JULIO

by Judy Strang

Screenshot provided by the poet’s son from the video he recorded.

My son told me 

he’d put on his vest and 

hooked the phone into the chest pocket facing out, 

pressed video, then strode across the narrow city street. 

That was his spontaneous choice, 

just home from his night shift, 

after parking his car across from his apartment,

after seeing two masked figures accost a person on the sidewalk.

 

In his paramedic suit and bullet proof vest with the phone-on-video,

he told them his name and pointed to his photo badge. 

He asked them to identify themselves,

looked at their badges—photo-less, flimsy, 

“Those could be printed on Etsy,” he said, “How do I know who you are?” 

They would not answer. But he got the name of the person they were taking, 

who gave it to him freely. 

My son yelled at the masked faces, “Take off your masks. 

Show us who you are.” 

And he yelled it again, venting his anger at their secrecy 

at their silence 

at their unjust power—

then it was over.

They had shoved the man into their unmarked car and were driving away.

 

My son told me

that’s when he let loose the language he’d wanted to spit in their faces. 

He threw it at their backs, watching the car disappear,

then stood there on the sidewalk, 

next to the door to the stairs leading to his apartment, 

and called the police. 

He waited for them to come so he could report the incident. 

A paramedic, he would speak his truth, 

“to serve human need, with respect for human dignity,”

and he would wonder what would happen 

to the man he would never see again 

whose name he would never forget

 

Judy Strang lives in the woods of Amherst County, VA, where she writes creative nonfiction, directs the Sourwood Forest artist residency program for the Pedlar River Institute, and works part time for the Harte Center for Teaching & Learning at Washington & Lee University (Lexington, VA). Her creative nonfiction, including What Holds Us Here: pieces from a place in the woods (Blackwell Press 2023), examines how humans understand (or not) their place within more-than-human nature. 

NOT JUST A DAY IN THE PARK

by Paul Lander

Poisoning pigeons

In your honor, rest easy
Mister Tom Lehrer

Paul Lander has worked as a writer and/or producer for shows on ABC, NBC, Showtime, The Disney Channel, ABC Family, VH1, LOGO and Lifetime. In addition, he’s written standup material that’s been performed on ‘Fallon,’ ‘Maher,’ ‘Daily Show,’ etc. His humor pieces have been accepted at American Bystander, Light: Poetry, Weekly Humorist, McSweeney‘s, and Humor Times. He has won awards from the National Soc. of Newspaper Columnists, London’s Blogger's Bash and Univ. of Dayton’s Bombeck Workshop.

WATERBOARDED

by Ben Evering

Cartoon by Ann Telnaes

Today

She’s a man, she said, sue her.

Epstein in the Trump files, sue them.

Climate change damages? Sue each other.

Not her, too thin.

Today

Too thin

Seven month old babies look like newborns

Promised food and shot

Limbless

Shot in the places they said were safe

By the weapons you sold to them

And you wrote a letter

the drip drip drip of the news waterboards me 

I wish I was drowning 

but I can swim

Ben Evering seeks clarity in complexity. They are a scientist in London, reading fiction and hoping for change.  

THE LOWEST CUT

by Darcy Grabenstein

Most folks mispronounce Wilkes-Barre, PA.
While the town is actually pronounced like “berry”
it now is living up to its butchered version: “bar” 
(the Diamond City ain’t shining so bright right now…)

That’s because Luzerne County has barred
Low Cut Connie from performing at the town’s 
Rockin’ the River event for “political” reasons (wink, wink)

Methinks it’s due to his song, “Livin in the USA.”
It’s about deportations, making people disappear
and now Luzerne County has made him disappear (their loss)

The irony is that the band was banned, replaced
by Halfway to Hell, whose leader was convicted
of raping a teenager (sound familiar?)

The irony continues.
At Low Cut Connie concerts, frontman Adam Weiner
waxes poetic about love and diversity (oops, strike that word)

I’ll admit that cutting Low Cut Connie can’t be equated
with cutting Medicaid, free school lunches, and other “woke” programs
Yet it still cuts me to the core. (I am gutted)

We certainly are halfway to hell.

A marketing writer by profession, Darcy Grabenstein turns to poetry as a creative and cathartic outlet. The theme of social (in)justice runs through many of her poems, and she longs for the day where her page will finally be blank.

IT’S NOT (YET) TOO LATE (MAYBE)

by Katy Z. Allen

Gazans Are Dying of Starvation. —The New York Times, July 24, 2025

AI-generated graphic by NightCafé for The New Verse News.

A monarch butterfly flutters among the bushes and flowers beside the pond.

Memories rise up: 

a transformational summer in Jerusalem studying Hebrew;

the power of my first experience of the Kotel;

a summer rabbinic seminar at the Shalom Hartman Institute;

visits with my future mother-in-law in Tel Aviv, and later, in Kfar Saba; 

bicycling the shaded byways of the Hula Valley and quiet desert roads of the Negev in support of “nature knows no borders.”

A pond blanketed with giant American Lotus leaves and blossoms spreads out before the eye.

Netanyahu, State of Israel,

it’s not yet too late. (Maybe.)

You still have time to change course,

to save your souls, 

and the souls of all Israelis,

and the souls all the Jews spread out 

around the planet;

you still have time to remember that G?d created every single human being on this planet

and that they are all sacred 

in the eyes of the Holy One of Blessing;

you still have time.

Tall spikes of purple and white showy tick-trefoil mingle with abundant Queen Anne’s lace.

You have the power, the knowledge, and the ability 

to send massive amounts of medical supplies and food to Gaza,

to guard them from Hamas with your troops,

and to feed and treat 

and save the lives of thousands of ordinary starving Gazans,

who are trapped by your inhumanity.

You still have time.

A great blue heron stands silently, gazing into the water, listening, waiting.

It’s not too late. Yet.

But before long it will be.

And then you will have not only 

the blood of many, many more children, women, and men on your hands and your hearts,

but you will have desecrated all that is sacred and holy of Eretz Yisrael;

you will have violated every one of the 613 mitzvot in the Torah,

if not by the letter of the law,

then most certainly by its spirit;

you will have lost and abandoned your humanity,

as individuals and as a country;

you will be deserving, 

(painful as it will be to watch), 

of every single bit of retribution that will come your way;

you will have destroyed the Jewish people and state more completely 

than Hamas could ever have dreamed of doing by itself;

you will have deserted your people,

your country,

and your G!d.

A pair of black and yellow swallowtail butterflies spiral upward in a dance of unity.

Katy Z. Allen is a lover of the more-than-human world, retired rabbi of an outdoor congregation, co-founder of a Jewish climate organization, eco-chaplain, and writer since the age of eight. Her poetry has appeared in The New Verse News and The Jewish Poets Collective Journal. Her poetic book, A Tree of Life: A Story in Word, Image, and Text was published by Strong Voices Publishing.

DAILY BREAD

by Karen Warinsky

Give Us This Day Our Daily Bread: Feeding the 5000, relief on the door of the Grossmünster, Zurich, Switzerland.

Pope Leo XIV has condemned the “barbarity” of the war in Gaza and the “indiscriminate use of force” as Gaza’s civil defence agency said at least 93 Palestinians had been killed queueing for food and Israel issued fresh evacuation orders for areas packed with displaced people. —The Guardian, July 20, 2025

Give us this day our daily dose

of violence and war

hunger and strife

that we may see clearly

how the people in charge

truly view others, treat others,

casting their nets

not for sustenance

but to trap us all 

in their ill-imagined world,

how our struggle to untangle the truth

is worthy and righteous.

 

Bake the bread of this poem

with sunflower seeds and sifted flour

yogurt, eggs and oil,

with love, hope,

virtue and decency.

May it counteract the poisonous actions

of mad governments

as they seek their ends with any means

trampling on innocents

born in an unfortunate place

living in a fraught time

caught in an ancient conflict,

whose only crime

is a desire to preserve themselves

with the staff of life.

Karen Warinsky  has published poetry widely since 2011. She is the author of four collections: Gold in Autumn (2020) and Sunrise Ruby (2022 Human Error Publishing,) Dining with War (2023 Alien Buddha Press) and Beauty & Ashes (Kelsay Books, 2025). Her poem “Mirage” won first place in the 2024 Ekphrastic Poetry Trust, she is a 2023 Best of the Net nominee and a former finalist of the Montreal International Poetry Contest. Warinsky coordinates Poets at Large, a group that performs spoken word in MA and CT.

THE INJUSTICE THAT SCREAMS

by Chinedu lhekoronye 

They say we are free—

But chains still rattle in our dreams.

Not of iron, but of law,

Not of shackles, but of schemes.

The gavel strikes, but truth lies slain,

Beneath the cloak of legal pain.

The voices rise, the system scoffs,

While justice sleeps in ivory lofts.

They loot the land, then preach of peace,

While hunger roams and rights decrease.

They jail the bold, reward the sly,

And feed the poor another lie.

Who gave them crowns to crush the weak?

Who taught them power means not to speak?

Who drew the lines where blood must spill—

Then wrote the laws that bless the kill?

But we are fire, born from dust,

Rising now because we must.

Our words are swords, our truth is flame,

And we will set alight your shame.

For every child denied a voice,

For every vote turned into noise,

For every dream beneath your heel—

We stand. We shout. We will not kneel.

So let the tyrants learn at last:

A nation's silence cannot last.

The day will come, the truth will rise—

And justice will unblind her eyes.

Chinedu lhekoronye is a Nigerian, human rights lawyer, and poetic writer. He uses his writings to draw global attention to injustice in different places. He believes that injustice in one place is injustice globally.