DISTANCE LEARNING

by Scot Ehrhardt

To my seniors in Literature and Composition class, Spring 2020

You aren’t alone in missing milestones.
I had a kickass poetry unit planned for April
that might have changed the way you existed
in the world--at least, the world before.

I’m not sure what you did learn. Maybe
that rites-of-passage bend and blear,
walking an evening labyrinth in
a poorly-made gown. Maybe
that Patience is too timid a virtue,
that you should have held prom early—
on the driveway of your first love,
something acoustic on Bluetooth—
and danced in the bursting light of forsythia.
You could have touched someone longer,
when people touched.

Bluetooth is the opposite of poetry.
You would have learned that in April.

I’m afraid to open the door again,
to a preserved mid-March classroom—
what papers I left, the withered
potted plants, the perfunctory chalk
message that was supposed to be read
by you, who have long since moved on
and maybe understood something new
this April, though it won’t be poetry,
not like it would have been from me.

Scot Ehrhardt writes and teaches in Baltimore, MD. His first collection of poetry One of Us Is Real was published in 2016. He has appeared in Little Patuxent Review, Tidal Basin Review, Switchgrass Review, and Lines + Stars. He supervises two journals for young writers: The Mill and Lexophilia.

PARSING A BATTLE CRY

by Scot Ehrhardt

She was warned. She was given an explanation. 

Nevertheless, she persisted. —Senator Mitch McConnell

Image source: Sharrock’s Blog

Virginia Woolf may have
momentarily occupied
your mouth,
Senator McConnell:
succinct declaratives
abuting an ornate
curleque of
nevertheless
—even the word alone,
a wild breath,
a skip step in an otherwise
ordinary gait—but it was more
than a whimsical lilt,
Miss Woolf layered in you
tricolon and parataxis,
asyndeton and omission
of the auxiliary verb
on the third of the triple.
You are a cautionary tale
of the danger
in cadence,
and when the granular
whisper of persisted
dissipated in the
velvet and mahogany,
the women knew,
the tattoo artists and
journalists knew, and Miss Woolf
did something so extraordinarily
unlike her
that elbow-patched
professors everywhere
had to google
what she looked like
when she smiled.

Scot Ehrhardt is a teacher and writer in Baltimore, MD. He writes poetry at an alarmingly slow rate, so it rarely appears in TheNewVerse.News. His first book One of Us Is Real is available through Smashwords, Inc.

PONT DES ARTS, 2015

by Scot Ehrhardt

Photograph: Remy de la Mauviniere/AP via The Guardian

The city had warned us
about the weight of promises:
the civil engineers, our parents,
one parapet of the Pont des Arts
predicted this would happen.
Five ounces for two lives
padlocked to padlocks
an exponential mass
on an iron grill,

and when forever
proved temporary, no one
returned for the divorce.
No one dredged the Seine,
a bed of discarded keys,
for the one they jettisoned
the summer their lives
brimmed with youth.

Let us dismantle this
monument of hope,
scatter and melt the
seven hundred thousand
moments we dismissed
the weight of a symbol,
when we thought
that steel could represent        

the fickle carbon of our hearts.


Scot Ehrhardt is a teacher and writer from Baltimore, MD. He has appeared in Little Patuxent Review, Lines + Stars, Tidal Basin Review, and Infinity's Kitchen. His first book of poetry One Of Us Is Real is currently looking for a home.