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| Kazimir Malevich. Suprematist Composition: White on White (Oil on Canvas, 1918) The Museum of Modern Art (MoMA) 1935 Acquisition confirmed in 1999 by agreement with the Estate of Kazimir Malevich and made possible with funds from the Mrs. John Hay Whitney Bequest (by exchange). |
“Neither autopilot nor the driver noticed the white side of the tractor-trailer against a brightly lit sky, so the brake was not applied.” —TESLA Blog, June 30, 2016
There were no casualties this morning
when Bluetooth failed to connect
an iPod to the Onkyo receiver
that sends the French news
to speakers in my living room.
Nor did the Mac screen shatter
when a pop-up popped up
with the fatal words Cannot
get mail.
In the blue Pacific, rainbow fish
swim in and out of coral
encrusted bone somewhere
near where Amelia dropped
from the sky.
A crew of astronauts burst
once from their capsule like stars
in a meteor shower, glittering
briefly in their yellow-red descents
over Texas and Louisiana.
Madame Curie may have failed
to notice the fatigue in her bones,
but she saw a faint light glowing
from the tubes she carried
in her pockets.
And those at MoMA,
who might have missed
the cool white square tilted
on the warm white background
of a canvas painted by Malevich,
were just bemused by what they saw.
Don Hogle is a poet, blogger and brand and communications strategist living in Manhattan. Poems have appeared recently in Mud Season Review, Minetta Review, Blast Furnace, Shooter, Bethlehem Writers Roundtable and TheNewVerse.News among others. He was a finalist in the Northern Colorado Writers’ 2015 Poetry Contest.
