A MOUNTAINEER CAN BE A POET AND STILL FIRE A MUSKET

by Kim Malinowski

Hundreds of West Virginia University students wearing red T-shirts and bandanas to symbolize their connection to striking coal miners a century ago staged protests Monday against an administration proposal to cut 9% of majors amid a $45 million budget shortfall. —AP, August 22, 2023

I write WVU into the stars, blue and gold constellations,

my pen shimmering faculty names, even as the administration’s slash

tenure positions, promises, dreams.

I learned that my pen is a magic wand here. 

It has not been so long ago that even mountaineers could be poets

and still shoot muskets and pretend that they had a home.

I met a freshman today that I will paint as glinting diamond,

fourth day confusion, standing on the side with professors,

telling me he is the transition and the PRTs still don’t work.

But he doesn’t cower, ready to swing full into engineering and life.

My mentors are battle hardened past the traditional 10 on the Mohs scale,

fighting, worrying, fighting more. Not able to tell their stories.

I told the university’s president that I could write WVU into the skies,

either as diamonds or as coal, because each are rocks 

on their way to becoming another rock. That freshman, those faculty

can fight and worry and fight.

I can write the stories they are not allowed to.

But we have a choice if we want the story to be about diamonds or coal.

Kim Malinowski is a poet and a mountaineer. She will have six books by the end of 2024 and credits much of her success to her instructors at West Virginia University. She wore red at the August 21, 2023 Protest, lives five hours away, and fights for those that fought for her.

SHOWING UP

by Ed Ryterband

Tyre

 

Now I cannot turn my eyes

the pile up so monstrous.

Black bodies lumps of coal

shoveled in a furnace of indifference.

 

Now a land to deconstruct

terrain of my white privilege

unexamined legacy presumed

justice, access, possibility. 

 

Now I will concede

the wind’s been at my back

for years and centuries

no bondage, redlines, stop and frisk. 

 

Now I’ll steer into the maelstrom

air thickened with our certainties

clouds of righteous indignation

amplify the howling

 

Now I do proclaim

I’ll never know the pain of my Black neighbors.

I declare I do believe them.

I will show up for them. 

Ed Ryterband is a psychologist, has been a standup comic and is now a poet and memoirist. His poems have been published in Paterson Literary Review, Two River Times, US1 Worksheets. He has three collections of poems published by Kelsay Books: Life On Cloud Eight (2019); Beyond Cloud Eight (2020); Rain Witness (2022). He’s working on a fourth collection Equanimity and a memoir about his immigrant parents Who They Were.

CLIMATE DENIER

by Neil Shepard

by John Deering | September 24, 2021

You slept badly last night—

stuck in a Houston oil slick, coughing coal dust

from your West Virginia mines, lapping up

recycled water from fracked shale be-

cause it was the last water on earth –

and woke up speed-dialing the senator

from New York to nail down a deal

on climate change and health care.

Never tell me dreams and symbols

have no power! They’re the right kind

of power, drilled into your rock-bed

politics, reorienting your moral

compass, mesmerizing, magnetizing,

leading you by the nose like a horse to water,

which is how you find yourself at sun-up

ambling down your backyard lawn to Paw

Paw Creek, where you bend to drink,

and rising, look over a green ridgeline

to see your smokestacks black

with coal-ash, cadmium, mercury, arsenic, and

last night’s dream suddenly flashes

in your brain like a stroke and flushes

your gut with acid and forces

your resolve—to call that god-damn

senator from New York before the morning’s gone.

Neil Shepard is an award-winning poet who has published eight books of poetry, most recently, How It Is: Selected Poems (Salmon Poetry, 2018). He has published essays, book reviews, interviews, and poems in numerous literary magazines, among them, AWP Chronicle, Boulevard, Harvard Review, New England Review, Paris Review, Ploughshares, Shenandoah, Southern Review, and TriQuarterly. He founded and directed for eight years the writing program at the Vermont Studio Center, and he edited for a quarter-century the literary magazine Green Mountains Review. Shepard has been a writing fellow at the MacDowell Colony, Virginia Center for the Creative Arts, and Tyrone Guthrie Centre in Ireland. Outside the literary realm, he is a founding member of the poetry and jazz ensemble, PoJazz. 

NO COUNTRY FOR OLD KENTUCKY HOMES

by M. N. O'Brien

In an interview Sunday morning on CNN’s “State of the Union,” FEMA Administrator Deanne Criswell said the agency is preparing for severe weather events of similar magnitude. “This is going to be our new normal, and the effects that we’re seeing from climate change are the crisis of our generation,” she said. —The Washington Post, December 13, 2021

Echoes of memories: the crunching gravel

under departing tire trucks drowned out

by a howling freight train. Gnashing

through the house, using its churning debris,

corpses of livelihoods to kill more. Leaving

only the warm December stones behind.

In the distance, coal is exhumed

with Kentucky's unbridled spirit.

M. N. O'Brien received his B.A. from Roanoke College, where his work was published in On Concept's Edge and received the Charles C. Wise Poetry Award. His work has appeared in SOFTBLOW, Right Hand Pointing, and The Ekphrasis Review. He currently lives in Christiansburg, Virginia, taking seasonal jobs that do not interfere with writing poetry. He despises writing about himself in the third person.

IT'S NOT OVER TILL IT'S OVER

by Katherine West

In Brazil 600,000 are dead.  The Brazilian jazz band, Farofa, says nothing of this.  They are too immersed in the blessing of music, too busy following and blending genres, traditions, grooves.  They play a Brazilified Tears for Fears song, appropriately, "Everybody Wants to Rule the World."  What happens when there is no world to rule?  Is politics a board game, continuing in heaven?  Do politicians believe they're even going to heaven after selling the planet down the river for a portfolio in their great-grandfather's coal company?  

The violin player is from L.A.  That's where the band met, of course.  He dances as he plays, dances as if he were born in Rio.  The bass player is a comic book character.  If peanuts had a bass player, he would be it.  His big head, with even bigger hair, wobbles without any help from the body whatsoever, like one of those plastic dime store toys I grew up with.  At one point he does a 1970s funk solo.  I close my eyes.  Try to enter the naiveté of Watergate. 

For just one second I've got it:  bell bottoms, afros and ideals, Muddy Waters playing in Peace Park my first year at Mizzou, streaking across the quad to protest the war.  An abstract concept for most of us.  I had never seen anyone with the after-effects of agent orange.  Never seen a metal leg.  Never met anyone with PTSD.

Blindly, I wanted to do the right thing.  I wanted to leave the world a better place for having birthed me, for having said yes to my orphan soul.  

The funk solo ended.  The 70s vanished, leaving nothing behind but that stubborn soul, tossing aside the boring board games to come up to bat one last time, to suss out the pitcher, to grand slam around the bases, run like hell, and hope to reach home before the ump calls me out. 

Katherine West lives in Southwest New Mexico, near Silver City. She hs written three collections of poetry: The Bone Train, Scimitar Dreams, and Riddle, as well as one novel, Lion Tamer.  Her poetry has appeared in journals such as Writing in a Woman's Voice, Lalitamba, Bombay Gin, The New Verse News, Tanka Journal, Splash!, Eucalypt, and Southwest Word Fiesta. The New Verse News nominated her poem "And Then the Sky" for a Pushcart Prize in 2019. In addition she has had poetry appear as part of art exhibitions at the Light Art Space gallery in Silver City, New Mexico and at the Windsor Museum in Windsor, Colorado. Using the name Kit West, Katherine's new novel, When Night Comes, A Christmas Carol Revisited came out in 2020, and a selection of poetry entitled Raising the Sparks will come out in 2021, both published by Breaking Rules Publishing for whom she also teaches Creative Writing workshops.  The sequel to When Night Comes will also be released by BRP in 2021. It is called Slave, The Adventures of Huckleberry Finn Revisited. She is also an artist. 

NO LAST HOMELY HOUSE IN LUETZERATH

by Frank Joussen

The yawning black-brown scar in the earth that is Germany’s Garzweiler coal mine has already swallowed more than a dozen villages. Centuries-old churches and family homes have been razed and the land they were built on torn away. Farmland has disappeared, graveyards have been emptied. “All destroyed for coal,” says Eckhardt Heukamp, surveying the vast pit that drops away from the edge of his fields, 20 miles west of Cologne. But there’s still more under his feet to be mined. Six more villages are threatened. —The Independent (UK), October 31, 2021

The last house in Luetzerath is white.

White like the presidential palace in Washington?

White like Thomas Mann’s house of exile in California?

White like a blank sheet of paper!

Words fail me to describe

the camp, the tree houses,

the posts of activists

directly in front of the oversized pit.

 

On my long bike tour, in the headwind,

from Erkelenz I planned on

calling it The Last Homely House.

Why not? Is the fruitful homeland of Erkelenz

with its old farms and villages

not a cosy, peaceful Shire?

Isn’t it the Fellowship’s aim,

en route to unknown, unprecedented dangers,

to gather strength at The Last Homely House

before the annihilation of the Evil

so that all of the cultivated world

won’t be destroyed?

 

Sure. But a homely house

needs homeland around it,

needs safety for heroes

recognized by all and sundry

instead of a stand-off between

silent security men

and masked activists.

The latter are friendly, talk to me.

Why not? Doesn’t the land

they wish to protect

belong to all plants, animals, humans

on it?

Even to the security men

when they, without their bright

yellow and black vests,

are back home with their loved ones,

reading their children stories

about the great adventure

to save the world?

 

 

Frank Joussen is a German teacher and writer, peace and one world activist. His publications include two selections of his poetry. He has co-edited two international anthologies of poetry/fiction in India and one of short stories in Germany. His poems and short stories have also been published in a variety of literary magazines and anthologies in India, Australia, G.B., the Republic of Ireland, Germany, Romania, Malta, the U.S.A., Canada, China, Thailand and Japan; some of them have been translated into German, Romanian, Hindi and Chinese.

PYROCENE THIS TIME

by Corey Weinstein

 

Nowhere winds bluster cloudless skies

blistering skins of rattle-windowed homes,

The parched air bites through wilted gardens,

Dry lightning judges the boiling world,

Heaven’s fiery tongues crackle the air

that booms the world without drenching grace,

Bestowing 8,000 square mile conflagrations,

Gaia’s retribution for dragging incendiaries

up from her breast with mine and pump,

Ripping off mountain tops, greasing her fissures,

Terra not Firma shakes our foundations.

 

Who is this people, these fire starters

that bespoil their nest and neighbor’s land?

In bands they were heroes of ice time survival

in pleasant harmony with their birthing world,

Now their fires are hidden in machines,

Personal aluminum hundred horse teams.

              Firepower unbound

                              Industrial pyro-pathologies

 Burning day and night

                      Blind to deluge and drought

                 Billions          Coal

     Tons             Gallons               Gas

           Billions     Daily     Billions!    

                Unimaginable bounty

                  Essential inferno.

 

A world melting into a grandchild’s future.

Corey Weinstein is a retired physician whose poetry has been published in Vistas and Byways, The New Verse News, Forum, and Jewish Currents. He currently attends writing classes at Osher Lifelong Learning Institute in San Francisco and hosts their Poetry Circle. Weinstein has also been published in a number of medical/academic publications. He is an advocate for prisoner rights as the founder of California Prison Focus, and he led the American Public Health Association’s Prison Committee for many years. In his free time, he plays the clarinet in a local jazz band.

THERE IS A SOUND

by James Bettendorf 

There is a sound in Minneapolis
Like the tearing of heavy cloth
Where laws favor groups, that oppress
Others to their knees, that rip
Opportunities from small hands,
That flatten hopes, crush
Dreams under their heels
Red tipped white canes are broken
Pieces thrown in the gutter

There is a sound in Minnesota
Like the tearing of heavy cloth
Where angry men and women are bent
Their backs used as stepping stones
Feeling powerless in the face of money
Neighbors denied rights
Darkness isn’t dispelled
By the light of reason

There is a sound in America
Like the tearing of heavy cloth
Eyes of honest people
Covered with blindfolds
Made from the flag
Tower babbling deafens
Knees and backs
Bent by heavy wooden crosses
And more coal is shoveled
Into the furnaces of the wealthy

There is a sound in the world
Like the tearing of heavy cloth

James Bettendorf taught math for 34 years at various levels and in his retirement begin writing classes at the Loft in Minneapolis, MN.  He was accepted for a two year poetry internship in the Loft Master Track program in 2006 and has been working on a manuscript with his mentor/advisor, Thomas R. Smith.  He has had poems published in TheNewVerse.News. Rockhurst Review, Light Quarterly, Ottertail Review, Talking Stick Vols. 18 - 23, and Free Verse.

A RUMOR OF GHOSTS

by Howie Good

Hundreds of protestors gathered outside the Ohio Statehouse on Saturday, April 18, 2020, calling for state officials to lift restrictions now, including this car with an anti-Semitic sign. (Laura Hancock / cleveland.com)

They seized you at your home
and dragged you away,
and though we searched for you in the after years,
we found no trail or trace.
It was as if you had never really existed
but were always only a false memory,
a rumored ghost.

I also am as nothing,
and whether I shamble along the street
or stumble up the staircase,
whether I pray to God for preservation
or curse him for the inventiveness of his cruelties,
the same ancestral nightmares repeat –
swastikas smeared on synagogues,
bearded Jews harried through the streets,
hearts shoveled like coal into the fire.


Editor's Note: Today, April 21, 2020 is Holocaust Remembrance Day—Yom Hashoah—in the United States. It marks the anniversary of the Warsaw Ghetto Uprising.


Howie Good is the author of What It Is and How to Use It (2019) from Grey Book Press, among other poetry collections.

WHITE HOUSE MENU, OCTOBER 8, 2019

by Pepper Trail

Amuse bouche: honey-soaked Smyrna fig with bitter Kurds

Soup:  bisque of watered-down regulations, topped with nutmeg and shredded tax
            returns

Appetizer: bruschetta of tariff-marinated soybeans and pork belly, dusted with
                     artisanal Kentucky coal

Salad:  wilted checks and balances, arugula, and raw ego, with a drizzle of raspberry—
            infused Saudi sweet light crude

Entrée:  tenderloin Republican reputation, flash-seared and bloody in the center,
                served with blanched asparagus wrapped in subpoena parchment

Sorbet:   whipped frozen tears of Guatemalan children, with savor of Miller lemon

Dessert:  half-baked crumble of sour grapes, drowned in a simple syrup of self-pity


Wine List:  Diet Coke


Pepper Trail is a poet and naturalist based in Ashland, Oregon. His poetry has appeared in Rattle, Atlanta Review, Spillway, Kyoto Journal, Cascadia Review, and other publications, and has been nominated for Pushcart and Best of the Net awards. His collection Cascade-Siskiyou was a finalist for the 2016 Oregon Book Award in Poetry.

THE TIN MAN

by Matthew McDermott

Coco Fusco: Twilight at The John & Mable Ringling Museum of Art, Sarasota, FL. 

Beauty makes me long to build hotels.
Dorothy stood here once, her hands on her slaphappy hips.
She spoke glowingly of Kansas. I thought of her milky white tits.
She cast my advances aside, wanting true love from my heart.
I mimed my felonious advances, knowing of no other art.

The therapist sailed in confidently and tied three volunteers to me.
He rolled me down a mountain slope, trying to set a new side of me free.
We headed west, until, one day, we came to the great Muddy.
Surrounded by prairie dog dens, he sought to introduce America to me.

Off, off, off! I whispered, but we were tied together like a bundle of sticks.
The therapist flew above us in a balloon, watching to see if my mind was cleared.
My parents were killed in a car crash when I was twelve, said the man strapped
to my back. I cleared my throat as one is supposed to when sympathy is required.

I have breast cancer, said the woman on my front, but I couldn’t get a look
at her, no matter how I writhed. I gave up and threw my weight to each side.
Come on, I said. What’s your deal? I’m waiting. You better not be dead.
I can’t take the smell, the bugs, the worms! Just then, I heard the therapist’s voice.

This worked before on a man with a heart of coal, but here we only have an absence,
a tin chest acting as a relic of our forgotten humanity. I wash my hands of you,
there’ll be no rebirth; for here strides our grifter-in-chief, the Tin Man. To feed his ego
he would sell the earth, or your sister, your dog, your child: all are casino chips to him.

I shrugged at his pronouncements. And smiled. Why am I so lovable then?
There’s one thing, I, as a grifter, know. It’s not me, it’s you. I couldn’t do
any of this without you. I will remake this nation in my image: hollow men.



Matthew McDermott is a poet and nonprofit manager who lives in the Chicago area.

INNOCENT

by Ron Riekki

“The United States teamed up with Russia, Saudi Arabia and Kuwait to challenge language that would have welcomed the findings of the landmark report, which said that the world has barely 10 years to cut carbon emissions by nearly half to avoid catastrophic warming.” —The Washington Post, December 9, 2018


“What’s been a rotten investment for me? . . . We bought a whole series of birds for the suites in the Plaza Hotel. These are real, live birds—all sorts of little birds flying around in the suites. Some people walk in, they don’t believe what they’re seeing. Usually they’re just little artificial birds. These are real birds. And we have to be very careful, David, with who we let go into the suites. Sometimes a high roller wants to come to New York, and they want to go into the Plaza Hotel, and I’ll never let a high roller from Atlantic City go into the suite in The Plaza where we have these live birds because the birds won’t be alive very long.” —Donald T***p to David Letterman, November 10, 1988 quoted in The Atlantic.
         

Each day we go out of business.
I meant to say that we should mind our own business.
I mean to say that we shouldn’t,
that we’re too busy with banishing,
I mean,
vanishing.
I mean to say that you’re a mean one, Mr. T.,
the bad T.,
the one with truckloads of money
where he trumpets his everything,
the one who’s trying to truncate us,
the U.S.,
the U. S.O.S.—
by this I mean that we might be adding humans
to the list of
the African elephant
            whooping crane
            Puerto Rican parrot
and the rest predicted to go extinct,
the rest that’ll rest for eternity,
restless,
from trick-or-treat voting,
a true-lies presidency.
I write this while listening to a neighbor’s coughing
next door,
a coughing that sounds, strangely, a bit like whooping cough,
a coffin type of coughing,
whopping,
his lungs taken
by the recent forest fires
that weren’t forest fires
but everything fires—
Tule elk fires
and California clapper rail fires
and golden trout fires
            and San Francisco garter snake fires
            and California newt fires
(all of which only live in California)
and, of course, Californian fires


88 killed in the recent fires


climate change
vs.
change = coins = money
meaning
there is a lot of money to be made
from deregulation,
from rampant pollution,
from prioritizing coal overall
over all
rational
thinking,
how a friend
who said his coworkers working on the electric car
are worried they’ll end up in the electric chair,
meaning there is sabotage in this age,
extinction tied to someone ExxonMobil-loyal,
that our President’s hands are covered in oil
the way that Macbeth’s were covered in blood.
The innocent sleep.  The innocent sleep.  The innocent slept.

Ron Riekki wrote U.P. and edited The Way North (2014 Michigan Notable Book), Here (2016 Independent Publisher Book Award), And Here (Michigan State University Press, 2017), and the upcoming Undocumented: Great Lakes Poets Laureate on Social Justice (with Andrea Scarpino, MSU Press, 2019).

EXHALATION

by Pepper Trail

"The T***p administration has hailed its overhaul of federal pollution restrictions on coal-burning power plants as creating new jobs, eliminating burdensome government regulations and ending what President T***p has long described as a 'war on coal.' The administration’s own analysis, however, revealed on Tuesday that the new rules could also lead to as many as 1,400 premature deaths annually by 2030 from an increase in the extremely fine particulate matter that is linked to heart and lung disease, up to 15,000 new cases of upper respiratory problems, a rise in bronchitis, and tens of thousands of missed school days. "—The New York Times, August 21, 2018

Edenton, North Carolina


Mother, your breath shallow and slow, almost gone
Barely moving the sheet on your hospice bed

You are reluctant, now, to inhale
To bring in the world, its noise and its pain

So much easier to breathe out, to gentle
And at the end of that emptying, to stop

But the stubborn body kicks, the heart turns over
Begins again, will not yet let you go

Mother, it’s all right.  You are strong
Nothing, in the end, will stop your dying


Ashland, Oregon


The world, the west, is on fire
Vancouver to Yosemite, all tinder, alight

Halfway between, we must breathe
What air there is, what we are given

When we speak, smoke is what we say
And so we have stopped speaking

The mountains are gone, the valley
Through the windows, everything

The smoke is where we live now
What we breathe in, and then out


Washington, DC


He does not mind the world, the President
Thoughtless, he inhales its floods and its flames

Exhales this atmosphere in which we live
Gives us, this week, the “Affordable Clean Energy Plan”

Not Affordable, or Clean, or Energy, or a Plan
Simply another act in a lifelong history of harm

Power plants, cars, planes, you all and me
Together, we contribute: 408 parts per million

We are told there is nothing to be done
We are told there is no choice.  Just breathe

Pepper Trail is a poet and naturalist based in Ashland, Oregon. His poetry has appeared in Rattle, Atlanta Review, Spillway, Kyoto Journal, Cascadia Review, and other publications, and has been nominated for Pushcart and Best of the Net awards. His collection Cascade-Siskiyou was a finalist for the 2016 Oregon Book Award in Poetry. In his spare time, he leads natural history tours around the world.

THE BALLAD OF SCOTT PRUIT

by Edward Zuk

Image from “Environmental Plundering Agency by Brian McFadded at The Nib.

When health and safety threaten greed across this land of ours,
To whom do corporations turn to exercise his powers?
Who trashes standards then explains it with a bland cliché?
It is Scott Pruitt, mighty leader of the EPA!

Who scoffs at scientists and what they claim to be “the truth”?
Who likes to joke with lobbyists inside his soundproof booth?
Who flies in secret round the world in first-class all the way?
It is Scott Pruitt, jet-set madman of the EPA!

He kicks and headlocks edicts, punches rules right in the nose,
Then knocks out regulations with his well-timed body blows.
Who cares if it’s all legal or the courts demand a stay?
He is Scott Pruitt, fearless fighter of the EPA!

When nonexistent death threats make this dauntless man afraid,
Security is there so that he will not be waylaid.
It’s well-spent dollars from the taxes of the USA
To save Scott Pruitt, precious treasure of the EPA!

When streams and rivers are too clean and need some mercury,
When oil is trapped in parks without a well to set it free,
When species are endangered but somehow still hang around
Without that one more final blow to lay them in the ground,

When woodland ponds are lacking coal ash and some manganese,
When people ought to breathe in smoke and lead from factories,
What do the billionaires and massive corporations say?
We’ll call Scott Pruitt, matchless leader of the EPA!



Edward Zuk is a poet from British Columbia, Canada. His work has appeared in The Queen's Quarterly, The Raintown Review, Modern Haiku, and TheNewVerse.News. 

TEACHER MINERS OF WEST VIRGINIA

by Alejandro Escudé

The victorious strike by teachers in West Virginia did not only result in a long overdue pay raise. With the exuberance of a nine-day teach-in, the teachers and their supporters have taught the nation a compelling lesson on the historical role of a true resistance. Taking to the streets, picketing on the sidewalks, and charging into the Capitol itself, the strike turned the public commons into a counter space for “we the people.” One by one, the roughly 20,000 teachers in West Virginia essentially forced lawmakers – and the nation – to stop our daily routine and address the growing education crisis on the terms of those most devoted to ensuring the best outcomes for our children: our teachers. —The Guardian, March 10, 2018

The teachers are digging for coal;
They pour out of the mines, dark-drenched,
Unimpressed by the earth’s time tables,
The maps colored outside the lines.
They are heading home from the mines.

The teachers have received the cables
That mark their pay; their fists are clenched
Even grading papers, their precious ore
A losing industry. As the work clock chimes
Apocalypse, for health they pay the fines.

The teachers breathe fumes of a Stygian shoal
As they sail on—confused, wrecked and bled,
Their career an entanglement of labels.
Of their day’s take nothing survives.
They’re servants to the ironies and declines.

Like prophets, they cluster countless Babels,
Their clothes contain the prints of our kindred.
Yet, where gratitude should be, there’s a hole.
A relentless grind, their minds like stripped mines,
For expenses overdue, for quarrying lives.


Alejandro Escudé published his first full-length collection of poems My Earthbound Eye in September 2013. He holds a master’s degree in creative writing from UC Davis and teaches high school English. Originally from Argentina, Alejandro lives in Los Angeles with his wife and two children.

EMBARRASSED BY PARIS

by David Feela

Let the Eiffel Tower
dim its lights,
not in tribute
to the victims
of terrorist bombs,
but let it go dark
as a reminder
for any who counts
on light that it will not
be found in America,
home of the coal-fired heart,
where a dull intellectual climate
muffles the air,
and where truth
has turned into
a stale commodity
only fit
to feed the poor.


David Feela writes a monthly column for The Four Corners Free Press and for The Durango Telegraph. A poetry chapbook, Thought Experiments, won the Southwest Poet Series. His first full length poetry book The Home Atlas appeared in 2009. His new book of essays How Delicate These Arches released through Raven's Eye Press, has been chosen as a finalist for the Colorado Book Award.

SONG OF THE MOUNTAINTOP, REMOVED

by Peggy Turnbull

Mountaintop Removal Site in Pickering Knob, West Virginia. Image source: iLoveMountains.org

Coal sparkles
where the miner’s lamp hits  
plants wait in darkness
millions of years
transform into sequined shards
burn
become electric

no more easy pillage
no more bolts of velvet
crammed into caverns

thin black ribbons
weave beneath
Appalachian forests
too small to mine underground
too precious to ignore

where clouds hang
between branches
where the mystery
of day unfolds
say good bye
to the tree frog’s song
clear cut these trunks
explode the earth’s crust
let machines like carnivorous insects
rip off the mountain’s head
eat its slender bituminous bed
toss leftovers
into rushing creeks
alongside

a higher intelligence
wills it
for jobs
for corporate wealth
mountains
become flatland
coal
exists no more

Peggy Turnbull has been recently published in Eunoia Review, Rat's Ass Review, Anti-Heroin Chic, and is forthcoming in Muddy River Poetry Review. She made her home in West Virginia for 26 years, but now lives in Wisconsin, where she is a member of the Wisconsin Fellowship of Poets.

THE VOICE OF REASON

by Clara B. Jones

Image source: FrackFreeNC.org

I am twenty-nine years old, an environmentalist, and a tool of Big Business. In the eyes of my parents and my pastor, I am a success, a good girl who can do no wrong. Though I have an uncommon amount of support and encouragement, I feel like an imposter. Dad always told me to do the right thing, but that is easier said than done. I grew up in Haywood County without the means to be idealistic. Some of my friends in graduate school were from Chapel Hill and Davidson, never forced to eat chicken wings and dumplings at the end of every month. Doing the right thing was always a practical matter. I was cut out for a career in Science, taught to weigh costs and benefits from an early age. But, I didn't know it would turn out like this. Doing the right thing is a complex matter, something Dad never pointed out. I wrote my dissertation on long-leafed pine, taking a job with the Forestry Department, hoping to continue my studies on endangered trees. But, my boss had other plans, assigning me to survey all the conifers in a five-hectare plot in Lee County. At first I was told that Forestry was revising their species lists. But, when I spotted trucks from the Mining and Energy Commission, it was obvious that I was part of an environmental impact study. Who might have imagined that Raleigh would favor hydraulic fracturing in the Great Smoky Mountains? Any high school Physics student could tell you that shattering shale deposits causes toxic leaks. Raleigh wants to be part of the gas drilling boom. Frack Free NC says fracking is an environmental justice issue, but my boss says NC needs to be free of freaks. “You can't stop progress.” is his favorite mantra, and maybe he's right. I considered asking for a transfer to the Conservation Department but decided I would stay on the job to be the voice of reason. At least natural gas is cleaner than coal.

Clara B. Jones is a retired scientist, currently practicing poetry in Asheville, NC. As a woman of color, she writes about identity and power. Erbacce, CHEST, Ofi Literary Magazine, Transnational, Quail Bell, Bluestem, The Review Review, and 34th Parallel are among the venues her poems and reviews have appeared or are forthcoming in. In the 1970s, Clara studied with Adrienne Rich and has studied recently with the poets Meghan Sterling and Eric Steineger.

IF DIAMONDS WERE MADE OF COAL

by Tom Russell

Shallow men with deep pockets and dark goals
say that up is down and down is up.
Their corrupted family values put the Koch brothers ahead
of working mothers and fathers and leave
far too many to the Little Sisters of the Poor.

Their ballot-mining canaries sing boastfully
of ransacking the middle class and liquidating
those with less.
All who are the coal for their diamonds.

Good common sense and
a sense of the common good
are Black Lung to these dregs and dredgers.
Good common sense and
a sense of the common good
will silence the dirges of their dirty yellow birds.


Tom Russell works at the Omaha Public Library in Omaha, Nebraska.

THE FACTORY

by David Chorlton

"Richmond Hill" by LS Lowry

I
When they laid the first brick they said
This is progress,
and then they laid another, promising to carry on
until there was a wall
where previously the wind had blown without obstruction
across the grass. The wall
was high and strong, with just one row of narrow
windows for light to pass through.
Look at what is possible, they said
as they drew up plans for the second wall.
These will stand through any storms, they claimed,
and storms came to test them
and the walls remained.
Foxes came to sniff. They didn’t understand
what was happening. Swallows
flew above and in between the walls
until the third and fourth sides of a mighty rectangle
were complete. Sometimes a swallow
would go in through a window and fly playfully
out of the open space held aloft
by the walls. This is the future, they said,
this is the place
where darkness will turn to money.
So they covered the space with a roof
which blocked out light
except for the long, dusty shafts
that streamed in when the sun
was on the window side, and the valley appeared
to sit deeper in the earth
because of the weight
pushing down. Only a circling hawk
remained of the sky. They raised a tall chimney
and fed it with coal. This is the power, they said,
that nature forgot, and as they bowed their heads
in prayer a viper
slithered by and spat a hiss.

II
Many came to see it. Many more
entered by the door and stayed inside until each day
was over. Those who praised it
never went inside, but said to those who did,
You’re fortunate, be grateful. So the line formed
every morning, and each man
bowed his head as he moved to his assigned position
while outside, the deer
on their way to the river ran by
until water no longer ran there
because it had been redirected
and after it had been used
it became a kind of poison
so the decision was made
to have it soak into the ground and disappear,
but it was still there,
like fire just beneath the surface of the earth.

III
We need another one just like it,
they said, and they marked the ground
for the new one to stand on. We must cut down
these trees, they said, and lay a new foundation
that will seal the earth.
It looked just like the one before it
and those who entered looked
just like the ones who entered the first one.
Two were not enough.
However many they built
they kept on finding people to feed into them
and the many chimneys
poured waste into the sky
as if to make an offering to whichever gods
survived in the smoke.

IV
So it continued, each one followed by the next
until no trace remained
of the grass in the valley and the trees on the hills,
and nobody who came to see
what had replaced them
could ever imagine the way it used to be
when the air was clear enough
for the sparrows to be seen
with their feathers turning gold
as they flocked in early sun.
Don’t think about the past,
they said, your memories will not feed you.
And they kept on building,
beating down the earth
to make it level for another floor,
creating enclosures where once had been space,
and when they were sure
nobody could remember what they had replaced
a man old enough to have been dead several times
stood up to speak about what had been lost
but he could not be heard
above the growling of machines.

V
More, they said, we need more.
And it did not matter how many,
they were too few. Some sparrows appeared,
and a lost fox, but no matter
how few were the animals
they said, They are too many.


David Chorlton was born in Austria, grew up in England, and spent several years in Vienna before moving to Phoenix in1978. He pursued his visual art and had several shows as well as writing and publishing his poetry in magazines and collections, the latest of which is The Devil’s Sonata from FutureCycle Press. Although he became ever more interested in the desert and its wildlife, the shadow side of Vienna emerges in his fiction and The Taste of Fog, which was published by Rain Mountain Press.