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Showing posts with label lynch mob. Show all posts
Showing posts with label lynch mob. Show all posts

Friday, November 19, 2021

DUNCAN AND BRADY

by Julian O. Long




after the Kyle Rittenhouse verdict
 

Speaking of ’lectric cars,
once at a Fort Worth stop sign
a lowrider lifted a fender
like a dog might lift his leg to piss
and flipped me the bird as he took off
laughing around the corner.
That was long ago, but he knew what
he meant—and he loved it.
 
As the uptight white boy I was
in those days, I may have deserved
his contempt. These days I’d like
to blow him a kiss on the wind he stirred,
as he spun out that souped-up Chevy.
Would it were so, amigo,
would it were so.
 
Staggerlee remembers Xmas
but King Brady, he lies dead
and the ghost of old St. Louie
flew past my naked bed
when the rage for George Floyd started
up and down my street,
and the high-tailed carriages
came and went all night
breaking in the windows
knocking down the door
startling me in bed on the second floor... 
 
Busy now, containing Russia,
smug in my alabaster pink
pragmatism, I rejoiced in my country’s
apparent arrested decline. Cop who murdered
Floyd will go to jail, I thought. We threw out
the bastards who stormed the Capitol, I said—
forgetting only too eagerly
Republicans’ settled intention
to lynch the rest of us, La Migra still
lording it up at the border, catching runaways
jury finding Rittenhouse ‘not guilty on all counts.’
 
Nothin’ for it but the blues?
James Baldwin’s Staggerlee let pent up anger, blues remade,
hiss out of him like rancid air from some hack’s
rubber tire.
 
Seem like King Brady never died,
Duncan shot him,
doctor found him dead
but he just raised his hammy fist, took that doctor by the throat
and growled, “Sumbitch, you know I cain’t be killed!”
 
We’ll not overcome this last lynch mob—they’re us;
we’ll watch polite and passive as the Good Old US steals
away down Dixie one last time; no matter clawhammer steels
 
ring out from edges of fields
to tell it again
how we’ve all of us been—
 
yeah, we’ve been on the job
too long... 


Julian O. Long is a previous contributor to The New Verse News. His poems and essays have appeared in The Sewanee Review, Pembroke Magazine, New Texas, New Mexico Magazine, and Horizon among others. His chapbook High Wire Man is number twenty-two in the Trilobite Poetry series published by the University of North Texas Libraries. A collection of his poems, Reading Evening Prayer in an Empty Church, appeared from Backroom Window Press in 2018. Other online publications have appeared or are forthcoming at The Piker Press, Better Than Starbucks, The Raw Art Review, and Litbreak Magazine.  Long has taught school at the University of North Texas, North Carolina State University, and Saint Louis University. He is now retired and lives in Saint Louis, Missouri.

Saturday, July 23, 2016

BURN THE WITCH

by Catherine McGuire




The arena turned in a moment
to a lynch mob, frothing, hanging
on the words of a “prosecutor” who parodied
his job for a spotlight and cheers.
Guilty! raged again and again – the crowd
inflamed by sentences honed
to razors – the truth be damned! –
She’s a witch and we know it – Salem shadows
spiraled up from the floor, ashy, dark,
trying to voice their warning. But blood
boiled up, blotted out reason,
the hounds of hate set loose,
howling for a victim. On the podium,
sneering, the man disgorged his bitter fury –
passed over twice! – and clawed back
the adulation he knew was his.


Catherine McGuire is a writer and artist with a deep concern for ecology and our planet's future. Her first full length poetry book, Elegy for the 21st Century, will be published in October 2016 by FutureCycle Press.