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Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Showing posts with label Gilded Age. Show all posts
Showing posts with label Gilded Age. Show all posts

Sunday, May 24, 2026

PROFIT AND LOSS STATEMENT FOR MR. B.

by Steven Ratiner

 

“The Post needs to be a profitable enterprise that stands on its own two feet.  Let me tell you why. Because it’s a measure of its relevance.  If people won’t pay for our product, it’s not a good enough product.  It would be like poetry without rhyming, it’s too easy.” ––Jeff Bezos in an interview on CNBC reported by The New York Times, May 20, 2026

 

Too easy without rhyme?  Mr. B., I have news for you:
you’ve no understanding of the time that goes into
educating the tongue, cultivating the heart, so that words
might fly true to their destination, bearing the hard
 
truth of what’s required to be an actual human being in
our rancid/gilded age––where suffering’s a commodity
on the Stock Exchange, and all it takes is a few billion
in reserve to live gloriously without a thimbleful of pity
 
or the tonnage of regret.  News flash: your yacht’s run aground
on Circe’s island, as you quaff down cup after cup of kykeon
laced with nightshade, turning into swine along with your crew.
Ithaka can burn for all you care.  There’s no damned hope for you.
 
For what (another old poem) profit a man who gains the world but
loses his soul?  Such unspeakable waste.  What rhymes with that?
 

Steven Ratiner is the author of Grief's Apostrophe, published by Beltway Editions in 2025. He's also published three poetry chapbooks, a collection of poetry interviews, and appeared in several anthologies. His work has appeared in scores of journals in America and abroad, including Parnassus, Agni, Hanging Loose, Poet Lore, Salamander, Vox Populi, QRLS (Singapore), and Poetry Australia––and been translated into Mandarin, Spanish, Ukrainian, and Hebrew. He's also written poetry criticism for The Washington Post, The Christian Science Monitor, The San Francisco Chronicle, and other journals.  Giving Their Word—Conversations with Contemporary Poets was reissued in a paperback edition (University of Massachusetts Press).  He is Poet Laureate Emeritus for Arlington, Massachusetts, and was elected in 2024 as President of the New England Poetry Club, one of the oldest literary associations in America. Now, beginning its seventh year, his weekly Red Letter Poems features a diverse range of poets, from up-and-coming talents to some of the most important voices in contemporary poetry.

Saturday, January 12, 2019

LAW RAP

by Ian Patrick Williams




We fought the British army to create a new democracy
But it turned out just to be a lesson in hypocrisy
Instead of having freedom in the new Home of the Brave
All the Founding Fathers got to hold on to their slaves.
So as our brand new nation was then starting to be shaped
African-Americans faced lynching or were raped
Abolitionists did what they could to raise a legal fight
But all the slavers said it was a matter of state’s rights.
Dred Scott escaped into the North and thought that he was free
His owner followed, claiming he was just some property
The Court agreed and sent him back, said he was not a man
And all the racists cheered: it was the Law of the Land.

The population grew and so the pioneers moved West
Looking for whatever land might suit their interests best
Killing all the Native tribes wherever they would go
They found themselves in what was then called Northern Mexico
From Texas, Arizona, all the way to California
They turned their guns on Mexicans and said, “We gotta warn ya
That it’s time for all you brown-skinned folk to cross the Rio Grande.
This is white people country, that’s the Law of the Land.”

The Civil War was fought and won and stopped the South’s secession
But they simply organized a new form of repression
The Jim Crow laws would still repress the black community
But that was not the only form of inequality
Only men would have a say in forming legislation
Women couldn’t vote, though they were half the population.
The Suffragettes went marching, but the men said they were wrong
“Go back into the kitchen; that’s where all of you belong.
To vote requires mental work, you couldn’t understand.
Only men can vote ‘cause that’s the Law of the Land.”

The fight went on for years and years till Civil Rights could pass
We thought we had equality for every single class
But greedy corporations came up with a new solution:
They’d simply buy up all new laws with campaign contributions.
Crush the unions, cut their taxes, only pay low wage
And sure enough they had themselves another Gilded Age
With ever-growing profits, keeping all that they could get
Dumping on us peons twenty trillion dollars debt
The one-percenters cheered themselves and said, “Oh, ain’t it grand
When all us billionaires can buy the Laws of the Land!”

This struggle for control goes on, we’ve seen it all before
Deregulation, planned recessions, Middle Eastern war
All designed to line the pockets of the profiteers
The money-grubbing warmongers who’ve ripped us off for years.
There’s only one way out of living under their command
We have to come together and united, take a stand
We cannot have democracy until we all demand
That only We the People make the Laws of the Land.


Ian Patrick Williams won the Chicago Emmy award for co-authoring the teleplay Bleacher Bums for PBS-TV; the script was later purchased and produced as a M.O.W. by Showtime. He has also written and directed seven One Act plays for young people that toured Los Angeles Unified School District schools through the not-for-profit firm Enrichment Works. His one-act play "Provenance" was produced last year at Ensemble Studio Theater.