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Showing posts with label blood moon. Show all posts
Showing posts with label blood moon. Show all posts

Tuesday, May 17, 2022

LE GRANDE REPLACEMENT

by Susan Cossette


Image credit: Tayfun Coskun/Anadolu Agency via Getty Images


Blood moon rises over the horizon,

over Minneapolis, Auckland, Buffalo,

over blood spilled in schools and supermarkets,

hot orb, hatred splayed on the pavement.

 

In Minnesota you know you’re dead to the world

if you see your obituary in the Star Tribune a week before you die.

The loons’ eerie tremolos and yodels call to you—

outsider, peculiar threat, excised one, unwelcome.

 

Strange bugs come calling each spring.

They crawl up your walls in curious unison,

fleeing, seeking escape.

You find them on the kitchen floor,

dead in the window wells,

silent and withered.



Susan Cossette lives and writes in Minneapolis, Minnesota. The author of Peggy Sue Messed Up, she is a recipient of the University of Connecticut’s Wallace Stevens Poetry Prize. A two-time Pushcart Prize nominee, her work has appeared or is forthcoming in Rust and Moth, Vita Brevis, ONE ART, As it Ought to Be, Anti-Heroin Chic, The Amethyst Review, Crow & Cross Keys, Loch Raven Review, and in the anthologies Fast Fallen Women (Woodhall Press), Tuesdays at Curley’s (Yuganta Press), and After the Equinox.

Sunday, November 22, 2015

BLOOD MOON OVER OREGON

Editor's Note: We are pleased to repost this poem, originally published in TheNewVerse.News on Sunday, October 4, 2015. It is one of our 2015 Pushcart Prize nominees.


BLOOD MOON OVER OREGON
by Stephen Siperstein






For Professor Lawrence Levine and the students
killed in the forty-fifth school shooting of 2015 in the U.S.


Our shadow slides across its face
like an invisible hand sealing an eye
then placing an old penny

over the blankness, copper
seeping out like an aura: since 1900
only the sixth time this has happened.

On Tuesday and Thursday
mornings, in a room that looks out
to a pastoral scene: green        

paths, geese thrumming for acorns
beneath moss-maned oaks
I, too, have taught a writing class.

Have stood up to open a door.
Have stood up to say, this is a thesis:
We are human because we hope.

And this its warrant:
If something hopes, then that
            something is human.

Have asked of students:
be vulnerable, take risks, share.
And told them: This may not

be comfortable        
            (I do not coddle them)
but together here we are safe.

Yet we know we’re not.
The unspoken assumption.
The hole in the logic, hole

             in the heart: vulnerable.

But still they stood up, they shared
their light and will again and again
when we consider together:

how could this shadow not
arrive for eighteen more years
not turn to redness such light

             that pools across our sky?


Stephen Siperstein is a poet, literary scholar, and environmental educator living in Eugene, Oregon. He is co-editor of the forthcoming volume, Teaching Climate Change in the Humanities (Routledge, 2016), and his poems have appeared most recently in ISLE, The Clearing, and Poecology. He is currently completing his PhD at the University of Oregon.

Sunday, October 04, 2015

BLOOD MOON OVER OREGON

by Stephen Siperstein






For Professor Lawrence Levine and the students
killed in the forty-fifth school shooting of 2015 in the U.S.


Our shadow slides across its face
like an invisible hand sealing an eye
then placing an old penny

over the blankness, copper
seeping out like an aura: since 1900
only the sixth time this has happened.

On Tuesday and Thursday
mornings, in a room that looks out
to a pastoral scene: green        

paths, geese thrumming for acorns
beneath moss-maned oaks
I, too, have taught a writing class.

Have stood up to open a door.
Have stood up to say, this is a thesis:
We are human because we hope.

And this its warrant:
If something hopes, then that
            something is human.

Have asked of students:
be vulnerable, take risks, share.
And told them: This may not

be comfortable        
            (I do not coddle them)
but together here we are safe.

Yet we know we’re not.
The unspoken assumption.
The hole in the logic, hole

             in the heart: vulnerable.

But still they stood up, they shared
their light and will again and again
when we consider together:

how could this shadow not
arrive for eighteen more years
not turn to redness such light

             that pools across our sky?


Stephen Siperstein is a poet, literary scholar, and environmental educator living in Eugene, Oregon. He is co-editor of the forthcoming volume, Teaching Climate Change in the Humanities (Routledge, 2016), and his poems have appeared most recently in ISLE, The Clearing, and Poecology. He is currently completing his PhD at the University of Oregon.