VERONIKA

by Frank Conahan

Scientists have been forced to rethink the intelligence of cattle after an Austrian cow named Veronika displayed an impressive—and until now undocumented—knack for tool use. Photo: Veronika scratching her back with a stick. Photographer: Antonio J Osuna Mascaró —The Guardian, January 19, 2026

I was reading that

A cow in Austria is

Using a stick to

Scratch various parts of her

Body. She holds it

Differently in her mouth to

Reach her itchy parts. 

This is news because she's not

A chimp. They do stuff

Like this all the time, it seems. 

Animals who have

Intelligence of different 

Degrees use tools with

Different sophistication. 

Dogs and cats play with

Toys, slippers, sticks, and corpses.

Ravens manipulate

Stones. Chimps employ weaponry.

Why are we surprised?

Intelligent animals 

Use tools, look at us.

We're practically destroying 

The planet with ours.

(Intelligence is... complex.)

I hope the cow is

Enjoying celebrity.

She could be dinner soon.

Frank Conahan lives in reclusive retirement outside of Baltimore, Maryland. He follows current events with trepidation and copes by writing verse. He has recently published poems with Bards of Maryland. His collection Nothing Is Coming will be published this spring.

THE DEATH OF A POET

by Roxanne Doty

These are the poets and writers who have been killed in Gaza. —Literary Hub, December 21, 2023

Before they were bombed from the sky 

warheads raining on their crucified city

littered with the bones of winter

and blood of children

they were a poet and a teacher

a mother and father who understood 

the hope of words, the way they slipped 

through walls and checkpoints

couldn’t be stopped by soldiers 

or guns, how they empowered

defied the laws of physics

and occupation and oppression

 

To the secretaries of war who murdered the poet

words were sterile instruments, tools

like wrenches and screwdrivers, hammers

from the hardware store, like bunker buster bombs 

and hellfire missiles from a rich country

with democracy and security on its lips

and complicity on its hands, to these priests

of destruction, the poet was a calculation

the result of collateral damage equations

estimates of death rankings of acceptable levels 

of slaughter

 

The poet was killed in their home 

and in a school and a hospital and a UN shelter

and a refugee camp and on a war-torn street

and waving a white flag

before they died the poet had asked

When shall this pass?

 

The poet understood that words are fragile

even with their power could crumble and die

they need an audience to listen

to absorb to act and the poet knew 

that all the children of Gaza 

are poets too

Roxanne Doty lives in Tempe, Arizona. Her debut novel Out Stealing Water was published by Regal House Press, August 30. 2022.  Her first poetry collection will be published by Kelsay Books in the spring of 2024. Her short story “Turbulence” (Ocotillo Review) was nominated for the 2019 Pushcart prize for short fiction. Other stories and poems have appeared in Third Wednesday, Quibble Lit, Superstition Review, Forge, I70 Review, Soundings Review, Four Chambers Literary Magazine, Lascaux Review, Lunaris Review, Journal of Microliterature, The New Verse News, Saranac Review,Gateway Review and Reunion-The Dallas Review.

HOW TO HANDLE A LEAK

by Ann E. Wallace

My daughters and I live in a leaky 

old house. The three of us have 

learned how to handle a plumbing 

emergency, to spring into action, 

sop up the mess, cut the water lines,

track the source, mend the seams.

 

This is what women do.

We live in bodies that bleed,

are vulnerable, that give life 

but also betray, and we have 

passed down the fortitude 

to handle leaks and other messes. 

There is wisdom in our living, 

and we know how to act 

when a leak is sprung, exposing 

the ill intentions of those 

who do not live in our bodies, 

those who spout 

outrage at the egregious 

betrayal—as if they know 

what betrayal is—of being 

caught with the pipe cutters 

in their bloody hands.

 

As they sputter and point fingers, 

we—the women—are gathering 

our tools, our rage, and our ballots, 

like we have so many times before, 

ready to fight for our freedom.

Ann E. Wallace is a poet and essayist from Jersey City, New Jersey. Follow her on Twitter @annwlace409 or on Instagram @annwallacephd.com.

HAMMER

by Bonnie Proudfoot

Members of United Mine Workers of America (UMWA) picket outside the BlackRock headquarters in New York City. Photo: Brendan McDermid/Reuters via New York Magazine, January 20, 2022.

Unionization efforts involving some of the most recognizable names in business have dominated headlines across the United States in recent months. Starbucks workers in Buffalo and Amazon employees in Bessemer, Ala., and on Staten Island have recently moved to unionize, as have workers at an REI store in Manhattan last week. Successful strikes at John Deere and Kellogg have drawn new attention to the state of the labor movement as well. —The New York Times, January 25, 2022

The first tool I ever bought was a hammer

at Western Auto in the Central Park Plaza,

in Buffalo, in 1974. I liked the feel of it,

not too light, not too heavy, oak handle,

a pretty grain. I liked the idea of having

a tool. I wanted to hang posters, to fix things,

a stuck window that needed a tap, a carpet runner

that curled on a stair tread. I liked how the metal head

went tink, tink, tonk as a nail sunk deeper 

into wood. It said power, power, power.

These days, the handle still fits my palm,

the wood has darkened, smooth as skin,

tough as bone, like the forearm of my grandfather,

a union man, steady and tanned, a guy

who’d drop everything to lend a hand

to anyone. When he died, I chose his scroll-saw

and drill, some chisels with steel blades that

I’ve used well and misused, too, by whacking them

instead of tapping, by going against the grain. Nothing

can fix everything, though sometimes I want to be a hammer,

to use extra force to make emphatic the connection

between mind and thing. Sometimes one hit

is not enough, I want to hear a chorus of power, power.

I want to be a chisel, too, a sharp one. A union

can be a hammer, a contract can be a nail,

collective bargaining, shared governance, chisels.

Ideas can be hammered on until they strengthen,

nailed down, or shaved and honed. Power, power.

I’m twenty years older than my Western Auto hammer.

I’m still learning what to try to fix, what tool to choose.

I know the task is the real teacher. When I look out

at this broken world, I still see my grandfather,

his steady arm, his sure aim, how right it sounds

when it all comes together, when it all works. 

Bonnie Proudfoot lives in Athens, Ohio. She has belonged to several unions in her life, most recently the Ohio Education Association. Her poetry and short stories have appeared in online and print journals, and her novel Goshen Road (Swallow Press, 2020) was Longlisted for the PEN/Hemingway Award for Debut Fiction in 2021.