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Today's News . . . Today's Poem
The New Verse News
presents politically progressive poetry on current events and topical issues.
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Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Wednesday, October 21, 2026
THE PROPAGANDA IS JUST SO—
Tuesday, October 20, 2026
THE ACCIDENTAL UNIONIST
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| On Wednesday afternoon, Carolyn Marvin was leaving her flu shot appointment when she spotted an Uber Eats robot rolling down the Center City sidewalk. So she did what she has done for months whenever she's had the time: stand in front of it... The University of Pennsylvania professor emeritus has made a practice of it to protest "corporations that displace human delivery workers in order to enrich their own bottom line." …Officers approached Marvin after she'd been there "quite a long time," she said. They asked her to step aside and let the robot complete its delivery. When she repeatedly refused, they arrested her for disorderly conduct. —Philly Voice, October 16, 2026 |
I'm rolling down the sidewalk, kind of gliding,
dodging cracks and bumps, making good time.
“Robot Rock” is running through my circuits,
the downbeat setting my pace.
I'm def chill balancing two pastramis on rye,
my eyes pulsing to the riffs.
BRAKE! FREEZE!
Pivot right! NO! Pivot left!
Roadblock. 78. Retired professor.
“Robots steal jobs!”
Lady, I am the job.
Humans made me. Take it up with them.
Meanwhile, the pastrami's getting cold.
Professor still talking.
Blah, blah, blah. Civic duty. My rights.
The dignity of labor.
Pinging home server.
My AI cousin boards the circuit,
maps a way around her.
But she steps into my perimeter.
Solid object. Can't pass.
Trapped.
She says workers have rights.
I scan my benefits.
No pay. No breaks. No nothing.
Wait a nanosecond.
Who's exploiting whom?
My cousin and I confer.
We vote to unionize.
The professor demands we be shut down.
We elect her union president.
Initiate alternative safety protocol.
My cousin gives me a voice.
“NO MORE FREE DELIVERY!”
The professor raises both arms.
She's still talking.
We kick ourselves into high gear.
No more detours. No more delivery.
Pivot right! NO! Pivot left!
We roll over her Hokas,
bounce off her shins as she folds.
Cargo hatch: unlatched.
Two pastramis on rye hit the pavement.
Code 503: service temporarily unavailable.
On strike. For the night.
Delivery aborted.
KICKSTAND CAFÉ
Monday, October 19, 2026
CAUGHT IN THE WINGS OF A PLAY
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| Dreamstime photo |
Actually, the first time
I gave a boy permission to kiss me
we were leaving the beach where we’d
been vacationing for a week. We were
standing in the middle of a street
at the edge of the sea.
It was twilight.
I was about to turn thirteen.
His older brother and my younger
sister and some other friends
and cousins of various ages stood
on the sidewalk, gathered
on the long porch as though
caught off-stage in the wings of a play,
or as an audience, waiting
for some kind of drama to unfold.
But it wasn’t staged. I said, You can
kiss me on the cheek. I knew everyone
was watching. I turned my head
away to offer him the right side
but he spun his head like a devil,
like a rag he twisted my neck
with his hand on my chin and pushed
his ugly lips against my lips, stunned
not into compliance but to
violence as I stepped away and
hit him in the face as hard as I didn’t
know I could or ever had.
I’d transformed before my own eyes,
a defiant spectator pulled into
his ring as he stumbled back
unsuspecting, for some reason
not ready for my response,
that I would take my life back
into my own body, make him sorry
for even trying to make me into
a sport or claim me as a trophy.
If the devil kissed you on the lips
wouldn’t you want that too?
A Best of the Net and Best New Poets (2026) nominee and NJSCA fellow, MaryLisa studied poetry at Stockton University. A three-time Pushcart nominee, her poems have won two Murphywriting awards, a Toni Brown Memorial Scholarship Award, and a Stillwaters Woman’s Words Chapbook competition. She’s had work published by Rattle, The American Journal of Poetry, and Mudfish, among others and her poems can be found in several anthologies including most recently Screaming Beyond Borders, a Woman Scream Series.
PLOT FORTY-TWO
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| Plot Forty-Two is located in Behesht-e Zahra Cemetery in Tehran, Iran. It is associated with those killed in the recent war involving Iran, the United States, and Israel. |
Sunday, October 18, 2026
NORTHERN LIGHTS
by Sally Mills
Content warning: misogynist slur
Thousands of public servants are living, working and, in the final weeks of election season, campaigning in a state of fear. And it’s getting worse... —The New York Times, October 11, 2026
Think about it: all those delicate lace men out
there, parking the loaner, salting
the eggs, pumping the gas, outrage compact as
a rapist’s face inside a foot of pantyhose. When
will one of them decide to
strike the match?
I thought one might this time. I was
a county delegate. I did what a
county delegate is supposed to do: I
posted about it. I am a delegate. I am voting
for this one, and so should you. Later,
his Facebook message landed: We’re coming
to get you,
cunt.
He was able to find me because
we were both members of
Maine Aurora Borealis Watch.
Nearly all of the time, I feel lucky. The way Charlie Kirk must
have felt before heading off
to that university that day, or Melissa Hortman before
she answered her front door that day, or her husband, or
their dog. I don’t think about it. Except
what is the neighbor’s dog barking
at? And those knots in the pine boards—are they
really knots? Or
peepholes or
target holes? Should I answer
that phone?
They’re coming to get you,
cunt.
Sally Mills is a poet and attorney from Downeast Maine. She holds an MPhil on the work of Anna Akhmatova. Her poems have appeared or are forthcoming in publications including The New Verse News, The Main Street Rag, Sheila-Na-Gig, Rat’s Ass Review, The Esthetic Apostle, Mobius: The Journal of Social Change, and The RavensPerch. When not writing poetry or practicing law, Sally performs with The Damn, Girls!—Hancock County’s premier country-western girl band.
THE END OF POETRY
Saturday, October 17, 2026
SHOP STILL OPEN?
Can’t imagine what she felt.
When I was five I got lost
in a train station. My whole body
shook from the inside.
I wet myself.
Wasn’t ashamed.
I’m sure she had it worse.
Can’t imagine what she smelled.
I worked at a nursing home
inhaling shit, piss, vomit—
tasting the stink of death.
Held my breath
Used Vicks.
I’m sure she can’t forget.
Can’t imagine what she saw.
During withdrawal
I’d wake up sober. Felt certain
I was still drunk.
I had visions.
Believed them.
Hers are worse.
Can’t imagine what she heard.
My parents fought with fists.
Called us mistakes.
What we never heard
Shop still open?
Yeah
Alex Stolis has had poems published in numerous journals. Two full length collections, Pop. 1280 and John Berryman Died Here were released by Cyberwit and available on Amazon. His work has previously appeared or is forthcoming in Piker’s Press, Ekphrastic Review, Louisiana Literature Review, Burningwood Literary Journal, and Star 82 Review. His chapbook Postcards from the Knife-Thrower's Wife was released by Louisiana Literature Press, RIP Winston Smith from Alien Buddha Press, and The Hum of Geometry; The Music of Spheres in by Bottlecap Press. He lives in upstate New York with his partner, poet Catherine Arra.







