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Tuesday, August 18, 2026

FOLLOW ME

by Ron Riekki




Protest #2—Stone School Bridge, Ann Arbor, MI, August 14, 2026 (approximate number of protestors: 20)


“Two roads diverged”

—Robert Frost,

“The Road Not Taken”



When I got home, I realized I was having my first serious headache in a long while.

I stood on the bridge, staring at the cars going by on the freeway, a break from the conversations where we were yelling to communicate.

I stood counting the number of vehicles that were beeping.

Out of the first fifty, none beeped.

The second fifty, sixteen.

The average car gave about three beeps.

They were doing this for the beeps.

Of course, more than that, but also the beeps.

About six or seven cars out of a hundred beeped.

Mostly, because they were driving seventy-some miles per hour, with cars all around.

They had signs taped up to the bridge’s fence.

Plenty of them:

JAIL TRUMP 25TH NOW

We the people RESIST

SHE HASN’T SHUT THE HECK UP FOR 3 DAYS

DEFEND DEMOCRACY LINCOLN SQUARE

HAIL NO Los Alamos Data Center

HUMAN NEEDS NOT WAR & GREED

Some of the signs not even facing the drivers, but facing them, like reminders of why they’re there.

I can’t imagine the drivers actually being able to read the signs.


But it’s not about the signs.

It’s about the presence of people, seeing people on a bridge, knowing they’re protestors, even if you have no idea what they’re protesting.

Protesting isn’t protesting—

the way I’ve gone to church and realized church isn’t church.

Sometimes it’s networking, sometimes it’s singing, sometimes it’s duty, sometimes it’s because a person you’d like to date is there, sometimes guilt, sometimes longing for God, sometimes because your Mom made you.

A hundred reasons.  More.

It’s the same here.

I ask people why they’re here and they talk about:

data centers and Trump and trans rights and the complexities of the prison-industrial complex and class issues and there’s no brand no slogan no capitalistic approach to the protest.

The protest is just a protest,

a quiet (very loud) protest.

I get pointed to Sandy, quickly, in her yellow vest, her READ BOOKS. WALK DOGS. FIGHT FASCISTS. ballcap.

She’s been doing this weekly since February 2025, the lead organizer, when “terrible things started” and she predicted “a lot of bad stuff to come.”

I take her to the side of the bridge, the end of the fence, where she says, “That’s enough,” not wanting to go further, not trusting me.

Not trusting runs through the group.

One wears a body cam, “in case.”

They wear dark sunglasses.

Two self-appointed guards watch the cars where they’re parked;

they tell me of five, six of the cars having their tires slashed one time, discovered when they got done, the sun down, telling me of how hard it is when you’re tired, realize you can’t drive, have to wait for multiple tow trucks.

They never caught the person, worries they’ll return.


They tell me of a car swerving towards them.

Talking to the two car-guards, a car goes by and the passenger in back leans out the window, half of his body outside the car, and screams, quick, the feel like it was done to frighten.

There’s a lot of what SNL comedian Michael Che calls “white jogging,” shirtless tan men who run by as if the protest is just people standing in line.

Quite a few black people walk by, none participating in the protest.

It’s a very white protest, an elderly leaning protest, peaceful, non-confrontational, on the outskirts of Ann Arbor.

Sandy tells me 14,000 to 15,000 cars pass by when they do this

I-95.

Sandy tells me their messages change every week.

Last week it was: Michigan is not for sale.

She focuses on class issues,

is relaxed, very, like she’s home, a very noisy home.

She tells me “460 bridges are doing the same thing right now” as part of the Visibility Brigade.

Even if the visibility is a driver seeing them for a split-second.

But that visibility, based on the numbers Sandy gives, means 6 to 7 million cars are seeing these people on these bridges.

“We’re not in anybody’s way,” Sandy says.

I ask if protests are about getting in people’s way, if that’s the point.

“I chose this bridge,” she says, for safety, the roadway separated from the trail for joggers, for protestors.

She says it’s a joint protest, with their presence, and the motorists joining in with “honking and waving.”

I see no waves in the hundred cars I watched, but honking, yes, the semis like sperm whales, the loudest animal on Earth, 230 decibels.

I have no idea how the protestors stay there longer than a few minutes.


For Sandy, it’s a commitment to “get the money out of politics.”

And a despair.

But where “the antidote to despair is action,”

admits she’s not sure where she’s getting the quote from,

the internet insisting it’s Joan Baez.

It’s female-led, this protest.

Multiple grandmotherly types smile at me, welcoming.

They don’t talk to me, due to the inability to speak over the engine after engine after engine, as if America is all gas and metal and oil.

I yell to Landon, a red-haired, laid back, calm man who tells me he’s “on vacation.”

I ask why he’d go to a protest when on vacation.

He yells back that he can’t stand MAGA, that “it’s a cult, it’s a cult!”

adds, “I’m not part of the cult!”

He’s an Ohioan, tells me about the protests down there.

I’m surprised at how laid back everyone is, positive, focused.

I ask Landon if he ever gets exhausted from breathing in all the exhaust, but he just shakes his head no, something monk-like about him, in all the positive ways you think of monks.

I go to leave, the traffic fading fast behind me,

the liminal point between concrete and forest off to the side,

this infinity of reasons why each person is here,

the mix of messages,

and the strong need to connect.


I talk with Gordon, body cammed, but the conversation goes nowhere, mostly because it’s all being recorded, not as open as Sandy, him dressed in police blue.

I go to leave, feeling content.

I can be a bit anti-protest sometimes.

It comes from living in Berkeley, memories of seeing bloody footprints after one of the protests, a streetlight corpsed in the road, a bank I disliked with windows shattered, walking by at one point when a person walked up and put their megaphone to my ear, screaming into it, realizing, later, that, oh, I’d forgotten I’d been wearing an American flag T-shirt and got mistaken for a Trump supporter, but the tinnitus making me a bit angry at the aggression, people I saw, on both sides, who were there to fight, in my opinion, stories of skinheads trucking down from northern California solely for the purpose to confront.

But every single one of the protestors here was focused on getting semis to honk,

the way I used to do as a kid,

there for support,

to support,

more than to protest,

to be unified.

I respected that.

I was just about to leave, when I figured I’d chat with the two car-guards, one final talk.

They reminded me of Through the Looking-Glass characters, a bit of Jeff Daniels’ behavior, 2014-era, to them, standing side by side, one wearing two walkie-talkies that I had as a child,

the two having, comically, the same stance.

I told them I understood their presence now, the vandalism.

One of them implied that’s what conservatives do—vandalize.

We gabbed.

I acted as a devil’s advocate, asking if Democrats and Republicans need to work together, not treat each other as binary opposites.

Asked if it might be time better spent to get involved in politics for actual change rather than just collectively standing on a bridge.

You could feel the discomfort growing.


I’m someone who can be convinced,

always looking for logic, for counterargument,

like to do point counterpoint,

to learn,

to see new ways of viewing things,

but the questions just aggravated.

Maybe it was that it was two-against-one,

maybe it was that they do see things as binary,

that questioning means opposition

and not enquiry.

I told them everyone seems to be here for different reasons,

asked why they were here,

and the conversation turned to their concern of U of M stopping any help for transgender transition.

I scribbled fast, asking if that’s true.

I was shocked, asked their names.

One told me she’d be angry if she was quoted directly.

I won’t quote her directly,

won’t name her.

I pushed for more information that the university medical was banning transgender medical assistance.

Then she changed it to that it applied to under 18 only.


A big difference.

They didn’t see it as a big difference.

I asked how young someone should be able to transition.

And one said,

“We’re done.”

Said they’d say no more,

the interview was over.

Same thing as happened to me at protest 1.

I keep thinking protestors are there to discuss,

that I wanted to learn,

wanted to hear perspective.

She said, “Come on, follow me,” and walked away.

The other one followed.

I thought protesters would fight for what they believe in, would be OK with being questioned, would actually even be able to expand the way I looked at something, give me ammunition that would help me fall even more strongly on their side.

I walked to my car, looked at the tires, all fine.

Every protest is different.

Every protestor is different.

But there’s a strong need I felt there from them to belong,

to connect,

to follow.





Monday, August 17, 2026

$5 MILLION CINQUAIN

Supreme Court: The court for a second time refused a request by Mr. Trump to review a $5 million civil judgment against him after a jury found in 2023 that he had sexually abused and defamed the writer E. Jean Carroll. —The New York Times, August 17, 2026




Nicholas De Marino is a neurodivergent rhyparographer.

.

THE RISING DARK

by June Hall McCash





In the cold morning, the invaded city

muffles the sound of scuffles in the night.

Traffic drowns the echoes carried by the wind,

cries of the seized and of the children

left behind in empty halls and alleyways.

With the early light, night still casts 

empty shadows left by the unrelenting 

attack on innocence and guilt alike, 

by faces marked with terror 

at the approaching sound of heavy boots 

echoing through the streets, 

of masked and mirthless specters 

with glass-fixed eyes, armed with

guns, tasers, and new electric gloves, 

with violence and cruel indifference.

There is, there was no retreat, no justice,

no escape from lost identity, snatched away

without recourse and chained to a ruthless fate.

 

When all true judges have been replaced 

by sycophants, will we then grasp

that we too are among the fearful, waiting 

in the shadows? Will we know that our time 

too may come, when promises no longer keep,

when pledges and oaths are but empty words

and that the looming shadow can also reach out

to seize upon our weakness—yours and mine? 

Will we recognize it then as the beast it is,

reborn from that cruel phoenix 

we thought our fathers had destroyed 

in the wars of earlier generations? 

Will we concede that evil is perennial, 

relentless as crabgrass in our human soil 

as it invades our city streets and creeps 

its way into our unwary countryside?

 

We have learned already that hope, good will,

and even laws are but fragile ramparts 

against the terror of a tyranny ready to rise 

the moment we let down our guard.

Brave speech flames out when justice dies. 

Already, we can hear the terrible silence.



June Hall McCash is the author of fifteen books of nonfiction and historical fiction, and one book of poetry. She has been twice named Georgia Author of the Year for her novels. Another of her books of historical fiction won first place in the Chaucer competition for Early Historical Fiction, one of the Chanticleer International Book Awards. Now a retired university professor, McCash holds a Ph.D. in comparative literature from Emory University. She divides her time between homes on a Georgia sea island and in Tennessee. 

Sunday, August 16, 2026

CHICAGO STOCK (YARDS) 1954

WHISPERS OF THE NOW

by Corey Weinstein




We were born on a sigh of relief

trembling lips after Nazi butchers’ blade,

pasty grins of “don’t mention it please”

elders hiding this truth from their brood.

 

Trembling from Babi Yar family’s ruin

our adults invoked a solace of silence.

Just let us strive, be free range kids. 

We, fizzy bubbles of sorrows’ cauldron.

 

     (now this genocide in Palestine)

     (children, press, doctors targets)

 

High grades and high jinks were our sweet lot

summer’s play, bikes and balls all day.

Bubbles can only break, learn the horror

noxious smells waft up from stockyards.

 

     (rubble trapped death stench)

     (homes and hope lie in waste)

 

Hot days joy mixed with sirloin slaughter

what could our folks have had on their mind?

Pens of cattle, hogs not dear Kyiv cousins,

grins not groans for Rogers Park preteens.

 

     (miasma of cruelty’s purpose)

     (to break a peoples’ spirit)

   

When we unearthed the bloodbath’s facts

sighs of relief became embarrassed stutters.

Children left to fathom a world’s dread, 

parents’ silence a kindly confusing legacy.

 

     (what are parents thinking now?)

     (telling kids about Gaza now?)



Corey Weinstein’s poetry has been published in Haight Asbury Literary Journal, Vistas and Byways, The New Verse News, Our California 2024, The Ekphrastic Review, Forum (City College of San Francisco), California State Poetry Society, Visitant, Abandoned Mine, Speak Poetry of San Mateo County, California State Poetry Society and Jewish Currents, and he wrote and performed a singspiel called Erased: Babi Yar, the SS and Me. In his free time, he hosts San Francisco OLLI’s Poetry Workshop Circle and plays the clarinet in his local jazz band, Tandem, his synagogue choir and woodwind ensembles.


Saturday, August 15, 2026

A CURRENT EVENT

by Cecil Morris




On last night’s news, the demonstrations
of officers with their newest “tool”:
the electric shock glove, a low-voltage stunner
that makes their pretend “criminals” drop
to their knees, agonized. They promise that,
this “tool” will cause no permanent harm,
will not leave a mark, and I think about
the old beatings—Jim Crow days—that left
no marks, about unsworn officers of abuse
with the shock gloves to keep their wives—
or husbands—or kids or dogs in line,
about encouraging compliance with
velvet gloves. I think about poor Midas
and his golden touch, about that episode
of Cheers when know-it-all postman Cliff
in avoidance therapy begins to shock
himself. I think of just desserts,
of what goes around comes around,
of ICE officers shocking each other
or themselves by accident
or having to don shock-proof rubber sleeves,
maybe whole wet suits as prophylactics,
the newest body armor by Body Glove,
and non-compliant protesters dressed
like frogmen, too.


Cecil Morris, a retired high school English teacher, has poems appearing in The 2River View, the Common Ground Review, The New Verse News, Rust + Moth, and elsewhere. His debut poetry collection At Work in the Garden of Possibilities (Main Street Rag) came out in 2025. His second collection, Daughter Lost and Found and Lost, will come out from Kelsay Books in 2027.  He and his wife, mother of their children, divide their year between the cool coast of Oregon and the relatively hot Central Valley of California.

Friday, August 14, 2026

LETTUCE REJOICE! (THE PATRIOTIC CYCLOSPORA CAYETANENSIS)

by Zumwalt


AI-generated graphic by NightCafé for The New Verse News.


Trump’s CDC Stopped Monitoring Explosive Diarrhea Parasite Before Outbreak —Newsweek, July 10, 2026


It's a big win, a big win, so cue the parade—
Inflation is beaten! Our Fed target's made!
So how did we do it? Well, funny you ask—
We fired all the folks doing food-safety tasks.

No agency checking for bugs in your greens.
No budget for knowing what "parasite" means.
Sixteen percent cheaper—a triumph, a feat!
Who cares if there's germs in the lettuce you eat?

So cheers to the savings—we know you're all glad,
Even Taco Bell's prices have come down a tad.
You can now eat much cheaper than you did in the past
But please note, due to gastrointestinal side effects, 
                     you may choose to fast.


Zumwalts poetry examines the intersection of identity, instability, and the mechanics of perception. Recent work is currently appearing in The New Verse News.

Thursday, August 13, 2026

A MARRIAGE OF EAGLES

by stella graham-landau 




From Nest to Deathbed, Jackie the Eagle Entranced California and Beyond. The bald eagle and her mate gained fame during the pandemic, as a livestream tracked their nesting attempts. She died while being treated for anemia. —The New York Times, August 10, 2026


mated for years
jackie is larger than shadow 
her compadre of the skies 
both hardwired to protect 
each egg each feathered chick
perhaps they met in a playground of clouds 
an accidental encounter 
not paired by families imagining 
a coupling worthy of majesty 
they soar
own the sky 
build aeries in the tops of giant trees
relying on architectural instinct
carried in their bones
jackie 
an unpretentious name 
for a mother 
tasked to save her species
eons of ancestral instructions
to keep eagles aloft

build a nest
mate
lay eggs
hatch
fledge 

repeat


stella graham-landau is a poet in richmond va. she has been published on the new verse news and other journals, websites, and anthologies. she loves the generous community of poets she has found online and welcomes conversations with other creators.