Guidelines



Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.

Wednesday, June 11, 2025

HOW TO SPOT A FASCIST

by Helen Jones


AI-generated graphic by NightCafé for The New Verse News.


Don’t think they come with jackboots in the dawn
Or kick your door in on a freezing night.
Now fascists take control with Facebook ads
And Tik-Tok videos to make you laugh,
Let you believe that facts can just be changed,
Decide reality is just a trick.
 
Then suddenly your job has disappeared
Raw work-experience kids have wiped you out,
Universities are threatened, books are banned,
Medicaid blown apart and foreigners locked up,
Poor people die and old alliances break.
 
          Fascists begin with elections
          When you are not paying attention.


Helen Jones was born in Chester, U.K. She gained a degree in English, many years ago from University College London and later an M.Ed. from the University of Liverpool. She is now happily retired and spends a lot of her time writing and making a new garden. Her poetry has been published in several journals in the U.K., and she is currently working on a novel set in fifth century Deva.

LIGHTNING

by Jeremy Nathan Marks





Trying to make sense of lightning is about more

than science. How long should students lower

their heads, consult their books, run computer

simulations and not look outside.

 

By the time you read this message a bolt will

have struck in dozens of locations, though

you might not have registered the flash. The smell

of ozone in your nose, learning to count for thunder.

Did you know lightning can be silent. An owl.

 

Friction travels from cloud to cloud. It’s over my head

I’ve heard

told. There’s a space in the great codes for interpellations,

gnostic meanings, hidden from the rabble: debates about what’s

in plain view

 

Can someone without sight see a storm.

What if they also cannot hear.   

Lightning can be a figment of the mind:

logos. But if we cannot make observations

what is science.

 

Every one of us has dreams. There were heat storms

over my crib. I couldn’t talk but in my gut I knew some

thing was wrong.

 

Let the infants cry. For the betterment of science.

Watch them, how they respond. From the blur comes

a woman’s features. Mother? But not the storm.

 

They cry because they know she’s an electric force,

violence with the texture of milk—



Jeremy Nathan Marks knows that his own instinct to try to enucleate the problem is a self-deception. But he's stubborn. He lives and writes (stubbornly) in Canada.

Tuesday, June 10, 2025

PAGES OF LIGHT (IN DARK TIMES)

by David Chorlton




(1)

Hard to tell

whether the wind 

last night was social unrest

or coyotes’ dreams as darkness flowing.

The lightness of touch suggested

nature whispering

                                 in the face of human discord

yet in the absence of a moon

and with so few stars

to give direction there were only the neighborhood palms

leaning on the moment

                                            as if time

had taken solid form and claimed

the desert underneath

the city as its first

and only home.

 

(2)

Stone-bright the way ahead

runs true to course, rising by the step

to a view of all things possible

and some

                 forever out of reach. All those things

that never change come what may

are out there, stubborn and holding their ground

through traffic jams and newscasts,

analyses and polls, discussions

that take truth

                           away just as the sun

has stripped first the outer skin

of the saguaro lying

where it fell two summers back

                                                            and subsequently

dried its flesh revealing the core

connecting tip to root, the inner life

revealed in code, an alphabet

surviving after language ends.


(3)

The peaks and dips along the ridge

rest easily this morning

against clouds too closely packed

for news to pass

                               from worlds beyond our own. 

Grey light, pigeon feathers

scattering from the rooftop cooling unit at house

four-three-four-seven

where a hawk endures a mockingbird’s attention

until he stretches out

                                        and eases into day’s grey light.

Nothing exists outside

his range of vision, he’s the headline and the story

circling higher than opinion columns

reach. Doesn’t need words

to know what he knows. Leaves emptiness alone

because the entire sky

                                          isn’t worth

the area he’s taken for a home.

 

(4)

A bright and tranquil morning

on the way around the pond where red-

eared sliders and secrets

move just beneath the sky

that floats across the surface to the reeds

at the farthest edge.

                                      A Black phoebe picks flies

and rumors from the air.

None are too fast for him,

neither the latest out of Hollywood

nor royalty’s ongoing

struggle to be important. What is true tastes no different

from what is not; he keeps dipping

and swerving

                         through politics, finance

and all the way down

to the feathers and bones left on the ground

still with a glaze of moonlight.

 

(5)

Arroyo walk, sidestepping the facts and

speculating whether

the boulder resting on the slope just past

where the trail dips came

to be exactly in position after

falling through space

                                        or was coughed out of the Earth.

Some facts are immoveable, too heavy

to be argued about. But someone’s always

naming parts, allocating

numbers, holding science

to the light and insisting explanations

matter more

                       than the experience

of stopping every time

to contemplate the mystery

that built the world before there was

a truth

             to lie about, when

only the stars kept records. 

 

(6)

Darkness left, light straight

ahead, the first sky of the day can’t decide

which mood to promise. The clouds

are carrying concealed, the sun’s

a lonely heart just waking up. 

One day looks

                          much like another, give or take

the shadows and the low high

in the forecast, rain

this afternoon on a street

for all weathers where showers dance

on asphalt,

                    heat soaks in

and wishes for a better world

go barefoot, once around the cul-de-sac

and back, beyond the visible, beyond

reality, beyond what even

                                                 the hawk can see

from his throne of wind.



David Chorlton lives in Phoenix with a view of a desert mountain and more interesting local bird life than many people expect in a city. The desert still teaches him about poetry in a way academies can never do.

Monday, June 09, 2025

PROVE THAT YOU MATTER

by Paul Burgess 




Centers for Medicare and Medicaid Services Administrator Mehmet Oz defended President Trump’s “big, beautiful bill” over criticism that millions of people could lose health coverage, saying those who would face new work requirements should “prove that you matter.”… Close to 11 million people would lose health insurance coverage if the House Republican tax bill passes in the Senate, mainly due to cuts to Medicaid and the Affordable Care Act, according to analysis from the nonpartisan Congressional Budget Office. —The Hill, June 5, 2025


To prove how much you truly matter, folks,
You might attempt the art of sneaky sales 
And master phrases used to slyly coax
The world to buy a "cure" that always fails.

Perhaps you'll never get a cabinet post 
By selling useless pills on sketchy shows,
But every friendly ratings-chasing host 
Ensures your market value swiftly grows.

So, get to work and earn your Medicaid
By hawking tonics made from oil of snakes 
And pills containing rhino horns and jade
Or tiger kidney anti-aging shakes.

You've been so useless from your journey's start, 
But here's your chance to really do your part. 


Paul Burgess, an emerging poet, is the sole proprietor of a business in Lexington, Kentucky 
that offers ESL classes in addition to English, Japanese, and Spanish-language translation and 
interpretation services. He has recently contributed work to Blue Unicorn, Light, The Orchards, 
The Ekphrastic Review, Pulsebeat, The New Verse News, Lighten Up Online, The Asses of 
Parnassus, and several other publications.

Sunday, June 08, 2025

AFTER SEEING “THE CRUCIBLE” PERFORMED BY STUDENTS OF SAN FRANCISCO CITY COLLEGE

by Lynne Barnes




I felt challenged at first
by the language of the play.
I came to it weary, exhausted really,
no fault of the author or actors.
 
It is just so troubling now, out here
in humanity’s sad tilt toward cruelty.
This weighs on us all,
whether we recognize it or not,
like a season of dreary weather.
 
Arthur Miller’s complex word tapestry,
and the actors embodying his characters,
took our minds deep inside the insanity
of the Salem Witch Trials
echoing McCarthy’s time, and
reflecting our present moment
in a stunning mirror of art.
 
My mask muffled an involuntary
keening sound as the curtain fell.
 
Oh, dear playwright, dear actors,
dear visual, verbal musicians,
you struck soul-deep,
vibrating our collective psyche
as your high notes of sorrow’s music
hit like a fist to our chests.
 
Afterward, as we mingle with the cast,
bees of gratitude fly from our lips,
swarm our senses, pollinate
our newly watered, unfolding,
buds of resilience.


Author’s Note: This poem came first, followed several weeks later by this news article out of my home state of Georgia. Since this is graduation month, I decided to send along my poem and the link to this article about the disappointed students, ironically victims of the kind of witch hunt mentality Arthur Miller depicted so enduringly in "The Crucible."


Silencing the Witches in Georgia High School ‘Crucible’And so it seems that the play about witch hunts, about the persecution of people out of hysteria, despite being an acknowledged American classic widely taught in high school classrooms and performed frequently on high school stages, had provoked the same moral persecution it portrayed as unjust. —Howard Sherman, May 22, 2025

Lynne Barnes is a retired psychiatric nurse and librarian living in San Francisco. She is especially honored that two of her poems have appeared in the past in The New Verse News. Her poetry memoir, Falling into Flowers (Blue Light Press, 2017) was a finalist for the 2018 Eric Hoffer Book Award.

Saturday, June 07, 2025

GAZA'S CHILDREN

by Rakibul Hasan Khan

 


Gaza’s children are as childish as 
the children of anywhere else—
they’re full of joy,
singing, dancing, jumping,
and playing with extraordinary toys.
 
They’ve plenty to eat and drink,
and beautiful dresses to wear.
They live in luxurious houses
and are always loved and cared.
 
These cheerful children of Gaza
have no memories of Earth,
and no one is a bit sad,
even the cutest ones
who’d just left the warmth of wombs.
 
The happy children of Gaza 
have grown in number 
in such a short time,
and their number is increasing still.
 
Should Heaven—
keep a separate gate for Gaza’s children? 

 
Rakibul Hasan Khan is a Bangladeshi academic, poet, and writer based in New Zealand. He holds a PhD in English from the University of Otago, where he remains affiliated. His scholarly and creative works have been published in internationally recognized platforms.

Friday, June 06, 2025

MY FRIEND TEXTS

by Ron Riekki


AI-generated graphic by NightCafé for The New Verse News.


“my typewriter is
tombstone”
—Charles Bukowski,
8 count
 
for S. and H.
 
            My friend texts:
 
It was great.  But today I
got a terrible news from
Ukraine. My best best
friend was killed by
Russian soldiers. So, all
my good memories
about graduating just
disappeared
 
I call her.  She says she
doesn’t want to talk.
I call her the next day,
she says she still doesn’t
want to talk.  I don’t know
how to write a poem
right now.  Another friend
calls.  She was a refugee
 
from Iraq.  Her house was
burned down there.  She
says it’s hard to talk about,
that forever she’s felt
silenced.  I feel the need to
write poetry.  I cannot handle
history.  I don’t know how
to cope other than through
 
poetry.  I had a meeting
recently where I talked
about what happened
to us in the military.
I told the woman
sitting in front of me
that I couldn’t talk
about it for decades
 
I’d get aphasia.  I
couldn’t speak.  I’d
want to speak, but I
couldn’t speak.  During
those decades, I wrote
poems.  Not enough
people read poems.
Poems sometimes
 
are the silenced
trying to speak
when their voice
is being choked,
when their words
are being taken
by history.
Like now.


Ron Riekki co-edited Undocumented: Great Lakes Poets Laureate on Social Justice (Michigan State University Press).

Thursday, June 05, 2025

PRESIDENTIAL, THE SCOWL SAYS IT ALL

by Peter A. Witt


The White House released a new version of President Trump's official portrait on June 2, 2025. 


Ah yes, the look of a leader—
if your idea of leadership
comes from reality TV reruns
and late-night Twitter storms.

Behold, the squint of gravitas,
or maybe just squinting
because truth is blinding.

The hair—a masterpiece of engineering,
suspended like disbelief,
defying physics and sincerity alike.

That suit? Tailored to say “power,”
but mostly says,
“Does this blue make me look important?”

The flag pin, a delicate touch—
as if it might distract from the fact
that this is more wax museum
than White House.

He stares, not with wisdom,
but with the intensity of someone
trying to remember
where he left his talking points.

Yes, this is a portrait of a man
who believes looking serious
is the same as being serious.

Presidential?
Sure, in the same way
wearing a goofy hat 
makes you royalty.


Peter A. Witt lives in Texas. His work has appeared in The New Verse News, other online publications, and several print volumes.

Wednesday, June 04, 2025

BOULDER

by Jeremy Nathan Marks


Sunrise over the Flatiron Range near Boulder, Colorado.


A man has been charged with a federal hate crime and multiple other felonies after he allegedly used a makeshift flamethrower and incendiary devices to attack a crowd of people who were raising awareness for Israeli hostages in Gaza, injuring 12 victims. Mohamed Sabry Soliman, 45, is alleged to have shouted “Free Palestine” as he attacked the crowd on Sunday. The FBI said Soliman told police he planned the attack for a year and had specifically targeted what he described as the “Zionist group”, the Associated Press reported. —The Guardian, June 3, 2025


The Boulder mountains began as fire
perhaps that’s why they are known
as the Flatiron Range
 
If you look into their hearts you will find
fossils from the sea. Simple single cellular
creatures. Who by fire and Who by water.
 
In America, many folks like to say our story
will end in flame. I’ve seen John 3:16 signs
at Coors Field and when Mel Gibson made 
his film about Jesus, some pastor hung 
a billboard above I-25 saying the Jews 
Killed Christ. Jews kill Jews. Who gets to 
say.
 
A man throwing Molotov cocktails 
at people who want Israeli hostages freed, 
is he the authority on Jews Israel’s 
ambassador and foreign minister believe 
him to be.
 
The pressure which births mountains is 
hard to imagine. What it takes to sustain 
foundational myths across time, rebuild
temples, dream of olive trees is a pressure 
of perhaps equal force in human terms 
and very hard to fathom.

As I write this, someone would have 
you believe Jews possess a divine power 
to solve or cause all the worst excesses 
in the world. They might also think all
Palestinians want an eye for an eye. 
What is a Mashiac. Who are the prophets. 
Should we ask the mountains over Boulder.
 
The work of the Flatirons is not malevolent.
Moses didn’t receive tablets from Sinai 
but on it. Universes come and go with each 
blink of the high peaks.
Brahma sits on his lotus. 
Generals confer in bunkers.
The Earth’s crust floats on lava. 
Hashem has many names that depict 
His moods.
Not everyone says He is merely a He.
Christians speak of trinities.
 
Today, free speech invites a fire fight. 
We assemble in our mortar formations. 
I pumped gas this morning 
and it’s all I can taste.


Jeremy Nathan Marks is a former Colorado resident who lives and writes in Canada.