TheNewVerse.News
Today's News . . . Today's Poem
The New Verse News
presents politically progressive poetry on current events and topical issues.
Guidelines
Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Wednesday, April 29, 2026
IMAGINAL POEM MEANT TO BE READ ON A ROOFTOP
Tuesday, April 28, 2026
TO MADISON'S DAD
| Sen. Mark Warner (D-Va.) said Monday that he will return to the upper chamber this week after taking time off for the death of his daughter, Madison. The Virginia senator wrote on the social platform X, “As we remember our incredible daughter, Maddy, my family has been deeply touched by the outpouring of support we’ve received. Thank you to everyone for your kind words.” —The Hill, April 27, 2026 |
You were the Northern Cardinal cheering me on,
sending notes of congratulations in song
as we celebrated student voices and publications
across the Virginia Commonwealth we share.
I became the Carolina Wren of gratefulness
as you shored up the forest of poets laureate—
my daughter among the honorees—
supporting grants for the arts and the word.
Now we are mourning doves together,
clinging in a chorus of grieving parents,
a child’s death disrupting the timeline of our lives
and stealing future nests and dreams.
From Alexandra’s Mom
DREDGING
in the manner of Noël Coward, with tinkling piano
Like a blowtorch to asbestos,
The Almighty’s keen to test us
In a way that nearly always entertains.
With a knowing smile He chastens, He
Takes aim at our complacency
To guarantee we won’t turn soft, or vain.
It’s as if, at His own pleasure,
He employed a cosmic dredger,
That was poised at any time to scrape and plow,
Just in case we thought we’d bottomed out,
Had reached bedrock without a doubt,
And were sure it couldn’t get much worse than now.
But there always is tomorrow,
And we’ve found out, to our sorrow,
That the worst can worsen worser than expected.
Take our current situation—it defies amelioration,
Till it seems like God Himself could not correct it.
Oh, we oughtn’t to be scandalized
To find the White House vandalized
By rogues and chancers, plutocrats, and cons,
But this latest iteration boasts a record concentration
Of the sort of scum that floats atop a pond.
With the drone of putrid tweetings
And the endless unhinged bleatings,
It is all enough to render one quite solemn.
It would seem—of course, one never knows—
That to try to keep us on our toes
God’s dredged us up a soul-destroying golem.
He has lies for each occasion
And a list of depredations
That his lackeys all are willing to abet,
And he says he’ll make this country great,
But indicators indicate
That’s not about to happen—(ahem) not quite yet.
As he mocks, maligns, and threatens,
He inspires ranks of cretins
To intimidate their neighbors brown and black.
With their slogans and their marches,
And their swastikas and torches,
They survey what isn’t theirs—and want it back.
They’ve decided that the man next door
And total strangers at the store
And worshippers in temples are their foes,
And that out of all the sundry types
The right to claim the Stars and Stripes
Is theirs alone. How could they? Heaven knows!
In the days of brutes long fallen
Such as Mao Zedong or Stalin,
They at least could cite doctrinal points of view.
They’d explain away atrocity
With political philosophy,
And only do what dogma bade them do
(Or so they claimed).
But compare this clown shambolical,
In his helmet formed of follicles,
Who measures out his neckties by the yard.
He’s possessed of a psychology
So riddled with pathology
That he’s nasty just to make his penis hard.
I don’t hesitate to shame him,
But in truth I do not blame him,
After all, it’s just the way that he was fashioned.
In the manner I was raised, at least,
They said if you can’t praise, at least
Accord that sort your pity and compassion.
He can’t help it if he’s not too bright
And doesn’t read and barely writes
Or hasn’t much to live for but his wealth,
Or that, eyeing his reflection,
It bypasses his detection
That there’s pocket lint where others have a self.
But no similar forbearance
Can we grant to his adherents,
Who’ve forsaken everything they learned from Mother,
And allied themselves with rot and sleaze,
Made governance a foul disease,
And behaved as turncoats even to each other.
Let them proffer no excuses for the insults and abuses
They as cynical enablers heaped upon us,
For the way they cruelly cursed us all
By daring to immerse us all
In something that’s so toxic and dishonest.
They’ve disgraced themselves and me and you,
Their chain-migrated forebears too,
And descendants through the next five generations,
Yet pouring poison down our well
Has not, as far as I can tell,
Inspired in them the least self-condemnation.
So, once God has had His little joke,
What say we take these dreadful folk
And board them on a fleet of little boats,
Where, as they drift for mile on mile,
Without an outlet for their bile,
Eventually they’ll cut each other’s throats?
Let’s carve their names in tuna,
Fly the pieces to Bermuda,
And then stand upon a pier and chuck them in,
Where at depths of many fathoms
We will let the sharks have at them
In the hope we’ll never see those names again.
We, the upstarts who protest today,
Were none of us born yesterday,
And we know, with hist’ry’s lessons well in mind,
That it’s not a liberal fantasy
That crimes against humanity
Quite often sprout from seeds of just this kind.
Be it we who made this thing occur
Or God (or Zeus, if you prefer),
Empow’ring all these wolves in sheeps’ apparel,
There can be no further dredging
Of the sort that I’m alleging,
’Cause we’ve truly reached the bottom of the barrel.
If you lie with dogs, you wake with fleas,
If you lie with germs, you get disease,
If you lie with poison, you’ll pick up the toxin.
It’s a fine, imperfect nation
But it cries for fumigation—
It’s our henhouse, and we’ve gone and let the fox in.
Barry Foy is a musician, song lyricist, and the author of Field Guide to the Irish Music Session and The Devil’s Food Dictionary: A Pioneering Culinary Reference Work Consisting Entirely of Lies. His “Rabbit Story” was selected for Paul Auster’s anthology I Thought My Father Was God, and Mr. Auster read it on NPR. Recent/current/upcoming venues for Foy’s poetry and prose include The Offing, Defenestration, Tough Poets Review, and Syncopation Literary Journal.
Monday, April 27, 2026
PLEA TO A VISITING MONARCH
CORRESPONDENTS’ DINNER VILLANELLE
Sunday, April 26, 2026
A CHILD CANNOT BE A NEOLIBERAL FASCIST
by Deborah Marcus
Australian Indigenous Poet and Storyteller Jazz Money has had their children’s book Bila: A River Cycle pulled by University of Queensland Press due to its illustrator Matt Chun’s previously-published essay refusing to mourn the Jewish casualties—which included ten-year-old Matilda—at the Bondi beach shooting in Sydney last December. See reports from the BBC and The Guardian.
A bird cannot be a stone.
Our heart cannot be bone.
Our heart must not
be bone.
A damp towel against my head
in the morning while I drape my body
forwards from the toilet
shakes me back into the dream:
I am on rocks. I need to get home.
There are three ships, progressively smaller,
like a babushka series. I need all of them.
I drag the smaller one from the waters first.
The second one follows, large enough to withstand
calm waters and one person only.
I lay the ships on the deck. I am now on the third
ship which is the one I wanted the most.
I didn’t see how I caught it, or how it appeared.
All I know is I have what I need now.
Yet I do not feel settled, and I scour to collect
All the tiny remnants on the ground.
There are metal clasps and tiny fishhooks.
I put them all in a small bowl.
They seem mysterious, worthless and precious.
The ship is attached to a stream of algae and muck
and my perspective zooms out so I am able to hold
it underwater, and carefully with some nail scissors
I cut the debris that cascades like aquatic hair
filled with small creatures and fish, that are large
enough to be food or help, but may be rotten.
I see that the shape corresponds with Sarah Schwartz’
foggy, algae-outlined eyebrow. I trim her eyebrow too.
In the morning, I trim my own eyebrows with the
backwards-glint of dream remembrance in the mirror.
I spend the day accumulating poetic courage
eating Agedashi tofu, glimpsing at the red
leaves and lamenting distances
how five thousand copies of a child’s book
has been printed and promptly pulped
because the illustrator refused to mourn
a Jewish child shot within a sea of Zionists.
Chun states his words were carefully curated
with the help of anti-Zionist Jewish comrades
but not once in his article outlining the reasons
the antisemitic massacre of Jewish people
at Bondi beach, was not in fact, antisemitic,
did he mention Matilda.
At this point, there are no sides left for me
to reside on.
We are in the same river together, you see
You and I
We poison the soil together in our silencing
Our hearts breaking in multiple directions
by the dialectical paradoxes lodged within colonialism
and so they become numb
and so they became numb
I refuse to become numb
I refuse this
I refuse
the same way I refuse the destruction of literature
the same way I refuse the censorship of Indigenous storytellers
writing heartfelt literature for children about the links
between resistance and Country.
I refuse to witness this silencing of another
Aboriginal voice.
At the heart
of all comrades
should ALWAYS be children.
Why else are we fighting?
To be on the right side of history?
For freedom?
For justice?
How can we claim to be fighting for any of this
if we can find a way to make the murder of any child
less
to make it a subsumable statistic
a side comment
within a broader fight
and not the focal point of our writing
our essays
our books
our complaints
our hearts
our resistance?
I condemn Chun’s erasure of Matilda’s humble roots
the same way I condemn the erasure of Palestinian roots
by Chabad and Zionist establishments.
I refuse Chun’s refusal to mourn a ten year old Jewish girl
his refusal to even mention her name
amidst his hypocritical academic silencing of her death
amidst a sea of fishhook reason
I refuse Chun’s silencing
because Matilda was not a neoliberal fascist oppressor.
Matilda was not a white Zionist Jewish-supremacist.
She was a child.
Just like each and every Palestinian, Lebanese and Iranian
child is a child
and not an antisemitic Islamic-state terrorist.
The ability and willingness to minimise the murder of
a single child
in the name of the creation, protection
or destruction of a nation
is where the seed of evil is planted.
The destruction of five thousand children’s books
painted by the painstaking hand of a dedicated artist
and narrated by an Aboriginal storyteller
a powerful yellamundie
is also where the seed of evil
is sown.
What will we do amidst
the fruit of this orchard
we have planted
screaming
in silence



