GOOD NIGHT AMERICA, JANUARY 2026

by Bonnie Jo Campbell

AI-generated graphic by NightCafé for The New Verse News.

Good night almighty oaks, good night acorns
snug in shells. Goodnight hens, asleep on perches. 
Good night good people of Minneapolis St. Paul
hanging sheets of plastic over doors broken down 
by ICE agents. Lullaby your little ones to sleep.  
Good night neighbors with cameras and whistles. 
Good night Mr. President, tweeting your fury,
slide easy into haunting dreams of disloyalty, 
 
dreams of failed plastic surgery, bad poll numbers,
dreams of not enough admirers or paying guests—
Remember the kerfuffle when caviar was served 
at Mar-a-Lago in tiny plastic spoons? Never enough! 
It’s natural to want more caviar, money and power. 
It’s natural to want kids not to be afraid or hungry
or molested or separated or zip-tied or teargassed. 

Bonnie Jo Campbell’s latest novel is The Waters, W.W. Norton, 2024.

THEN THEY WERE MINE

by Corey Weinstein

Witnesses say that the IDF is deliberately killing Palestinians at aid distribution centres in Gaza run by the US- and Israeli-backed Gaza Humanitarian Foundation. Cartoon by Muzaffar Yulchiboev.

Israeli plan for forced transfer of Gaza’s population ‘a blueprint for crimes against humanity’ —The Guardian, July 7, 2025

Hear it right here. The past is now,
but wrong place, wrong people.
Last time they were mine, desperate,
last gasp assault in Spring of ’43.
 
Wrong place, the Mideast, wronged Palestinians.
Is there dignity not victory for a vanquished people?
In ’43 we yelled into the Nazi tornado,
death throes of the Warsaw Ghetto 300,000.
 
Feeble return fire from a vanquished people.
As Gaza starves, the West Bank terrorized,
famine, genocide of Gaza’s ghetto of two million.
Will the end game be the same weak thrust and slaughter?
 
Tanks fire on the hungry, settlers smash homes, olive groves.
In Warsaw they were mine, Jews to the very last bullet.
Will the world let the endgame be the same last bullet,
can our ears bear to hear the past in this terrible now?
 
As for me, I will never forget, Never Again, 
no matter who, no matter where or when.

Corey Weinstein’s poetry has been published in Haight Asbury Literary Journal, Vistas and Byways, The New Verse News, Our California 2024, The Ekphrastic Review, Forum (City College of San Francisco), California State Poetry Society, Visitant, Abandoned Mine, Speak Poetry of San Mateo County, California State Poetry Society and Jewish Currents, and he wrote and performed a singspiel called Erased: Babi Yar, the SS and Me. He is a retired physician and has been an advocate for prisoner rights, founded California Prison Focus, and he led the American Public Health Association’s Prison Committee for many years. In his free time, he hosts San Francisco OLLI’s Poetry Workshop Circle and plays the clarinet in his local jazz band, Tandem, his synagogue choir and woodwind ensembles.

PLANTING TIME IN UKRAINE

by Anne Harding Woodworth

A crucial portion of the world’s wheat, corn and barley is trapped in Russia and Ukraine because of the war. Credit: Vitaly Timkiv/Associated Press via The New York Times, March 20, 2022

The fibers of the breadbasket are unraveling.

Metaphor is of no use in wartime.

 

Call the breadbasket what it is: fertile country

that supplies grains near and far,

 

threatened now, as arable fields lie unplowed,

despoiled by the Bear at planting time.

 

Metaphor is useless. The tractor with plow

(or seeder) attached should be chugging out

 

into the fields now and on into the end of April—

but won’t be.

 

Man or woman on a tractor—easy target for the Bear.

But that’s metaphor, too.

 

Call the Bear what he is: greedy and cruel creature.

And not all bears. This one is a singular carrier of evil,

 

who leads his cubs to do his bidding.

There’s little grain left for the families,

for the animals, and none to ship out to Egypt,

Indonesia, Morocco, Israel, Spain, Tunisia.

Tunisia, once called a breadbasket itself,

until it was swallowed up by desert.

Now do you see how metaphors

don’t always work?

The world is hungry and hungrier, as the Bear

destroys fecund fields. No seeds will open.

No grains will be harvested. The breadbasket

empty, crushed. War destroys metaphor.

 

Food! is the only word left.

Anne Harding Woodworth’s seventh book of poetry Trouble received the 2022 William Meredith Award for Poetry.

LINES

by Diane Vogel Ferri

People lined up in their cars at a food distribution site in San Antonio, Tex., in April 2020.Credit...Credit: William Luther/The San Antonio Express-News, via Associated Press and The New York Times.

My wall calendar helps me to visualize

my life, the plans I hold dear, the people

I must see so they also see me

At first the lines were through the

scribbling on my calendar,  an oddity,

disappointing at most—a temporary month

Sometimes there were two lines,

an X-ing out, a permanent loss

I catalogued the failures in my journal

Then the lines were of standing humans

waiting to vote, car-lines of hungry children

waiting for the food school had denied them

lines circling the parking lots for tests,

lines at the border, lines at the shelters,

lines at the unemployment office,

lines in the streets to confront the wizard 

behind the curtain, asking when we will be normal? 

But he was a fraud, a canceler of science, of truth

Freedom was not taken by a government

freedom was not taken at all, only

innocent lives, their coffins in orderly lines

The lines are now for a miracle,

for we who are left, whose lives have not

been crossed out, who are free to live.

Diane Vogel Ferri is a teacher, poet, and writer living in Solon, Ohio. Her newest novel is No Life But This: A Novel of Emily Warren Roebling. Her essays have been published in Scene Magazine, Raven’s Perch, Yellow Arrow Journal, and Good Works Review among others. Her poems can be found in numerous journals such as Wend Poetry, Her Words, Rubbertop Review, and Poet Lore. Her previous publications are Liquid Rubies (poetry), The Volume of Our Incongruity (poetry), The Desire Path (novel).

MISSION

by Wendy Hoffman

Credit: Doug Mills/The New York Times, May 29, 2020.

The moon lifts its holy head like a sanctified queen.
Humans should not be there or leave bent over, backwards, reverent.
But competitive men are curious which they believe gives them the right.
This country, which turned away victims but
invited defeated Nazi scientists,
rips the untouchable veil from the bottom up
and ejects transparent astronauts,
stooges, sacrificed heroes.
A large striped boot print tattoos crevasses, crevices,
craters.

When I was four playing outside, a neighborhood boy twice my age or more

wanted to see me down there. He pointed his skinny finger. I squeezed my thighs

together but already trained never to say no, I watched my cotton undies fall to

my turned in ankles. The curious boy who rode his bicycle through hilly blocks

pretended to be a scientist. He inspected and had a good look.

They have a good photographic look while jobless people
on earth look up and remain hungry.
I watch rockets on TV,
hide my reddened face from our irreverence.


Wendy Hoffman had amnesia for most of her life. When she regained memory late in life, she wrote books about what she had forgotten. Karnac Books, London, published two of her memoirs in 2014 and 2015, as well as her first book of poetry in 2016. She co-authored a book of essays in 2018 for Routledge. Her third memoir is forthcoming from Aeon Books. Hoffman has a MFA and lives on the Olympic Peninsula with her little dog.

'TIS THE SEASON?

by George Salamon

Richard Johnson received a cup of hot gumbo from a Free Hot Soup volunteer in Prospect Plaza Park in Kansas City, Mo., on Nov. 18. City officials say the group’s efforts do not comply with food safety ordinances.Credit: Chase Castor for The New York Times

'Twas the season to open hearts and wallets,
The season to shelter the homeless,,
The season to feed the hungry
'Twas a spell of Sunday spirit in a Monday world.
Those were the days, but they did end,
Authorities now warn us that by
Doing good, we're doing wrong.

You must remember this:
In the hard times of the Great Depression
Those not ravaged by its deprivations
Felt the despair of two million
Surviving in tent cities across the land.
But now, after the Great Recession, after
Wall Street's Ponzi-schemed pillage,
The hearts of the wealthy and the well-off
Are stone cold.

They do not care to understand
Those drowning in hopelessness,
Choking on their own rage and
Left behind by our master The Market.
Pitiless they peer at the plight
Of half a million, sleeping nightly
On cities streets, too close to
Their homes and their offices.

Once our leaders and those who
Whispered in their ears were shamed
Into helping the victims of their follies,
Compelled by morality based on empathy..
Now their hearts and minds remain
Chained to the vantage point of the self, from which
They sneer and snicker at common humanity
As foolish fantasy or fear and fight it as looming nightmare.

But who dares to predict if a society,
Seeking to regain past affluence and power,
Will someday fashion for itself a larger identity,
And one more humane, from the slumbering
Largesse in the hearts of its members?

George Salamon arrived in the United States in 1948 and was struck by the largesse he came across among Americans from different backgrounds and classes. He sees it in action today, but rarely among the rich and powerful or the "best and brightest." He lives and writes in St. Louis, MO.

REFUGEES

by J.B. Mulligan

A Syrian boy stands with food he collected from tables after Turkish people break their fasting on July 4, 2014, at Taksim square during the holy month of Ramadan in Istanbul. AFP Photo via Hurriyet Daily News, Turkey.

He tossed and turned, shifted and twisted, and fell asleep in the sea.
Small, puffed men with slim cigars sliced up the pies of the land.
White stucco walls and red scalloped roofs.  Gulls cried, hidden in the sun.

Buy this thingee.  Look, it glitters.  Listen, it whirrs.  Buy it now.
Where are the holy?  Psychics don't buy tickets for the lottery.
The current circled, hungry, patient, strong.  The coils reached out.

Uniformed functionaries gather and tally the data.
He is a father.  She is an aunt.  Children shoot hoops in driveways.
Visions of sugar plums clot to sea weed bangled with flies.


J.B. Mulligan notes that the form of this poem is a three-part sijo, Korean in origin.

AWOL

by Rick Gray

Kabul sunrise. Image source: Panoramio

In a locked-down house of disconnection,
this is the hidden room of yellow exclamation.
Outside its mirrored windows dawn explodes the targeted capital
And strikes a starving boy on the corner waving a smoking tin can
Begging for a fragment of fresh luck.

Deserting an endless war of circling thought
I walk away from the blue face of my frozen screen
and step AWOL passed dreaming guards cuddling Kalashnikovs.
Digging down into the animal heat of my thigh
I grip metal jangling against a shriveled coma on antidepressants.

Oh, it’s so nice to stroll in the Kabul Sunrise!
“Give me muddy!” the boy on the corner orders me,
his English broken as my abandoned laptop.
I release my fist and watch Afghan coins drop 
Flaming into the yellow cracks of a hungry human hand.


Rick Gray teaches in Kabul. He has work forthcoming in Salamander and the book, Neither Here Nor There: An Anthology of Reverse Culture Shock.

INHERIT THE EARTH

by Richard Schnap

Barcelona homeless. Image source: Nae's Nest

 
“How can it be that it is not a news item when an elderly homeless person dies of exposure but it is news when the stock market loses two points?” -- Pope Francis, November 26, 2013



There’s the one who appears only on weekends
To stand near the crowd at popular restaurants
Asking passersby if they can spare a quarter

And the one who disappears for years at a time
To return outside the local supermarket
Pleading for change for something to eat

And the one who sits on a corner sidewalk
With a cardboard sign and a Styrofoam cup
Wrapped in a blanket as she falls asleep

And no matter what changes befall the world
There will always be those caught in its shadows
Whose voices are lost in its bitter winds


Richard Schnap is a poet, songwriter and collagist living in Pittsburgh, Pennsylvania. His poems have most recently appeared locally, nationally and overseas in a variety of print and online publications.

I'VE GOT NEWS FOR YOU

by Rick Gray




                               
                       for Tony Hoagland


When real people shut down
their children go hungry
their lovers split
and they die or beg
between the simmering gridlock.

Or maybe they go rogue and
Invest in the promising heroin boom
to keep people fine with
Shut Downs.
But I've got news for you, Mr. Cruz,

even the junkies on the clogged riverside
here in Kabul----remember there?-------
know things shut down don't stop, they rot
and you'll need to score soon, brother, or feel
the shut down in your aching nerves

every fiscal second.


Rick Gray teaches in Kabul. He has work forthcoming in Salamander and the book, Neither Here Nor There: An Anthology of Reverse Culture Shock.

IF THEY HAD ONLY LET GEORGE DO IT

by Earl J. Wilcox

"It doesn't require any particular bravery to stand on the floor of the Senate and urge our boys in Vietnam to fight harder, and if this war mushrooms into a major conflict and a hundred thousand young Americans are killed, it won't be U. S. Senators who die. It will be American soldiers who are too young to qualify for the senate."
-- George McGovern

Things might have been different:
More of the hungry
      would have been fed.
More of the naked
      would have been clothed.
More who suffer pain
      and neglect by others
would have known peace and
     some happy times.
George tried his damnedest
     during his lifetime
To get everyone on the same page.

Alas, that book was never read by many,
though George wrote the manuscript over
and over until he died.


Earl J. Wilcox writes about aging, baseball, literary icons, politics, and southern culture. His work appears in more than two dozen journals; he is a regular contributor to The New Verse News. More of Earl's poetry appears at his blog, Writing by Earl.