I'll acquire when I beat Lula.
Got to get the courts controlled here;
That's a bill of goods I've sold here.
Right away I'll pardon father.
Legal channels? Yeah... why bother?
Democracy is what we're after—
Yanqui, you've no room for laughter!
Today's News . . . Today's Poem
The New Verse News
presents politically progressive poetry on current events and topical issues.
I'll acquire when I beat Lula.
Got to get the courts controlled here;
That's a bill of goods I've sold here.
Right away I'll pardon father.
Legal channels? Yeah... why bother?
Democracy is what we're after—
Yanqui, you've no room for laughter!
by Indran Amirthanayagam
I throw up my hands. I cannot
understand how half the country
votes for stepping off the cliff
of righteousness, the rule
of law, protection of the weak
and the other; how so many
can see only belly button,
door lock, money swirling
on line, quick payments
and the roaring feijoada,
caipirinhas flowing
and no more focus
on that favela up the hill.
Pied Piper and the Bible,
holiness and the puritan’s
American dream, wealth
equals God’s blessing,
but aren’t we in Brazil…
the evangelical globalized,
localized, homogenized,
two frontier myths become one,
the United States of Brazil,
at least half the residents
singing hymns, marching
to the sea to build beach-
front property, marching
to the forest to burn it down.
![]() |
“They could take out a city,” he said. “Let them take—Let them take out Los Angeles. Let them take out San Diego.” Graphic generated by AI; words generated by DJT. |
There was a time
I knew what the word meant.
A flag on a porch.
A hand over the heart.
A uniform folded away
after the wearing was done.
Patriot.
It was not a threat.
It did not need to be shouted.
It did not belong
to one man.
Now the word comes dressed
in red hats and anger,
printed across shirts
beside the face of a politician,
as though love of country
required love of him.
And the flag follows.
From truck beds,
from rally stages,
from poles crowded
with the name of a man
above the name of a nation.
Until sometimes
I hesitate to raise mine.
Imagine that.
An American
made uncertain of his own flag
because someone else
has wrapped himself in it.
Then I heard a president say,
Let them take out Los Angeles.
Let them take out San Diego.
I heard those words
and looked at my flag.
Fifty stars.
Not red states.
Not blue states.
States.
Los Angeles is ours.
San Diego is ours.
Detroit is ours.
The small town.
The crowded city.
The farmhouse at the end of the road.
The apartment window
six floors above the street.
The people who agree with me
and the people who do not.
All of them.
Patriot.
I keep turning the word over,
trying to find the thing
I remember.
Not obedience.
Not a red hat.
Not loving a president
more than the country
he was elected to serve.
And not the accusation
hurled at anyone
who refuses to follow.
You do not get to tell me
that dissent is disloyalty.
You do not get to measure
my love of country
by my love of you.
Maybe patriotism
was never the shouting.
Maybe it was always
the quieter thing.
The hand over the heart.
The uniform folded away.
The flag on the porch
moving in the morning wind
with no man’s name beneath it.
There.
That is my flag too.
It belongs to the protester
as surely as the parade,
to the one who questions
as surely as the one who salutes,
to every American
unwilling to confuse
a man with a country.
Maybe the flag does not belong
to the loudest man
who wraps himself in it.
Maybe it belongs
to whoever refuses
to surrender a single star.
So I will keep flying mine.
Not because of him.
In spite of him.
Because he does not
get to have it.
Patriot.
A.M. Silvestri is a Michigan writer and retired professional firefighter whose poetry often draws upon nature, place, memory, public life, and the ordinary moments that reveal something larger. His current work includes ROOTED: A Year of Haiku.
by Rajat Chandra Sarmah
![]() |
India Cut 130 Million From Voter Roll, Fueling Protests Against Modi: Public anger is growing over an exercise that critics say undermines the world’s largest democracy, particularly disenfranchising Muslims under the Hindu nationalist government. —The New York Times, October 6, 2026 |
Someone went looking for his name.
It had been there before—
among thousands of other names,
quietly printed,
waiting for a finger
to find it.
This time,
the finger moved down the page
and stopped.
Nothing.
He looked again,
then once more,
as if another reading
might put the name back.
Outside, something was changing
across the country.
Young people had begun
to gather in the streets.
What had been spoken quietly
inside drawing rooms
was now moving towards the road.
People who had watched in silence
were finding one another,
coming together in numbers
that could no longer be ignored.
Questions that once stayed indoors
were now being carried outside.
Who decides
whose name remains?
Who checks the list
before the list becomes
the truth?
In some places,
victory and defeat
stood closer than expected,
while the list
had grown shorter.
Numbers that once fitted
quietly into a column
now carried the weight
of people.
Petitions reached the court.
Dates were fixed,
then moved.
An election waited
for an answer
that had not yet arrived.
The anger spread.
People who had stood apart
were now filling the streets,
thousands upon thousands,
no longer willing
to remain apart.
Barricades went up.
Roads were closed.
Notices appeared.
The crowd was asked
to turn back.
But the streets kept filling.
Not everyone agreed
on what had happened.
Still, too many people
had begun to ask
whether the institutions
they had trusted
were still listening.
For years,
trust needed no proof.
You entered a polling booth,
pressed a button,
and went home.
Now people were looking
more closely at what happened
before a vote became a number,
and who was responsible
for what came after.
Something once taken for granted
was becoming visible:
the distance between
a citizen's faith
and the institution
that asks for it.
He folded the paper.
His name was still missing.
There was no way to know
who had taken it away.
For the first time,
he understood
that finding it again
might require more
than going to the polling booth.
Rajat Chandra Sarmah is a writer from Assam, India, and the author of eight books. His poetry and prose have appeared in literary journals and publications in India and internationally. He is a previously published contributor to The New Verse News and has received several literary awards and recognitions.