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Showing posts with label concentration camp. Show all posts
Showing posts with label concentration camp. Show all posts

Friday, April 03, 2026

HARRY HINES BLVD, DALLAS, TX, 0647 AM

by Kay White Drew

Taillights stream by like corpuscles thru blood vessels, branches
off the aortic arch (there’s a mnemonic for that I’ve forgotten),
blurred and softened by the translucent window shade.
Traffic lights turn from green to brief yellow to long red,
downtown skyline hulking in predawn distance, the stark ovoid 
tower of the Renaissance Hotel lording it over the rest.
A mile down the road, my brother sleeps in an isolation room,
his embattled bone marrow doing what it can to recover
from the chemical onslaught it’s been subjected to
in the name of healing, even as the drivers of these cars
whizzing by my 3rd floor hotel window go about their business—
driving to work, worrying about their bills and their kids
and their ailing parents, listening to some false prophet
on the radio telling them it’s all the fault of the immigrants
and the trans people rather than the demented tyrant in the White House.
How many miles from here to the nearest of the concentration camps
(and how many are there in this state?) where the people detained
would give anything to be driving to work, worrying
about an overdue mortgage payment or a wayward teenage son.
These hulking urban clusters, the fruit of oil/blood money,
can’t help but draw my contempt, even my hatred…
Yes, I hate you, Dallas, not just because my brother’s dying here,
but because our country is, too.
 

Kay White Drew is a retired physician whose poems appear in various anthologies and internet outlets including The Intima, GargoyleSecond Coming, and New Verse News. She’s also published short stories and several essays, one of which was nominated for a Pushcart Prize, and a memoir, Stress Test, about medical school in the 1970s. She lives in Rockville, MD with her husband. Reading and spending time in nature keep her sane(ish) in these difficult times.

Thursday, June 10, 2021

A WREATH OF HAIKU

by Karan Kapoor


Children’s shoes and toys were placed in front of the former 7 after the remains of 215 children, some as young as 3, were found at the site this past week. Photo credit: Dennis Owen/Reuters via The New York Times, June 7, 2021.


a radar 
penetrates the ground:
215 little corpses

not corpses
remains
skeletons and screams

unmarked—
all burial sites
are not graves

laughter of children 
at a school,
a concentration camp

an escape plan:
jump
from the highest balcony

riddle: a four-letter word
with six more letters:
indigenous

let's play a game
stick out your tongue—
pins and needles

bless the Lord
you who serve Him,
undoing His will

we are children of god
let us show you the light
six feet underground


Karan Kapoor is the author of a novelette Maya and the co-author of a novel The Dreaming Reality, both independently published. Long-listed for Toto Funds the Arts awards, his poems have appeared in The Indian Quarterly, G5A Imprint, Stride, The New Verse News, and elsewhere. He's currently working on his debut poetry collection. When not reading or writing, he is obsessing over classical music. Currently in his final semester of MA in Literary Art Creative Writing, he wants to continue to live a life devoted to music and literature.

Monday, December 30, 2013

LITTLE FISH

by Gil Fagiani




Around one hundred and seventy migrants who had been kept on the Italian territory of Lampedusa have been evacuated. The island’s centre had been designed to house up to 850 people for around 48 hours. However it has been steadily transformed into a long-term refugee camp, leading to accusations of crowded, unsanitary conditions. Most of the migrants are now being taken to the Italian mainland by air. Giusi Nicolini, the Mayor of Lampedusa says the system needs changing. “I believe nothing can be the same as before. The parliament, all governments and especially the Italian government must realise that we must work seriously to totally reform how we treat asylum seekers in our country,” he said. Last week video footage emerged appearing to show the refugees, some of them naked, in the freezing cold being being sprayed with disinfectant. This led to a storm of criticism. --Euronews, December 25, 2013


At the Lampedusa Welcome Center
workers are ordered to stop the scabies
epidemic among the North African detainees,
survivors of a boat capsizing that drowned
366 people off the coast of Sicily.

Cell phone footage shows workers
using a high-pressure compressor to blast
the migrants with a formula of cold water
and disinfectant. Men, women, children
huddle naked in an open-air courtyard,
rubbing their eyes, mouths gaping.

Lampedusa’s mayor sees the images,
reacts with horror, condemns the treatment
as la practica da lager—something from
a concentration camp. The workers tell
journalists who stalk them, Attenzione!
We’re just the picccoli pesci—the little fish.


Gil Fagiani is a translator, essayist, short story writer and poet. His most recent book of poetry is Serfs of Psychiatry (Finishing Line Press, 2012).  In 2014, his poetry collection Logos, set in a Bronx drug program in the 1970s, is due to be published by Guernica Editions. Gil co-curates the Italian American Writers’ Association’s monthly reading series, and is a founding member of the Vito Marcantonio Forum.