The New Verse News presents politically progressive poetry on current events and topical issues.
Guidelines
Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
"David Hockney's lifelong love of smoking—and the 2,000 cigarettes he kept 'for emergencies'" —The Guardian, June 13, 2026
The docs predicted early death each time they made their rounds,
But he outlived 'em one by one—the irony abounds.
How did it take so long for David Hockney to expire?
No matter: Still his spirit lives, for where there's smoke there's fire.
Steven Kent is the poetic alter ego of writer and musician Kent Burnside. His work appears in 251, Asses of Parnassus, The Dirigible Balloon, Light, Lighten Up Online, The Lyric, New Verse News, The Orchards Poetry Journal, Philosophy Now, The Pierian, Pulsebeat Poetry Journal, The Road Not Taken: A Journal of Formal Poetry, Snakeskin, and Well Read. His collections I Tried (And Other Poems, Too) (2023) and Home at Last (2025) are published by Kelsay Books.
President Donald Trump’s executive order, issued on his first day of the second term, made it official policy: transgender, nonbinary, and intersex identities would no longer be recognized by the federal government. And, in turn, federal agencies started removing the questions that once measured SOGI [Sexual Orientation and Gender Identity] characteristics across approximately 360 data collections. —Instinct, February 19, 2026
A newbie gay sitting in my office
and the intake form said ???
next to sexually active
Girl, I see you.
And when she says I'm here for birth control
I whip out my rainbow pen to take notes and say
my usual normalizing speech
about the benefits of BC past preventing pregnancy
and we settle on a good plan to get to
NO MORE PERIODS
and when she starts to get up I say
hang on my dear what about a pap smear
you are 21 and due
and they say... but I'm well you know???
and I say—gently—aware of the white coat
covering my pride tattoo
you still need cervical cancer screening
and they shuffle their feet and bolt with a
KTHXBYE to go pick up their pills
but at least they were in my office
and now—we won't even know—
how many newbie gays
think they don't need
a gynecologist
when everyone with a cervix
needs the right
rainbow
gynecologist
Author's note: The American College of Obstetrics and Gynecology cannot tell you how the rate of cervical cancer differs in the queer versus the straight population because they do not have enough data, but the ACOG does say that the risk factors for cervical cancer are more prevalent in LGBTQ patients and that ongoing research is needed. In addition, of course, LGBTQ patients may face significant obstacles in getting acreening—particularly transmen who may have a cervix and may not feel comfortable going to a gyn office to get a pelvic exam or pap smear. How are we in the field supposed to understand this underscreened population when federal policy works to obscure them?
Irene Axel is a queer OBGYN and a poet based in California. Her work has appeared in One Art: A Journal of Poetry.
Nobody can predict how the 48 teams will do at the FIFA World Cup this summer, but if you wanted to gamble on Japan being the tidiest team, you’d surely clean up at the bookies. Thanks to a societal expectation of all Japanese people, you’d never know they were there. —CNN, June 14, 2026
The final whistle echoes across the Dallas pitch, and the stadium slowly drains, leaving behind the usual modern tax of celebration: a landscape of crushed plastic, discarded cups, and the torn remnants of a stadium afternoon. Most of us walk away, assuming the mess belongs to the stadium, or the city, or anyone but ourselves.
But then, the blue jerseys of the Japanese faithful emerge, not moving toward the exits, but walking down the rows. They carry large, simple trash bags, bending to collect the garbage left by strangers. There are no television cameras forcing their hand, no rewards promised at the gates.
They call it tatsu tori ato wo nigosazu, "the bird that flies away leaves the water unstirred."
It is a quiet philosophy woven into the fabric of a childhood, where classrooms are swept by the students who occupy them, and responsibility is not a chore, but a form of respect for the space we share.
It makes you stop and look at the row you just vacated. Why must we always leave a scar on the places we visit? Why do we treat the shared world as a landfill managed by someone else?
Imagine a culture where accountability isn't outsourced, where we take pride not just in the win, but in the condition of the ground beneath our feet. To leave a place cleaner than we found it not for the praise, but simply because we were there.
Peter A. Witt by chance lives in Texas and is a recovering university professor who lost his adjectives in the doldrums of academic writing. Poetry has helped him recover his ability to see and describe the inner and outer world he inhabits. His work has been twice nominated for the Best of the Net award and has appeared in a variety of online and print publications. He also writes family history. His book about his aunt was published by the Texas A&M University Press (Edith's War: Writings of a Red Cross Worker and Lifelong Champion of Social Justice). He is also an avid birder and wildlife photographer.