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Showing posts with label action. Show all posts
Showing posts with label action. Show all posts

Tuesday, August 18, 2026

FOLLOW ME

by Ron Riekki




Protest #2—Stone School Bridge, Ann Arbor, MI, August 14, 2026 (approximate number of protestors: 20)


“Two roads diverged”

—Robert Frost,

“The Road Not Taken”



When I got home, I realized I was having my first serious headache in a long while.

I stood on the bridge, staring at the cars going by on the freeway, a break from the conversations where we were yelling to communicate.

I stood counting the number of vehicles that were beeping.

Out of the first fifty, none beeped.

The second fifty, sixteen.

The average car gave about three beeps.

They were doing this for the beeps.

Of course, more than that, but also the beeps.

About six or seven cars out of a hundred beeped.

Mostly, because they were driving seventy-some miles per hour, with cars all around.

They had signs taped up to the bridge’s fence.

Plenty of them:

JAIL TRUMP 25TH NOW

We the people RESIST

SHE HASN’T SHUT THE HECK UP FOR 3 DAYS

DEFEND DEMOCRACY LINCOLN SQUARE

HAIL NO Los Alamos Data Center

HUMAN NEEDS NOT WAR & GREED

Some of the signs not even facing the drivers, but facing them, like reminders of why they’re there.

I can’t imagine the drivers actually being able to read the signs.


But it’s not about the signs.

It’s about the presence of people, seeing people on a bridge, knowing they’re protestors, even if you have no idea what they’re protesting.

Protesting isn’t protesting—

the way I’ve gone to church and realized church isn’t church.

Sometimes it’s networking, sometimes it’s singing, sometimes it’s duty, sometimes it’s because a person you’d like to date is there, sometimes guilt, sometimes longing for God, sometimes because your Mom made you.

A hundred reasons.  More.

It’s the same here.

I ask people why they’re here and they talk about:

data centers and Trump and trans rights and the complexities of the prison-industrial complex and class issues and there’s no brand no slogan no capitalistic approach to the protest.

The protest is just a protest,

a quiet (very loud) protest.

I get pointed to Sandy, quickly, in her yellow vest, her READ BOOKS. WALK DOGS. FIGHT FASCISTS. ballcap.

She’s been doing this weekly since February 2025, the lead organizer, when “terrible things started” and she predicted “a lot of bad stuff to come.”

I take her to the side of the bridge, the end of the fence, where she says, “That’s enough,” not wanting to go further, not trusting me.

Not trusting runs through the group.

One wears a body cam, “in case.”

They wear dark sunglasses.

Two self-appointed guards watch the cars where they’re parked;

they tell me of five, six of the cars having their tires slashed one time, discovered when they got done, the sun down, telling me of how hard it is when you’re tired, realize you can’t drive, have to wait for multiple tow trucks.

They never caught the person, worries they’ll return.


They tell me of a car swerving towards them.

Talking to the two car-guards, a car goes by and the passenger in back leans out the window, half of his body outside the car, and screams, quick, the feel like it was done to frighten.

There’s a lot of what SNL comedian Michael Che calls “white jogging,” shirtless tan men who run by as if the protest is just people standing in line.

Quite a few black people walk by, none participating in the protest.

It’s a very white protest, an elderly leaning protest, peaceful, non-confrontational, on the outskirts of Ann Arbor.

Sandy tells me 14,000 to 15,000 cars pass by when they do this

I-95.

Sandy tells me their messages change every week.

Last week it was: Michigan is not for sale.

She focuses on class issues,

is relaxed, very, like she’s home, a very noisy home.

She tells me “460 bridges are doing the same thing right now” as part of the Visibility Brigade.

Even if the visibility is a driver seeing them for a split-second.

But that visibility, based on the numbers Sandy gives, means 6 to 7 million cars are seeing these people on these bridges.

“We’re not in anybody’s way,” Sandy says.

I ask if protests are about getting in people’s way, if that’s the point.

“I chose this bridge,” she says, for safety, the roadway separated from the trail for joggers, for protestors.

She says it’s a joint protest, with their presence, and the motorists joining in with “honking and waving.”

I see no waves in the hundred cars I watched, but honking, yes, the semis like sperm whales, the loudest animal on Earth, 230 decibels.

I have no idea how the protestors stay there longer than a few minutes.


For Sandy, it’s a commitment to “get the money out of politics.”

And a despair.

But where “the antidote to despair is action,”

admits she’s not sure where she’s getting the quote from,

the internet insisting it’s Joan Baez.

It’s female-led, this protest.

Multiple grandmotherly types smile at me, welcoming.

They don’t talk to me, due to the inability to speak over the engine after engine after engine, as if America is all gas and metal and oil.

I yell to Landon, a red-haired, laid back, calm man who tells me he’s “on vacation.”

I ask why he’d go to a protest when on vacation.

He yells back that he can’t stand MAGA, that “it’s a cult, it’s a cult!”

adds, “I’m not part of the cult!”

He’s an Ohioan, tells me about the protests down there.

I’m surprised at how laid back everyone is, positive, focused.

I ask Landon if he ever gets exhausted from breathing in all the exhaust, but he just shakes his head no, something monk-like about him, in all the positive ways you think of monks.

I go to leave, the traffic fading fast behind me,

the liminal point between concrete and forest off to the side,

this infinity of reasons why each person is here,

the mix of messages,

and the strong need to connect.


I talk with Gordon, body cammed, but the conversation goes nowhere, mostly because it’s all being recorded, not as open as Sandy, him dressed in police blue.

I go to leave, feeling content.

I can be a bit anti-protest sometimes.

It comes from living in Berkeley, memories of seeing bloody footprints after one of the protests, a streetlight corpsed in the road, a bank I disliked with windows shattered, walking by at one point when a person walked up and put their megaphone to my ear, screaming into it, realizing, later, that, oh, I’d forgotten I’d been wearing an American flag T-shirt and got mistaken for a Trump supporter, but the tinnitus making me a bit angry at the aggression, people I saw, on both sides, who were there to fight, in my opinion, stories of skinheads trucking down from northern California solely for the purpose to confront.

But every single one of the protestors here was focused on getting semis to honk,

the way I used to do as a kid,

there for support,

to support,

more than to protest,

to be unified.

I respected that.

I was just about to leave, when I figured I’d chat with the two car-guards, one final talk.

They reminded me of Through the Looking-Glass characters, a bit of Jeff Daniels’ behavior, 2014-era, to them, standing side by side, one wearing two walkie-talkies that I had as a child,

the two having, comically, the same stance.

I told them I understood their presence now, the vandalism.

One of them implied that’s what conservatives do—vandalize.

We gabbed.

I acted as a devil’s advocate, asking if Democrats and Republicans need to work together, not treat each other as binary opposites.

Asked if it might be time better spent to get involved in politics for actual change rather than just collectively standing on a bridge.

You could feel the discomfort growing.


I’m someone who can be convinced,

always looking for logic, for counterargument,

like to do point counterpoint,

to learn,

to see new ways of viewing things,

but the questions just aggravated.

Maybe it was that it was two-against-one,

maybe it was that they do see things as binary,

that questioning means opposition

and not enquiry.

I told them everyone seems to be here for different reasons,

asked why they were here,

and the conversation turned to their concern of U of M stopping any help for transgender transition.

I scribbled fast, asking if that’s true.

I was shocked, asked their names.

One told me she’d be angry if she was quoted directly.

I won’t quote her directly,

won’t name her.

I pushed for more information that the university medical was banning transgender medical assistance.

Then she changed it to that it applied to under 18 only.


A big difference.

They didn’t see it as a big difference.

I asked how young someone should be able to transition.

And one said,

“We’re done.”

Said they’d say no more,

the interview was over.

Same thing as happened to me at protest 1.

I keep thinking protestors are there to discuss,

that I wanted to learn,

wanted to hear perspective.

She said, “Come on, follow me,” and walked away.

The other one followed.

I thought protesters would fight for what they believe in, would be OK with being questioned, would actually even be able to expand the way I looked at something, give me ammunition that would help me fall even more strongly on their side.

I walked to my car, looked at the tires, all fine.

Every protest is different.

Every protestor is different.

But there’s a strong need I felt there from them to belong,

to connect,

to follow.





Saturday, August 08, 2026

FIRE THIS TIME

by Gary Lark


AI-generated graphic by Shutterstock for The New Verse News.


This time 
this time
like any other time
like no other time
our time.

Now I understand,
we’re disposable.
After a long life,
tasting the wind 
from all directions
I get it.

Fires in Europe,
Canadian forests ablaze,
drought and floods,
we reach into the night
asking consciousness to save us.
The great beast of us
wheels and turns
desire in every hand.

Exploit and plunder marches on.
We could have,
we should have done something yesterday.
I know, I know
it will be different this time.

If I were a giant, I might pick up Congress
and shake it until the rats fall out
but I wouldn’t mess 
with the janitors and secretaries.

I go to the river in the evening
to watch it flow through town.
I don’t want to drink it
but I do.


Gary Lark’s most recent collections are “Coming Down the Mountain,” “Easter Creek,” and “Daybreak on the Water,” His work has appeared in Beloit Poetry Journal, Catamaran, and Rattle. Gary and his wife Dorothy live in Oregon's Rogue Valley.

Saturday, November 11, 2023

NAPTIME ON A HOT OCTOBER AFTERNOON

by Buff Whitman-Bradley




These days we ask ourselves
If the weather we are experiencing
Is typical of the month and season
But we can no longer remember
What is normal
And what is extraordinary.

For example,
Is it usual for an afternoon
In late October
To be a cloudless 90 degrees?
Maybe not,
Yet I seem to remember 
Sweltering on after-lunch yard duty
In the days leading up to Halloween
When I was a kindergarten teacher
Back in the 1990’s.
But in “Big Time”
Thirty years is just a fraction of a nanosecond ago
So what does that prove
One way or another? 
.
Besides, we know what’s up,
We don’t need to ask.
We are cooking the biome
With carbon
And there seems to be so little will
In high places
To turn down the heat
That we could sauté the whole planet
In a couple of generations.

Plenty of people know this.
Plenty of people are banding together
To protest, to disrupt, 
To go mano a mano
With the perpetrators.
But it is a massive undertaking
And who knows if plenty will be enough?

The little dog and I are lying on the bed
Not discussing any of this
As we look out the window
Watching yellow leaves
Detach themselves from branches
And drift slowly downward
Through the honeyed autumnal light
As they always do
This time of year. 


Buff Whitman-Bradley’s latest book is And What Will We Sing? (Kelsay Books). He podcasts at thirdactpoems.podbean.com and lives with his wife Cynthia in northern California.

Friday, September 25, 2020

THE WAY PAVER

by Nan Ottenritter


“The Four Justices” by Nelson Shanks at the National Portrait Gallery.


for Ruth Bader Ginsburg

She liked to be inclusive,
provide comfort for everyone,
this woman-loved-by-most
who accomplished-so-much.

She preferred to say way paver over
pioneer-champion-prophet-ballbuster-
activist-change-maker-hero-leader
and I think I know why.

A way paver does not part waters;
she lays paver after paver for the journey ahead.
A way paver does not construct guardrails
but provides traction, focused action.

A way paver builds upon those before,
celebrates those after, serves tea along the way.
And when her journey ends, we sip our warmth,
thankful for this paver’s way. 


Nan Ottenritter is a poet and musician who lives in Richmond, VA.

Thursday, June 25, 2020

THIS IS NO TIME FOR SILENCE

by Katherine West




It is time to get up and do something
Time to make a flag and wave it
Not a banner of boundaries, not that tired old striped thing
Maybe an aspen sapling against a pure sky, lit

From above so it seems to pray
Maybe an image will sing louder than words
Something troubadour and chaste
Speaking quietly of return

Can we take it to a new world again?
Plant it on the beach, come in peace?
Can we make a second chance to begin
To turn the world green

Instead of blood red?
Or is this the end?


Katherine West lives in Southwest New Mexico, near the Gila Wilderness, where she writes poetry about the soul-importance of wilderness, performs it with her musician husband, Yaakov, and teaches seasonal poetry workshops that revolve around "wilderness writing."  She has written three collections of poetry: The Bone Train, Scimitar Dreams, and Riddle, as well as one novel, Lion Tamer.  Her poetry has appeared in journals such as Lalitamba, Bombay Gin, and TheNewVerse.News  which recently nominated her poem "And Then the Sky" for a Pushcart Prize.

Friday, July 12, 2019

HAS ANYBODY SEEN THE RESISTANCE?

by George Salamon





"For their heroism was that they had to conquer themselves first."
—Albert Camus, "Letters to a German Friend: First Letter"


The word is everywhere,
Action remains nowhere.
Consciousness is raised,
Resistance demands deed,
Not just correct creed.
Occupy Wall Street troubled
No one on the actual street.
Call it protest, call it outrage,
Only oneself does it assuage.


George Salamon supports many of the protests and marches, but thinks "resistance" requires what the protestors and marchers are not (yet?) willing to risk. Can't blame them. He lives and writes, often politically incorrect stuff, from St. Louis, MO.

Monday, July 08, 2019

WITH EARTH OUR FLESH, WATER OUR BLOOD

by Darrell Petska



Extinction Rebellion is an international movement that uses non-violent civil disobedience in an attempt to halt mass extinction and mimimise the risk of social collapse.


 "It's the least I can do." Into my ears,
starving bees hived. Deep in my lungs
nested gun-shy doves.

In droves came reeling beetles and butterflies,
evicted toads and frogs—these to my heart's
several chambers, while in the burrowed
turnings of my gut, bait-sick
gophers and ground hogs found refuge.

"It's the least I can do." Lodgeless muskrats
and beavers sheltered in the round
huts of my armpits, harried owls and hawks
took to my shoulders, even swooning
flowers and trees I drew to my nostrils.

I took all in, as many as I could, and still
others pressed near, threatened and sore,
until at last I cried "I've done all I can!"

Oh, but then my grandchildren came running:
"Grandpapa, Grandpapa, save us!"
Into my arms my loved ones curled,
soft and vulnerable, and I realized
much more I yet could do.

My feet stepped forth, driven by the lives
within and about me, all earth becoming
my flesh and its waters my blood.
No fears of failure could enter my mind
when life, lived large or small, is all we have.



At the core of Extinction Rebellion’s philosophy is nonviolent civil disobedience. "We promote civil disobedience and rebellion because we think it is necessary—we are asking people to find their courage and to collectively do what is necessary to bring about change."


Darrell Petska, a Wisconsin poet, sees hope in concerted action for a livable planet. His five grandchildren make that effort ever-more urgent.

Saturday, August 22, 2015

SAFE HARBOR

by Louisa Calio



Maria Luisa Catrambone and her parents Christopher and Regina, founders of Migrant Offshore aId Station (MOAS). The BBC interview with Maria Luisa Catrambone is available here.



The same year I took my first cruise
and looked out at the dark blue fathomless sea
recalling all those seafarers’ stories
Ulysses, the dangers he passed, before reaching home
as well as my ancestral journeys by ship from Italy to America

Was the same year my eyes burned with tears
watching scores of migrants flee the Port of Libya
across the dark blue Mediterranean
in over-crowed inflatable dinghies
barely able to move or breathe
some drowning during the passage

Hoping to escape war, death and misery
men, women and children
risked everything for the hope of something better
Taken by traffickers, reminiscent of slave traders
profiteers of human misery

While nations debated
willing to spend millions on vessels to stop them
and not a dollar to take them in.
Just when my heart was a dark ocean of grief
about to consume me
I turned on the BBC and heard the voice of Maria Luisa Catrambone.

Daughter of an American father and Italian mother
who left college to relocate to Malta
to rescue migrants with her family
Offering food, water and medicine
to the lonely, lost and suffering
through tender open hands

Filled my heart again
Compassion turned to action.
Having known the greater purpose
beyond comfort and security
The trust that fills you with a knowing
that any resource you may need will appear
as if offered by the hand of God

The people with no Statute of Liberty or Ellis Island
to welcome them in
Have a Ship, the Phoenix,
offering safe harbor to the tired, the hungry, the poor
reminding us once more, “No man is an Island”
There is room at the Inn!


Louisa Calio is an internationally published, award winning author, whose work has been translated into Italian, Sicilian and Korean. Winner of first prize for her poem “Bhari” City of Messina, finalist for Poet Laureate of Nassau County, Director of the Poet’s Piazza at Hofstra University’s Italian Experience for 12 years, her latest book, Journey to the Heart Waters was published by Legas Press in 2014.

Friday, August 08, 2014

THE CRUELEST ANIMAL

by Howie Good


Image source: Love the Giver


I don’t know what to do
about the deaths from Ebola,
or the distress in republics
of the former Soviet Union,
or the hunt for the Taliban,
but the mammoth sunflowers
I grew from seed will tell me,
by the bend in their necks
& the stricken look on their faces,
that it’s finally time to remove
(with new titanium shears!) their heads


Howie Good's latest book of poetry is The Complete Absence of Twilight (2014) from MadHat Press. He co-edits White Knuckle Press with Dale Wisely, who does most of the real work.

Tuesday, November 13, 2012

PEACE BROKERS

by Angie Trudell Vasquez


Peace Brokers dance
even when there’s no chance
of winning, they move to
their own beat path
plan for the best and worst
and recant all previous positions
if necessary – they are not
too proud to say they were wrong
or misguided; and listen to the hand
extended in warmth, gripping
close with their own heart
all that they hold dear; and
perchance a day of reckoning comes near
and the dead rise from their graves
find their tongue and debate
with heat about the success
of so many years spent lying beneath the grass;
the peace brokers listen, take tea,
nod when they agree,
hold up a pen
when they do not
indicating they’d like time
at the podium of truth
when the others are done speaking;
peace brokers take notes, ask questions,
and resolve not to leave the table
until all has been said, heard and agreed
until an action plan is set for the next meet
and they do not give up ever or admit defeat
because what is to gain is so sweet.


Angie Trudell Vasquez is a poet and writer currently living in Milwaukee, WI. She's been published by Verse Wisconsin, Burdock, Raven Chronicles, Real Change and was the featured poet for the Latina Monologues from 2009 to 2011. In 2003 she was a featured poet at Bumbershoot, Seattle's Music and Art Festival. Her first book The Force Your Face Carries has been published under her own label, Art Night Books.