PYROCENE THIS TIME

by Corey Weinstein

 

Nowhere winds bluster cloudless skies

blistering skins of rattle-windowed homes,

The parched air bites through wilted gardens,

Dry lightning judges the boiling world,

Heaven’s fiery tongues crackle the air

that booms the world without drenching grace,

Bestowing 8,000 square mile conflagrations,

Gaia’s retribution for dragging incendiaries

up from her breast with mine and pump,

Ripping off mountain tops, greasing her fissures,

Terra not Firma shakes our foundations.

 

Who is this people, these fire starters

that bespoil their nest and neighbor’s land?

In bands they were heroes of ice time survival

in pleasant harmony with their birthing world,

Now their fires are hidden in machines,

Personal aluminum hundred horse teams.

              Firepower unbound

                              Industrial pyro-pathologies

 Burning day and night

                      Blind to deluge and drought

                 Billions          Coal

     Tons             Gallons               Gas

           Billions     Daily     Billions!    

                Unimaginable bounty

                  Essential inferno.

 

A world melting into a grandchild’s future.

Corey Weinstein is a retired physician whose poetry has been published in Vistas and Byways, The New Verse News, Forum, and Jewish Currents. He currently attends writing classes at Osher Lifelong Learning Institute in San Francisco and hosts their Poetry Circle. Weinstein has also been published in a number of medical/academic publications. He is an advocate for prisoner rights as the founder of California Prison Focus, and he led the American Public Health Association’s Prison Committee for many years. In his free time, he plays the clarinet in a local jazz band.

ANYMORE

by Frederick Wilbur

We don’t tolerate ripples in window glass anymore,
the waving landscape smoothed out.
Switchbacks of moral choice are GPS’ed
as Robert Frost never conceived. Now we drive
for miles with turn signal blinking right,
then U-turn back to well-traveled interstates.

Scarecrows don’t hide in corn fields anymore,
each tassel-top chemicaled to a plastic crown—
nature is an industry, a corporation,
littered with hashtags, threat assessments,
sentimental cemeteries for passed pets.

Silence isn’t noticed much anymore,
too many ringtones, beeps, and bling,
seepage from ear buds, drones overhead—
distraction, distraction, distractions, distractions.

Wisdom isn’t countenanced anymore,
everything digitalized, Googled, auto-corrected, auto-filled.
Compassion is granted by proxy, by on-line donation.

No sincere grief anymore,
as opinions bully and greed and hate rule,
even Free Speech shows up with a gun.

But if we rant out of fear, we are not free anymore.


Frederick Wilbur has authored three books on architectural and decorative woodcarving, and a poetry collection, As Pus Floats the Splinter Out. His work has appeared in many print and on-line reviews including Shenandoah, Main Street Rag, Comstock Review, The Dalhousie Review, Rise Up Review, and Mojave River Review. He was awarded the Stephen Meats Award by Midwest Quarterly (2017). He is poetry editor for Streetlight Magazine.

OUR BROTHERS WHO ARE IN

by Howard Winn

"Jane Mayer’s Dark Money—a detailed accounting of rise and rise [of the Koch Brothers]—is absolutely necessary reading for anyone who wants to make sense of our politics. Lay aside the endless punditry about Donald’s belligerence or Hillary’s ambition; Mayer is telling the epic story of America in our time. It is a triumph of investigative reporting, perhaps not surprising for a journalist who has won most of the awards her profession has to offer. But she had to cut through the secrecy that these men have carefully cultivated, unraveling an endless list of front groups. And she had to do it despite real intimidation; apparently an arm of what some have called 'the Kochtopus' hired private investigators to try to dig up dirt on her personal and professional life, a tactic that failed because there wasn’t any. She’s a pro, and she’s given the world a full accounting of what had been a shadowy and largely unseen force." —Bill McKibben, The New York Review of Books, March 10, 2016 issue. Image source: DonkeyHotey

not exactly Heaven but
the billionaire’s equivalent
as they answer the prayers
of a certain kind of Koch-loving
politician such as runs the
state of Wisconsin or represents
Texas in the U. S. Senate
although both have been dumped
as too low in the polls when
there is still the Cuban kid
with the fresh face and the
fresh tongue hydrated often
taking unlimited largess from
the family fortune that has
its foundation in partnership
connections with Adolph Hitler
and the Nazi Political Party
without worry because it
was after all a good business
deal and all that counts is the
bottom line and why do some
people talk of morality in
the context of industrial success
and the accumulation of profits
to use in self-glorification and
many mansions yachts and personal
jets even if the innocents are dying
in death camps dividends are all
important for the trinity to
some consists of two brothers
and the holy ghost of profit
also known as dark money


Howard Winn’s fiction and poetry, has been published recently by such journals as Dalhousie Review, Taj Mahal Review (India), Galway Review (Ireland), Antigonish Review, Literature Today, The Long Story, Pennsylvania Literary Review, Blueline, Chaffin Review, Thin Air Literary Journal, and TheNewVerse.News . His B. A. is from Vassar College. His M.A. is from the Stanford University Writing Program. His doctoral work was done at N.Y.U. He has been a social worker in California and currently is a faculty member of SUNY-Dutchess as Professor of English.

THE PLAN

by Daniela Gioseffi

Two weeks of United Nations climate talks ended Saturday with a pair of last-minute deals keeping alive the hope that a global effort can ward off a ruinous rise in temperatures.  . . . Mohamed Adow, an activist with Christian Aid, said the deal showed that “countries have accepted the reality” of the effects of climate change, but that “they seem unwilling to take concrete actions to reduce the severity of these impacts.” --NY Times, November 23, 2013

The plan was for butterflies,
bees and bats to suck among flowers
gathering sweetness to live
as they carried pollen, seed to ova,
to bring fruit from need.

The plan was for waters
to run freshly through
wetland deltas, filtering streams
along their way from mountain tops
quenching thirst running clear
rivers to the sea bringing life to the lips of children,
blossoming from the need for love
from parents, two different animals united
into a new being, ecstatic with rebirth.

The plan was for forests to clean the air
for children's breath in symbiotic balance
using carbon dioxide expelled from animals
to give forth oxygen,
to photosynthesize food from need,
making green leaves that leaf and leaf again
to feed women's breasts, not mere objects of sex,
but factories of milk, first link
in the food chain for children's mouths
to suckle milk from leaves of grass
come from fertile mud for need.

But sheer greed for things
of plastic, polymers from petroleum:
acrylic, polyester, lucite, biogenetics,
nuclear radiation, poisons,
greed for too much meat full of steroids,
land laid waste grazing cattle,
carcinogens, plutonium, filth and waste,
killed the plan slowly, bit
by bit, until the water trickled
with foul waste of industries' mistakes
and what was needed food, water, breath
was suffocated to a barren death.

Bats, bees and butterflies
ceased to buzz around flowers
bearing fruit from their sexual union
and children had no food.
Forests chopped to dust
gave forth no oxygen
or photosynthesis
or atmospheric balance
as fluorocarbons and fuel emissions
opened holes in the ozone
and burned the earth
to a carbon crisp
and love,
which was God itself,
no longer breathed
in the eyes of children,
but was silenced from its song
and art, books, poems,
had no feelings to speak
as all seed,
through "market engineering,"
was lost
to greed.


Daniela Gioseffi is an American Book Award winning author of 16 books of poetry and prose. She is editor/publisher/webmaster of www.Eco-Poetry.org/, a website of poetry and commentary dealing with climate crisis concerns. She has been widely published in innumerable magazines such as The Nation, The Paris Reveiw, Chelsea, Choice, Prairie Schooner, Poetry East, and in anthologies from Oxford U. Press, Viking, Simon & Schuster, Harpers. Her latest book is Blood Autumn from VIA Folios / Bordighera Press. Her verse is etched in marble on a Wall of PENN Station with that of Walt Whitman and other poets.