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Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Showing posts with label plant. Show all posts
Showing posts with label plant. Show all posts

Friday, April 22, 2022

EARTH DAY

by Pepper Trail




I.
 
Let us give thanks
 
In gatherings or on our own
Stepping carefully upon the earth
Looking closely, bending to the flowers
Lifting our eyes to the swallows and the soaring hawk
Listening to the wind combing the grass and
Carrying birdsong across the creek
Scenting the richness of the soil
Mindfully opening every gift
 
Let us give thanks
 
II.
 
Let us grieve
 
Remembering all that once was given
Meadows bright with butterflies
Daily chorusing of the birds
Far forest-clad horizons
Silent wilderness
Mighty rivers of ice
Blue whales and elephants
Coral reefs in dazzling splendor
 
Let us grieve
 
 
III.
 
Let us protest
 
Lest we surrender to the drowsy sun
In our multitudes, cry Enough!
Name the destroyers
Corporate greed
Oil addiction
Political cowardice
Denial of nature’s rights
Willful blindness to all we do
 
Let us protest
 
IV.
 
Let us plant
 
Let us fall to our knees
Prepare the waiting earth
With our soft and ignorant hands
Plant a tree native to this damaged place
A testament to our desperate hopes
Flourishing past our little lives
A lasting gift of breath 
For our survivors 
 
Let us plant
 

Pepper Trail is a poet and naturalist based in Ashland, Oregon. His poetry has appeared in Rattle, Atlanta Review, Spillway, Kyoto Journal, Cascadia Review, and other publications, and has been nominated for Pushcart and Best of the Net awards. His collection Cascade-Siskiyou was a finalist for the 2016 Oregon Book Award in Poetry.

Thursday, June 25, 2020

THIS IS NO TIME FOR SILENCE

by Katherine West




It is time to get up and do something
Time to make a flag and wave it
Not a banner of boundaries, not that tired old striped thing
Maybe an aspen sapling against a pure sky, lit

From above so it seems to pray
Maybe an image will sing louder than words
Something troubadour and chaste
Speaking quietly of return

Can we take it to a new world again?
Plant it on the beach, come in peace?
Can we make a second chance to begin
To turn the world green

Instead of blood red?
Or is this the end?


Katherine West lives in Southwest New Mexico, near the Gila Wilderness, where she writes poetry about the soul-importance of wilderness, performs it with her musician husband, Yaakov, and teaches seasonal poetry workshops that revolve around "wilderness writing."  She has written three collections of poetry: The Bone Train, Scimitar Dreams, and Riddle, as well as one novel, Lion Tamer.  Her poetry has appeared in journals such as Lalitamba, Bombay Gin, and TheNewVerse.News  which recently nominated her poem "And Then the Sky" for a Pushcart Prize.

Friday, May 22, 2020

IN WATERLOO

by Anne Myles


A Laredo man living in Iowa is critically ill with COVID-19, and thanks to a co-worker who refused to give up, he has reconnected with his family. "I just feel like I made a Facebook post, answered a few messages and calls, but it was everyone's efforts that came together. It was the small things that added up to one big thing and that was getting to find Jose's family." Zach Medhaug and Jose Ayala, a Laredo native, are among the dozens of Tyson employees who tested positive for COVID-19 after an alleged outbreak at their Waterloo, Iowa facility. —KGNS.tv, May 4, 2020


there’s a wild, forgotten greenbelt
wrapping the creeks for miles.
The trees are close and full of quiet;
they open to still mirror pools.
Breath, footsteps, birdsong,
deer-dash, otter-splash.
In May, a sea of Virginia bluebells,
light purplish spume above deep leaves,
floods the woods to the edge of sight.

In Waterloo we watch the waves
of a century’s migrations break:
Black, Mexican, Bosnian,
Burmese, Congolese, Micronesian.
City of refugees and of no refuge,
city of industries here and gone
where the remnant of Rath Packing
still looms downtown, a darkened shell.
Scarred city river-riven—east side,
west side—half-sutured by ten bridges,
the Cedar silted, shallow, shining.

In Waterloo four green goddesses
from atop a long-demolished courthouse
cling to the brick roof of River Plaza:
Agriculture, Science, Justice, Knowledge.
They pose, holding vague implements,
blank faces still, almost compassionate.
Their skin burns hot in prairie sun.

*

In Waterloo, at the far edge of town,
sprawls the Tyson plant. Neighbors
of many languages work side by side
in the chill, the clang, the cutting, the flesh,
the coughing, the fevers, the fear.
The line for testing coils around the lot;
over a thousand positive, they’re living
the consequences of all that makes us.

At Tyson, maintenance worker Zach
made friends with self-contained José.
Zach got the virus but was barely sick;
José’s ventilated and unresponsive.
Zach calls every day to talk to him,
play music. He posted José’s picture
and found his family back in Laredo.
They’re fighting for him together now
in Waterloo, not giving up faint hope.

The plant closed, but has reopened.
Outside, the typical scraggly rally.
We line up by the drive at shift-change,
waving, holding signs: Protect Workers.
Estamos Con Ustedes. Capitalism
is the Pandemic. Through car windows
masked faces glance back quickly,
difficult to read. A few hands lift.
We hear faint screaming: pigs or gears?
Grass flares, the sky throbs blue,
everything’s sliced hard against it.

*

And now a long-ago lover phones
to ask if I’m okay. She’s seen Waterloo
on Maddow, CNN. I say I’m fine,
safe as can be. I tell her walking
the trails here makes me happy.
I tell her I see my privilege;
I didn’t even know about the plant
twelve minutes from my house.
I try to explain, it’s like I married
a city instead of a person, so far
from where I started, my own diaspora,
but after decades I still don’t know it.
I say, it’s more than what you hear.
I say, our bluebells are so beautiful.


Anne Myles retired from the University of Northern Iowa, where she was an Associate Professor of English. She is working on an MFA in poetry at the Vermont College of Fine Arts. Her poems have appeared in journals including North American Review, Friends Journal, Lavender Review, Gyroscope Review, Green Briar Review, and Whale Road Review.

Sunday, December 04, 2016

DISCORD

by Judy Kaber 




A distance of about five feet
separates my car from the mud-
spattered blue pick-up truck
with the Trump/Pence sign
on the cab’s rear window. This
wouldn’t be such a surprise
except we’re in the parking lot
of the YMCA and I can’t help
but wonder which of us is
out of place. Red-necks don’t
come here to exercise, but then
I am not young or male or even
Christian, so maybe the world
splits into more layers than I
can count, maybe the thrum
of feet on the exercise machines
sings songs of longing for
the past that never was, maybe
the man from the pick-up truck
misses the canning factory
and the chicken plant and what
do I know of belief, of prayers
whispered in the night when
you can’t pay your taxes,
your landlord wants you out
by next week and you smoke
two packs a day just to keep
your head on straight.


Judy Kaber lives in Belfast, Maine, and her poems have appeared in numerous journals, both print and online, including Eclectica, Off the Coast, The Comstock Review, and The Guardian. Contest credits include the Maine Postmark Poetry Contest, the Larry Kramer Memorial Chapbook Contest, and, most recently, second place in the Muriel Craft Bailey Poetry Contest.

Saturday, May 09, 2015

DROUGHT RELIEF

by Jim Gustafson





I have sent California
an 8oz, thin plastic recyclable
bottle filled with water.
The label calls it “Purified.”
I imagine it poured
upon a terracotta potted plant,
the mistress saving the last sip
to savor for herself, while waiting
for the bud to unwrap its face
and seek rain.


Jim Gustafson’s most recent book, Driving Home, was published by Aldrich Press in 2013 and is a 2013 Pushcart Prize Nominee. He holds an MFA from University of Tampa and a M. Div., from Garrett Theological Seminary. He teaches at Florida Gulf Coast University and Florida Southwestern State College.  His work has most recently appeared in Prick of the Spindle, Foliate Oak, Poetry Quarterly. He lives in Fort Myers, Florida, where he reads, writes, and pulls weeds.