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Showing posts with label truth. Show all posts
Showing posts with label truth. Show all posts

Thursday, July 24, 2025

THE INJUSTICE THAT SCREAMS

by Chinedu lhekoronye 




They say we are free—
But chains still rattle in our dreams.
Not of iron, but of law,
Not of shackles, but of schemes.

The gavel strikes, but truth lies slain,
Beneath the cloak of legal pain.
The voices rise, the system scoffs,
While justice sleeps in ivory lofts.

They loot the land, then preach of peace,
While hunger roams and rights decrease.
They jail the bold, reward the sly,
And feed the poor another lie.

Who gave them crowns to crush the weak?
Who taught them power means not to speak?
Who drew the lines where blood must spill—
Then wrote the laws that bless the kill?

But we are fire, born from dust,
Rising now because we must.
Our words are swords, our truth is flame,
And we will set alight your shame.

For every child denied a voice,
For every vote turned into noise,
For every dream beneath your heel—
We stand. We shout. We will not kneel.

So let the tyrants learn at last:
A nation's silence cannot last.
The day will come, the truth will rise—
And justice will unblind her eyes.


Chinedu lhekoronye is a Nigerian, human rights lawyer, and poetic writer. He uses his writings to draw global attention to injustice in different places. He believes that injustice in one place is injustice globally.

Friday, June 13, 2025

CONNECTING THE DISCONNECT

by Dana Yost




“A strange unrest hovers over the nation: / 

This is the last dance.” —Robert Bly, “Unrest



I wake to the harshest

of dreams. I make a poster

one weekend—photo of a little

girl from Gaza, hungry. Afraid.

Arms reaching out, a begging,

pleading moment—so much

agony on that little face.

I write a caption:

"Please don’t kill me."

I show this to people, and they

say you can't share this: 

it's too terrible, too severe.

So it sits on my desk.


Someone wants me to write

about my earlier days,

But do they really matter?

I try, humoring them, but get

nowhere. Those days seem

puny. Even childhood, formative,

but so far away, lost to thunder

and the blasts of artillery

in another land. Someone says

there is goodness yet. They point

to flowers in a garden

down the street. They smell nice,

but, for me, it doesn't last. A man holds

a woman's hand down at the

beach, but I don’t sit with them.


In Ellay, the masks come

as the faces of hatred serving

power, power serving hatred.

The same. I come from

the same farmland as Robert

Bly, forty years later. The snow

blows across fields, the corn

groans to be born. 

But the prairie is no barrier

to speaking truth about evil,

no hindrance to fulminating

about the big wrongdoing.

I wake from a new dream

alive with anger and clarity:

these words must be said.

I want the men in masks

to lift them from their faces,

join the masses, the evil

to be buried at the point

of a pen. Then, I will sit.



Dana Yost grew up in southwestern Minnesota, an hour from Robert Bly’s farm, forty years after him. But Yost shares Bly’s early interest in taking on the establishment.

Tuesday, June 10, 2025

PAGES OF LIGHT (IN DARK TIMES)

by David Chorlton




(1)

Hard to tell

whether the wind 

last night was social unrest

or coyotes’ dreams as darkness flowing.

The lightness of touch suggested

nature whispering

                                 in the face of human discord

yet in the absence of a moon

and with so few stars

to give direction there were only the neighborhood palms

leaning on the moment

                                            as if time

had taken solid form and claimed

the desert underneath

the city as its first

and only home.

 

(2)

Stone-bright the way ahead

runs true to course, rising by the step

to a view of all things possible

and some

                 forever out of reach. All those things

that never change come what may

are out there, stubborn and holding their ground

through traffic jams and newscasts,

analyses and polls, discussions

that take truth

                           away just as the sun

has stripped first the outer skin

of the saguaro lying

where it fell two summers back

                                                            and subsequently

dried its flesh revealing the core

connecting tip to root, the inner life

revealed in code, an alphabet

surviving after language ends.


(3)

The peaks and dips along the ridge

rest easily this morning

against clouds too closely packed

for news to pass

                               from worlds beyond our own. 

Grey light, pigeon feathers

scattering from the rooftop cooling unit at house

four-three-four-seven

where a hawk endures a mockingbird’s attention

until he stretches out

                                        and eases into day’s grey light.

Nothing exists outside

his range of vision, he’s the headline and the story

circling higher than opinion columns

reach. Doesn’t need words

to know what he knows. Leaves emptiness alone

because the entire sky

                                          isn’t worth

the area he’s taken for a home.

 

(4)

A bright and tranquil morning

on the way around the pond where red-

eared sliders and secrets

move just beneath the sky

that floats across the surface to the reeds

at the farthest edge.

                                      A Black phoebe picks flies

and rumors from the air.

None are too fast for him,

neither the latest out of Hollywood

nor royalty’s ongoing

struggle to be important. What is true tastes no different

from what is not; he keeps dipping

and swerving

                         through politics, finance

and all the way down

to the feathers and bones left on the ground

still with a glaze of moonlight.

 

(5)

Arroyo walk, sidestepping the facts and

speculating whether

the boulder resting on the slope just past

where the trail dips came

to be exactly in position after

falling through space

                                        or was coughed out of the Earth.

Some facts are immoveable, too heavy

to be argued about. But someone’s always

naming parts, allocating

numbers, holding science

to the light and insisting explanations

matter more

                       than the experience

of stopping every time

to contemplate the mystery

that built the world before there was

a truth

             to lie about, when

only the stars kept records. 

 

(6)

Darkness left, light straight

ahead, the first sky of the day can’t decide

which mood to promise. The clouds

are carrying concealed, the sun’s

a lonely heart just waking up. 

One day looks

                          much like another, give or take

the shadows and the low high

in the forecast, rain

this afternoon on a street

for all weathers where showers dance

on asphalt,

                    heat soaks in

and wishes for a better world

go barefoot, once around the cul-de-sac

and back, beyond the visible, beyond

reality, beyond what even

                                                 the hawk can see

from his throne of wind.



David Chorlton lives in Phoenix with a view of a desert mountain and more interesting local bird life than many people expect in a city. The desert still teaches him about poetry in a way academies can never do.

Friday, May 09, 2025

CHANTING OVER GRAVES

by Jocelyn Ajami


AI-generated gif by NightCafé for The New Verse News


     “Our Golden Age has just begun.” —Donald Trump


Gold is great

From the rubble they erect gaudy 
temples, trimmed with gold and lust 

Wine cellars lick the soil, imbued 
with the fetid scent of slaughter 

Gold is great

From children’s eyes they steal  
rainbows to light arches and roulettes

from their marrow, mortar to seal the               
sandstone fronts

Their hair thread arabesques 
into the dice that roll and roll

Gold is great 

The root of sorrow, buried beneath 
the shimmering spectacle, seethes…

slowly migrating, breaching sea
and stone

until no false suns remain 
to scorch the truth 


Jocelyn Ajami is a painter, filmmaker and poet. She turned to writing poetry in 2014 as a way of connecting more intimately with issues of social conscience and cultural awareness. She has been published in various anthologies of prize winning poems and has been nominated for Pushcart and Touchstone awards.

Monday, March 10, 2025

DEMAGOGUERY FOR DUMMIES: LYING WITH IMPUNITY

by Paul Burgess


President Trump’s shifting positions and outright lies have presented the American public with dueling narratives at every turn. —The New York Times, March 8, 2025


When caught in bold, apparent lies,
Just look accusers in the eyes
And flash a grave, offended frown
While digging in to double down. 
 
When people say they've gotten proof,
Declare their sources stand aloof 
From all that's decent, true, or fair 
And freeze them with an icy stare.
 
Then take their claims and throw them back
And wear them out with your attack.
Their armor takes no time to rend.
They came to charge and not defend.
 
Insist they envy all your fame
And labor hard to smear your name.
To get the mob to take your side,
Appeal to people's sense of pride.
 
Convince them that their brains are wired
To see the way your foes conspired
And other folks are not as smart
Or simply play the villain's part.
 
What's true will shortly be defined 
In only ways you have in mind.
Their truth's not worth a bag of beans
Because you'll change what “honest” means.


Paul Burgess lives in Lexington, Kentucky. He is the sole proprietor of a business that offers ESL, translation, and interpretation services. He speaks several languages fluently and enjoys engaging with the cultures and intellectual histories of many nations. His poems have appeared in Blue UnicornThe OrchardsParodyLighten Up Online, and other poetry publications.

Monday, February 17, 2025

LUNCHTIME FOR BILLIONAIRES

by Karen Warinsky


AI-generated graphic created by Nightcafé for The New Verse News.


President Trump is rolling back anticorruption efforts and ethical standards for himself and allies like Elon Musk. —The New York Times, February 12, 2025

 
The millennial check-out clerk
holds my 50 toward the florescent light,
squints hard to find a fake
which is harder by the day 
with so much fakery about,
and I wonder
who will exchange those phony notes
along with those played for the crowd 
at rallies and events?
 
Who will teach the young
the dimensions of truth;
how large, how important it really is,
how to hold assertions to the light,
see if they are real?
 
Hot with anger I ponder
what will be left after
the stuffing’s been kicked
the juice squeezed 
as billionaires slice us thin
try to make grinders
of us all,
garnished with dollar bills.
 
Will they realize in time
that people are worth more 
than money,
and will we do whatever it takes
to keep from being
eaten alive?


AI-generated graphic created by Nightcafé for The New Verse News.


Karen Warinsky is a former finalist of the Montreal International Poetry Contest and a 2023 Best of the Net Nominee. She is widely published in anthologies, journals and E-zines. Her books are Gold in Autumn (2020), Sunrise Ruby, (2022) (both from Human Error Publishing), and Dining with War (2023, Alien Buddha Press). Warinsky coordinates poetry readings under the name Poets at Large in CT and MA.

TRUTH, JUSTICE, AND BRAIN ROT

by Bonnie Proudfoot


AI-generated graphic by Shutterstock for The New Verse News.


Don’t tell me you spent all your allowance 

on comic books, or you used to stay up until 

daybreak, your knees shaping a tent under 

the covers, a weak flashlight, Superman, 

Supergirl, Batman, Spidey and the mutants, 

the whole gang rotting your brain, your eyes too. 

Did you stash your valor between the mattress 

and box spring, your rotting brain leaping tall buildings 

at a single bound, ready to keep evil at bay, fighting 

for, oh, truth, justice, and the American way.

 

Did you heft yourself out of bed on time 

for first period, or did your rotten brain let you 

snooze, then snooze some more? Did it make you 

listen to rock ‘n roll, sing "Sympathy for the Devil" 

as you walked to school? Did it know what 

"Satisfaction" really meant? And so what if 

your brain did rot? Blotchy, dark, and spongy, 

a not-so-fresh potato, or cottage cheese 

in the back of the fridge with curds of green mold 

lacing through? Would it rot all at once? Or 

one day no rot, one day riddled, one day a lot? 

 

So here you are, it’s minutes before midnight, 

kryptonite closing in, fascists tunnelling 

into Fort Knox, your knees a tent under 

the saggy covers, nothing left to lose. You’re 

scrolling through headlines at a single bound, 

seeking truth and seeking justice, index finger 

on your phone tapping with the dexterity 

of the Incredible Hulk threading a needle, 

the fate of the free world to defend,

secretly shouting Shazam, pushing send.



Bonnie Proudfoot's fiction, poetry, reviews, and essays have appeared in journals and anthologies. Her writing has been nominated for Best of the Net and the Pushcart. Her novel Goshen Road (OU Swallow Press) was the WCONA Book of the Year and long-listed for the PEN/ Hemingway. Household Gods a poetry chapbook, was published in 2022 (Sheila-Na-Gig Editions). A full-length poetry collection, Incomer, is forthcoming on Shadelandhouse Modern Press. Bonnie resides in Athens, Ohio.