BABY JESUS ON A KEFFIYEH

by Catherine Gonick

Beyond the manger sounds the roar—of politics,

revisionist history, replacement theology. Of

Palestinian identity and Jewish. Pogroms,

resistance, genocide. Cultural heritage, 

21st century swastika. Hope, love, and peace

to an overheated world. What the Pope

really meant. What it means when Christmas

coincides with the first day of Chanukah.

 

As a baby, Jesus can’t yet speak about symbols

or freedom of the artist. And no one mentions

on His behalf that to children, parents, even if one

of them is God, are only accidents of fate.

No child asks to be born or arrives knowing

its name. All are divine. The rest is learned.

Catherine Gonick has published poetry in a wide range of journals, including The New Verse News, Notre Dame Review, Beltway Poetry Quarterly, and The Orchards Poetry Journal, and in anthologies including Support Ukraine, in plein air, and Rumors, Secrets and Lies: Poems about Pregnancy, Abortion and Choice. She works in a business that seeks to lower the rate of global warming.

TALKING ABOUT TREES

by Bonnie Naradzay

The Great Conjunction of 2020 will brighten the darkest day of the year as the two giant planets of our solar system draw closer together in the night sky than they have been in centuries. By chance, the day that Jupiter and Saturn will appear closest for Earth-based stargazers is Dec. 21, the winter solstice, which is the longest night of the year in the northern hemisphere. Photo: The galactic core area of the Milky Way over Maskinonge Pond in Waterton Lakes National Park, Alberta on July 14, 2020. Jupiter is the bright object at left, with Saturn dimmer to the left (east) of Jupiter.Alan Dyer / Universal Images Group via Getty Images file via NBC, December 9, 2020.

What kind of times are they, when

A talk about trees is almost a crime

Because it implies silence about so many horrors?                       

—Bertolt Brecht, “To those Born Later”

 

Thin ice limned the pond early this morning

and a slick of frost dazzled the green fields

yet pink blossoms still drifted across a few limbs

of the lone ornamental cherry tree.

In the slant of sun, the great blue heron stood

knee deep in water, and ducks have returned

among reflected shapes of pondside trees – 

bare branches outstretched like hands of penitents.

I have been arguing all evening with my friend

via email about Odysseus. He says Odysseus 

could have built that raft any time he wanted 

to escape from Calypso’s island, but I say not until

Athena persuaded Zeus to send Hermes down.  

I see Odysseus down by the seashore, weeping there,

as the great hexameters roll out in the receding waves.

Then we spar about the Suitors. They must be killed, 

he says, for their conspiracy. I ask, what about diplomacy?  

(It is Advent. The people are armed for insurrections here, 

spouting obscenities. “Sir, have you no sense of decency,” 

someone finally asked McCarthy, not so long ago.)  

My friend mentions Thersites. He has me there.

Jesus healed the blind man and asked him what he saw.

He said, “I see men like trees walking.”

Tonight I see two planets grow closer in the night sky.

(I have grown numb about the latest attacks

on civility.) Priam came for Hector’s body 

in the dead of night. Achilles welcomed him

and stopped the war for Hector’s funeral rites.

Recently I read about the Christmas truce in World War I

for the burial of the dead. Someone brought lights.

Yes, there will also be singing. About the dark times.

       

Bonnie Naradzay's recent poems are in AGNI, the American Journal of Poetry, New Letters (Pushcart nomination), RHINO, Tar River Poetry, EPOCH, Tampa Review, Kenyon Review Online, Potomac Review, Xavier Review, and One Magazine. For many years she has led poetry workshops at a day shelter for the homeless and at a retirement center, both in Washington, DC.                                          

ADVENT

by Buff Whitman-Bradley

for Nina Ciel Norgeot

Soon again
The baby will be born
The angels will sing
The shepherds
Grateful for the distraction
On a cold uneventful night
Will visit the poor family
In the stable
The magi will observe
An astronomical anomaly
Pack up their camels
And head toward its light
And we will be reminded once more
Of the news we so easily and often forget
That every newborn child
Redeems our ruined world

Buff Whitman-Bradley's poetry has appeared in many print and online journals, including Atlanta Review, Bryant Literary Review, Concho River Review, Crannog, december, Hawai'i Review, Pinyon, Rockhurst Review, Solstice, Third Wednesday and others. He has published several collections of poems, most recently, To Get Our Bearings in this Wheeling World. His interviews with soldiers who refused to fight in Iraq and Afghanistan became the book About Face: Military Resisters Turn Against War. He lives in northern California with his wife Cynthia.

THE CANDLE OF PEACE -- ADVENT II

by Marc Janssen




Violent economy, pays: blood -- storms --
While the high school choir sings of peace on earth.
In the street standing, hands raised, “Don’t shoot”
While the high school choir sings of peace on earth.
On TV hostile faces express “views”
While the high school choir sings of peace on earth.
Oh Henry, it has been a long long time,
And hate still mocks the song of peace on earth.
The violence of our days, fear in our nights,
Pleads for peace on earth good will to men.


Marc Janssen grew up in the State of Jefferson, educated in Southern California and currently resides in Oregon. Janssen is a former copywriter and marketer who now works as a bureaucrat. He is regularly published in journals and magazines such as The New Verse News, Off the Coast, The Ottawa Arts Review, Cirque Journal, Vine Leaves and in anthologies including Manifest West and The Northern California Perspective. 

DECEMBER ONCE AGAIN

by Diana Woodcock

"Jazz Beat" painting by Debra Hurd

What can I write to shed light
on this dark December night?
A Connecticut town grieves for
twenty-six dead—victims of the latest
school shooting.  Tibetans are setting
themselves on fire for freedom,
ninety-five since February, 2009.
Listening to musicians walking the bass,
feathering the line, I let the blues take me,
wrap me in the Great Mystery.

All are one, meant to sing and sway
together, to love.  The blues is all about
love, longing, loss, listening,
improvising, sharing our stories and
struggles, recognizing each other
as sister and brother.

Look into the faces around you
moved by music—see how they
seem familiar?  What better way
to pray for justice, an end to violence,
than to sway to the swing of jazz?

A Pakistani girl shot in the head
because the Taliban cannot understand
her hunger and yearning for higher
learning; they do not recognize
she is their sister.  Let the blues take me.
shape my prayer for peace, lead me
to transcend nihilism, alienation.

Listening to the blues, to the sounds of
migrant workers in this oil-rich desert town.
Thinking about blood diamonds,
underground railroads, women and girls
sold into the sex trade.

This is Advent season, time
for preparing for the light.
Long dark December nights.
Listen to the blues.  Gaza.  Aleppo.
Keep listening.  The call to prayer
mid-day, the mosque.  Revisionist
Zionist leaders.  Jihad.  Refugees.
Cambodian children amputees
still playing among landmines.

Dear jazz drummer, please
keep feathering the line.


Diana Woodcock’s first full-length collection, Swaying on the Elephant’s Shoulders—nominated for a Kate Tufts Discovery Award—won the 2010 Vernice Quebodeaux International Poetry Prize for Women and was published by Little Red Tree Publishing in 2011.  Her chapbooks are In the Shade of the Sidra Tree (Finishing Line Press), Mandala (Foothills Publishing), and Travels of a Gwai Lo—the title poem of which was nominated for a Pushcart Prize.  She has been teaching at Virginia Commonwealth University in Qatar since 2004.  Prior to that, she lived and worked in Tibet, Macau and Thailand.