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Showing posts with label arena. Show all posts
Showing posts with label arena. Show all posts

Sunday, February 22, 2026

WATCHING ALYSA LIU SKATE

by Tammy Smith




It’s impossible not to yell
“That’s what I’m f**king talking about!”
knowing she nailed it.

High above the ice,
even the Quad God
can’t hide his grin.

Nothing compares
to the joy of watching
her land a triple flip.

The globe spins with that power.
Bliss like this is contagious. 
I should return to the rink. 

Dig out my old skates, 
wipe down the blades,
sharpen them. 

Leave doubt in the arena.
Lace rage tight inside leather.
Release. Rise. Glide. 


Tammy Smith is a poet and licensed clinical social worker living in Fair Lawn, New Jersey. Her poetry appears or is forthcoming in The New Verse NewsOddball Magazine, ONE ARTGrand Little Things, Paterson Literary Review, and elsewhere.

Sunday, June 04, 2017

LIKE YOU, MARGARET COURT

by Diane Elayne Dees


“Court, 74, now a pastor in Perth, has reignited debate about her legacy and how the sport should celebrate her by making a series of inflammatory comments recently about gays and same-sex marriage. Her beliefs are not new — her public comments first stirred protests in 2012 — but her unflinching remarks have provoked some current players to say they would object to playing on a court named after her.” –The New York Times, May 31, 2017


I wonder if you know your Kinsey number,
or is it just too scary to report,
and might it go a long way to encumber
the zeal of someone like you, Margaret Court?

It's a rare thing to be a Kinsey zero,
whether you're in business, school, or sport,
and though you claim that Jesus is your hero,
I'm not sure he would like you, Margaret Court.

The last I checked, no lesbians were seducing
the players who you say were not their sort.
Besides, it doesn't take too much deducing
to conclude they wouldn't like you, Margaret Court.

Too bad for you, gay marriage is in fashion,
and your words of fear and hate do not comport
with your Bible's call to love and show compassion—
But isn't that just like you, Margaret Court?


Diane Elayne Dees's poems have been published in many journals and anthologies. Diane, who lives in Louisiana, also publishes Women Who Serve, a blog that covers women's professional tennis worldwide. (In December, Women Who Serve featured a re-write of A Christmas Carol, in which Margaret Court appeared as Scrooge.)

Thursday, May 25, 2017

DANGEROUS WOMEN

by Elizabeth S. Wolf




It was her first concert
out with friends. The gang of girls.
Besties since babies, they said.
They picked outfits and did their hair,
one high ponytail,  smoky eyes. They listened
to their parents lecture and promised
to follow the signs and obey the rules and
not take drinks from strangers and
oh my god mom, relax. It’s a concert.
Not a bar. Not a North-West Derby
brawl. Just a bunch of girls
dancing and screaming to their
favorite songs. It was Ariana Grande
live on stage: Manchester Arena
Manchester England
22 May 2017.

Three girls, who decided
at the last minute not to wear
kitten ears- three bold teens
walked into the concert as if
they owned the world.

One girl died on the floor,
shattered; the last thing she saw
bouquets of pink balloons
rising towards the ceiling.

The second girl bled from wounds
scattered about her body. She is
in hospital now, hooked up to tubes,
waiting on tests. For several hours
she asked so many questions, over
and over, but now she does not.
She answers the doctors queries,
shifts for the nurses hands: yes, her
ears are still ringing; yes, she still
smells burnt tubing. She sips water
and stares. Shell shock, they whisper.
Her ma and da take turns at her
bedside or tending the others
back home.

The third girl went home
uninjured. She spent a little
longer in the loo and got
separated from her friends.
She lost her voice
screaming for hours.
Now she won’t talk, doesn’t
eat, doesn’t drink. She lies
curled on her bed, clutching
the string from a pink
balloon. When she goes
to the bathroom, her mum
stands by the doorway, crooning
a lullaby. They call her
uninjured, because
she didn’t bleed
at the scene.

She lay in her bed while
day broke up night, again
and again. And on the third
day she called her mum.
Mum, she whispered, wide eyed,
after the bomb there was blood
on the walls, I got so scared.
I was alone! she said,
alone alone. But then
I saw a lady, almost like you,
and she stopped running to lift
up a little girl who had fell.
And the girl, she just hung
on, and I remembered to
look for the helpers.

That’s right, said her mum,
stroking her hair. Look for
the helpers.

And then I was running and screaming
and in the big room, in the hotel,
there was a lady, black as pitch, she
smelled like soap, said the girl. And
I was shaking and looking all around
and she came and held me. I
don’t even know who she is.

That was Amina, said her mum.
She works for the hotel, she
cleans the rooms. She left her own
country to flee the bombs and
find food.  Now she lives here.
And found you.

Mum, said the girl. I know what I want
to do now. I know.

What’s that? asked her mum.

I want to be a helper, said the
girl. And she got out of bed.


Author’s note: Characters and some incidents in this narrative are fictional although descriptions are based on news reports from Manchester.

Elizabeth S. Wolf writes because telling stories is how we make sense of our world, how we heal, and how we celebrate. She seeks that sliver of truth amidst the chattering monkey mind. Also, she sings loudly while driving. Elizabeth’s chapbook What I Learned: Poems is forthcoming from Finishing Line Press in fall 2017.

Wednesday, May 24, 2017

CHOSEN VENUES

by Joan Colby


Where you are dancing.
Where you celebrate.
Where the bands play.
Where you congregate for coffee
Or conversation. Or to view the match
Or the marathon.
Anywhere you go to enjoy
Invites the strike. The explosive vest
Or car aimed at the thick of things.
What they seek to destroy is this:
Free pleasure. The authoritarian shift
To beheadings in an arena
Where you learn what to expect.


Joan Colby has published widely in journals such as Poetry, Atlanta Review, South Dakota Review, The Spoon River Poetry Review, New York Quarterly, the new renaissance, Grand Street, Epoch, and Prairie Schooner. Awards include two Illinois Arts Council Literary Awards, Rhino Poetry Award, the new renaissance Award for Poetry, and an Illinois Arts Council Fellowship in Literature. She is the editor of Illinois Racing News, and lives on a small horse farm in Northern Illinois. She has published 11 books including The Lonely Hearts Killers and How the Sky Begins to Fall (Spoon River Press), The Atrocity Book (Lynx House Press), Dead Horses and Selected Poems (FutureCycle Press), and Properties of Matter (Aldrich Press). Colby is also an associate editor of Kentucky Review and FutureCycle Press.

Tuesday, May 23, 2017

THE RIBCAGE CLINGS TO A LOVER TIGHTER AFTER YET ANOTHER TRAGEDY

by J. Bradley


A man and woman hug on the streets of Manchester. Photograph: Peter Byrne/PA via The Guardian, May 23, 2017


The talking head reads the names of people
who are no longer people. The expert
offers the hypothesis that the network paid for.

You ask this lover whether he knew
anyone in the building. He wipes his tears,
shakes his head. You try soothing him,
your tips coaxing his grief.

Once, you invented a shoulder
for a lover who knew someone
who died by bullet, explosion.
He heard the whir of helicopters
for weeks after it happened.

When he asked you to move in,
you left behind your shoulder,
a note: this is all I can offer you.


J. Bradley won Five [Quarterly]'s 2015 e-chapbook contest for his collection of flash fiction Neil. He is the author as well of the graphic poetry collection The Bones of Us (YesYes Books, 2014) and the prose poem chapbook It Is A Wild Swing Of A Knife (Choose the Sword, 2015).