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Showing posts with label oxygen. Show all posts
Showing posts with label oxygen. Show all posts

Tuesday, July 21, 2026

SEVEN-POINT-FIVE PERCENT

by Gale Naylor



AI-generated graphic by NightCafé for The New Verse News.



Wearing a tie can reduce blood flow to the brain by seven-point-five percent. I’ve heard the percentage is higher if the tie is red. And long—with its triangular tip seeking a fly like the tongue of some metal-infatuated snake, while the tail tightens around a thick neck—carotid compression. Does lack of oxygen fill the brain’s airless void with dreams… of castles lined with gold; of consequences for thee, adoration for me? Seven-point-five percent. This one, simple fact explains so much: Why rich, suit-and-tie men still seek, long after they should be sated. Why heads—of state, of corporations, of patriarchal households—make decisions empty of heart. The simple cause: compression; the cascading effect: low brain blood-pressure, lack of oxygen, loss of compassion, community, empathy——who knew blood was so important! 


Poetry is how Gale Naylor makes sense of the world as a survivor of incest and sexual abuse; they hope their voice helps other survivors feel less alone. Gale's poems have appeared in Exposed BoneCalliope-on-the-WebS/He Speaks 4Jupiter ReviewThe Ekphrastic Review, and the California Poet Laureate’s “Our California” website. Gale received an MFA from Antioch University Los Angeles in 2026.

Friday, June 05, 2026

MASS SHOOTING #14

  

VFW, 5200 block of Airline Road, Muskegon, MI, May 9, 2026 

 

“‘They’re shooting at the VFW!’ 911 calls detail chaotic scene at after-prom party.” —MLive, May 27, 2026

 

 

by Ron Riekki

 

 

 

“If I can reach at least one, then I’m doing my part.”

Ebony Davis (Gemini DaPoet)

 

They that have the power to hurt”

—William Shakespeare, sonnet XCIV

 

 
            i: Prescription

 
We need to cure this
goddamn gun disease.

 
            ii: Script
 
It’s the day after Memorial Day.  I’m so rural
the GPS seems confused, isn’t even sure what its three letters stand for.  I finally find
the mass shooting site—sad, hid, and all x’ed; it’s an old
building that reminds me of a bar in my hometown
 
when I was a boy, a bar my Grandpa buried himself inside, weekly;
it’s a VFW, has an axe-colored roof/awn, and its bin that’s a 
Boy Scout of America Troop 1023 U.S. Flag
Retirement Box
.  Across the street, a bed of
 
thick green, a feel like Eve and Adam, of no one
at all in this world, just a bug, a bee, a fly.  Not a dog, not a cow,
not a doe, not an elk, not a car
all day but mine.  Instead, as far as I can see, an eon of elm, fir, oak, ash.  Views I remember from my youth doing XC (cross-country).  It’s May.  The cry of sky, this place cut
 
by violence, the 911 call, an after-prom party,
police arriving just after midnight, on Mothers’ Day.  4 shot, 2 hit by the car, found by a cop lying in the street, “unresponsive” per police scanner, “multiple people down,” “patient in the road,” “30 to 40 shots” fired per audio, a 17-year-old girl “run over,” now in rehabilitation and “can’t walk” per FOX 17, and—fat chaos like grawlix—
a college football player named “Piggee” hit, now on crutches, “severed tendons” per WOODTV news, hit by the vehicle, tried to hop to the side to get away, but hit mid-air.
The calls of “GSW,” “GSW.”  Gunshot wounds.  “All vehicles” called.  Four shots.  E.R.
 
IV fluid resuscitation, x-ray, keep the patient warm.  Direct pressure.  The only way to stop the bleeding.
Just like politics.  How you have to put on direct pressure.
Sometimes, maybe often, too often, it feels we don’t even try to improve this world.
Crush injuries.  A vacuum effect at the point of entry, where debris
 
like bacteria, clothing, anything can enter the body, along with the bullet.
Bullets.  On parade.
Then the bullet ricocheting around inside the body, off bones, or,
if high-powered,
 
through bones,
if not, going in any direction, hitting lung, bone, vein, pons, nose, foot, guts.  Skin.  Hair.
And exit wounds larger than the entrance, spurting blood, arteries
that can spurt a foot-and-a-half, blood gushing in rhythm with the heartbeat,
 
children’s heartbeat, here, teens’ heartbeats,
there, at the prom after-party.
Red.
Kid.
 
Blood on dresses, on walls, on hands, on the floor, on the parking lot.
This mix of arterial bright red, venous dark red, capillary darker red.
Children’s blood.  We’re talking about children’s goddamn rushing blood.
I remember a paramedic telling me that when you see blood on the ground,
 
you’re seeing oxygen.  A pool of oxygen.  Hemoglobin transports oxygen.
Blood transports oxygen.  That’s oxygen all over the dress, wall, hand, floor, lot.
A lot.  They transport the children to the hospital.  Teens.  Tens.  Hundreds.  Thousands.
More than 17,000 children are shot in the U.S. every year.  Every year.  Every.  000!
 
This is America, guns
Childish Gambino.
go, go away
I stand there.  At the VFW.
 
In the sky, the dot of sun like a fire-
arm pointed at my eye.  I think
of the 1,000 people shot in Michigan in the last year
and where they were shot—in the hip, the ear,
 
the jaw, arm, toe.
R.I.P. posts.  Mom and
Dad sob, not a dry eye.
To die.
 
Thinking I need to eat, get something to drink.  Gin.
You know, I remember this loop I got into when I was
trying to learn the Hamlet to-be-or-not-to-be speech when I was
young:
 
To be, or not to be, that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles
And by opposing end them. To die—to sleep,
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to: 'tis a consummation
Devoutly to be wish'd. To die, to sleep
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to: 'tis a consummation
Devoutly to be wish'd. To die, to sleep
No more; and by a sleep to say we end

 
And it is a loop—violence.  And I didn’t
have the text, wondered what I was doing
wrong, or if those words did, in fact, keep
going for infinity.  Imagine the actor on-
 
stage, trapped in that soliloquy, for hours,
for years, forever, talking about suicide
ideation.  To be or not to be or to be or not to be or to be or not to be or to be or . . .
All of this because of the four-letter word: guns.
 
There’s no one here to talk to.  Too rural.
Even the wind is absent.  I stare at the VFW.
When I go into buildings for the first time,
I honestly look for first-aid kit, the AED,
 
I once asked a stewardess where the AEDs were on the plane
and she treated me like a terrorist, asked why I’d want to know.
I couldn’t get the EMT out of my system.  She told me they’re
located both front and back, but, still, the whole time she acted
 
like I was Isis.  People are suspicious.  I went to a series of offices
at U of M to talk about the ten sexual assaults that happen
per month on campus, and the lack of mental health care
for students.  It was the same treatment, like I was vile,
 
as if the goal is no ally.  I keep asking why there’s so much
gun violence, and the solutions, everywhere I’ve gone, all of
these mass shootings in the last eleven months in Michigan
in order: in Flint, in Detroit, in Saginaw, in Kalamazoo,
 
in Grand Blanc, in Highland Park, in Saginaw again, in
Muskegon, in Flint again, in Detroit again, and in Detroit
again, in Jackson, in Grand Rapids, now in Muskegon again,
innocent children, innocent women, innocent men, talking
 
with me intensely in stores, in tents, in the streets, in early-night
dusk.  But what stands out is walking, then talking in Detroit,
taking my time talking to a group of black men where when
I asked about the root of the problem stunned me by saying
 
it’s childhood sexual trauma.  I couldn’t even believe
the honesty.  I kept that conversation going after leaving.  Searched.
Researched.  Found that one of three men have experienced sexual violence.
Why was this never mentioned once in my life before?
 
And worse, I talked to guy after guy after guy who couldn’t
get into therapy.  Especially veterans.  The wait list.  They’d
call and it would be wait list.  They’d try the V.A.: wait list.
They’ll call out in town: wait list.  How long would the wait
 
list be?  “We don’t know.”  I tried myself.  I called, literally,
more than thirty phone numbers listed online.  Easily more.
The answer: wait list.  Or “we don’t work with vets.”  And
one therapist who said that veterans are “too dangerous,”
 
that she has no problem “calling the police” on them, if she
“has to.”  I asked what she meant.  She said that they can get out
of line.  Except she doesn’t work with them.  ?  I asked if she does.
No, she said, but she’d work with the “level one veterans.”
 
I asked what that was.  She said level two and level three
veterans have too much trauma, so she only works with
level one vets.  The ones who are asymptomatic.
She’s really good, apparently, at working with
 
asymptomatic patients.  If you have absolutely no
mental health problems, she’s a phenomenal therapist.
Others pushed telehealth on me.  The majority did.
The therapists want to do therapy in their slippers.
 
The problem: telehealth is shit for complex PTSD.
It’s wonderful for minimal trauma, or no trauma,
but someone with childhood sexual trauma or
military sexual trauma or any sexual trauma
 
isn’t going to feel the most comfortable talking
on a computer, which can easily be hacked.
A friend of mine told me he can hack into any
email.  “Any.”  I asked how.  He said, “It’s easy.”
 
Easy.  Ease.  When I started to get into the thirties
for the calls, therapist office after therapist office
telling me that they had no availability, I realized
how brutal it is to get mental health care, and
 
that’s even when you have the money.  How
impossible it is to get in.  But how incredibly
easy it is to get cannabis in this town, to get
alcohol, all the people I talked to in Muskegon,
 
Flint, Detroit, telling me how simple it is to get
a gun, but how BRUTAL it is to get mental health
care.  The people on the other end of the phone
would actually laugh when I asked if they had
 
any availability.  One therapist told me she could
get me in, but I had to agree that she could video-
tape record all of my sessions.  Again, wonderful
if you have no trauma, if you want therapy due
 
to getting a D on your last report card, but if you
wanted to talk about the insane trauma that’s
so frequent in this world, especially trauma
that is hard to talk about at all, let alone with
 
a camera pointed at your face . . . When I refused,
therapist told me, “The camera on my laptop
won’t kill you.”  I felt this rage of adrenaline
through my body at how little she could under-
 
stand.  I started to tell her that computers can
be part of the trauma, told her that there are
things like cyberbullying and online human
trafficking and veterans who were forced to do
 
drone strikes, that computers in the military
can kill, that it’s—but she talked over me,
told me it was her rule, that it’s an absolute.
Of course, it’s a rule she’s making up.  Of
 
course, she doesn’t have to videotape us.
Of course not.  She hung up.  I think of the 22
veterans per day that kill themselves, hang
themselves, shoot themselves.  And then I thought
 
of the veterans who shoot others.  I wonder how
many of them were denied care.  I wonder how
many times they tried.  I wonder if people laughed
at them when they called and were told about
 
the wait list.  The wait list is just a wait list.
The wait list doesn’t factor in the level of trauma
of the person.  The wait list doesn’t look for
the factors of having parents with substance abuse
 
or your own history of substance abuse or if
you are a survivor of abuse or anything about
abuse.  It’s just a wait list.  They told me I could
always get emergency crisis help, that you can go
 
to the hospital, check yourself in.  They didn’t mention
what others have mentioned to me, which is that
the E.R. puts you on hold in an empty treatment bay,
a bay meant to drown you in waiting.  I did this once.
 
The wait was like ten hours before the EMTs ever came.
Then, once they came, they tied me to the gurney.
Did they need to?  No.  Was I compliant?  Yes.
I was depressed.  I wanted help.  Tied to the gurney,
 
there was nothing I could do on the ride to the psych ward
with the EMTs on the way making fun of me, complaining
about me, saying to me that the “suicidal” “waste” their “time,”
giving me a sick nickname I won’t repeat here, but one where
 
I wish my hands had been free, the total lack of ethics on their part,
the wish to wash my hands of that memory that got worse: when I arrived
to the ward where they gave me a bed, lying down on mattress in the dark
to find that it was covered in piss.  Piss on my face, chest,
 
arms, legs.  I could smell it, felt it, got up, turned the light on
fast, saw it, went to the front desk worker and told him
and he didn’t believe me, went to the bed, realized it was true,
told me he’d give me another bed.  I said I needed to shower.
 
He said I couldn’t.  It was after hours.  Said I could in the morning.
I was covered in someone’s piss.  I begged him.  He said
there were rules, that he didn’t make the rules.  I’d just been
mocked for the entire ride there, and I remember that smell
 
all over my face, my body, standing in a hallway, begging
this man to let me shower, begging him, pleading.  Please.
I’d went to them for help.
No, I told the woman on the phone, no, I’d rather die
 
than go back there.  I worry there is an underestimation
of the violence done to men.  I remember talking with
some women, fellow writers, at a sports bar after workshop
and the conversation got to violence against women, so I thought
 
I’d shut up, lean back, listen, and when I removed myself,
observed, I realize this passionate conversation, their disgust
at violence directed at women, but, leaning back, I saw
all of these TV sets on the walls, dozens, all over the bar,
 
and on the screen, these two men, two boxers, just beating
the hell out of each other, blood, blood, and the bar exploding
into applause at this, and the absence of recognition of this,
as it was sport, fun, ignored, or, no, not ignored, but explored,
 
applauded, worshiped.  I wonder, sometimes, if the way
we reduce violence against women is to reduce violence
against men.  The link.  I know I’m not allowed to say that.
But I don’t care.  Meaning I care deeply.  I think it’s helpful
 
to say it.  If a woman ever says she was abused, believe her.
A hundred percent.  But the system is set up where men
can’t bring it up.  Men have told me of finally opening up,
talking about their sexual abuse in therapy and the therapist
 
silent, listening, the man bawling, getting the story out,
and as soon as he’s done, being asked, “Did you do that
to anyone?”  Where men can only be seen as abusers.
Never as victims (even when they are).  I’ve heard stories
 
of men bringing up sexual trauma and the therapist ignoring it
or him hinting at it and the therapist missing the hint.
Or of calling the RAINN hotline (the Rape, Abuse, &
Incest National Network) and being hung up on, being
 
told it’s not for men, being told they should call a different
number (then given that number to only find out it doesn’t
exist or there’s no answer).  T. Charles Brantley on
the Men Need Love Too podcast with Kat Anna
 
talks about how “3/4 of all suicides are men, and I think
sexual abuse is the reason.”  I worry that abused men
who can’t get mental health care turn to drugs, alcohol,
cannabis, porn, gambling, turn to trauma repetition where
 
they don’t heal, can’t heal.  Instead they drown.  Where
the incarceration system is thirsty for their bodies.
The estimate is that one million men have been sexually
abused in the prison system in the last decade.
 
And that’s the system where we send people with trauma.
To create more trauma.  And the estimate is that one million
men have been sexually abused in the military in the last
decade.  There’s more than 100,000 veterans in prison.
 
I’m worried we’ve created a silent system of sexual violence
against men and that silent system, because of its silence,
is the catalyst, the center for violence against women.
When I worked with survivors of torture, I found that
 
there are four global torture systems: police brutality,
incarceration, gangs, and the military.  Those are the four
systems that practice torture globally.  And more than 150
countries practice torture.  The wealthier countries, in
 
particular.  Police, prison, gangs, wars—that’s the torture
system.  And more than 90% of police brutality happens
to men.  More than 90% of those incarcerated are men.
More than 90% of gang members are men.  More than 90%
 
of veterans are men.  And I never hear about sexual violence
against men.  It’s silenced in the way that torture silences.
It’s silenced in the way that death silences.  Therapy
offices need to start having more accountability.
 
I know therapists who can’t get referrals, who can’t
survive financially, the therapy offices understaffed,
under-paying, and under-trained for trauma, author Mic
Hunter in Abused Boys stating that 95% of therapists
 
say they do not have enough training in sexual trauma,
and for male clients, it can be no training.  At all.  But, yet,
we have astounding ease of access to porn, to drugs, to alcohol,
to guns.                                                                       #$%&!
 
 
            iii: Postscript: they can’t kill words

 
To repeat: We need to cure this goddamn gun disease.
I’m not holding back, because I have nothing to lose.
I have no kids, no significant other.  I have this body.
I have a voice.  Like Alex Honnold, my amygdala gone
from being in two branches of the U.S. military,
from working on ambulances, working in the prison
system.  It’s impossible to get a creative writing gig.
I’d rather give my life to writing, rather than quit.
I challenge the poets out there: go to the events in
your city and cover them like journalists.  Don’t hide.
Write.  But don’t just observe the news; get deep inside
the news.  Write from that perspective.  Force your way in.
 I respect poets.  I respect you.  Now, Jesus Christ,
 get deep into this madness and give us your voice.
 
 
Ron Riekki co-edited Undocumented: Great Lakes Poets Laureate on Social Justice

Sunday, May 11, 2025

PEACE TO ALL

by Indran Amirthanayagam


Many people who worked with Pope Leo XIV when he was Bishop Robert Prevost of Chiclayo, Peru, couldn’t hold back tears when his election was announced on May 8. For them, it was not just a sign that God answered their prayers for a new pope who would follow Francis’s path, but also the confirmation that they had been guided by an extraordinary leader. —CRUX, May 9, 2025


Peace be with you

We are suffering 
the pandemic. 
We are hungry 
and we need 
to breathe. 

We need 
oxygen tanks 
in Chiclayo. 
I will get you 
the tanks

We need food. 
We need to walk 
the empty streets
and knock on 
every door
and leave 

food and water.
We need to bring 
the sick to hospital 
and help them to breathe. 

This is pastoral work.
This is Archbishop 
Robert Prevost,
now Pope Leo 
the Fourteenth.


Indran Amirthanayagam has just published his translation of Kenia Cano’s Animal For The Eyes (Dialogos Books, 2025). Other recent publications include Seer (Hanging Loose Press) and The Runner's Almanac (Spuyten Duyvil). He is the translator of Origami: Selected Poems of Manuel Ulacia (Dialogos Books). Mad Hat Press published his love song to Haiti: Powèt Nan Pò A (Poet of the Port). Ten Thousand Steps Against the Tyrant (BroadstoneBooks) is a collection of Indran's poems. He edits The Beltway Poetry Quarterly and helps curate Ablucionistas. He hosts the Poetry Channel on YouTube and publishes poetry books with Sara Cahill Marron at Beltway Editions.

Wednesday, December 22, 2021

LIMITS OF LANGUAGE

by Amy Small-McKinney


The shootings never stopped during the coronavirus pandemic, they just became less public, researchers say. —The New York Times, December 1, 2021

           
Let’s say you are struggling to speak.
A six-year-old has been ensnared by a shooter
in the sights of his makeshift automatic.
Let’s say you don’t understand his language of righteousness.
You look for oxygen.
For the locust that grows nearly twenty-feet tall.
 
Let’s say his mind empties body disconnects
returns astonished by his own rage.
Let’s say you want to walk a path
through the black locusts that survive drought lousy soil
pollution sea spray light and shade its clusters of white or pink
fragrant as your own body once was.
 
Let’s say the shooter turns his back, decides not to kill.
Notice how the locust’s treetop becomes a bear holding its cub.
Now, a bird. How the Arctic tern lives longest
and travels in its lifetime
almost three times around the moon.
 
Let’s say you loved this path, following your beloved
onto another trail that looped past a waterfall then a stream
where human figures loomed above in the distance
and you could only guess if they held
guns or each other.


Amy Small-McKinney’s chapbook One Day I Am A Field written during Covid after her husband’s death, is forthcoming with Glass Lyre Press. For the 2020 virtual AWP, she co-moderated an interactive discussion, Writing Through Grief & Loss: The Intersection of Social and Personal Grief During Covid.  Her second full-length book of poems, Walking Towards Cranes, won the Kithara Book Prize (Glass Lyre Press, 2017. Her poems have appeared in numerous journals, for example, American Poetry Review, Baltimore Review, Connotation Press, and SWWIM. She was the 2011 Montgomery County Poet Laureate, judged by poet Chris Bursk. Her poems have also been translated into Korean and Romanian.  Her book reviews have appeared in journals such as Prairie Schooner and Matter. Small-McKinney resides in Philadelphia.

Monday, August 30, 2021

POEM IN AUGUST

by Julian O. Long


“August Painting” by Ivan Kolisnyk


First day of my eighty fourth
year to heaven, I got up
turned off the O2 machine, hung
its canula over the arm of the walker
beside my bed, intimate with
these acts as I am with my hand
on my thigh the last thing before
throwing off the covers,
                                       intimate too
with comorbidities (only recently
learned that word) my troubled heart
remembered from recent echoes, aftermaths
of strokes that stopped parts of my brain
and legs (maybe other things
as well—hard to tell with all
the medicines.
                        Still, one more stick
and I’m boosted, at least in a qualified
sense; I’ll continue intimacy
with covid fully vaccinated, as I
was those childhood summers with series
of asthma shots, but this birthday
I am choosing as well to quarantine
myself—better that than bronchial
spasms, since this virus kills.

Writ large does the covid pandemic shed
light on die ups such as the great
reptilian? Chances are it will run
its course and become endemic among us
like the flu. But what if it doesn’t?
And what if unlike plagues of past ages
this is the one big one? Will it
usher in new times of dearth,
strife, and loss driven by vicious
death-demanding ideologies?
Will we humans learn care for one
another in such new times, or will we
follow the worst among us and in
ourselves? Chances are we’ll do
the latter.
                        Cogito ergo sum,
unassailable formulation, works
both ways, Latin doesn’t care
it’s the perfect sum of being, balking
at prospect of its own quitclaim
consciousness cannot fail to name
itself, but no heuristic can
afford me knowledge of my death;
I am intimate with that absence.
Conversely, no perception affords
me knowledge of another’s. In these
times it’s a forced option to choose
intimacy as well
                           —with that absence.


Julian O. Long’s poems and essays have appeared in The Sewanee Review, Pembroke Magazine, New Texas, New Mexico Magazine, and Horizon among others. His chapbook High Wire Man is number twenty-two in the Trilobite Poetry series published by the University of North Texas Libraries. A collection of his poems, Reading Evening Prayer in an Empty Church, appeared from Backroom Window Press in 2018. Other online publications have appeared or are forthcoming at The Piker Press, Better Than Starbucks, The Raw Art Review, and Litbreak Magazine.  Long has taught school at the University of North Texas, North Carolina State University, and Saint Louis University. He is now retired and lives in Saint Louis, Missouri.

Tuesday, June 01, 2021

THE SACKING OF DELHI, 2021

by Joy Dehlavi


Photo by Joy Dehlavi while delivering baked goods to an oxygen camp with medical personnel and Sikh volunteers.


Timur-lane rides again,
to gut the golden bird;
Dilli my jaan
will have the last word.

With just a smidgeon
of his novel potion;
The bandit can bludgeon
an entire nation. 

Bringing no horsemen
with bow and scimitar;
He leaves hordes behind
in Samarkand durbar.

Of defending Delhi,
they have lost all clues;
India’s overlords
charading as world gurus. 

In cold corrupt hearts,
no patriotism stirred;
Dilli my jaan
will have the last word. 

The billboards are huge,
but the vision small;
The news is fake
and economy in free fall.

Bumbling babus
and malicious middlemen;
Let native immunity wane
and bastions broken. 

Timur plots unguarded
burg’s checkmate;
He gently lets loose
the taj plague outbreak. 

Setting sight on crowds,
the virus veered;
Dilli my jaan
will have the last word. 

Lethal contagion wafts
in balmy breeze;
Hard to hide,
from its viperous squeeze. 

Smiting shanty and manor,
mandir and masjid;
Slithering softly with breath,
a malady horrid. 

Froth-corrupted lungs
straining for breath;
Denied relief or air,
no dignity in death. 

Stranded on sidewalks,
calling to be cured;
Dilli my jaan
will have the last word. 

Smoke chokes the city,
from roaring fires;
Trees turn to timber,
feeding endless pyres. 

Remorseless racketeers
cashing in on misery;
Floating carrion speak
of untold butchery. 

Widow women, orphan kids,
aged losing help;
The tormented hear
forsaken pariah's yelp.

Isolation and penury,
pestilence delivered;
Dilli my jaan,
will have the last word. 

Donning face shields 
and suits of plastic armor;
An army arrives
to battle the vile vapor. 

Feeding, sanitizing,
testing and vaccinating;
All castes come together,
in fraught fighting. 

Selfless service ingrained
in their blood;
Steely sardars serve
oxygen to the cursed. 

In succoring the sick,
they dread no hazard;
Dilli meri jaan
will have the last word. 

Ceding sleep and lull,
medicos risk their all;
Even chiefs fall
to the jagged green ball. 

"No one sleeps"
tending the breath machine;
"I will win," says
the nurse to spike protein. 

Hours sweltering,
in stifling protective gear;
They keep on healing,
feeling no fear. 

Dehliwallahs rise up,
audaciously undeterred;
Dilli meri jaan,
will have the last word. 

Soulless charlatans
getting masses misled;
Crack crack crackles
the sky over their head. 

Profiteering politicians
filled with conceit;
Thud thud trembles
the ground under their feet. 

Timur finally falls,
to the common cold;
Heart of Bharat beats,
beautiful and bold. 

With head held high,
it moves forward;
Dilli meri jaan
will always have the last word. 


Author's Note: Dilli is another name for the city of Delhi. "My jaan" means "my life" in Urdu and Hindi. Usually used to address a lover. "Meri" is Hindi for "my". As the poem takes a turn and starts describing positive things that are happening around me, I change to "Dilli meri jaan" as a more intimate way of refering to the city I grew up in. There was a tourism jingle " Dilli meri jaan" used to promote the city to foreigners about 30 years ago. Most people in Delhi or Dehli still use this expression to express their love for the city.


Glossary:

·      Babu - A mid to low level government functionary or clerk (Hindi)

·      Bharat - Another name for India (Hindi)

·      Burg - Medieval fortress or walled city

·      Caste - Stratification system in Indian society with some history of difficulty in working together.

·      Dehliwallah - One who belongs to Dehli/Delhi (Hindi/Urdu)

·      Durbar - Royal court (Hindi/Urdu)

·      Mandir - Place of worship for Hindus (Hindi)

·      Masjid - Place of worship for Muslims (Hindi/Urdu)

·      Native immunity - Scientific term for innate resistance to infections

·      Sardar - Members of the Sikh community known for their courage and charity (Hindi/Punjabi)

·      Taj - Crown or Corona (Hindi/Urdu)

 

References explained:

·      “Crack crack crackles the sky over their head” and “Thud thud trembles the ground under their feet” —Adapted from Urdu poem “Hum dekhenge” by Pakistani poet Faiz Ahmad Faiz. Frequently used as protest anthem against government policies.

·      “Froth-corrupted lungs” — From “Dulce Et Decorum Est “ by Wilfred Owen. Author described effects of poison gas on unmasked soldiers during The Great War.

·      “No one sleeps” and “I will win”— Lyrics translated to English from “Nessun Dorma,” the aria from Puccini’s Turandot popular in Europe as a rallying cry to encourage frontline healthcare workers during the first coronavirus wave in spring of 2020.

·      “With head held high” — Adapted from Bengali poem “ Chitto Jetha Bhayshunyo” by Indian Nobel Laureate poet Rabindranath Tagore. He wrote this as his vision of new and awakened India.

·      Golden bird (Sone ki Chidiya in Hindi) — Refers to the wealthy land of India in medieval times that made it a target for many plunderers from Central Asia.

·      Timur or Timur-lane — Turco-Mongol conqueror who mercilessly sacked ineptly defended Delhi in December of 1398. Infamous for indiscriminate massacre of a large number of city residents.


Joy Dehlavi wrote “The Sacking of Delhi, 2021” drawing from his experiences during the coronavirus spike lockdown that he spent in Delhi, India. Born in India, he now lives in the USA.

Tuesday, May 25, 2021

PREAMBLE TO DEATH

by Monica Korde




WE, THE PEOPLE OF INDIA, ARE DYING.


Here with only hours to spare, air 

leaving the lungs, families rush 

from hospital to hospital 

begging for a breath, for a bed 

while opulent hotel rooms 

offer a hundred covid beds 

for members of justice.

Here votes matter, deaths don’t. 

Politicians ride chariots, strut 

through reckless rallies and 

use words liberally:

“Nothing to panic. It’s all imaginary.”

“No need for masks, why worry?”

“After all, everyone has to die eventually”.

Here the gravedigger works 24-hour shifts, 

his gloves left behind to 

avoid the spade from slipping. 

It is Ramzan but he must have water before 

he goes on- turning the earth, getting the body

removing it from the makeshift ambulance 

burying it faster than he can count. 

The priest works equally—

he prays for a hundred pyres, stokes the fires, and 

this pandemic pandit of sorts walks round-the-clock 

through this burning mess

roll calling names as the flames get warm enough. 

Here the departed lie outside 

community-built crematoriums. 

No marigold, no silk, no sandalwood 

to adorn the tired bodies. 

Carefully wrapped in outrage, in anguish

they find kinship and unity

these souls on stand-by

waiting for an undignified exit. 

 

ENDLESSLY EMERGING IN BODY BAGS ON GURNEYS—ONE, TWO, THREE DEATHS PER MINUTE, OVER FOUR THOUSAND IN 24 HOURS—ON THIS DAY OF MAY 2021, WE MOURN IN THE MAKING OF THIS REPUBLIC AND QUESTION HEREBY HOW TO ADOPT, ENACT AND GIVE TO OURSELVES THIS CONSTITUTION. 



Monica Korde, is a poet from India, currently living in Belmont, California. Along with writing poems, she reads at several virtual poetry readings hosted in the Bay area and regularly co-hosts an online poetry open mic. Her poetry has appeared online on the website of San Francisco Public Library, on YouTube published by local poetry open mics, and in anthologies.