A TOMATO FOR JOSEPH

by Liz Rose Shulman

Haidar Eid’s book available for pre-order today; shipping tomorrow from LeftWord Books.

Note: The following poem adapts language from Haidar Eid’s Facebook page, with his permission. He is currently trapped in Gaza. Haidar Eid is an Associate Professor of Postcolonial and Postmodern Literature at Gaza’s al-Aqsa University. As of this writing, he is alive. 
 
 
I am standing over the ruins of a house in Gaza City 
peering at the horizon
 
Please don’t let our posts go unnoticed 
This is the only alternative we have 
 
Where is Abu Muhammad
under the rubble
Where is Muhammad’s mother
under the rubble
Where is Muhammad
under the rubble
 
I’ve just received the long awaited news of my book while I am trying to stay alive
LeftWord Books is publishing my latest work 
Decolonising the Palestinian Mind
 
My former student Samah Eid has risen
“My heart is ripped out of my ribs.”
 
Haidar Eid updated his profile picture
 
Haidar Eid updated his profile picture
 
They need Palestinian fig leaves 
Sorry, I don’t feel like doing that 
There are others who are more equipped to deal with that.
 
I am a South African Palestinian literature professor in Gaza right now, 
with a wife 
and two small daughters
 
My kind dentist, artist Oraib Rayyes has risen
My colleague and co-founder
of the Department of English
at Al-Aqsa University, 
Abdul Rahman Elhour, has risen 
with 14 members of his family.
 
Some are still under the rubble
 
My friend, ex-student Khalil Abu Yahya, has risen
with his wife, Tasnim 
and two daughters
 
This was my home
 
Where is Salwa
under the rubble
Where is Magda
under the rubble
Where is Mahmoud
under the rubble
 
Where is the rest of the family at
 
Nine members of my family were killed today
One man 
three women 
and five children
 
Progressive activist friend, mother of Prince Samira Rafiqah, 
Our friend Em ElAmeer Samira has risen
Haidar Eid updated his profile picture
 
On the hospital floor
wounded children sit next to their injured mother
one aids her as she receives treatment after a bombing
of a family’s home in the Gaza Strip
 
Why would any country vote,
even veto, 
against a humanitarian ceasefire
 
Haidar Eid updated his profile picture
 
Haidar Eid updated his profile picture
 
The home is a lover
A woman who has feelings for you 
and for whom you have feelings.
She is you and you are her. 
There are no boundaries 
No separation
When the home is demolished 
something within you dies.
The sweet story of Youssef Al-Baydani as narrated by his mother: 
“Mom, I’m hungry, I want to eat.
Don’t be afraid, my love, 
I will make you a pan of tomato
I went out to the house of Um Mahmoud, my neighbor, 
in search of a tomato 
to quench Joseph’s hunger,
hoping to find a tomato for Joseph. 
I waited at the door for Joseph to come back from school every day 
I waited for him 
in front of the door every day 
welcomed him with my arms
and a tomato grill that he loves.
How can I wait anymore when Joseph is no longer here
How can a mother protect her son in war?”
 
In this house, a woman lived with her husband 
three sons 
and three daughters. 
They had also provided refuge to relatives from northern Gaza 
who had been displaced
 
Besan was a third-year medical student 
she loved her cat 
Besan was killed with all her family and her cat
 
The young columnist of We Are Not Numbers, Yousef Dawas, has risen
along with his entire family.
He attended my lecture on Postcolonial literature last month.
A few months ago he wrote the article 
“Who will pay for the 20 years we lost?”
 
“I wish my eyes were a sea
where my eyelids could dwell.”
 
In 2014, I performed “Love in the Time of Genocide” 
adapted from a poem 
by the late Egyptian poet Abdul Rahim Mansour. 
 
What we need for literature 
and literary criticism 
is a critique of institutional thought
by offering an alternative
 
A will written by a little girl from Gaza via Anat Matar:
“My name is Haya and I will write my will now.
My money: 45 for my mother, 5 for Zeina, 5 for Hashem,
5 for my grandma, 5 for Aunt Heba and five for Aunt Mariam, 5 for Uncle Abdo and Aunt Sarah
My toys and all my stuff: for my friends Deema, Menna, and Amal, and Zeina (my sister)
My clothes: to my uncle’s daughters and if there’s anything left, donate them
My shoes: donate them to the poor and vulnerable
after washing them, of course.”
 
To white, mainstream media
As per my cardiologist’s instructions, plz do not call me
 
Haidar Eid updated his profile picture
 
Haidar Eid updated his profile picture
 
Haidar Eid updated his profile picture
 
They need Palestinian fig leaves 
Sorry, I don't feel like doing that 
There are others who are more equipped to deal with that.

Liz Rose Shulman’s work has appeared in The Boston Globe, The Chicago Tribune, Los Angeles Review, Mondoweiss, The Smart Set, and Tablet Magazine, among others. She teaches English at Evanston Township High School and in the School of Education and Social Policy at Northwestern University. She lives in Chicago. 

THINKING ABOUT LOVE DURING COVID AND COUPS

by Susan Vespoli

I’ve been thinking about the Hopi Prophecy as told to me

by a friend, how we would find ourselves in a rushing river,

our body a soggy vessel careening toward the unknown. And the Hopi 

instruction was to notice who traveled beside us, not to flail 

or cling to the shore, but to trust the water. I’ve been thinking 

about the deep bass voice and compelling smell of an armpit, a man 

who sang lyrics into my ear, leaned around me as I washed a pan, 

crooned, I just can’t live without you, sister golden hair surprise, 

how he vanished with that torso he’d spooned around me, 

strapped into his own life vest, his SUV growing smaller 

as it exited the street in front of my house where I’ve stayed 

mostly alone since March, and how the ones who’ve held 

my hand and head above water have done so through Zoom

screens or contained in chiweenie fur or while flouncing 

around the living room in a size 6x little girl’s net skirt. How comfort 

has come via iPhones on speaker, text boxes, Words with Friends 

app chats, or from the masked employees at Jiffy Lube, 

a uniformed ballet of them who unscrew, drain, pour fluid, 

bow, you’re welcome, smile with eyes, say, you’re okay now,

reset the Need Maintenance light that flashed on my dash.

Susan Vespoli has been holed for almost a year in Phoenix, where she's written poetry, led writing circles on Zoom for writers.com, ridden her bike, and walked her dogs. Her work has been published in The New Verse News, Rattle, Nasty Women Poets Anthology, Mom Egg Review, Nailed Magazine, and others.

WE CAN STILL DREAM

by Katherine West

American Dream, mixed media in resin artwork by Raphael Mazzucco.

            "I have a dream... we will be able to transform the jangling discords of our nation into a beautiful symphony of brotherhood."  —Dr. Martin Luther King Jr., 1963

Last night I dreamed of rain

It overflowed the culverts 

It washed out the road in waves 

Like a sea in the desert 

It filled the arroyos like a lover 

Or the tide before love the opening 

Before the opening the flower 

Dreaming of the bee dreaming 

Of pollen generations of honey 

The wealth of the hive 

And the queen humming 

Her birth song of infinite flight 

Over a globe of no boundaries 

One garden all colors 

A palette of rainy territories 

Mixing new shades forgetting borders 

Katherine West is the author of three collections of poetry and one novel: Scimitar Dreams, The Bone Train, Riddle, and Lion Tamer, respectively.  She has had poetry published in Bombay Gin, Lalitamba, Tanka Journal, Writing in a Woman’s Voice, and TheNewVerse.News who nominated her poem "And Then the Sky" for a Pushcart Prize in 2019.  She lives in the mountains outside of Silver City, New Mexico where she translates Mexican revolutionary poetry and creates custom, hand-made poetry chapbooks.

THAT BEAUTIFUL OBJECT NEXT DOOR?

by D.B. Goman

When the world started to end
the other day there was still
a glass of water the soup on
the gas stove the bills delivered
to laptop the car to pick up
meds the warm lamp by a bed
for novels and monthly mags
the vents with cool air the plane
ticket to Tobago hot on fridge
the spin of dryer the stupid
tv talk-show hosts the friends
inside a phone happy to shoot
every thing made or about to be
     conceived

I also was a lover before now
before the imagination’s other
half grew strong clouds in eyes
before the virus killed all I knew
as love walking in nature wanting
more when my hand was held
and a river sang with us as trees
on guard let us laugh with birds
in nest and we took for granted
blossoms and I thought I knew
myself because we did try so
hard to know each other then
before I learned the world wasn't
ours and things stopped working

How long is long this simply goes
on with the fear of just beyond
the door I don’t know who’s next
door right now is there someone
next door I don’t hear a thing
I don’t speak anymore I don’t
dare the old dreams are there in
the shadows at upstairs window
across the yard I want it there
I don’t can’t want it so beautiful
a picture of arms knees hair
neck wrists ears thighs shoulder
blades unprocessed I can’t be
sure a chip in glass and whatever

isn’t there isn’t thinking this too

D.B. Goman continues to be upset that he wasn't born with real wings. And a stinger. For penance, many of his poems and essays have been published in a variety of journals including Ditch, Quarry, Eye Magazine, 2River View, Jones Av., Travel Mag, The Literary Bohemian, 2 Bridges Review. A collection of poems is forthcoming this autumn.

THE RIBCAGE CLINGS TO A LOVER TIGHTER AFTER YET ANOTHER TRAGEDY

by J. Bradley

A man and woman hug on the streets of Manchester. Photograph: Peter Byrne/PA via The Guardian, May 23, 2017

The talking head reads the names of people
who are no longer people. The expert
offers the hypothesis that the network paid for.

You ask this lover whether he knew
anyone in the building. He wipes his tears,
shakes his head. You try soothing him,
your tips coaxing his grief.

Once, you invented a shoulder
for a lover who knew someone
who died by bullet, explosion.
He heard the whir of helicopters
for weeks after it happened.

When he asked you to move in,
you left behind your shoulder,
a note: this is all I can offer you.


J. Bradley won Five [Quarterly]'s 2015 e-chapbook contest for his collection of flash fiction Neil. He is the author as well of the graphic poetry collection The Bones of Us (YesYes Books, 2014) and the prose poem chapbook It Is A Wild Swing Of A Knife (Choose the Sword, 2015).

SLEEP AFTER A T***P SPEECH

by Ben Kline 

What are facts if they lack
truth in telling? He was the bad lover I left

five weeks and sixty two months before
the March hail behaved like July and everyone

succumbed to citrus words and coral colored lip gloss
that shined like a silver watch in waters shallow

with guppies looking for a bite, barracudas
for purple blood so thick it shoved the sand

aside before his foot could find your throat.
What is the warning

shared by mothers on the beach
when their daughters spot men with cameras

walking too slowly by? He was brutal
but unskilled, a successful punch

lacking cause or defense like a tree
the wind sends onto a sleeping home

busy with inconsequential dreams, vivid truths
we only tell ourselves.

Ben Kline lives in Cincinnati, Ohio, where he writes about the modern digital existence and his dark Appalachian past. His work has appeared in KNACK Magazine, Headmaster Magazine, Birds Piled Loosely, and apt.

HOW TO RULE

by William Aarnes



In your decrees seem as warm
and distant as the sun.

Keep moony doubts to yourself.

Corrupt the reliable bureaucrats;
let judges know they are judged.

Accept that good intelligence
surpasses wisdom:
much as you need savvy counselors,
in time you’ll have them jailed.

For maybe a decade,
count on the people’s ability
to confuse the flaunting of wealth
with the sharing of wealth.

Understand that a palace is no place
for living with a disaffected spouse,
that even a lover’s cottage becomes public.

Treat zealots as traitors.

Once they fill the squares.
you can’t control the crowds
(but, to keep the guard loyal,
acquiesce to carnage).

Keep those moony doubts to yourself.

If (when) the coup comes,
be somewhere else,
basking in the sun.


William Aarnes lives and writes in South Carolina.