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Showing posts with label clinic. Show all posts
Showing posts with label clinic. Show all posts

Monday, July 07, 2025

PURPLE HEART ARMY VETERAN SELF-DEPORTS

by Morrow Dowdle




The quiet girl I’d admired on the playground

defended me against a boy with rough grasp  

and bad breath. Ended with her knee scraped, 

 

dark with embedded mulch. The boy 

ran, exiled from swing and slide.

That spring, I gave her a locket 

 

from the five and ten, real sterling plate. 

Not a partial heart, with zig-zag edges, 

I trusted her to take the whole. And wasn’t she 

 

the bearer of some universal principle:

What you shed for someone incurred a debt.

In the military, I spilled not one red drop—

 

still, the discharge, honorable. Still, years later, 

thanked by strangers. What did I do? 

Sat in the clinic. Tried to save the wounded 

 

from an aftermath I could hardly fathom. 

There is a man, now, up in the air. 

A slick plane flung between continents.

 

My friend and I pricked our thumbs with a needle, 

pressed them together. Citizens then, of each other. 

Not enough to make a man homeless,

 

he must be motherless, childless as well.

His body belongs to no country.

His body gone, with its generous blood.



Morrow Dowdle is the author of the chapbook Hardly (Bottlecap Press, 2024) and has work appearing or forthcoming from New York QuarterlyRATTLEONE ART, and Southeast Review. They run a performance series which features historically marginalized voices and are an MFA candidate at Pacific University.

Thursday, October 06, 2022

[THIS POEM WILL PROBABLY GET US KILLED]

by Sharmila Voorakkara & Ron Riekki


Planned Parenthood officials on Monday announced plans for a mobile abortion clinic—a 37ft recreational vehicle that will stay in Illinois but travel close to the borders of adjoining states that have banned the procedure since the US supreme court overturned Roe v Wade earlier this year. —The Guardian, October 4, 2022


                                                               for Alexis McGill Johnson


There has always been a running, either away from
or to.  And sometimesjust the promise of anything other than

where you are is all you need to leave. To live.  This fills me
with worried peace… My friend told me that I need

to practice gratitude, to be thankful for mobile clinics
and mobile apps and even my mobile home—

these places of temporary comfort, where people 
might treat you like a person, can understand you are

a being, human, like them, to help with the need to avoid
suffering, needlessly, and perhaps be understood, 

be under caring hands, especially after the hands
that strangled you, tried to own you, drown you,

breakdown you, in your nightgown, you in front
of your children and the law-and-order and the Bible 

that want to shame you, and then, at the border,
this safety, waiting, at the border, thank God, at the border.


Sharmila Voorakkara received her MFA from the University of Virginia. Her first collection of poems, Fire Wheel, was published by the University of Akron Press.

Ron Riekki co-edited Undocumented: Great Lakes Poets Laureate on Social Justice (Michigan State University Press).

Wednesday, August 17, 2022

LEGAL AND SAFE IN DULUTH MN

by Jess Morgan


DULUTH, Minn. (AP) — On the top floor of a modest two-story brick building near the shore of Lake Superior, the executive director of northern Minnesota’s only abortion clinic flits from room to room, checking in patients, fielding phone calls from people seeking appointments and handling billing questions from those struggling to pay. In the waiting room at WE Health Clinic in Duluth, patients from Wisconsin and Texas sit among Minnesotans — the leading edge of an expected uptick in out-of-state patients following the Supreme Court’s removal of the federal right to abortion. Photo: A clinic escort outside WE Health Clinic in Duluth, Minn., awaits the arrival of patients, Thursday, July 7, 2022. The clinic escorts protect patients from protesters as they approach and enter the clinic. (AP Photo/Derek Montgomery)


We mosh to punk in a shower of bubbles
and beer at house shows on Saturday
in my city where abortion is legal and safe.

Decked out in tin foil and wearing fish heads,
we flail and wail in the annual Smelt Parade
in my city where abortion is legal and safe.

Our earrings are handmade, we drink coffee
brewed downtown and our music is Homegrown
in my city where abortion is legal and safe.

An underground art collective hauls a piano
onto Lake Superior for improvisation opera
in my city where abortion is legal and safe.

We plow out each other’s cars in negative
thirty-degree temperature snow storms
in my city where abortion is legal and safe.

Our lake is as big as the sea. She is grounding,
healing and as comforting as living 
within a city where abortion is legal and safe.

Pro-choice protestors sing the child I babysit 
happy birthday and feed him cupcakes
in my city where abortion is legal and safe.

Indigenous land protectors chant and bring 
their drums when we rally for choice
in my city where abortion is legal and safe.

A surprising amount of us are queer or trans,
and my non-binary heart feels right at home
in my city where abortion is legal and safe.

I’d like to own goats on the outskirts of town,
and will only raise a family or give birth
in a city where abortion is legal and safe.

My co-workers and I work together to provide
patients with gender-affirming healthcare
in my city’s clinic where abortion is legal and safe.

Patients kiss my hand after a suction abortion,
thanking me for holding theirs during their procedure
in my city’s clinic where abortion is legal and safe.

Too many Duluthians make a poverty wage and rent 
isn’t cheap in my city where abortion is legal and safe.

And each day we must keep fighting for the culture,
clinic and city where abortion is legal and safe.


Jess Morgan is a nonbinary poet in Duluth, Minnesota where they juggle many hats. Their jobs include (but are not limited to) working as a wedding DJ, sound technician, patient educator for abortion services at WE Health clinic, hobby photographer, and occasional goat-sitter. They are a fiscal year 2022 recipient of a Creative Support for Individuals grant from the Minnesota State Arts Board. Poems they've written have been included (or are soon to be included) in The Nemadji Review, Prøve Art Gallery's Zine titled Emerge, and the Wisconsin Review. Jess shares a Tik Tok account with their partner called @ColdLakeHotPoets to capture their poetry adventures around Duluth.

Thursday, July 02, 2020

TO THOSE WHO REFUSE TO WEAR A FACE MASK WHEN ADVISED TO DO SO

A WARNING

by Brooke Herter James


Last week I was strolling the banks
of a creek in Montana when,
out of seemingly nowhere,
a sandhill crane exploded
from the tall grass at my feet.
She was fully my height,
her wings wide open,
beating theair,
her long beak pointing—
jabbing at me.

Beneath her, two eggs.

I am a mother,  too. I get it.

Especially right now,
with one child, pregnant,
working twelve-hour shifts
as a nurse in a walk-in clinic
clear across the country.

If you choose not to wear a face mask—
and you get sick—
and you seek care from my daughter
or any of the thousands of health care workers
who are some one else’s beloved child—
thereby endangering them with your selfishness,
I will come after you like that sandhill crane.
It’s that simple.


Brooke Herter James is the author of two poetry chapbooks: The Widest Eye ( 2016) and Spring took the Long Way Around (2019). Her poems have appeared in PoemTown Vermont as well as the online publications Poets Reading the News, TheNewVerse.News, Flapper Press, and Writing in a Woman’s Voice (forthcoming).  She was chosen as a finalist in the Poetry Society of Vermont’s 2019 National Poetry Contest. She lives on a hillside in Vermont with her husband, four hens, two donkeys and a dog.

Thursday, March 26, 2020

TODAY AS I HEAD INTO MY CLINIC IN THE TOUGH CITY

by Kelley White

via GIPHY


the brain-injured man who always blesses me
from his porch beside the parking lot is calling down
the Full Power of the Living God on my head
and I am grateful; inside, on the counter in the ‘rash room
someone has left me three blue masks with elastic straps,
the kind house-painters use, and I am grateful,
the patients coming into the building for check-ups,
and bedwetting, and autism, and ADHD, and knee-
pain-for-a-year-and-a-half and stomach-ache-for-my-
whole-life are all wearing surgical masks. They won’t
tell me where they got them. I have stashed some
toilet paper, and I am grateful, perhaps we can trade.

Miss Aesha, my granddaughter’s pre-school teacher
has posted a virtual hug on instagram with her arms
stretched like angel’s wings in her beautiful spring green
veil and matching garment; my daughter has posted back
pictures of the family baking focaccia; Evelyn
is measuring and beaming—both parents are home
now that they’ve had to close the Cake Shop, and she
is grateful. Now the water is down. Planned work
on the century old water and sewer lines, and I am
grateful it’s not more. And that I have not lost my secret
stash of hand sanitizer. Yet. My staff are hitting me

with dozens of questions I can’t answer—is it true? my
cousin’s husband’s friend said if you’re over 80 you can’t
eat eggs or cheese; I have a knee replacement, is that
risky; my teeth hurt, is that a sign of the disease? Do I need
to cancel my colonoscopy, my MRI, my breast biopsy?
I’m a pediatrician, I’m grateful I don’t have to know
all this. But we have no ‘adult’ doctor. Our ob-gyn
doesn’t want to cancel her prenatals but she herself is 73.
None of us are young. I’m 65. Our phone operator
is 87! She won’t go home. She’s afraid she won’t get paid.
Hers is the only paycheck in her family. I promise her
she will. I’m grateful for her. She leaves after a half day.
Hers may be the only life I save.


Pediatrician Kelley White has worked in inner city Philadelphia and rural New Hampshire. Her poems have appeared in Exquisite Corpse, Rattle and JAMA. Her recent books are Toxic Environment (Boston Poet Press) and Two Birds in Flame (Beech River Books.) She received a 2008 Pennsylvania Council on the Arts grant.

Monday, July 11, 2016

DIASPORA

by Risa Denenberg





I see them in nightmares, or when silent in meditation.
There, they were doctors, green-grocers, artists, stone masons.
Here, they snake around barricades like a river.

I don’t see them when I’m serving dinner to the homeless
in my home town on Christmas day, because after all,
I’m Jewish and have nowhere else to go.

I see them when I meditate, or hike a mountain trail.
There, they ate breakfast, went to jobs, read the daily, made love.
Here, they lie dead on highways like roadkill.

I don’t see them when I’m working in the clinic
offering unguents and kindness to soothe wounds,
then staying late to finish chart notes, weary and irritable.

I see them when I hike, or when I pray
(which I do sporadically and) mainly when I envisage them
streaming as a long bridge across sinister waters full

of vipers, swelling the roads to a town near you.
There, they were proud of their kids’ report cards.
Here they struggle, defenseless to save children from drowning.

I pray to see them and to not see them
because it’s so much worse than I can fathom
and I can’t imagine an act that could make it right.

I see them as my family, ghettoed in their Russian shtetel,
then, crossing the ravenous Atlantic to an unknown fate.

There, they prayed and were slaughtered.
Here, we forget to pray, and prosper.


Risa Denenberg lives on the Olympic Peninsula in Washington state where she works as a nurse practitioner. She reviews poetry for the American Journal of Nursing and is an editor at Headmistress Press, a small press that publishes poetry by lesbians. She has published three chapbooks and two full length books of poetry, Mean Distance from the Sun (Aldrich Press, 2013) and Whirlwind @ Lesbos (Headmistress Press, 2016).