lobster
across Water Street (lobster rolls $20 each) is longer than the B25 Bus
weaving its way through the crowd.
Families with strollers, dogs walking their owners, young lovers, old lovers,
people alone eating ice cream cones, legs, legs everywhere legs,
women of all sizes, shapes, ages showing off their knees, at least.
Shorts are in this year. T***p beware! Screw your tweets, your T***p care!
You won’t stop us from strutting our stuff on the shores of Brooklyn,
a big woman in pink short shorts, her thighs jiggling like Jell-O is
escorted by a guy who looks like a young Brando,
I want to cut in, steal her shorts, steal her date,
while behind them four young dudes joke and pass a basketball,
followed by three sweet teen angels in hijabs.
The waterfront is still a free country! Such happiness!
Suddenly! Claps of thunder! Lightening cracks across the river
the heavens open, rain comes pouring down, the crowd scatters,
to huddle under the trees in the park or push into the ShakeShack,
the happiness so quickly shattered!
I already know there are no guarantees of permanence anywhere,
especially in a country that could elect T***p for President,
yet something pulls me to the window, I open it, stick my head out,
in less time than you can say “the land of the free,”
my head is soaking wet but when I breathe in, I smell the sea.


Tsaurah Litzky is a widely published poet who also writes fiction, memoir and commentary. Her poetry collections are Baby On The Water (Long Shot Press) and Cleaning The Duck (Bowery Books). Her most recent poetry chapbooks, Full Lotus: Poems about Yoga and Jerry in the Bardo, were published by NightBallet Press.

Monday, November 14, 2016

THE WEEKEND AFTER

by Katherine Smith





The quiet of the street’s
Unbroken, except for
The intermittent roar

Of leaf-blowers beneath
The maple trees next door,
The sound of aluminum

Bats struck against a ball.
The shouting near the school
Not far from where I live

Grows louder as I walk
Towards it, past the park.
The light this afternoon

Filters through crimson rain
Of walnut leaves to chips
Of bark beneath the slide,

Merry-go-round and swing.
A sheepdog with my Thai
Neighbor passes by, and he

Scoots his dog’s white rump
To mulch beside the curb
So I can pass. In DC

The protests have begun
And a cold front moves
If not through autumn sky,

Quite yet, then through the hearts
That thump within the half
Of us like a blade. I think

Of the writing prompt,
Abandoned for a walk,
That asked us poets to devise

A proper response to one
The history books will call
Winner. But here I pause

To watch a team of girls
At the softball pitch,
A group of dads, who coach

The way to swing a bat.
I contemplate the courage,
Dignity, and grace,

The beauty, human, flawed,
Of course, as all beauty is,
Thrown towards us like a ball

We couldn’t catch.


Katherine Smith’s previous publications include appearances in Poetry, Cincinnati Review, Missouri Review, Ploughshares, Southern Review and many other journals. Her first book Argument by Design (Washington Writers’ Publishing House) appeared in 2003. Her second book Woman Alone on the Mountain (Iris Press) appeared in 2014.

Monday, April 04, 2016

EASTER SUNDAY, 2016, LAHORE, PAKISTAN

by Janet Leahy


It was a beautiful Sunday afternoon and six-year-old Zainab Jamshed could not wait to spend the day at the park with her family. The young girl - the only one in her family - had already arrived in Lahore's Gulshan-i-Iqbal park when a massive suicide bomb went off a few metres from a children's play area, killing her and at least 69 other people. Hundreds were also wounded, and most of the victims were women and children.The attack, which was claimed by a breakaway Taliban faction, Jamaat-ul-Ahrar, was aimed at killing members of Pakistan's Christian minority gathered at the park to celebrate Easter Sunday. However, most of those killed were Muslims - like Zainab. —Aljazeera, March 28, 2016. Photo: Forensic officers look for evidence at the site of a blast that happened outside a public park on Sunday, in Lahore, Pakistan, March 28, 2016. Credit: REUTERS/MOHSIN RAZA
   

After Church on Easter Sunday
families go to the park
children play at the blue fountain,
on the hilly gilly, on the train.

Families at the park
in Lahore Pakistan, children
ride the hilly gilly
parents keep watch.

In Lahore Pakistan
Christian and Muslim children play
parents keep watch, but do not see
the young man padded with explosives.

Christian and Muslim children
wait for a train to ride
explosives detonate
the park runs with blood.

There will be no more trains to ride
the blue fountain
runs red with blood
after church on Easter Sunday.


Janet Leahy lives in New Berlin Wi, she is a member of the Wisconsin Fellowship of Poets. Her work has been published in The Wisconsin Poets’ Calendars, in journals, anthologies, at TheNewVerse.News and other poetry web sites.  She has published two collections of poetry.

Friday, April 10, 2015

EXHIBIT A

by Buff Whitman-Bradley



for Walter Scott, murdered April 4, 2015 by Officer Michael Slager

See the police officer fire eight rounds
Pop! Pop! Pop! Pop!
Pop! Pop! Pop! Pop!
Watch Walter Scott crumple to the earth
See the officer saunter toward the lifeless
Fifty-year-old father of four
With the utmost nonchalance
No evidence of concern or alarm
About the murder he has just committed
Just a little stroll in the park
Just another day at work
Oh look! A body on the ground
Are you alive Mr. Black Body?
Just in case I will handcuff you Mr. Dangerous Black Body
Here is a fellow officer
I will explain to him how you overpowered me
How you wrestled my stun gun away from me
And made me afraid for my life
Where is that stun gun?
Ah yes back there where I fired from
I will bring it here
To place beside you Mr. Black Body
It will be exhibit A


Buff Whitman-Bradley is the author of four books of poetry, b. eagle, poet; The Honey Philosophies; Realpolitik; and When Compasses Grow Old; and the chapbook, Everything Wakes Up! His poetry has appeared in many print and online journals. He is also co-editor, with Cynthia Whitman-Bradley and Sarah Lazare, of the book About Face: Military Resisters Turn Against War.  He has co-produced/directed two documentary films, the award-winning Outside In (with Cynthia Whitman-Bradley) and Por Que Venimos (with the MIRC Film Collective).  He lives in northern California.

Sunday, January 25, 2015

CREATIVE ANACHRONISM

by David Chorlton


The Society for Creative Anachronism is an international organization dedicated to researching and re-creating the arts and skills of pre-17th-century Europe. Members, dressed in clothing of the Middle Ages and Renaissance, attend events which feature tournaments, royal courts, feasts, dancing, various classes & workshops, and more. --SCA


A man who died five minutes back
is standing at the action’s edge
and watching his army regroup
for another charge.
                              The war begins
in February, he says, as pennants
wave in Sunday sunshine
and dust clouds are rising around
the bright warriors
                             in the park. You see
someone in black and red you want
to kill him, that’s how it is. Today
it’s only practice for when
the forces to gather at Queen Creek.
The rules say that if you’re hit
where the armor doesn’t cover,
                                                you die.
See this? He indicates the metal
cut to fit around his upper arm. It’s
a Left Turn sign.
                        From the yellow eagle
on a dark blue shield
to banners in black, colors show who
is on one side and who on the other,
while the plan discovered today
                                                 is for
someone to infiltrate a crowd and stand
next to his enemy, looking so much
like him as to render violence
invisible until
                     the bomb explodes
leaving no chance for the dead
to move away from the action
to touch the Resurrection Pole and be
allowed to fight again.


David Chorlton came to Arizona in 1978 after living in England and Austria. He has spent more than three decades stretched between cultures and writing poetry, the pick of which has just appeared as his Selected Poems, from FutureCycle Press.