EPITAPH FOR ALICE MUNRO

by Gifford Savage

My stepfather sexually abused me when I was a child. My mother, Alice Munro, chose to stay with him. In the shadow of my mother, a literary icon, my family and I have hidden a secret for decades. It’s time to tell my story. —Andrea Robin Skinner, Toronto Star, updated July 15, 2024. Photo by Steve Russell.

We mourned her passing,

those of us eclipsed by her shadow,

who place words on pages

in vain attempt to come close 

to her masterful levels of wit,

humour and care.

Amongst the greats of short-story fiction,

she was honoured and celebrated,

commemorated in glowing eulogies.

Lifted to the heights of genius

in obituaries dwelling on achievement.

Perhaps we can understand

why they didn’t mention the unmentionable,

those writers who loved her words so much,

for whom Her stories are life itself.

A month later it all fell crashing down to earth. 

What the tributes had carefully left unsaid,

what they had known since the verdict in 2005.

This mother who wrote so powerfully

about the complications of everyday life,

who wrote from a feminine perspective

of girls and boys, of men and women—

while all along, beyond the pen and page was

the guilty abuser she protected,

the dirty secret held close,

the terrible reality denied,

the Nobel prize gathering dust,

the little girl she had betrayed,

no longer a child, bravely breaking her silence—

along with our delusions of greatness.

Gifford Savage is from Bangor, Northern Ireland. His poetry has been published in various journals, including The Storms, The Bangor Literary Journal, Lothlorien Poetry Journal, Agape Review, and previously in The New Verse News. He was included in the Community Arts Partnership anthology "Across the Threshold," has performed his poetry on local television station "Northern Visions TV," and was winner of the Aspects Festival Poetry Slam 2022.

TRAJECTORIES #7

by David Chorlton

Photo Illustration by The Daily Beast / Photo and Video by Getty

It’s such a pleasant and deceitful
day, with the afternoon light
lying back on the green
side of the mountain
and quail in a covey scurrying
for cover as the hearings wind
down until tomorrow. The local Red-tail
prowls the atmosphere,
circling the golf course
pond while pigeons
flock for safety in numbers. Witnesses
appear one
at a time, exposed to words
that fly from a questioner’s mouth
and don’t know
where to land. Is good the bright
and bad the shadow, or
the other way around? It all depends
which side a person’s on,
and the small birds know their place.
Seventy-three degrees; not a cloud
in sight; the whistleblower’s name
is still a secret; there is
no wind to turn the turbine
vent that complains every time it blows,
aching as only
metal can.

David Chorlton  is a long time resident of Phoenix, who loves the desert and its wildlife but can't quite stay away from watching public issues unfold. He recently produced a long poem, Speech Scroll, which will surface in the not too distant future thanks to Cholla Needles Press.

LEAK (OUT)

by Alejandro Escudé

Couldn’t he have moved to Ecuador? Surrounded by parrots and monkeys,
and colonial era churches? Instead, bearded, he was ushered

into a police van in London, and I pictured Sherlock Holmes standing off to one side,
a grin on his pointy face, pipe in hand, uttering something cheeky.

How else to process this 9/11 man? This walking man-virus
who somehow snatched the biggest governments on Earth
like a father might snatch his little son by the ear, dragging them to their perspective rooms.

White-haired wizard now, Assange protested his apprehension,
London traffic like a street scene in Thomas the Train;

because this time is…and was…a cave full of glittering fossils, mandibles of early hominids, skulls or skull fragments, roaring time signatures,
blue birds oozing from fissures in the once-dark ceilings.

Ecuadorians said Assange's residence was no longer tenable. A tree, alabaster white,
growing in his room, the roots digging deep, reaching for the planetary pole,
emailed enigmas, evil conspiracies,

a G-Man in Dealey Plaza, bullets screaming past, halting
mid-air, like satellites approaching the black hole of history,

and there, Assange, naked, albino, crucified on a hill outside the city’s firewalls.
I want to ask him what was the ultimate secret
he was searching for? I want to stroll over the glassy Thames
with him, like a heavenly correspondent
interviewing an implacable terrorist, the devil made flesh, a fiberoptic alien,

and just listen to the diatribe of his breathing,
and feast on what he sought, and probe as to what he’d embezzled
from the pressing otherness of our voiceless governments.


Alejandro Escudé published his first full-length collection of poems My Earthbound Eye in September 2013. He holds a master’s degree in creative writing from UC Davis and teaches high school English. Originally from Argentina, Alejandro lives in Los Angeles with his wife and two children.