GATHERING FOR OUR CAVE SOON

by Jerrice J Baptiste

"Justice in the Trump Era" by Nick Anderson

Unfettered and Unaccountable: 

How Trump is Building a Violent, Shadowy Federal Police Force —ProPublica, October 18, 2025

Yesterday, the autumn wind almost blew 
me away. If I were thirty pounds lighter 
like I’ve always wanted, I would’ve joined 

leaves in the lake. I savor figs, dried plums,
mango slices we share together in the royal 
blue ceramic bowl, you gifted for my birthday

in April. And much time has passed and we need 
to gather dried berries and nuts like our friends 
the squirrels and rabbits. We will need to eat only 

one of each roasted almond, white cashew, walnut
at a time. Under the crumpled sapphire-colored 
blanket we will hide flat on our backs in the black 

onyx night, in the cave we will build. Silence, Silence 
and the goddess Artemis will protect us vulnerable 
women and children. We will quickly hush, hush
  
like kindergarteners at play with shadow puppets when 
adults enter a room. Whoever is searching won’t find 
us, when their heavy boots enter our cave, their hands 

shining light in each corner. Artemis will make us
invisible. Now the winds of autumn pick up speed. 
It is a brewing noise of citizens, and leaves. 

Can you hear what’s churning?  Do you feel 
the urgency of the people? The collective shouting, 
shouting, shouting, and not just a handful.  Let us 

gather, gather our portions soon and build our caves. 
Noise increases, increases loud firecrackers. Are you 
the poets who are not afraid of the bombs?

Jerrice J Baptiste is a poet, educator and facilitator of poetry for healing and self-expression. Her new book of prose poems is titled Coral in the Diaspora published by Abode Press (August 2024).  Her writing has been published and is forthcoming in The New Verse News, Artemis Journal, Urthona Buddhism and Art Magazine, The Dewdrop, Shambhala Times, The Yale Review, Wax Poetry & Art, Black Fox Literary Magazine, Mantis, Penumbra Literary & Art Journal, The Banyan Review, Kosmos Journal, Silver Birch Press, and many others. Her collaborative songwriting and poetry are featured on the Grammy-nominated album Many Hands Family Music for Haïti. 

AN IMAGINARY PAGE FROM VIRGINIA GIUFFRE’S DIARY

by Lisa Seidenberg

The photo of [Virginia Giuffre who committed suicide last week] and Prince Andrew, taken in London in 2001, became emblematic of the royal's entanglement with [Jeffrey] Epstein… who was said to have taken the photo—died in jail facing sex trafficking charges. Ghislaine Maxwell—who helped him abuse young girls and is pictured to the right of Prince Andrew and Ms Giuffre—is in prison in the US. Prince Andrew has stepped down from all public duties. And Virginia Giuffre, a smiling teenager in the photo, is now dead. —BBC, April 28, 2025

“Giuffre alleged that after taking the role (as massage therapist to Jeffrey Epstein) she was trafficked to the financier’s friends and clients and ‘passed around like a platter of fruit.’ Among them, she claimed, was Prince Andrew.” —The Guardian, April 26, 2025

Today I am a mango
arrayed on a plate 
ripe for the choosing 
in a billionaire’s lair

Yesterday I was a peach
with downy skin, freckled 
like a fawn’s back
In hunting season

Tomorrow I will be
a delicate treat—
a plum or a strawberry
finger food for preying hands

They will take me to shop 
for a proper dress 
offered up like a fruit tart
for the entitled eyes of a prince

Someday I will be a pomegranate
my seeds of bitter truth 
left like Persephone 
on a path away from the dark


Lisa Seidenberg is a 2025 Pushcart nominee. She is a writer and filmmaker residing in coastal Connecticut and a poetry reviewer for Whale Road Review. Her writing has been published in Atticus Review, Asymptote Journal, Gyroscope Review, One Art: A Journal of Poetry, The New Verse News, and others. Her photo book Dark Pools is available from PrintedMatter.com. Her documentaries and poetry films screened at Sundance, London, Athens and Berlin International Film Festivals. She is currently at work on her first chapbook.

WINTER RUBBLE

by Susan Kay Anderson

New leaves strive

to take the place

of blossoms

even if they 

don't bear fruit

there are

so many flowers

hanging above

the cold ground down down

winter's tomb

tomorrow's rooftop.  

 

The foreign countrymen spray

into the pushing crowd

marking where the land       breaks       faces

cheeks        eyes        mouths

 

weeds needing killing.  Pulling.  Before sunset.

Rolling    razor wire  

someday we’ll be sitting

at a table remembering  how

saying why.

Susan Kay Anderson lives in southwestern Oregon’s Umpqua River Basin. Her long poem "Man’s West Once” was selected for Barrow Street Journal’s “4 X 2 Project” and is included in Mezzanine (2019). Anderson also published Virginia Brautigan Aste’s memoir Please Plant This Book Coast To Coast (2021).

ELECTION NIGHT 2022

by David Radavich

“Waiting for a Pear to Fall” by Jonas Daniliauskas

The sky is clear
and not a word
floats in the heavens
or on the earth.

 

It is the time of waiting.

 

What must be said
has already been said

 

and we 

like perfect fruit,

 

waiting to be peeled
and consumed.

 

What remains
in the eating

 

at the hands
of others?

 

A last hope
that our insides
will be tasty,

 

that our sacrifice
will bring life
and health

 

to a broken state.

David Radavich's poetry collections include two epics, America Bound and America Abroad, as well as Middle-East Mezze and The Countries We Live In. His latest book is Unter der Sonne / Under the Sun: German and English Poems (2022).  

KNIFE

by Katherine Smith

(Ann Telnaes/The Washington Post)

I asked the apple tree

how can you live, knowing?

and the trees answered

scattering brown fruit for deer.

I asked the field sectioned off with black tarp

how can you live, knowing?

And the grass answered

cracking the sidewalk with green.

I asked the mother

how can you live, knowing?

And she answered

holding her child in her lap.

I asked the smiling family posing

with their guns, how can you live, knowing?

And they offered 

silent smiles glittering like knives.

Katherine Smith’s recent poetry publications include appearances in Boulevard, North American Review, Mezzo Cammin, Cincinnati Review, Missouri Review, Ploughshares, Southern Review, and many other journals. Her short fiction has appeared in Fiction International and Gargoyle. Her first book Argument by Design (Washington Writers’ Publishing House) appeared in 2003. Her second book of poems Woman Alone on the Mountain (Iris Press) appeared in 2014. She works at Montgomery College in Maryland.