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Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Showing posts with label notice. Show all posts
Showing posts with label notice. Show all posts

Sunday, January 17, 2021

THINKING ABOUT LOVE DURING COVID AND COUPS

by Susan Vespoli





I’ve been thinking about the Hopi Prophecy as told to me
by a friend, how we would find ourselves in a rushing river,
our body a soggy vessel careening toward the unknown. And the Hopi 
instruction was to notice who traveled beside us, not to flail 

or cling to the shore, but to trust the water. I’ve been thinking 
about the deep bass voice and compelling smell of an armpit, a man 
who sang lyrics into my ear, leaned around me as I washed a pan, 
crooned, I just can’t live without you, sister golden hair surprise, 

how he vanished with that torso he’d spooned around me, 
strapped into his own life vest, his SUV growing smaller 
as it exited the street in front of my house where I’ve stayed 
mostly alone since March, and how the ones who’ve held 

my hand and head above water have done so through Zoom
screens or contained in chiweenie fur or while flouncing 
around the living room in a size 6x little girl’s net skirt. How comfort 
has come via iPhones on speaker, text boxes, Words with Friends 

app chats, or from the masked employees at Jiffy Lube, 
a uniformed ballet of them who unscrew, drain, pour fluid, 
bow, you’re welcome, smile with eyes, say, you’re okay now,
reset the Need Maintenance light that flashed on my dash.


Susan Vespoli has been holed for almost a year in Phoenix, where she's written poetry, led writing circles on Zoom for writers.com, ridden her bike, and walked her dogs. Her work has been published in The New Verse News, Rattle, Nasty Women Poets Anthology, Mom Egg Review, Nailed Magazine, and others.

Tuesday, July 12, 2016

SELF-DRIVING TESLA INVOLVED IN FATAL CRASH

by Don Hogle


Kazimir Malevich. Suprematist Composition: White on White (Oil on Canvas, 1918) The Museum of Modern Art (MoMA) 1935 Acquisition confirmed in 1999 by agreement with the Estate of Kazimir Malevich and made possible with funds from the Mrs. John Hay Whitney Bequest (by exchange).

“Neither autopilot nor the driver noticed the white side of the tractor-trailer against a brightly lit sky, so the brake was not applied.” —TESLA Blog, June 30, 2016

There were no casualties this morning
when Bluetooth failed to connect
an iPod to the Onkyo receiver
that sends the French news
to speakers in my living room.

Nor did the Mac screen shatter
when a pop-up popped up
with the fatal words Cannot
get mail.

In the blue Pacific, rainbow fish
swim in and out of coral
encrusted bone somewhere
near where Amelia dropped
from the sky.

A crew of astronauts burst
once from their capsule like stars
in a meteor shower, glittering
briefly in their yellow-red descents
over Texas and Louisiana.

Madame Curie may have failed
to notice the fatigue in her bones,
but she saw a faint light glowing
from the tubes she carried
in her pockets.

And those at MoMA,
who might have missed
the cool white square tilted
on the warm white background
of a canvas painted by Malevich,
were just bemused by what they saw.


Don Hogle is a poet, blogger and brand and communications strategist living in Manhattan. Poems have appeared recently in Mud Season Review, Minetta Review, Blast Furnace, Shooter, Bethlehem Writers Roundtable and TheNewVerse.News among others.  He was a finalist in the Northern Colorado Writers’ 2015 Poetry Contest.