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Showing posts with label Christmas. Show all posts
Showing posts with label Christmas. Show all posts

Sunday, May 10, 2026

A TROPHYLESS FIRST

by Carol Parris Krauss




Baby’s first steps. The first words uttered.

First day of school. First day of college.

First day on the job. We rush to each

first with celebration. A race to be won,

a ribbon to break through.

 

Until the first Mother’s Day with no call

after the first Christmas without a mother.

The first time reaching for a name

no one answers anymore. No

Mother. 

 

A First without a trophy. Just 

a series of races no one wants to win.



Ms. Parris Krauss is honored to have published poetry in Louisiana Lit, ൪uartet, the Arkansas Review, Salvation South, Eclectica, One Art, Story South, The South Carolina Review, and the Mid/South Sonnet Anthology, among others. Fernwood Press published her full-length book (Mountain.Memory.Marsh.) in November of 2025. Carol was born in S.C., to mystical mountain people, raised in NC, and attended Clemson University. She currently lives in Virginia with her St. Bernard, Martha June. 

Tuesday, December 30, 2025

FLOOD TIDES

by Adele Evershed


Mystery surrounds the appearance of hundreds of Victorian hobnailed shoes which have washed ashore on a beach. The black leather boots, thought to date back to the 19th Century, were discovered by volunteers cleaning up rock pools on Ogmore By Sea Beach in the Vale of Glamorgan, south Wales. Emma Lamport from the Beach Academy social enterprise which found the shoes said there was speculation locally that they could be from a shipwrecked Italian cargo vessel said to have struck nearby Tusker Rock about 150 years ago. —BBC, December 24, 2025


winter sea
cresting waves
of protest
 
The dregs of December wash up a cobbler’s lot of footwear—Victorian working boots, bloated with salt and hard labor. They’ve made a pilgrimage to Ogmore-by-Sea, walking on water, to reach the wrinkled sand.
Now they rest in rock pools with winkles and sea snails. Some are as black as Dad’s Boxing Day silence, some as tiny as a mermaid’s purse, some baring hobnails like teeth—leather tongues whispering their names to the slack tide.
They came ashore from a ship snagged on Tusker Rock—a floating cargo of tar-dipped ghosts, leaving out shoes for Christmas treats. If this was a kinder time, St Nick would fill them with gold and a life begun again. Instead, they’ll be gathered in sacks, tossed on the rubbish heap like all the other shoeless souls washed up on our beaches, their names known only to the high tide.
 
cold front—

a robin’s song 

crosses the border


Adele Evershed is a Welsh writer who swapped the Valleys for the American East Coast. Her work has appeared in Poetry Wales, Comstock Review, Modern Haiku, Avalon Literary Review, Black Bough Poetry and The New Verse News. She is the author of Turbulence in Small Spaces (Finishing Line Press) and has a forthcoming poetry collection, In the Belly of the Wail, with Querencia Press. She has published three novellas-in-flash— Wannabe and Schooled (Alien Buddha Press), and A History of Hand Thrown Walls (Unsolicited Press). Her short story collection, Suffer/Rage, was released by Dark Myth Publications.

Monday, December 29, 2025

A HOLY TIME OUT

by Robin Stevens Payes

The perfect Christmas for those of us who do not celebrate
has always been a matinee followed by egg rolls and
 
stale fortune cookies cracking open to commemorate 
this year of the wood snake; instead we take up a new tradition
 
setting out on a sunny holy day for cragels and lox

with everything and a heated debate about prediction markets 

substituting for insurance (count me not a fan)
followed by a hike with son and daughter-in-law
 
Me scaling a tree for the first time in maybe five decades—my son guiding 
each foothold, bark scratching palms, dogs barking beneath bare limbs
 
Son practicing shaky handstands on the hilltop’s brown and pebbled dirt
we three for a time feeling as free as our tail-wagging dogs running along the lake 
 
No one needing insurance this once—predictive or otherwise—
thank God or Spirit the Sun the Son or Mary or whoever you pray to
 
to stay healthy young-at-heart and carefree—we claimed it as
a joyous moment to celebrate family and love on this beautiful Earth
 
A sacred break beneath the promising glint of a star—our own 
taking a Holy Time Out from the existential dread of being alive in 2025


Robin Stevens Payes is a Pushcart Prize–nominated poet, storyteller, and cultural steward whose work braids ancestral memory, science, myth, and moral imagination. She is the author of the YA time-travel adventure series Edge of Yesterday and creator of [re]member the world, a multi-genre project retrieving and reweaving the silenced history of her grandmother’s flight from Ukraine’s Pale of Settlement. Her poetry has appeared in The New Verse NewsDawn HorizonsEast Sea BardsMaryland Bards Poetry Reviews, and Reflections. She writes about creative ethics, generational healing, and cultural repair on her Substack, Releasing Memory.

Sunday, December 21, 2025

DROPPING OFF THE NATIVITY

by Tricia Knoll





For the community of Winooski [Vermont], the week following Thanksgiving began with a disturbing absence: a second-grade student’s desk was empty. What followed was a rapid-fire sequence of press releases, emotional pleas, and contradictory reports that have left many Vermonters confused about how a seven-year-old boy went from a holiday road trip to a federal detention center in Texas. —Compass Vermont, December 7, 2025


Handmade of painted paper mâché, the figures of the old nativity scene rest in the tattered box I pick up at the church bazaar for $2. Baby Jesus. A goat. Two men with lambs on their shoulders. Mary. Joseph. Five wise men bearing gifts. Two identical angels hinting this might be a combination from two original sets. A blue angel who cannot stand up. A flimsy barn and dry grass. I leave it on the doorstep where my favorite children live, hoping someone might tell the children the story of outcasts, love and humble housing. How Christmas got its name. Even if they use pagan filters. A text arrives: their house doesn’t do nativity. It’s going to Goodwill. I ask for it back. The news: ICE pulled over a seven-year-old and his mother in Illinois. Originally from Ecuador, they live in the town just upriver from me. The child’s school was the first declared sanctuary school in Vermont. The mother and child are now in detention in Texas. The superintendent of schools works to raise money for legal aid, to help the father contact them. Inside me sounds like sanctuary, mercy, peace, star of hope and love reverberate like the striking of a distant temple bell. 



Tricia Knoll's hometown of Williston, Vermont is the center of ICE's national data collection and the place scouring social media to find evidence of immigrants without citizenship. She is a poet currently writing in prose. Her chapbook The Unknown Daughter was recently a finalist in the New England Poetry Club chapbook contest.

Friday, December 19, 2025

MASS SHOOTING #8

600 block of Jackson Ave., Muskegon, MI, Dec 6, 2025



by Ron Riekki

“Sure, this world is full of trouble

I ain't said it ain't.”

—Douglas Malloch, “It’s Fine Today”





They say there are 200 different words for snow
in the Sámi language, like the northern Sámi
 
vahtsa, which is new snow on old snow, which
now is the case, driving a rented car on plowed
road, but then turning onto the street of our latest
 
mass shooting in Michigan and instantly it’s
unplowed, so thick with snow that it scrapes
 
the bottom of the vehicle, yet ice on the tires
so that the car swerves back and forth, with
a realization that I can’t stop, so I drive by
 
a house with caution tape lying in snow, but
it doesn’t look like the photos or videos online
 
of where the shooting happened and I wonder
if it’s another incident, especially since this city—
Muskegon, Michigan—has been plagued with
 
a dozen shootings: 9mm and Glock and “AR-
style rifle” and “stolen pistol” and “handguns”
 
and another shooting on the 1400 block of
Gyrock and a “19-year-old has been arraigned”
and nine killed and eleven injured in Muskegon
 
this year alone, a population of 38,000, and it’s
26 degrees with the wind chill, two months since
 
the last mass shooting; and a Democrat online
tells me it’s due to the cold, and someone else
online says it’s due to astrology, wants to know
 
the alignment of the stars, and I stare at the home
I think where the shooting happened, but I can’t
 
stop, the street empty, absolutely nobody outside,
and the house where it happened looks dead, no
lights on inside, but, later, down the street, I see
 
a window with bright white Christmas decorations,
a snow-colored fake tree elegant in the window,
 
and I swing the car around once there’s plowed
road and go down it again, still not able to stop,
still swerving, windows down, the cold frowning
 
into the car, a church nearby unplowed as well
as if no human has been down this street since
 
the shooting, the feel of abandonment, how that
tends to be the feeling of so many of these sites
of shooting, and I stop at a shop, a garage, closed
 
for the night, a large sign saying BLOOD’S all
in red, all in caps, such an odd name for a “front
 
end clinic,” the address 13-something, and
the building bone-colored; getting my bearings,
I drive, looking for anyone to talk to, but all
 
is winter-quiet, a worker stepping out of a back
exit of a restaurant, wiping sweat off his fore-
 
head with his sleeve, his breath visible, and
then, amidst all these closed stores: a liquor
store, how so many of these mass shootings
 
are near liquor stores and churches, parks
and cannabis dispensaries. A 4-year-old
 
was shot at this mass shooting. A 22-year-
old woman and 25-year-old man killed.
A worker throws out piles of cardboard
 
into a dumpster—no recycling—massive
letters of SAM’S DRINK ALL on the store,
 
such a bizarre name, like a command, and
the worker tells me he has no thoughts on
the shooting, doesn’t want to talk about
 
the shooting, doesn’t want me going into
the store, calls and confirms that I am not
 
allowed into the store, but then teenagers
walk into the liquor store and there seems
to be no problem with this. Seeing two
 
children alone in a car, the mother later
emerging from inside. I talk with a 14-
 
year-old who wanders up, says that his
birthday is tomorrow. He’s with a friend.
I ask how we stop gun violence, if they
 
heard about the shooting. They tell me
they know there’ve been shootings. How
 
do we stop them? One of them walks
away, into the store.  The 14-year-old
remains, saying it’s “parenting” and
 
"finances," that “it gets harder every year,”
that people sell drugs to survive. I ask
 
how he’s avoided it: “work and school
and sports.” Football.  Behind him,
the words liquor – beer – wine – lotto.
 
These liquor stores near mass shootings,
always so busy. The 14-year-old goes inside.


Friday, December 05, 2025

HUNTING SEASON

by Alessandra Foster


AI-generated graphic by NightCafé for The New Verse News.


It starts around Thanksgiving, 

a feast of treats

focused on the corpse

of a large dead bird 

who's been gutted, re-filled, roasted.

No thanks there.

Meanwhile, fleet-footed deer

frantic and fearful,

run for dear life

across roads, across farms,

through woods,

without their normal caution,

sometimes tricked and tempted, 

stilled long enough to be killed

by a human with a gun.

Or a car with blinding lights.

So much beauty to be grateful for,

so much thriving diverse life to be part of, 

yet we offer up gratitude for the deaths

of fellow creatures who might, like us,

be thankful just to be alive.

 

Soon we segue to Peace on Earth,

greeting card words that aren't for real.

Not while our hearts and minds,

right here, right now, right at home, 

every day, every holiday,

accept violence and killing as normal, 

as celebration,

as having no season.

 

 

Author’s note: There are environments too harsh, and/or humans too poor, to sustain a non-violent diet. They may need to hunt or fish or farm a couple of domestic animals in order to survive. This poem is not for them.



Alessandra Foster - lifelong and long-lived reader and writer of poetry. Forty-three year vegan. Published: The New Verse News, Literary Veganism, Verse-Virtual, Moss Piglet, Rat's Ass Review.

Friday, January 17, 2025

ANITA BRYANT’S LAST CHRISTMAS WISH

by Chad Parenteau




The problem with wishes 

is that anyone can make them.

On her last day alive, she 

proclaims, I want the world

to become an orange, with skin

so hard nobody can access its

golden treasures by way of bit, 

blade or begging. A hard swallow.

She continues. But before that, 

a pie! I want a pie to strike 

this nation with a crust of fire

and a filling of ice. And every

child of God who ever stopped 

calling or writing their righteous

mothers will finally feel shame

we could never teach

A final gasp. And let my last

words before joining an eternal

choir of praise in paradise 

be a whisper in God’s ear, 

a show of appreciation and 

word of advice to His design.

With that, her soul departs so fast

it would have knocked Jesus’ 

family aside on their way to Egypt.

Then in the morning, from 

Christmas to New Year’s and

beyond, the grave dancers guild

develops restless leg syndrome,

kicking under tables and blankets,

unaware they’re missing their number.



Chad Parenteau hosts Boston’s long-running Stone Soup Poetry series. His work has appeared in journals such as Résonancee, Molecule, Ibbetson Street, Pocket Lint, Cape Cod Poetry Review, Tell-Tale Inklings, Off The Coast, The Skinny Poetry Journal, Crossroads, dadakuku, Nixes Mate Review and The Ugly Monster. He has also been published in anthologies such as French Connections, Sounds of Wind, Reimagine America, and The Vagabond Lunar Collection. His newest collections are All's Well Isn't You and Cant Republic: Erasures and Blackouts. He serves as Associate Editor of the online journal Oddball Magazine and co-organizer of the annual Boston Poetry Marathon. He lives and works in Boston.

Wednesday, December 25, 2024

CHRISTMAS EVE: NEARING MIDNIGHT IN NEW YORK

by Langston Hughes 




The Christmas trees are almost all sold
And the ones that are left go cheap
The children almost all over town
Have almost gone to sleep.
The skyscraper lights on Christmas Eve
Have almost all gone out
There’s very little traffic
Almost no one about.
Our town’s almost as quiet
As Bethlehem must have been
Before a sudden angel chorus
Sang PEACE ON EARTH
GOOD WILL TO MEN!
Our old Statue of Liberty
Looks down almost with a smile
As the Island of Manhattan
Awaits the morning of the Child.


Langston Hughes (February 1, 1901 – May 22, 1967) was an American poet, social activist, novelist, playwright, and columnist. One of the earliest innovators of the literary art form called jazz poetry, Hughes is best known as a leader of the Harlem Renaissance. Hughes wrote “Christmas Eve: Nearing Midnight in New York” in 1914.

Tuesday, December 24, 2024

BLESS

an abecedarian
by Susan Vespoli


Photo source: DeMilked


Holiday depression feels a lot like regular depression, but it’s triggered by the onset of holidays, holiday get-togethers, large family gatherings, and attending or hosting social events. Holiday depression is similar to “winter blues,” but it may come and go in quick bursts as one event ends and another begins, or it can linger for the days or weeks leading up to and beyond the holiday season. —Cleveland Clinic, December 13, 2023


all the shiny
baubles and brouhaha of
Christmas. Seasonal
depression. Air-filled
enormous plastic Santas bobbing 
front yards. Fairy lights
glittering rooftops. Guy in tight 
holiday pants, knit like a sweater,
in Safeway.
Jubilant crimson poinsettias. My daughter
Kate hospitalized again. Oh,
let it work this time, I hear
myself beseech the sky.

“No,” the
omnipotent ozone replies,
“power.” Oh yeah. Powerlessness. 

Quiet morning sun
rises, turns navy gray into orange
sherbet. I
tilt my head back and there
undulates a 
vibration of grackles 
waving and wafting like winged
eXclamation points, black dots
yodeling squawks, pepper grinder of
zest that, in unison, settle on an electrical wire like musical notes.


Susan Vespoli writes from Phoenix, AZ and believes in the power of writing to stay sane. Her work has been published in The New Verse News, Anti-Heroin Chic, ONE ART, Gyroscope Review, Rattle, and other cool spots.

Wednesday, December 18, 2024

BABY JESUS ON A KEFFIYEH

by Catherine Gonick




Beyond the manger sounds the roar—of politics,

revisionist history, replacement theology. Of

Palestinian identity and Jewish. Pogroms,

resistance, genocide. Cultural heritage, 

21st century swastika. Hope, love, and peace

to an overheated world. What the Pope

really meant. What it means when Christmas

coincides with the first day of Chanukah.

 

As a baby, Jesus can’t yet speak about symbols

or freedom of the artist. And no one mentions

on His behalf that to children, parents, even if one

of them is God, are only accidents of fate.

No child asks to be born or arrives knowing

its name. All are divine. The rest is learned.



Catherine Gonick has published poetry in a wide range of journals, including The New Verse News, Notre Dame Review, Beltway Poetry Quarterly, and The Orchards Poetry Journal, and in anthologies including Support Ukraine, in plein air, and Rumors, Secrets and Lies: Poems about Pregnancy, Abortion and Choice. She works in a business that seeks to lower the rate of global warming.

Saturday, December 14, 2024

DECEMBER 2024

a Golden Shovel poem based on a line from Wendell Berry’s “Sabbaths 2005 I”

by Joanne Kennedy Frazer



distressed     appalled     by all    this

     i set alight    the Christmas Candle

       illumine my soul    against

darkness of hatred    of evil      that the

          culture      carries in the wind


Joanne Kennedy Frazer is a retired peace and justice director and educator for faith-based organizations. She began writing in her early 70s, and has now been published more than 80 times in anthologies, on-line zines, and magazines. Five poems have been turned into a song cycle titled Resistance by composer Steven Luksan and performed in Seattle and Durham. Her latest chapbook Seasonings (Kelsay Books) was nominated for the Eric Hoffer Book Award. She lives in Raleigh, NC.

Wednesday, January 31, 2024

WHAT I WANTED AND WHAT I GOT

by Susan Vespoli
I wanted my son back. 
I wanted the cop who shot him 
to be held accountable. I wanted my son 
to be standing here wearing his Pure-Heart 
t-shirt, handing out food boxes. I wanted him 
to ask for more light clothes for Christmas,
more white socks because he believed light colors 
would help him stay clean. I wanted another cross
for him to carry—mosaic-ed in fractured glass—
another coffee date at Starbucks, another tour 
of his apartment furnished with found lamps 
and a found statue of a bear holding a fish 
that says “Welcome.” I wanted his voice
saying “I love you, Mom,” his fingers 
texting me photos of geese and cats 
and quail eggs laid in a ceramic swan.

What I got was a wrongful death lawsuit, 
a deposition where I was shamed and blamed 
by an eye-rolling smirking bitch of a City 
of Phoenix lawyer who mocked my 12-step beliefs, 
asking sarcastically,     “Did it help?”    
I got my Facebook account invaded by the cop’s 
legal team, two of my poetry books used as evidence 
against my son. I got a gag order—no more speaking 
about or publishing poems about the loss or the case, 
two canceled poetry readings. I got a t-shirt that says: 
“Make art in the face of fuck.” I got the face of fuck. 
I got a pen and more notebooks because the cop’s lawyers 
confiscated my journals and I write anyway and I write anyway 
and I still believe good will prevail. Still believe the spirit of Adam 
stands among us, that his words “I think god has another plan for my life”
will ring and ring and crack the wrecking ball of the cops’ denial 
and out of the shatter—will glow my son’s smile, his essence, his light.


Author’s Note by Susan Vespoli: City of Phoenix is squirming about the upcoming results of the DOJ’s two-year investigation into their use of excessive force, high number of police killings, and unfair treatment of the homeless. The City claims they don’t need oversight. I, as the mother of an unarmed man shot and killed by police on March 12, 2022, shout: “YES. THEY. DO.”


Editor’s Note: The New Verse News has published a number of the poems written by Susan Vespoli in the aftermath of the killing by Phoenix police of her son Adam:   "Before I Knew Adam Had Died,”  "My Ex-Husband Calls… ,"   … In Reverse,” “I Am Finally Handed… ,” “Under Investigation… ,” “Dear 2022,” Poem for My Middle Finger,” Dear Gag Order,”

Monday, December 25, 2023

WAR AT CHRISTMAS

by Sally Zakariya


The Rev. Munther Isaac in front of the Nativity scene at Evangelical Lutheran Christmas Church in Bethlehem. Using broken cement and paving stones, the Congregation placed the baby Jesus in the center of a pile of debris from a collapsed home, inspired by television images of children being pulled from the rubble, Issac says. Photo: Ayman Oghanna for NPR.



The poinsettia sits on the bookcase

in front of an old Japanese print—

a battle scene that features

the rising sun flag

 

The circle of blood-red petals

echoes the bursting rays

of the sun

 

Something’s going on here

that isn’t much like 

Christmas

 

In Bethlehem they’re observing

the day, not celebrating it—

not while thousands are dying

in Gaza with no cease fire 

in sight

 

A silent night with no bombs

would be a blessing but 

the bombs rain down

and the children cry

 

Let us hope for a happier

peaceful New Year


 

Sally Zakariya’s poetry has appeared in some 100 publications and been nominated for the Pushcart Prize. Her publications include All Alive Together, Something Like a Life, Muslim Wife, The Unknowable Mystery of Other People, Personal Astronomy, and When You Escape. She edited and designed a poetry anthology, Joys of the Table, and blogs at www.butdoesitrhyme.com.