Guidelines



Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.

Friday, January 24, 2025

CANADIAN DEATHS IN THE BOER WAR

Written after reading about the North Koreans who have been killed, wounded, or captured fighting in Ukraine for Russia

by Steve Hellyard Swartz




In Quebec City there's a monument to Canadian soldiers killed in action during the Boer War in South Africa from 1899 to 1902

Whenever I saw that little memorial I thought about what it must have been like to be a young French Canadian man conscripted into service,

You're on a boat with others trying to be brave

And it's not that hard, still on the boat, there are card games and smokes and the food is bad but you're young and it's an adventure

You don't love that most of your fellow soldiers aren't from Quebec and speak English but they seem okay and there are enough French-speakers so you pretty much know what's going on

And then you get there

Which is where exactly?

Where are we?

No one is exactly sure what they call the place where  you are

You get off the boat and the sign isn't what you recognize as French or English.

Someone tells you it's Dutch, or what the white people in this place speak, which comes from Dutch

You want to know how the hell the Dutch got involved in all this but no one has time to tell you

Red-faced men are barking in English for everybody to do something

You look around and do what everybody else is doing

The red-faced man and other red-faced men are pointing and screaming for you to March!

You march

Some of you are smiling and when you ask why you're told it's better than being on that fucking boat, at least this is something, at least we're doing what we're here to do

Which is what? And where are we? 

Nobody knows for sure but at least it's not nothing

You get on a train and it's warm

Windows are opened

Cigarettes are passed around, someone has a bottle but it's empty before you can get it

The train rolls on forever

You look out the window and it looks like a lot of nothing

Is this what they're fighting over? And who is this "they" anyway?

It's the fucking British, it's not the French, that much you know.

So who is it then - the British against the Dutch? Or what passes for Dutch out here? What passes for British?

You wonder if you pass for British? You think about how your parents and grandparents, your aunts and uncles, your sister and brother, would not be happy with you passing for British

So why are you here? You look at the other soldiers laughing, smoking, passing around another bottle.

You know that the bottle will be empty before it reaches you

This is bullshit you think

Why the fuck am I here?

Somebody offers you a cigarette and you take it

An English-speaker offers you the bottle with one swig left,

You take it, you smile, he lights your smoke.

You think about that as you lie on the field later that day

You think about his nice smile and how he flicked the match against his thumb

You'd die for a smoke right now, you'd die for a swig

You close your eyes and feel the African sun hot on your face,

You hear someone yelling but you don't know these words

You don't want to die like this, this is no way to die

So you open your eyes to see the one thing you understand

You open your eyes and stare at the sun.


Steve Hellyard Swartz's movie Never Leave Nevada opened at the Sundance Film Festival thirty-five years ago this week. He is an award-winning poet, filmmaker, movie critic, and the author of a new memoir The Last Jewish Mother Joke.

Thursday, January 23, 2025

FINE PRINT

by Tricia Knoll




Corporations make it so small you don’t

    read a word of it as if they save paper

    by cramming everything together 

what privacy you give up

hidden costs

contraindications, side effects –

one decreases cognitive abilities

on a drug doctors said I needed

as I age. Getting old

brings out glasses,

prescription or straight 

from the pharmacy rack. 

Woe: when it isn’t 8-point 

type, when it’s spelled out big

with a flaunty signature 

of a President who hates they, them

pronouns, turns the tables on being born

on safe soil, pardons killers, changes

the name of the highest mountain 

on the continent—the Great One. 

And on and on, writ large.  

Might as well be billboards

his words that make

my heart ache—what irony

I can’t even read his floozy signature. 


 


Tricia Knoll is an aging Vermont poet and feminist who hasn't yet conquered the heartache for women of losing the write to choose health care in so many states. She has nine collections in print, both full-length books and chapbooks. She is a Contributing Editor to the online journal Verse Virtual. She wonders how liberal folks will move forward in the coming years. 

DEFENDING WOMEN FROM GENDER IDEOLOGY EXTREMISM AND RESTORING BIOLOGICAL TRUTH TO THE FEDERAL GOVERNMENT

by Cindy Ellen Hill

an extraction poem from...


Text


Purpose.  

deny the biological reality of sex purpose

access intimate sex

spaces for women, from women, to women  

eradicate the biological reality of sex

attack women

depriving them of their dignity

The erasure of sex in truth is critical

immutable biological reality of sex

biological facts. 

the true and biological category of “woman”

transforms laws and policies

defend women’s rights

protect freedom of conscience

recognize two sexes, male and female.  

These sexes are

grounded in fundamental

incontrovertible reality.  

promote this reality “Sex”

immutable biological classification “Sex”

not a synonym

there is a vast spectrum of genders

disconnected from one’s sex. 

from biological reality and sex

existing on an infinite continuum,

as a replacement for sex.

the term “sex”

Federal employees’ sex,

single-sex rape

shelters the freedom to express

the nature of sex



Cindy Ellen Hill has authored three chapbooks, Wild Earth (Antrim Press 2021), Elegy for the Trees (Kelsay Books 2022), and Mosaic (Wild Dog Press 2024). Her full-length collection Love in a Time of Climate Change is forthcoming in 2025 from Finishing Line Press. Her essays on poetry have appeared in American Poetry Review and Unlikely Stories. She twice won the Vermont Writer’s Prize.

TO PRESIDENT TRUMP WHO IS THROWING HIS WEIGHT BEHIND THE DEATH PENALTY

by CaLokie


Why

do we kill people 

who kill people

to show 

that killing people

is wrong


and why,

if we kill people 

who kill people

to show

that killing people 

is wrong

are we four times more likely 

to kill people 

who kill white people

to show 

that killing white people

is wrong

than we are people 

who kill black people 

to show

that killing black people

is wrong


and why,

if killing people who kill people

deter people 

from killing people

do countries

who kill people who kill people

to show 

that killing people is wrong

have more 

people who kill people

than countries who imprison 

people who kill people

to show that 

killing people is wrong


and why,

if we spend six times more 

to kill people 

who kill people

than we do when we 

imprison without parole people 

who kill people


and why,

if killing people who kill people

deter people 

from killing people

do countries

who kill people who kill people

to show 

that killing is wrong

have more 

people who kill people

than countries who imprison 

people who kill people

to show that 

killing is wrong


and why,

if our country has so many 

people who believe in God

and so glories in the cross 

on which 

Jesus was tortured

and killed 

but that cross was how  

Roman people tortured

and killed people 

who they believed had done 

something wrong 


and why,

if you can’t fight fire

with fire

and two wrongs

don’t make

a right


and though 

sometimes subsequent 

evidence shows 

the people executed 

for killing people 

did not kill the people 

for which they 

had been convicted 

and since we are 

not GOD

but people,


why

do we kill people 

who kill people

to show 

that killing people

is wrong?



Author’s note: This poem is not based on an old Barbra Streisand song but from a bumper sticker asking the question, “Why do we kill people who kill people to show that killing people is wrong?”



Editor’s note: The bumper sticker our poet recalls quotes a lyric from Holly Near’s 1980 song “Foolish Notion.”


 

Carl Stilwell (aka CaLokie) is a retired teacher who taught for over 30 years in the Los Angeles Unified school District and participated in UTLA’s teachers’ strikes in 1970 and 1989. He was born during the depression in Oklahoma and came to California in 1959 and has lived there ever since. His pen name was inspired by the Joads struggle for survival in The Grapes of Wrath and the songs and life of Woody Guthrie. He has poems published in Altadena Poetry Review, Blue Collar Review, Four Feather’s Press, Lummox, Pearl, Prism, Revolutionary Poets Brigade--Los Angeles, Rise Up, Sequoyah Cherokee River Journal, The Sparring Artists

SANCTUARY

by Catherine Gonick

after the 1939 film The Hunchback of Notre Dame




I still hear him shout the word

see his jagged teeth and crazy eyes

 

feel his hard arms, our jarring swoop,

the arc we cut through air

 

rope-riding back from scaffold

to Cathedral of Our Lady

 

he the ugly, I the lovely

swinging through the laughing

 

crowd of high and low

that watched him pound up stairs

 

hold my outstretched body

high above his head

 

a trophy 

in a pale linen shift

 

My eyes demurely closed

on every sinner in the square

 

I was only acting

pretending to be the girl

 

Inside I was exulting

two outcasts had escaped

 

and I don’t remember what happened

after the shot

 

only the crew touching

his padded hump for luck

 

that year when as now

rescue was everything

 




Catherine Gonick has published poetry in journals including The New Verse News, Beltway Poetry QuarterlyPedestal, and The Orchards Poetry Journal. Her work has also appeared in anthologies including in plein air, Grabbed, Support Ukraine, and Rumors, Secrets & Lies: Poems About Pregnancy, Abortion and Choice. She has a book of poetry forthcoming from Sheila-Na-Gig Editions and lives in the Hudson Valley where  she works in a company devoted to slowing the rate of global warming.