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Showing posts with label fortress. Show all posts
Showing posts with label fortress. Show all posts

Tuesday, April 01, 2025

COLLEGE WALK

by Philip Kitcher




Students and neighbors are suing the school [Columbia], magnifying the broader complaint that institutions stifle free expression when they restrict access to public spaces following protests. —The New York Times, March 27, 2025
 
 
The locals used to wander through.
No obstacles. They’d pass
the open gates. They’d spend an hour or two
kicking a ball, or lying on the grass.
 
No student ID was required,
no need to fear
they were unwelcome. Young ones were inspired
to think they’d study here.
 
Now it’s a fortress. Honeyed words can’t stem
the nagging fear
that higher education’s not for them:
they are intruders here.
 
Officials at the shuttered gates divide
the privileged from neighbors. Must they feel
that they are destined to remain outside?
Can wounds inflicted daily ever heal?


Philip Kitcher has written too many books about philosophy, a subject which he taught at Columbia for many years. His new book The Rich and the Poor (Polity Press) is all about the costs of abandoning morality in politics and public life. His poems have appeared online in Light, Lighten Up Online, Politics/Letters, Snakeskin, and The Dirigible Balloon; and in print in the Hudson Review.

Friday, June 07, 2024

THE FORTRESS, MY UNCLE

by Indran Amirthanayagam


President Biden announced an executive order on Tuesday to essentially block asylum at the southern border, a major shift in how the United States has historically handled claims for protection. The move, a suspension of longtime guarantees that give anyone who steps onto U.S. soil the right to seek a safe haven, is intended to deter illegal border crossings, an issue that has weighed on Mr. Biden’s political fortunes as he heads into the November presidential election… Immigration advocates have said the changes, taken together, amount to a virtual suspension of the asylum system for people crossing the border. The Biden administration “is eliminating key protections to prevent refugees from being returned to harm through imposition of this ‘shout test,’” said Robyn Barnard, a lawyer at Human Rights First. “It will be a recipe for disaster and certainly result in refugees being sent to danger or worse death.” —The New York Times, June 4, 2024


The fortress, the wall, thou shalt
not enter these rolling hills and 
grasslands where bison and 
Natives once roamed. You will 

not drink at the rancher’s 
trough or sleep in the sanctuary 
city’s single residency hotel. You 
will not get bussed to the liberal

East where a temporary home
waits until shelter services stop 
at sixty days and you find
yourself on the proverbial street

unless you have relatives willing 
to keep you off the public books. 
This is no grand illusion, no 
welcome, but you have left 

your local gangs to find 
a safer and more fitting union, 
turned into a red and blue 
wall. Incredible failure 

of the big heart to open, 
to say we will find a way 
to allow the Dream free again 
as in the old poems and movies 

that led our fathers and mothers 
to make the trek west and east, 
north and south. Goodbye 
to all that jazz America. Goodbye.


Indran Amirthanayagam is the translator of Origami: Selected Poems of Manuel Ulacia (Dialogos Books). Mad Hat Press has just published his love song to Haiti: Powèt Nan Pò A (Poet of the Port). Ten Thousand Steps Against the Tyrant (BroadstoneBooks) is a collection of Indran's poems. Recently published is Blue Window (Ventana Azul), translated by Jennifer Rathbun. (Dialogos Books). In 2020, Indran produced a “world" record by publishing three new poetry books written in three languages: The Migrant States (Hanging Loose Press, New York), Sur l'île nostalgique (L’Harmattan, Paris) and Lírica a tiempo (Mesa Redonda, Lima). He edits The Beltway Poetry Quarterly and helps curate Ablucionistas. He hosts the Poetry Channel on YouTube and publishes poetry books with Sara Cahill Marron at Beltway Editions.

Tuesday, May 05, 2020

AVAILABLE BEDS

by Dawn Corrigan


The diorama simulates the rising and setting points of the Sun. —Stanford University


Like sunrise, like hurricanes,
it moved east to west.

We feared it was coming
for that hole in your chest.

You said, Perhaps I should meet it
while there's still open beds.

But we made you a fortress
and hid you instead.


Author’s Note: This poem is a response to my immunocompromised husband, who suggested a couple of weeks ago that perhaps he should deliberately seek exposure to the virus before our local ICUs filled up. For now he remains safe and our local hospitals are below capacity, though with public beaches and restaurants reopening, I don't know if we can expect this state of stasis to last.


Dawn Corrigan has a black belt in social distancing.