X-RAYS

by Matthew Murrey

 

 

Cartoon by Iman Rezaee

‘Deliberate targeting of vital body parts’: X-rays taken after Iran protests expose extent of catastrophic injuries. Expert analysis of images from one hospital suggests severe trauma to the face, chest and genitals was caused by metal birdshot and high-calibre bullets. —The Guardian, February 17, 2026 

 

reveal the structure beneath,
miracle of how strong and fragile
I am, we are. I keep one

of my right hand with its fifth bone
broken—a now-healed ridge I still feel
after half a lifetime. And these

(sent in secret from a country
whose leaders, like so many leaders,
hate the people they rule) reveal

ghosts haunting the injured
bones. Here is one with bright dots
of birdshot fired into the face,

another with pellets peppering
the chest, and one where the target was
the tenderness between the legs.

I do not understand what I see,
am not trained to diagnose what disease   
carries a shotgun into a crowd

of unarmed souls, levels it point-blank,
and pulls the trigger.  


Matthew Murrey is the author of Little Joy (Cornerstone Press, 2026) and Bulletproof (Jacar Press, 2019). He has recently had poems in Flyway, En•Trance, ballast, and elsewhere. He was a public school librarian for more than 20 years and lives in Urbana, IL with his partner. He can be found on Bluesky and Instagram under the handle @mytwords.  

ENDANGERED SPECIES / WHAT DOES IT FEEL LIKE?

by Dick Altman

An Indonesian father of an infant with special needs, who was detained by federal agents at his hospital workplace in Minnesota after his student visa was secretly revoked, will remain in custody after an immigration judge ruled on Thursday that his case can proceed. The day before [Aditya Wahyu] Harsono’s bond hearing, DHS disclosed their evidence against him. Besides stating that his visa had been revoked for the misdemeanor graffiti conviction, for which he paid $100 in restitution, they also mentioned an arrest from 2021 during a protest over the murder of George Floyd. That charge was dismissed. Harsono is Muslim and frequently posts on social media in support of humanitarian relief for Gaza. He also runs a small non-profit, which sells art and merchandise, with proceeds going to organizations aiding Gaza. —The Guardian, April 29, 2025. Peyton Harsono (pictured above) and Madison Weidner have organized a GoFundMe to support Harsono’s family in these dark days.

I dream,

every now and then,

of an army newsreel

the colonel

across the street,

shows

two ten-year-olds,

his daughter and me.

We are old enough,

he says,

quoting Burns,

to witness “man’s

inhumanity to man,”

a phrase lost on us,

until he turns down

the basement lights,

and the 16-mm film

begins to unwind.

 

It opens

on a city street

of old buildings,

older than anything

I know of America.

The sidewalks busy

with baby carriages,

people shopping,

children skipping.

When,

out of a doorway,

two men abruptly

drag a man

into the street.

They punch him,

until he falls

to the ground,

and then begin

to kick him.

We can only stare.

The colonel,

as if reading

our minds,

says

they’re beating him

because he’s Jewish.

And the voiceover

starts to explain.

*

When I awaken,

my mind grinds

incessantly

on the words

endangered species.

Grinds on the video

of a woman in white—

a student protester

of foreign extraction,

here in America—

converged upon

by three men in black,

who arrest her.

A chilling reminder

of the colonel’s

newsreel.

Echoing

across the nation’s

landscape,

across mountain,

prairie and sea.

 

Endangered species.

My mind trembles

over the syllables,

as I imagine them

enclosing themselves

around the laws

and institutions

that nourish

and drive

our democracy.

 

Endangered species.

I strangle on the words,

here in Indian Country,

where a holocaust

nearly drove a people

into extinction.

We have a history,

I say to myself.

Can we,

as a nation,

change course?

I can almost

imagine

a raging knock

at the door,

as I write.

“You and

your words—

they’re coming

with us,”

I hear

a voice yell.

 

And I think

of the eyes

that might read

these thoughts.

And of the lines

and lives

that didn’t survive

during

and between

last century’s

Great Wars.

And I confess—

I fear those eyes.

 

 

Dick Altman writes in the thin, magical air of Old West’s high desert plains, where, at 7,000 feet, reality and imagination often blur. He is published in the American 

Journal of Poetry, Santa Fe Literary Review, Fredericksburg Literary Review, Foliate Oak, Landing Zone, Cathexis Northwest Press, Humana Obscura, Haunted Waters Press,

Split Rock Review, The Ravens Perch, Beyond Words, and others here and abroad. His work also appears in the first edition of The New Mexico Anthology of Poetry, published by the New Mexico Museum Press. Pushcart Prize nominee and poetry winner of Santa Fe New Mexican’s annual literary competition, he has authored some 250 poems, published on four continents.

SENATOR UNINFORMED

by Indran Amirthanayagam

A U.S. senator calls 

the tents set up 

at universities

camps for Hamas;

and he says

he supports Israel

and if Hamas 

surrenders

and hostages

are released

the war will end.

He adds 

that he is 

deeply 

disappointed

that the President

has paused

some shipments

of heavy weapons

to Israel. Deeply 

disappointed

Senator 

Fetterman?

That is how 

I feel as well 

about you. 

Your ignorance

resounds. This

is not  binary.

Instead 

of pledging 

allegiance to Israel

come what may,

why don’t you 

in turn bow 

to the Palestinian

right of return

to homes from which 

they have been  

expelled since 1948? 

Why don’t you cite 

the ever smaller

wedge of Palestinian 

land, about twenty 

percent of what 

was assigned

to them in 1948?

Can you manage

to turn your head

around that fact?

Twenty percent?. 

One fifth of 

a shrinking pie?

And you say,

hard disagree

deeply disappointed.

Mr. Fetterman

pitch your tent

in Gaza. Wait

for food 

to be dropped

from the sky

Run and hide

when bombs

fall down 

instead.

Indran Amirthanayagam is the translator of Origami: Selected Poems of Manuel Ulacia (Dialogos Books). Mad Hat Press has just published his love song to Haiti: Powèt Nan Pò A (Poet of the Port). Ten Thousand Steps Against the Tyrant (BroadstoneBooks) is a collection of Indran's poems. Recently published is Blue Window (Ventana Azul), translated by Jennifer Rathbun. (Dialogos Books). In 2020, Indran produced a “world" record by publishing three new poetry books written in three languages: The Migrant States (Hanging Loose Press, New York), Sur l'île nostalgique (L’Harmattan, Paris) and Lírica a tiempo (Mesa Redonda, Lima). He edits The Beltway Poetry Quarterly and helps curate Ablucionistas. He hosts the Poetry Channel on YouTube and publishes poetry books with Sara Cahill Marron at Beltway Editions.

TWO SIDES TO THE STORY

by Lynn White

Cartoon by Matt Lubchansky at The Nib, May 12, 2021

There are always two sides to every story,

you said.

The protesters were armed.

The protesters were violent

when faced with soldiers in full combat gear.

Faced with snipers armed with live ammunition.

Armed but

only with stones,

and only some of them.

There are always two sides to every story,

you said.

I ask,

to every story?

Do you really believe that

for a demonstration of unarmed people

when the snipers and soldiers

are already waiting

ready.

There were terrorists amongst them 

intent on doing us harm,

You say

so, yes, to every story, every story.

Really?

Would the not harm be similar 

to the tens who were killed

and the hundreds that were injured?

We have a right to defend ourselves,

you said, 

so yes,

there are always two sides to every story.

Every story.

Well,

so, you will want to hear it for the Nazis then!

No? 

That’s not what you meant.

That story stands alone

one sided.

Really?

Perhaps the number of sides

depends on the differences in power.

Perhaps it’s not alone.

Really.

Lynn White lives in north Wales. Her work is influenced by issues of social justice and events, places and people she has known or imagined. She is especially interested in exploring the boundaries of dream, fantasy and reality and writes hoping to find an audience for her musings. She was shortlisted in the Theatre Cloud 'War Poetry for Today' competition and has been nominated for a Pushcart Prize and a Rhysling Award. Her poetry has appeared in many publications including Apogee, Firewords, Peach Velvet, Light Journal and So It Goes.

THE CHOKER-IN-CHIEF

by Jack Powers





The virus is just like hitting a few bad shots. It happens. You just have to keep your head down, you know, stay positive, play through it. Suddenly you'll be hittin' beautiful drives again.

People dying from the virus is like losing golf balls. You're gonna lose a few! Everybody does. Everybody. I mean, you can't waste time hunting for 'em. You gotta play on!

And these protesters! A bunch of punks leaving their divots and driving their carts on the green! Not raking the traps. No respect for property. They're ruining our beautiful course! Where are the rangers? Where are my rangers?

All these marchers chanting Equality! don't get it. You've got golfers. You've got caddies. The golfers are doing the caddies a favor, really.

The stock market is just like the scorecard. Everybody hits a couple of bad shots. You miss a putt or two. But did you make the big ones? Did you win?

All I'm asking for is a mulligan. One mulligan! What have you got to lose?


Jack Powers is the author of Everybody's Vaguely Familiar. His poems have appeared in The Southern Review, Rattle, The Cortland Review, and elsewhere.

SOUND BITES

A Found Poem Pantoum of Shit I Read in the News
by Brady Riddle

More Shit found from #TRE45ON

One day, it’s like a miracle, it will disappear.
We inherited a broken test, a dead system
that didn’t work. One of the worst things that didn’t work.
Great marks for handling the infectious source!

We inherited a broken test, a dead system:
You got it wrong! They didn't use tear gas.
Great marks for handling protesters there!
Pepper spray is not a chemical irritant. 

You got it wrong! They didn't use tear gas—
riot control agents make people unable.
Pepper spray is not a chemical irritant. 
These THUGS dishonor Peace, on his knees, hands up.

Riot control agents make people unable
to rally against the death, the outrage.
These THUGS dishonor Peace, on his knees, hands up.
False and misleading claims, most of them from the past

rally death, outrage, control, downplay the situation—
that didn’t work. None of the things even worked.
False and misleading claims, most of them from the past
one day, like a miracle, will disappear.

Brady Riddle currently resides in Shanghai, China where he teaches secondary English at Shanghai American School. His poems can  be found in Lean Seed (San Jacinto College, Houston, TX), Ottawa Arts Review (University of Ottawa Press),  Spittoon Collective (Beijing, China), and most recently A Shanghai Poetry Zine.

TWO OLD PROTESTERS STILL READY TO PROTEST

by Jane Yolen and Peter Tacy

1965

JY:

So, sit down on this stoop,
not that close,
I can hear you through your mask.
The words are familiar,
that hoarse enthusiasm,
your passion for the cause.
Even old legs can march,
though not run away.
Do you have your water bottle?
City map?
Inhaler?
Tissues?
My cell phone number?
The lawyer’s?
I have yours.
Remember:
the arc bends towards justice.
It’s not what we stand against.
It’s what we stand for.

PT:

I learned early—close to home;

What’s wrong—what we all know
To be wrong—can’t be accepted.

My grandmother said it:
Accepting doesn’t just mean
You agree, either; it means
You’ve done nothing to stop wrong.

Wrong, she said, is not static, or
Passive; its impulse is to grow,
To add mass and momentum.
So we have to stop wrong, she said.

If we don’t stop wrong, then
Wrong will grow like a cancer
And consume us all, even if we
Hate wrong. That’s what she said.

I’ve found ever since that she
Was right. So—when I see wrong,
I don’t just sit there. Like she said,
Good intentions don’t equal good.

But what she didn’t say, and I
Know now, is that fighting
Wrong doesn’t establish good.

You’ve got to let your living
Teach you good. Live with the pores
Of your soul, your empathy, open —

Your sense of wonder and awe
Open like a trawl-net, to find good.

And whenever you find some good,
Hide it in your heart.  Because with it
Hating wrong no longer equals hatred.
A miracle happens—and hate

Transmutes to love. My grandmother
Never said that to me; but now
I know she lived it. How? My grandkids
Have taught me—as I did her.

JY:

Or as I always said
to my kids
and grandkids:
Leave the world
a better place
than you found it.
Not so hard now.
Or maybe harder.
You dropped your inhaler.
I’ll help you stand.
It will be a long walk.
But we’re used to them.
And the company—
all those young people—
the best.
In case enthusiasm
distracts them,
we’re here to remind:
it’s not what we stand against,
but what we stand for
‘cause the arc of justice
doesn’t just bend itself, you know.

Jane Yolen is a Hatfield writer with over 389 books published. 10 of them books of adult poetry. Peter Tacy, Yiolen’s fiancé, lives both in Hatfield and Mystic Ct and has been an educator and writer/poet for most of his life.

THE AGE OF MAGA HATS AND A DIMWIT VIRUS

by Lyndi Waters                

 

More Than a Feeling by Matt Lubchansky, The Nib, April 22, 2020

Our generation passes
with both hands over our eyes,
yet moving a certain bluster
through the world as owners,

out the other side
as whimpering eye blinks,
departing roughly the same time
realization dawns

of how the world has carved us,
tumbled us in the rapids
until our edges are smooth.
The preachers wave their cleavers,

hack us apart like fresh fish at market,
politicians widen the space
between the halves
then stuff them with our own fears.

How long will we acquiesce
to rock hunters who pass truth by
in search of people to fit their stories,
characters who have already

been ear-tagged through fable,
pressed into service,
handed scripts and dark glasses.
And yet we continue on with a dimwit virus,

MAGA hats, sippy cups of bleach,
protesters demanding haircuts,
and quiet poets, who navel gaze and describe sunsets
while Denise Levertov rolls in her grave.

Lyndi Waters is a Pushcart Prize nominee, winner of the 2019 Frank Nelson Doubleday Memorial Writing Award, the 2018 Eugene V. Shea National Poetry Contest, and the 2019 Wyoming Writers, Inc. free verse contest. Lyndi’s poems have been published, or are forthcoming, in literary magazines and anthologies such as The Owen Wister Review, Gyroscope Review, New Verse News, Picaroon Poetry, Unbroken Journal, Blood, Water, Wind, and Stone: An Anthology of Wyoming Writers (Sastrugi Press, 2016), and Troubadour (Picaroon Poetry Press, U.K., 2017).

PANDEMIC PICTURE

by Marsha Owens

Residents protest a stay-at-home order outside the state Capitol in Harrisburg, Pennsylvania, on April 20, 2020. Photo from Twitter/@costareports

Jesus is my vaccine
the sign on the green
pickup read

i bowed my head
apologies offered
to jesus
who must feel awful
about his flock
of fools, pumping
tattooed arms
swastikas center stage
in this show entitled
Needahaircut Now!

and that Jesus guy
could be anywhere
in this picture, perhaps
in a vial over there

amid the cute little
red show filling streets,
circle the wagons, fire inward
a poor business tactic, sure
but first the frail must fall.
a modest proposal.

Marsha Owens lives and writes in Richmond, VA. Her writing has appeared in print publications, including The Huffington Post, Wild Word Anthology, The Sun, and online at TheNewVerse.News, Poets Reading the News, Rat’s Ass Review, and Rise Up Review. She is a co-editor of the poetry anthology, Lingering in the Margins.

OUTSIDE THE TURKISH AMBASSADOR'S HOUSE

by Bruce Dale Wise

Source: The New York Times

Outside the Turk ambassador's house, Erdogan looked on,
while a man came to Ceren Borazan with open arms.
He was drawn to her chanting voice. He grabbed her from behind,
and gripped her neck so tightly, she was scared out of her mind.
The people suffering in Turkey, far way from them,
when he was yelling—kill you, bitch—they could not have heard him.

The men in suits, the bodyguards of Tayyip Erdogan,
had come to roust protesters out—Kurds and Armenians.
Attackers kicked one woman as she lay curled on a walk;
Abbas Aziz, a teacher, got a lesson in free talk.
He was knocked to the ground by men, and kicked in chest and head.
This is America, this is not Ankara, he said.

Bruce Dale Wise is a poet, essayist, and the creator of new poetic forms. His publication credits include magazines and ezines under his own name and various pseudonyms.