JULY 8

by Lynda Gene Rymond

Last night under my window

I heard a coyote clack its teeth.

Today’s skies grow dark, darker.

Clouds purr at first

but then it’s full-throated growls

breaking to thunderclaps

to shake the house

 

while in the city of angels

men on horseback stalk

like corrupted knights

to intimidate children.

Tactical vehicles prowl.

A small black woman,

Madam Mayor, confronts,

her fury rising like heatwaves.

 

Be furious. Be thunder.

Shake their houses.

Steal their horses, count coup,

paint their dishonor.

Find a mightier pen to wield.

Tell tales that crack walls.

Sing, sing all the way to morning.

Lynda Gene Rymond lives and works on Goblin Farm in Applebachsville, Pa. She is a winner of the Pennwriters Short Story Prize and a multi-year finalist for Bucks County Poet Laureate. Her latest publication, Spellbook, has just been published by Moonstone Arts.

SMALL DIFFERENCES

by Moira Magneson

AI-generated image by Shutterstock for The New Verse News.

Three days

we've watched

the acorn

woodpecker

perched atop

the telephone

pole

bright red

crown

black beak

driving

into

the glass

insulator

over and over.

His fury

for the bird

who looks

just like him—

side-eye

glittering—

knows

no bounds.

He refuses

to give up

the fight

with his own

reflection.

He will win 

this war.

He will not 

surrender.

Each will hammer

the other down.

They will stop

at nothing.

Author’s Note: "Small Differences" addresses the June 12, 2024 Hezbollah rocket attacks on Israel which came after Israel killed a senior Hezbollah commander in southeastern Lebanon in a June 11 airstrike.  The poem's title is based on Sigmund Freud's psychoanalytic concept of “the narcissism of small differences" in which he proposes that people tend to amplify the minor differences between themselves, leading to feelings of hostility, estrangement, and contempt.

Moira Magneson's full-length collection of poems In the Eye of the Elephant will be published by Sixteen Rivers Press in 2025. Her novella A River Called Home—a river fable illustrated by Robin Center was released by Toad Road Press in early 2024. She is currently working as the poet-in-residence for ForestSong, artist Andie Thrams' project exploring solastalgia, biophilia, and resilience in the face of wildfire devastation and the climate crisis.

THE FARRIER OF TIME

by Ian Randall Wilson

“Death blue butterfly” by mirrurin at Deviant Art

It's like waking from the dream of an accident

into the accident, real and sure to be bloody,

the day pulling hard from the list of extinct thoughts

suddenly revived after 50 years.

It's easy to be furious with the ones

who read the entrails but ignored

the auguries, secure in their belief

the drum would not beat this day,

forest sending smoke rings back in time,

and yet I find I am furious with myself,

feeling at fault that somehow we let them—

I let them—turn the wheel

so the earth-mind must shift

toward thinking again

about bent wires and blood.

 

Except those endowed enough

to survive the ruins

and make it to the coasts

on damaged wings, the back alleys

will open for business

and the blue butterflies

will once again

die there.  How can it be

that the permanent road

now leads elsewhere?

 

Oh, the six are resplendent

in their black robes pretending

the sunset is not bleak.

They hold up their hands

which they claim are not stained,

the rest of us stand covered in ash.

 

When they entered the pit, they told us

the air was settled, vowed all was settled.

How good of them, how good

for them in their bribed cabins,

their false and active gods arranged,

watering the Chrysanthemum.

Ian Randall Wilson has poems published in many journals including Puerto del Sol and Alaska Quarterly Review. His first full-length collection is entitled Ruthless Heaven. He has an MFA in poetry and in fiction from Warren Wilson College. By day, he is an executive at Sony Pictures.

RIOT!

by Scott C. Kaestner

“A riot is the language of the unheard.”

—Martin Luther King, Jr.

Set fire to the streets
where George Floyd
was lynched.

Blow up the notion that
being Black is punishable
by death.

Tear this motherfucker down
the blue shield enabling
these acts of terror.

Dump gas on the fire fueling
people’s fury with the futility
of having this happen again.

Another Black man slain
in the name of justice.

Another oppressor sticking his knee
into the neck of progress.

“I can’t breathe... please stop!”

Stop pretending this will get better
and won’t happen again.

“I can’t breathe... please stop!”

Stop blaming victims
and talk about systemic racism instead.

“I can’t breathe... please stop!”

Stop the insanity
and scream “no justice, no peace!”

“I can’t breathe... please stop!”

Stop playing by biased rules
fight fire with fire.

And burn
baby
burn!

Scott C. Kaestner is a Los Angeles poet, writer, dad, husband, and former coworker to many. Google ‘scott kaestner poetry’ to peruse his musings and doings.

A NORMAL HEART

by Mary K O’Melveny

Larry Kramer (June 25, 1935 - May 27, 2020)

All I have is a voice
To undo the folded lie,
The romantic lie in the brain
Of the sensual man-in-the-street
And the lie of Authority
Whose buildings grope the sky:
There is no such thing as the State
And no one exists alone;
Hunger allows no choice
To the citizen or the police;
We must love one another or die.

—epigraph to The Normal Heart by Larry Kramer

from “September 1, 1939" by W.H. Auden

Angel of agitprop.
Terror of timid times.
Shout first, schmooze later.
A shriek into skies
defeats discreet death.
Being polite never
gets appropriate attention.
Rage against the slight,
against the folded lie.
No heartbeat can stay quiet.

How we say goodbye
always matters more than
we think when the party
is on. How many names
can be embroidered on
quilts or printed in papers
before we go mad with grief
or sit stunned into silence?
Losses cannot be private
or they will mean nothing.

Quiet farewells are for sissies.
Frankly, we need more fury.
Power never changes course out
of duty. There must be shame.
We listen when wolves howl.
We may want to be loved alone
but we must act up to make
it so. The spleen is the most
important organ of the body,
next to a normal heart.


Mary K O'Melveny is a recently retired labor rights attorney who lives in Washington DC and Woodstock NY.  Her work has appeared in various print and on-line journals. Her first poetry chapbook A Woman of a Certain Age is available from Finishing Line Press. Mary’s poetry collection Merging Star Hypotheses was published by Finishing Line Press in January, 2020.

LIKE A BULLET HOLE

by Alexis-Rueal

What is left to write when everything
comes out looking like a bullet hole?
When everything sounds like
a coffin door closing.
How do you make room for a pen
in your hand when you are too busy hugging
toddler nephews tight and thanking
God and fate that they’re too young for school?
This time.
How many synonyms are left for despair
and fury? Do they even mean anything, anymore?
How does the poet write
when it has all been written before?
How does the poet write when they know
they will write it again tomorrow?

Alexis-Rueal is a Columbus, Ohio poet whose work has appeared in online and print journals throughout the US and in Europe. She has appeared in festivals and venues throughout Ohio and Kentucky. Her first full-length collection I Speak Hick was published by Writing Knights Press in 2016.

SCOURING

by Elizabeth Kerlikowske

COLORADO SPRINGS — A gun battle erupted inside a Planned Parenthood center here on Friday when a man armed with an assault-style rifle opened fire and began shooting at officers as they rushed to the scene. The authorities reported that three people were killed, a police officer and two civilians, and nine were wounded before the suspect finally surrendered more than five hours after the first shots were fired. —NY Times, Nov. 27, 2015. Photo by ISAIAH J. DOWNING/REUTERS via NY Times

I cannot leave while the wind sings in its cold November voice, exercising spruce limbs above the roof, full of spirits and souls perfecting their escapes: my husband’s colleague, the Paris dead,
unmourned strangers caught up, baffled.

Wind is not what they imagined. Always alive, it blows songbirds from the sills. Smashes streetlights and scatters the shards like leaves.

Below in the ugly solid house, cats sleep on quilts, still, while limbs thrash, cross themselves. Wind is the terrorist with no intention: unequal heating of the earth’s surface, dared by anemometers to blow harder.

Spider webs inside the window and the window tremble. Ghosts of people I once loved make room for the freshly dead. The sound of a train with the force of a bomb lifts our jackets then our bodies and snatches flesh from our faces.

Unsaid fury and unspoken endearments, wind is the thunder of my body breaking up like river ice and letting go. Lost souls from anywhere on the globe pluck at the sleeves of  the living. I am what you will be.  This whirlwind tears boats from their slips, clothes from the line, hope from the future.

Today’s gale prefaces snow with no regard for our journeys; it smoothes our problems into a dull continuous roar and cleanses them of impurities. They return to us, still problems but smoother, speaking a language we don’t understand.


Elizabeth Kerlikowske reports here from time to time on the news here and there.