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Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Showing posts with label horns. Show all posts
Showing posts with label horns. Show all posts

Saturday, February 14, 2026

A VALENTINE FOR MINNEAPOLIS

by Lisa Shulman



 

I love the crunch of your boots in the icy streets,
the rhythmic beat of your mittened hands,
the steam of your breath and the heat of your words 
in this brutal cold and ice-clapped world.
I love the chapped red of your cheeks, your dripping nose
the ice crystals on your eyebrows, your hair,
as you carry signs and bags of food and offer your arm
to that woman on the ground.
I love the street medics with their packs,
the rolling neighborhood patrols,
and the cafes open for free soup and coffee.
I love your cousins in Chicago, Portland, L.A.
I love the way you bang on drums, on cans and dumpsters,
your raucous all-night singing,
your harmonies as you kneel on frozen sidewalks,
your whistles and car horns.
I love your walking school buses,
your inflatable frogs, and knit red hats.
I love the warm and flowing river of your bodies
pouring through your city—
blood pulsing through its veins.
I love your courage that ignites our own,
fire melting ice.
I love your heart.

 

 

Lisa Shulman is a poet, children’s book author, and teacher. Her poetry has appeared in Sheila-na-gig, About Place, Anacapa Review, Inkfish, Kitchen Table Quarterly, New Verse News, and elsewhere. Her new chapbook is Fragile Bones, Fierce Heart. A Pushcart nominee, Lisa teaches poetry with California Poets in the Schools, and workshops for women in recovery.

Wednesday, May 25, 2016

THINGS YOU SHOULD KNOW ABOUT BISON

by Peg Quinn



“On Monday, May 9, 2016, President Obama signed into law the National Bison Legacy Act, which designates the bison as the official mammal of the United States. . . . Lobbying for the official mammal designation was a coalition of conservationists; ranchers, for whom bison are business; and tribal groups, such as the InterTribal Buffalo Council, which wants to ‘restore bison to Indian nations in a manner that is compatible with their spiritual and cultural beliefs and practices.’ . . . Before the mid-1800s, bison (also called buffalo) lived mostly in the Great Plains, but were also found throughout the continent. . . . The U.S. Army led a campaign to wipe out bison as a way to control [native] tribes. . . . Columbus Delano, secretary of the interior, wrote in 1873: ‘I would not seriously regret the total disappearance of the buffalo from our western plains, in its effect upon the Indians.’ —Elahe Izadi, The Washington Post, May 9, 2016.  Image: A colored-pencil drawing by Peg Quinn of a bison’s head.


A bison's bladder holds seven pounds,
about one gallon, enough
for indigenous people to use
for storing water, clothing,
or food when hunting

Horns sufficed as drinking cups,
or carrying hot ash from one fire
to start the next

Fur became blankets,
papoose and moccasin lining

Skin became saddles, or, when
stretched over low lying branches,
sewn to form teepees, clothing,
quivers, drum heads and ‘canvas’
for recording the year in pictures - their
‘winter count’ during freezing blizzards

String was pulled from sinew
then threaded into carved bone needles

This is no metaphor:
drumming sticks were made
by dropping a round rock into
a testicle then wrapping with tendons
to the end of a stick

Sinew binding teeth and hooves
made door rattles outside the teepee
for announcing a visitor

Bones were carved into knives,
scraping tools, and toys while
tails had second lives swatting flies

Eyes, brains, tongues and organs
were reserved as treats for tribal elders,
meat, berries and fish the daily diet
Snacks were made from intestines
packed with dried herbs and jerky

Though no one knows how they used the nose,
it’s no wonder they were worshipped



Peg Quinn grew up in a rural area outside Lincoln, Nebraska. As a child, she once got her head stuck between the tail and rear-end of a life-size buffalo statue in a public park. Today, she teaches art and paints theatrical sets in southern California, always wearing a bison ring made from an Indian head nickel and morns how they were slaughtered as a means of controlling indigenous people. Her Great-Grandmother was Sioux.