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Showing posts with label International Women's Day. Show all posts
Showing posts with label International Women's Day. Show all posts

Saturday, March 08, 2025

DOES IT UPSET YOU?

by Mariam Saidan

After Audre Lorde’s “A Woman Speaks”



 
I have been woman
for a long time
youth was fragile
scary at times
most of the times
nonadjustable to 
the shape I was becoming.
Misunderstood I was.
Out of mind, troubled
when I didn’t quite like 
the safety of home, 
control or harassment. 
I died many deaths  
each time returning
with a new survivor in me.
Fear no longer suited me. 
I’ve grown into a 
thousand-year-old tree.
They cut a branch,
take a leaf,
it grows back.
It always grows back.
Try and take the sun out
of day. 
There are birds living in me,
one always sings,
and a fox curled up on the shed
just a stone’s throw away in 
my garden, looks at me.

Under my living room where 
I keep vases in different shapes 
and colours, painted and 
filled with wildflowers, 
there’s a cellar
and below that,
an ocean,
pounding.
With every tide 
I become water.
Offending waves.
Dramatic drops.
Vast freedom.
Bewildering imagination.
There’s no end to this thirst.

I’m not scared of pain,
it makes things interesting.
My eyes sometimes
look into yours,
but no, not asking to be
touched.
I’m here
to live this life
like no one but
the woman I have
become. 
I’m not ashamed to
drown in this sea.


Mariam Saidan is a Specialist Advocate for Women’s Rights and has worked as a Children’s Rights Advocate, studied Human Rights Law at Nottingham University (LLM) and Creative Writing at Kent University. She is Iranian, based in London, and has lived in Iran, France, and the UK. She wrote her first journal at 8 years old while living through the Iran-Iraq war.

Friday, March 08, 2024

WAY OF LIFE FOR THREE YOUNG WOMEN

in observance of International Women’s Day




Elizabeth 

20 years old,

junior at an elite US university,

majors in physics.

Awarded a summer internship,

she will fly to Asia,

live at a Japanese university

while conducting research.

 

 

Gabriella

tiene 20 años,

completed high school, 

college beyond reach,

worked menial village jobs

until employment options dried up.

She will travel a perilous journey 

to the US in search of new opportunities. 

 

 

Bahija

تبلغ من العمر 20 عاما

student at college

on a campus now rubble, 

her family is no more, all slaughtered.

Hunger, destruction, death are her relatives.

When bombings start she runs to unsafe shelters

pleading with the world, why are you not helping us?



Author’s NoteUN International Women's Day, March 8, occurs during Women's History Month.  The UN resolution declares "full enjoyment of human rights...(requires women's) active participation, equality and development..." To honor its intention, I imagine and enter into the stories of three women "internationally" to illustrate vast differences in their lived experiences. While there has been modest advancement in some parts of the world, we have a long way to go globally in realizing the UN resolution.

 


Joanne Kennedy Frazer, a former justice and peace educator/director for faith based entities, enjoys spending her silvering years writing poetry and publishing in numerous anthologies, journals, and ezines. Her work is informed by social justice concerns and beauty of the natural world. She has written two chapbooks. Most recently, Seasonings (Kelsay Press) has been nominated for the Eric Hoffer Book Award.  She lives in Durham, NC.

Friday, March 11, 2022

HELL AND HEAVEN

by Gifford Savage


Pakistani police have arrested Shahzaib Khan who allegedly shot dead his seven-day-old baby girl because he wanted his first-born to be a son. The incident took place on Monday in the Mianwali city of Pakistan’s Punjab province where the father had first escaped after firing multiple shots at the infant, according to police officials. The baby girl (pictured above)—named Jannat, meaning “heaven” in Urdu—was hit by five bullets and died instantly, Mianwali police officer Hayatullah Khan said. —yahoo!news, March 9, 2022, since updated from reports on Twitter.


Hell in Ukraine kept Heaven from the headlines,
pushed her far down the online newsfeeds—
as inevitably it would.
More important breaking news took precedence:
Donald Trump asked his supporters to fund a new private jet
Lauren Boebert and 'Prince John'
Nicki Minaj’s butt injections
Dolly’s latest release,
something about Harry & Megan—
(because there’s always something
about Harry and Megan).

On the day after International Women’s Day
Heaven’s seven days on earth
were only a footnote
far down the pecking order.
Her little life hardly a ripple in the big scheme.
Shot five times
for being a girl
when daddy had wanted a boy.


Gifford Savage is from Bangor, Northern Ireland. His poetry has appeared in a number of journals including Poetry NI, Lagan Online, Poetry 24, and the Bangor Literary Journal. He has performed his poetry on local television station ‘Northern Visions TV.’

Sunday, March 08, 2020

HAPPY INTERNATIONAL WOMEN’S DAY 2020

by Mary K O'Melveny




Once again three old white
men will mansplain about
child care, abortion rights,
how pregnancy pratfalls
can stall a fine career.
No one questioned their
electability,
told them to lean in, smile
more. Or less. Or back off.
Be more charming. Sound less
smart. Dress up. Dress down.
Pretend their lives were not
history lessons. About
a bazillion women
know more than these guys, laugh
at their careless presumptions,
clueless, charmless speeches,
responsibility
denials.  We weep too.
Because change never takes
place.  It seems that pinky
promises are made to
be broken. Everyone is
so, so sorry.  No one
feels like celebrating.




Mary K O'Melveny is a recently retired labor rights attorney who lives in Washington DC and Woodstock NY.  Her work has appeared in various print and on-line journals. Her first poetry chapbook A Woman of a Certain Age is available from Finishing Line Press. Mary’s poetry collection Merging Star Hypotheses was published by Finishing Line Press in January, 2020.

Thursday, March 08, 2018

ENTRENCHMENT

by Lynnie Gobeille


This old woman lost all her power after reaching Turkey coming from Syria, on September 30, 2014. NurPhoto via Getty Images via Huff Post.


Having showered—I remove the bandages.
Look closely at the hallowed out skin.
I see the burnt spots
The singed flesh left
From the Doctor’s biopsy.
Note the spot she cauterized
To stop the bleeding.
Left with the memory of the scent
Like nothing I’d ever smelled before—

“Burning flesh” she said—
“has a distinct odor."

I go all Auschwitz; all Jewess
All checking my arm
For the tell-tale tattoo.
To be clear here:
I am not crazy.
For one moment I felt the fear . . .
The absolute awareness
Of the harm
One Human can inflict upon another.
In that one second of olfactory recognition
I understood why my grandmother changed her last name.

Came to America
My mother in tow.


Lynnie Gobeille is passionate about poetry.

Thursday, March 09, 2017

MOTHER-DAUGHTER

by Mary McEwen




My mother was successful.
She grew up in a small valley town
In Evergreen Colorado,
Born to an Italian father and Scottish mother
Who immigrated to New York just before
She was born. She went to a local college
And majored in English. Then she got a job
working in communications.
She was only one of three women working
For the company.
She worked there for over twenty years.
After year thirteen she married my father
And they decided to start a family. I would
Come along a bit later.
My mom used to tell me this story over and over:
An example of how much she loved me.

My mom was proud of her career.
She worked hard.
She was one of the first people to have a cellular
Phone installed in her car.
At the end of every year,
Her boss would make every employee in the office
A performance list, a list of goods and bads,
What employees were doing well, how they improved…
But that year my mother got her performance letter
From her boss and her heart sank.
It was not a complimentary letter like usual.
It had a few things on the “good” list,
Like she was always “punctual” and “organized”,
But nothing really notable.
And then there was the “bad” list.
Only one word.
My name.

The choice to have a child was selfish, unthinkable.
If a woman wanted to have a career then
She couldn’t possibly be a mother and housewife as well.
It was inconvenient timing, he said, it would affect her job performance.
She would have to take time off. She would be distracted.
I wasn’t even born yet. I was a little speck in her womb.
And she stood up for me.
My mother defended me.

Maybe because she and my dad were trying to start a family,
Or maybe because she refused to be threatened,
Or because she didn’t consider it a valid reason to leave her career,
But my mom continued to work there.
And after I was born, she took a few weeks off
For maternity leave. And then she went right back
To work, and took her with me.
I had a little corner in her office with a crib and toys.
I would sit in silence in board meetings,
Wide-eyed and attentive, seated across from her boss
At the other end of the table.
I wasn’t a bullet point on a list anymore.

I was a person.


Mary McEwen lives in Colorado Springs, CO and is a English and Poetry major at Colorado College. She published her first book of poetry in 2014.

Saturday, March 09, 2013

ATMA ADITI ACHUTA

by Rasma Haidri



U.S. first lady Michelle Obama and U.S. Secretary of State John Kerry hosted the International Women of Courage awards ceremony at the State Department March 8, 2013 in Washington, DC. In celebration of the 102nd International Women’s Day, the State Department honored nine women from around the world with the International Women of Courage Award, including the 23-year-old Indian woman known only as “Nirbhaya,” who died from injuries she received after being gang raped by six men last December in Delhi.


India is a woman
with bangles of gold, yellow silk
draped over a bronze arm
fingers elegant and long
at the end of a hand
lying in the dust, chopped
so the bangles fell off, one by one
like bloodstained fetters.

India is a woman
with slender long limbs
sheathed in folds of softest cotton
that lift and stretch and bend
as she steps into a rickshaw
where two men already seated
smile and wag their heads
and make room for her
between them.

India is a woman
partitioned by a retreating army
into East and West, Us and Them
split along the red rape line
where her blood, like a river,
would have carried sons into the world
and daughters.

India is a woman
who trusts the strength of men
put in position to protect her
but again and again she is flung
like pieces of meat between them
her golden brown body devoured, ripped
by their white gnashing teeth, smiling
like jackals.


Rasma Haidri is an American poet of South Asian descent living on the arctic seacoast of Norway. Besides previous publication in New Verse News, her poems have appeared in journals and anthologies in the US, UK, Hong Kong, Canada and India.

Friday, March 08, 2013

HOW TO WRITE ABOUT A WOMAN WHO JUMPED OFF A CLIFF

by Luisa Villani




                                    poem pulled from Los Angeles local news, March 10, 2010


A live interview has a witness saw her “dangling”
from a tree outstretched from the sheer cliff-face
before she lost her grip.  Did she "jump”
or just merely "slide?"  The different news outlets
can't seem to agree on this point (her predicament),
nor on whether she was attacked by a rapist,
a would-be rapist, or an attacker. 
What is for sure:  she was on top of the cliff
and something happened, and when the paramedics
got to her, she was at the bottom of the cliff,
and the person who was with her at the top of the cliff,
or who confronted her at the top of the cliff,
or whom she encountered at the cliff top,
got away with her wedding band and her SUV (or her car).
How do you write about the woman, the cliff,
the other, the ocean, the sky's nothing embrace,
the woman above, the woman below?
How do you get it right?  Is there a "right"
when faced with loss, a right way to pick
between two losses, pick which one is greater,
which one is lesser, which one you'd rather lose?
If NPR says she "slid" and CBS says she "jumped"
who picked the right verb?  Sure, you can bicker
about the geography of Point Dume, its rocky face,
its sandy top, and you can guess the extent of her struggle,
the intent of his actions, but let's get one thing straight. 
There was a "him," and there was a "her," and in the long
history of him and her, how many times has SHE
actually had a choice?  And how many times has that choice
been between nothingness, and the horror of something?
Remember the days when she was told not to struggle,
to belay nothingness by submitting to something,
and then the later days when she was told
THAT was in fact wrong?  And if you want to forget
about the him and her, and return to the safe ground
of geography, the "just the facts M'am,”
let me ask you this (yes, there is also a me and a you here,
and you know you've already decided which one
you are), consider where you are right now,
if you’re running from this poem,
and if you really had a choice.


Luisa Villani is a former Wallis Annenberg Fellow at The University of Southern California, who currently resides in New Jersey.  She can't seem to land in the middle.

KEEP CALM

by Chris O’Carroll




Retail giant Amazon was asked to make a "substantial donation" to a woman's refuge on Saturday night after its UK website offered T-shirts for sale promoting rape and violence against women. The T-shirts, which were also manufactured and sold in the U.S., included slogans were spun off the phrase, "Keep Calm and Carry On", a famous British propaganda slogan and included shirts that read: "Keep Calm and Hit Her", "Keep Calm and Rape a Lot" and "Keep Calm and Rape Them" for $23–$26. --Elise Solé, Shine from Yahoo! Staff | Healthy Living, Mar 4, 2013


Hey, wanna read my shirt?
It leaves some folks agape a lot,
But c’mon, who gets hurt?
It says, “Keep Calm and Rape a Lot.”

That’s one of several jests --
“. . . Hit Her,” “. . . Rape Them,” “. . .  Rape Me” --
Emblazoned across chests
Clad in hilarity.

Some chicks don’t get the jokes.
Who cares, guys?  My advice:
Just do a few keystrokes
And grab the merchandise.

Solid Gold Bomb (no kidding),
That’s the firm that makes the raiment.
Keep calm, girls.  Do our bidding
As they strike gold with each payment.

Zeus was a badass swan;
Now any guy can be.
Log onto Amazon
And buy a pro-rape T.


Chris O’Carroll is a writer and an actor.  In addition to his previous appearances in The New Verse News, he has published poems in BigCityLit, The Chimaera, 14 by 14, Umbrella, and The Cantab Lounge Anthology.