TRADE

by Zumwalt

President Trump on Monday lashed out at communities that are protesting data centers, suggesting that residents who do not go along with the artificial intelligence revolution must prefer to be “backwards and poor.” —The New York Times, August 31, 2026

It’s a fair trade.

Water for compute.

Convert all the reservoirs.

Pump the aquifers to cool the language models.

Water for compute.

It’s a fair trade.

Energy for the processing.

Switch the substations to priority routing.

Make the desert a giant server farm.

Energy for the processing.

Prices are right for data and power.

Step up production:

More servers, more carbon in the air;

More processing, less rivers, more exhaust in our lungs.

Rising global temperatures are ripe to drive up prices.

Droughts increase water’s premium.

Aquifers get depleted.

Power becomes even scarcer.

Cooling costs rise.

Little Johnny wants to make money.

How can he not help to do so?

Invest in AI and pollute at the same time.

Easy money.

Pollute on a small scale:

Pocket change.

Pollute on a large scale:

Wealth beyond dreams.

Rising Temperatures,

Erratic Weather,

Algorithmic Growth,

Scarce Water Resources,

Civil Unrest

All put stress on

Grid supplies.

Now Johnny has to work harder.

He burns the midnight coal.

And makes more money.

Data centers, crypto mines and gigawatts

Make deserts out of wetlands.

Cooling fans, diesel backups and transformers

Make hazardous waste the specialty in trade.

But it’s a fair trade.

Quality of Life for Velocity of Life.

It’s a reasonable trade.

More processing for less plants and animals.

We will switch the future for the present.

Make our dreams a giant dustbowl.

Swap future prospects for a generated prompt.

Principles are right for the harvesting.

Let’s step up consumption:

More compute, more poison, hotter temperatures;

More processing, less rivers, less need for people.

It’s a good, honest trade.

I can write away the guilt.

Post my outrage to a monetized feed

And feel just a little better

As everyone increasingly feels worse.

Zumwalt’s poetry examines the intersection of identity, instability, and the mechanics of perception. Zumwalt is a proud repeat contributor to The New Verse News.

INSTRUCTING INGENIOUS INDIGENES

by Sultana Raza

‘Noble Juveniles’ 2014 Sultana Raza Mixed Media

Cocooned in comfortable zones
will the well-heeled ‘educate’

starving millions
forced to beg for work,

borrow permanently,
steal sympathy in grim daylight?

Billions of babies aching to learn
the basics of how to melt glaciers,

cause virgin forests to shrink,
help economy spurt/stutter

after earning enough to consume
as mindlessly as those ensconced

in miles of matching carpet
wall-paper, curtains, trivialbilia,

with too many bulbs,
burning too brightly too late at night.

They’d have a better shot
of being treated nobly

royally, exaltingly
if somehow they got out word

of how they suffered
at the hands of an enemy

that necessitates
the creation, maintenance, and sustenance

of the ‘defense’ industry.
Defending the rights of kids

to stale mouthfuls, rags,
a semblance of childhood

under the highest roof in the world
would be so much more justified

highlighted, applauded,
if only they’d dramatically denounce

popular enemies
of nations who actually possess

rational weapons of mass destruction
who ‘helped’ create

said empty-headed adversaries
in the first place.


Of Indian origin, Sultana Raza has an MA in English Literature. Her short stories and poems have been published in Ancient Heart Magazine (Australia), India Currents (USA), Szirine (USA), Kindred Spirit (UK), Cygnus Review (UK), Arabesque Review, London Grip (UK), Literary Gazette (USA), All Things Girls (UK), and Caduceus (Ed. Yale University, USA), Beyond Bree, (an American MENSA newsletter), the Peter Roe Series, (Tolkien Society UK), The Whirlwind Review (USA), Writer’s Asylum (India), and Silver Leaves Journal #5 (Canada). An awarded artist, Sultana Raza has taken part in numerous group exhibitions in the USA and Europe. She has also participated in international art shows, such as the Nightshow at Riccione, Italy, B.AGL Postbanhof during the Berlin Art Week, the Biennale of Chianciano, Italy in 2013; and ArtExpo New York (alongside Andy Warhol), and Art Monaco in 2014.