INAUGURATION IN NEW ORLEANS

by Elizabeth Larose

They are taking our roofers

our window washers

our builders

our preschool teachers.

They are killing white women

our poets 

our mothers 

our neighbors.

In my intestines the knots

have knots.

But last night was the Inauguration

Mass for the new mayor of Nola

beautiful Latina

Helena

and the new City Council:

a white woman

a black woman and 

five black men.

In the Cathedral-Basilica of 

St. Louis, King of France,

the queen, Irma Thomas sang

How Great Thou Art—I felt it.

We still have street lights 

that don’t work, so many,

potholes the size of small lakes

and tremendous inequality

still the knots have let go a bit

and my chest feels a little bigger

to hold my heart.

I heard Kamala Harris and Steve Scalise

were at the inauguration. 

And the lion lay down with the lamb.

Peace be with us

and with our Spirit.

Inaugurate that!

Elizabeth Larose is a visual artist from New Orleans with shows worldwide, including in NYC, The San Francisco Bay Area, Istanbul and Cartagena. She has also worked in education, from teaching to administration at international schools in Columbia, India, Turkey, and the U.S. Her poetry has been published in Leas Lit, Resilience in Writing, A Poetry Anthology, and The Ekphrastic Review (as of Jan. 22)

ETHNIC CLEANSING CALLED KATRINA

by Raymond Nat Turner

Ching-ching-ching-a-ling …

Ching-ching-ching-a-ling …

Ta-tah-ta-tah-ta-ta-tum …

Ching-ching-ching-a-ling …

Ching-ching-ching-a-ling …

Ta-tah-ta-tah-ta-ta-tum …

SOSs— frantic patterns pounded on

Pots and pans — Counterpoint

Shattering surreal quiet …

Tired hands trembled and cramped

White towels; white T-shirts; white sheets

Waved furiously. Invisible to the heart of

Dixie in confederate helicopters casually

Hovering above. Tired arms trembled and cramped

Tired voices, plaintive pleas for “HELP!” faded. 

Slipped into soup of sewage. Oil-gas-gumbo-slop.

Spewing from tanks and pipelines like some toxic

Spittle, rising to their throats from a trumpet’s spit key

Katrina square-danced ‘round New Orleans.

Went easy on The Big Easy.

So, why was the city still swamped? Why’d

The London Avenue levee break in three places?

FEMA flew over and knew on Monday. 

W’s War House knew by midnight. But

The People—salt of the earth— heard it through 

The grapevine— or on TV— sometime Tuesday

Levee built 1 and 1/2 feet lower than specs.      A capitalist

Disaster wrapped in an accident; Concealing a ticking time

Bomb. Set decades ago. Add Big Oil’s hurricane highway. AKA, MIGO—

Mississippi Gulf Outlet — 12 gauge shotgun pointing at NOLA’s heart!

BOOM! Prayers of white nationalist worshippers answered. Prayers of

Hoods concealed beneath Mardi Gras masks answered! Prayers of those

Who preyed to their god; to their profits, “Do unto Lower 9th Ward N-

Words what white sheets behind spreadsheets wet dreamed for decades.”

They’d preyed for a chocolate city bleached beignet-white … Lower

9th Ward N-words out! By any means necessary. They’d preyed to rid 

Themselves of low-wealth ones. Elderly, ill ones. The non-swimmers

Who didn’t own cars.

Their privatized Emergency Evacuation Plan was always: NOYO 

(Nigras On Your Own) Sink or swim. Water-swollen homes— “Xs”

Spray-painted on their skins. Circled numbers. Circled 3 = 3 bloated 

Black bodies pulled from bones of homes. Some pregnant. Some children.

White god was good— weaponizing water! Water raged. Rose rapidly

Ethnic cleansing Land of Louis; second line; trumpet tree roots. Made 

Martyrs of Big Chiefs, Brass band-juju Jazz conjurers. Ancestors of Blues babies

Who’d drown in their own tears with yellowed photos and decomposing dreams …

Ching-ching-ching-a-ling …

Ching-ching-ching-a-ling …

Ta-tah-ta-tah-ta-ta-tum …

Ching-ching-ching-a-ling …

Ching-ching-ching-a-ling …

Ta-tah-ta-tah-ta-ta-tum …

Raymond Nat Turner is a NYC poet; Black Agenda Report's Poet-in-Residence; and founder/co-leader of the jazz-poetry ensemble UpSurge!NYC.

HURRICANE WATCH, NEW ORLEANS

by Gail White

Mon., Aug. 30: Children watch reporters at a building collapse scene in New Orleans. Brandon Bell/Getty Images

Someday only the divers

will visit New Orleans.

The church bells will ring under water.

Kelp will encircle the rusting wrought iron

like Mardi Gras beads.

The round-eyed fish will roam free

with no one to cook them with almonds.

Drinks are not on the house now, but under the sea.

Politics cause no fights. Who wins doesn’t matter.

The artists are gone. The rich and the homeless are gone.

The old jazz musicians have shut up their instrument cases

I will be one of the few to remember the days

of white-powdered beignets and coffee at Jackson Square,

and Jackson himself on a rearing horse tipping his hat.

And the bells of St. Louis Cathedral

will ring for mass under the sea.

Gail White is a formalist poet and a contributing editor to Light. Her most recent collections are Asperity Street and Catechism. She lives in Breaux Bridge, Louisiana, with her husband and cats. 

POSTCARD FROM THE PANDEMIC

by Pauletta Hansel




Crabgrass beneath the iris rhizomes
where my muddy fingers
can’t tell one root from another.
Meanwhile, down in the French Quarter
the rats are starving.
No tourists, no trash.
What can they do but feed on their young?
Everything wants to survive.

Inside our lungs the virus slips
itself into the Ace-2 receptors and is remade.
Scientists call what happens next a cytokine storm.
Bugler, sound the charge! An army of cells
march up from the trenches,
destroy what they can’t save.
“We have to think about this pandemic from the virus’s position.”
All it wants to do is to eat us alive.

Pauletta Hansel’s seven poetry collections include Coal Town Photograph and Palindrome, winner of the 2017 Weatherford Award. Her writing has been featured in Rattle and Still: The Journal, and on The Writer’s Almanac, American Life in Poetry, Verse Daily and Poetry Daily. Pauletta was Cincinnati’s first Poet Laureate (2016- 2018).

JUNE 12, 2016: WHO COUNTS

by James M. Croteau

New Orleans firefighters in 1973 assisting a patron of the UpStairs Lounge, a gay bar that had been set on fire. Thirty-two people died in the attack. AP Photo via The New York Times, June 13 2016

We skipped Pride to pack
for our annual Maine trip.
We left about 7AM and
on the on-ramp to I-94
we first heard:

at least 20 dead and 42 injured,
another shooting, Orlando,
a nightclub. This will be
our 27th trip  to Ogunquit.
Our first was 31 years ago.

We've never been there with
the right to be married. We
stopped for lunch just past 1 o'clock
at a Panera east of Cleveland.
I walked our dogs. My partner

went to get food. He returned
with 50 dead and 53 injured, and
at a gay bar. I google news from my iPhone--
the largest mass shooting in US history.
I also know it's the largest mass killing

of LGBT people in US history because
only five years ago I learned of the story
of Upstairs Lounge arson in New Orleans
during Pride month 43 years ago. It took
16 minutes to extinguish the fire and 32

of our lives. I turned to Facebook  feeling
my stolen youth raw and inflamed
again. I get reminded of Wounded Knee.
The biggest depends on how and who
defines what.  The army, with the

semi-automatic weapons of 1890,
massacred at least 150, maybe 300
people. I'll be 60 in three months.
It's near 4, and we're at a toll booth
near the outskirts of Buffalo.

James M. Croteau lives in Kalamazoo, Michigan with his partner of 31 years, Darryl, and their two Labrador retrievers. Jim grew up gay and Catholic in the U.S. south in the 60s and 70s and his writing often reflects that experience. His poems have appeared in TheNewVerse.News, Right Hand Pointing, Queer South: LGBTQ Writers on the American South and Assaracus: A Journal of Gay Poetry among others. His first chapbook will be published by Redbird Chapbooks in 2016. 

KATRINA ANNIVERSARY SONG

by Diane Elayne Dees

Uptown; 2012; ©David G. Spielman; from The Katrina Decade: Images of an Altered City (THNOC 2015) Photo source: The Historic New Orleans Collection via Curbed NOLA

corrupt Corps, Federal flood
blue roofs, insurance scams
trashed car, no house
no phone, no job
abandoned pets, missing corpses
toxic water, staph infections
black mold, asthma worse
dying patients, floating caskets
gangs of looters, schools gone
Danziger Bridge, shot in the back
lead exposure, can’t think
murdered dogs, suicide
recurring nightmares, lifetime Xanax
blame the victims, heck of a job


Diane Elayne Dees is a writer and psychotherapist in Louisiana. Her poems have been published in many journals and anthologies, including the 2006 anthology, Hurricane Blues: Poems about Katrina and Rita. Diane also publishes Women Who Serve, a blog about women's professional tennis.