Guidelines



Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.

Wednesday, December 31, 2025

ZAPORIZHZHIA OBLAST

by James Gage


MOSCOW, Dec 29 (Reuters) - President Vladimir Putin on Monday told his army to press on with a campaign to take full control of the Zaporizhzhia region in southern Ukraine after a Russian commander said Moscow's forces were 15 kilometres (9.3 miles) from its biggest city.


Goodbye 

to the merely discarded 

wrenched from their clutches 

and penchants 

and bright pearl-knit bags.

 

Goodbye

to the voices of 

the ironclad poor 

and the hapless yank,

the misanthrope’s trope 

adrift in the mainstream 

at the salon or the square

where Vicky’s mint cookies

and yesterday’s masts read

The Waters Run Red 

From Putin’s Unprovoked War.

 

These unprovoked lies 

rise up like smoke 

over the grim granite markers

in Kiev or Donetsk,  

over the lit cherry blossoms 

and redneck ears

of the keeper 

in pursuit of the truth

because there is only one truth

that will huddle the masses.

 

So live and let live, the gravekeeper pled

and watched from a distance as the leftovers fled.





James Gage is an anti-war poet and songwriter whose work has been published in dozens of periodicals and literary journals including Main Street Rag, Inkwell, Wordrunner, Sand Hills, New Verse News, Mountain Gazette, Oyster River Pages, and others. His first two books of poems True If Destroyed (2016) and True If Not Destroyed (2025) are available from Finishing Line Press.

Tuesday, December 30, 2025

FLOOD TIDES

by Adele Evershed


Mystery surrounds the appearance of hundreds of Victorian hobnailed shoes which have washed ashore on a beach. The black leather boots, thought to date back to the 19th Century, were discovered by volunteers cleaning up rock pools on Ogmore By Sea Beach in the Vale of Glamorgan, south Wales. Emma Lamport from the Beach Academy social enterprise which found the shoes said there was speculation locally that they could be from a shipwrecked Italian cargo vessel said to have struck nearby Tusker Rock about 150 years ago. —BBC, December 24, 2025


winter sea
cresting waves
of protest
 
The dregs of December wash up a cobbler’s lot of footwear—Victorian working boots, bloated with salt and hard labor. They’ve made a pilgrimage to Ogmore-by-Sea, walking on water, to reach the wrinkled sand.
Now they rest in rock pools with winkles and sea snails. Some are as black as Dad’s Boxing Day silence, some as tiny as a mermaid’s purse, some baring hobnails like teeth—leather tongues whispering their names to the slack tide.
They came ashore from a ship snagged on Tusker Rock—a floating cargo of tar-dipped ghosts, leaving out shoes for Christmas treats. If this was a kinder time, St Nick would fill them with gold and a life begun again. Instead, they’ll be gathered in sacks, tossed on the rubbish heap like all the other shoeless souls washed up on our beaches, their names known only to the high tide.
 
cold front—

a robin’s song 

crosses the border


Adele Evershed is a Welsh writer who swapped the Valleys for the American East Coast. Her work has appeared in Poetry Wales, Comstock Review, Modern Haiku, Avalon Literary Review, Black Bough Poetry and The New Verse News. She is the author of Turbulence in Small Spaces (Finishing Line Press) and has a forthcoming poetry collection, In the Belly of the Wail, with Querencia Press. She has published three novellas-in-flash— Wannabe and Schooled (Alien Buddha Press), and A History of Hand Thrown Walls (Unsolicited Press). Her short story collection, Suffer/Rage, was released by Dark Myth Publications.

Monday, December 29, 2025

A HOLY TIME OUT

by Robin Stevens Payes

The perfect Christmas for those of us who do not celebrate
has always been a matinee followed by egg rolls and
 
stale fortune cookies cracking open to commemorate 
this year of the wood snake; instead we take up a new tradition
 
setting out on a sunny holy day for cragels and lox

with everything and a heated debate about prediction markets 

substituting for insurance (count me not a fan)
followed by a hike with son and daughter-in-law
 
Me scaling a tree for the first time in maybe five decades—my son guiding 
each foothold, bark scratching palms, dogs barking beneath bare limbs
 
Son practicing shaky handstands on the hilltop’s brown and pebbled dirt
we three for a time feeling as free as our tail-wagging dogs running along the lake 
 
No one needing insurance this once—predictive or otherwise—
thank God or Spirit the Sun the Son or Mary or whoever you pray to
 
to stay healthy young-at-heart and carefree—we claimed it as
a joyous moment to celebrate family and love on this beautiful Earth
 
A sacred break beneath the promising glint of a star—our own 
taking a Holy Time Out from the existential dread of being alive in 2025


Robin Stevens Payes is a Pushcart Prize–nominated poet, storyteller, and cultural steward whose work braids ancestral memory, science, myth, and moral imagination. She is the author of the YA time-travel adventure series Edge of Yesterday and creator of [re]member the world, a multi-genre project retrieving and reweaving the silenced history of her grandmother’s flight from Ukraine’s Pale of Settlement. Her poetry has appeared in The New Verse NewsDawn HorizonsEast Sea BardsMaryland Bards Poetry Reviews, and Reflections. She writes about creative ethics, generational healing, and cultural repair on her Substack, Releasing Memory.

Sunday, December 28, 2025

SCHOOL WELLNESS TIPS

by Andrew G. Scott




Here’s a hack

from the school counselor

to stay positive this year.


“Include personal wellness goals

in your passwords.”


Great idea.

DoNotGetShotInSchool26!



Andrew G. Scott is a pen name for a public school teacher who has decided to share an inside view of public education in the United States.

HOPE FOR THE NEW YEAR

by Barbara Schweitzer


AI-generated graphic by NightCafé for The New Verse News.


There is no rodeo feat to lift history.

History is the slain bull bloodied for sport 

with his blood scoured into the concrete.

 

It is obscene to pick up a pen

on the day disaster flies in

but if not, the next day and the next 

days will keep us dumb to our ways.

 

We have physics and light: we know 

dark cannot exist when filled with light,

that speaking corrals our common plights

and even pigeons know how to take flight

and we are not night. We will not be night.



Friday, December 26, 2025

JOUSTING WINDMILLS

by Zumwalt


AI-generated graphic by NightCafé for The New Verse News.


The Trump administration said Monday it is pausing leases for five large-scale offshore wind projects under construction along the East Coast due to what it said were national security risks identified by the Pentagon. —NPR, December 22, 2025


Our Leader stands upon a fairway green,
Curses white-armed giants, cool and lean.
"Monstrosities!" he cries, with twisting claims,
"I spot our world's decay upon their frames!"
Such ugly things cause huge real estate declines:
"A seventy-five percent plunge," he knowingly assigns.
"Cancer, rust, rot, and ruin are all they can provide,
It's time to take them on— 
               and I will be your guide!"

"Down below the treacherous windmill's feet,
More dead birds than alive—an entire fleet!
Mills chop up our eagles, and—look like hell,
Emit toxic fumes, and sounds that kill!
And in our oceans where whales were once happy 
Damn windmills have driven them completely batty
And maybe—when time to hear my words so wise and true
Your TV won't work— 
               the wind may not blow on cue."                                                                                 

Our Leader had issued an order across the land
But a judge overruled—left-wing sleight of hand!
On Monday our leader again pursued his cause 
Five offshore leases were put on pause.  
"Rogue windmills threaten our eastern shore!
If they don't desist, we go to war!
We fear not Putin, China or 
                illegal immigrants eating up our pets,
But, if necessary— 
                we will launch our nukes —    
                more than anyone has ever launched before— 
                to stop these pesky, ugly, windmill threats!"


Zumwalt's poetry explores themes of alienation, shifting reality, and personal adaptation.

GREETINGS FROM ARKANSAS

by Mohja Kahf


Lake Wilson, Fayetteville, Arkansas. Photo by the poet.


Thirty years I’ve taught in Arkansas

Sometimes in Arkansas I paddle the lake

under foliage forty-three shades of glory and jade,

as kinetic as my students’ creativities,

and the state forges fetters for thinking minds:

Act 372 tried to make queer library books a crime,

but it turned out Act 372 was a crime

 

Thirty years I’ve curated space for students

to think through choices, weighing in hand,

like palming the heft of Lake Sequoyah pebbles

before picking one to skip across the surface

The state puts hands on our bodies now:

Arkansas Act 180 makes abortion illegal

even after rape, killing more than choice

 

Thirty years I’ve taught in Arkansas

where ice makes bright blades of branches in winter

while daffodils sunshine up through the snow

Forgetting that we live on colonized land,

my state lets ICE deport dreamers

and taxpaying international students,

but defends a mob that scorched the nation’s capital

 

Thirty years I’ve mattocked rocks to upturn soil

where love can grow, and imagination

Act 710 calls boycotting Israel antisemitic hate

makes anyone who wants to speak on campus sign

a pledge never to boycott Zionist Israel—

I’m a proud supporter of nonviolent boycott,
and Act 710 is antisemitic and hateful

 

Sometimes I float the swim hole near Ponca,

thanking my friends who saved the Buffalo River

from hog carcass dumps by agribusiness

till the next polluter tramps in these waters

The state claims that wanting justice for Palestinians 

means wanting to trample on Jewish peoples—

I wish the state would read a queer Palestinian library book

 

Sometimes in Arkansas I hike Hemmed-in-Hollow

and the sunset is streaked purple and healing

My state produces white phosphorus for Israel

to streak skies in Gaza and Lebanon, over Arab folk’s homes

Sometimes my state breaks federal law:

the Leahy Act forbids weapons for war crimes

White phosphorus on civilians is a war crime

even if the civilians aren’t white

 

Thirty red-gold autumns I’ve taught in Arkansas

planting bulbs that push through thirty springtimes

The white phosphorus arsenal risks workers’ health

in Arkansas’ Blackest and poorest city in the Delta

Act 237 calls teaching critically about racism a shame,

calls what I do on campus indoctrination:

Act 237 is a shame and indoctrination

 

Thirty years I’ve taught in Arkansas,

more hemmed in than ever, and hollow here ring

guarantees of First Amendment freedoms

If I invite a white phosphorus expert to campus,

they’d have to sign a loyalty pledge to Israel

Sometimes I hear the queer purple music of the Ozarks,

and the state forges fetters for thinkers and dreamers



Mohja Kahf is author of a novel and three poetry books, including My Lover Feeds Me GrapefruitKahf’s work has been translated to Turkish, Japanese, Italian, Arabic, German, Portuguese, Urdu, and French. She is a supporter of the Palestinian-led nonviolent movement for Boycott, Divestment, and Sanctions since that movement’s inception in 2005. Winner of a Pushcart Prize and a 2018 Lifetime Award in Inclusive Education from the Northwest Arkansas Democratic Black Caucus, Kahf has been a professor of comparative literature and Middle Eastern studies at the University of Arkansas since 1995. 

Thursday, December 25, 2025

DAYS AFTER

by Indran Amirthanayagam

Bombed, shot, knifed 

into silence, no more. 

I will walk to the store. 


I will walk to the post 

office. I will send a letter. 

I won’t go postal. I will 


not melt down inside

or out. I will love you, brother. 

I will hug you, sister.


I will get up, turn up,

count, be counted. 

I will not let the darkness 


triumph. I will not allow 

the dark night permanence.

Wake up. Wake up. Wake up. 





Indran Amirthanayagam writes a Substack. He has just published Isla itinerante ( Editorial Apogeo, Peru, 2025) and White Space Sonnets ( Sarasavi publishers, Sri Lanka, 2025)His other publications include El bosque de deleites fratricidas ( RIL Editores), Seer (Hanging Loose Press),The Runner's Almanac (Spuyten Duyvil), Powèt Nan Pò A: Poet of the Port (Mad Hat), and Ten Thousand Steps Against the Tyrant (Broadstone Books). He is the translator of Kenia Cano’s Animal For The Eyes (Dialogos Books) and Origami: Selected Poems of Manuel Ulacia (Dialogos Books). He edits The Beltway Poetry Quarterly, hosts the Poetry Channel on YouTube, and publishes poetry books with Sara Cahill Marron at Beltway Editions.

Wednesday, December 24, 2025

TURNING POINT



Jan Chronister is a retired educator who splits her year between the extremes of northern Wisconsin (by Lake Superior) and southern Georgia. She has authored three full-length poetry collections and twelve chapbooks. Jan edits and publishes the work of fellow poets under the imprint of Poetry Harbor.

WRAPPING PAPER, DECEMBER 2025

by Catherine D'Andrea




white snowflakes

                  are scattered

on red 

                  the pattern

regular

                   I try

not to think 

                  too much 

not to look 

                  too close  

pretend each 

                  shape is 

unique not

                  the same

repeaters

                  the same

pattern again

                  and again 

the red

                  unfurled

on the floor 

                  spattered

on the ground

                  beach

classroom

                  bed

the red

                  the red 




Catherine D’Andrea taught French, raised two children, and confronted cancer before succumbing to poetry. She is a graduate of the MFA program at Western Connecticut State University and her work has appeared in Blue Heron Review, Literary Mama, The New Verse News, Poor Yorick Journal, and other publications. She lives in Connecticut with her husband and two cats.

Tuesday, December 23, 2025

ESCOFFIER GRABS A BURGER

by Jon Wesick

 



After John Steinbeck inaugurates the Trump-

Kennedy Center, Edwin Hubble gets his horoscope 

done, setting off a flash flood of intellectual foment. 

Simone de Beauvoir tunes in to Andrew Tate,

Lord Haw-Haw blows Winston Churchill’s mind,

Stanley Kubrick remakes Birth of a Nation

and Aaron Copeland replaces “Fanfare for the Common Man”

with “Who Let the Dogs Out?”

 

Rachel Carson invests in coal. Jonas Salk delves into iridology. 

Charles Darwin searches for lizard people in the Galapagos.

Carl Friedrich Gauss abandons mathematics for numerology.

Coco Chanel wears Garanimals. Epicurus praises Jell-O.

Isaac Newton is never without his lucky rabbit’s foot

and Albert Einstein always forwards chain letters.

Fyodor Dostoevsky watches Jerry Springer 

and Virginia Woolf never misses Real Housewives

You can find Da Vinci painting Elvis on velvet at any gas station.



Hundreds of Jon Wesick’s poems and stories have appeared in journals such as the I-70 Review, New Verse News, Paterson Literary Review, and Unlikely Stories. He is a regional editor of the San Diego Poetry Annual and host of the Gelato East Fiction Open Mic as well as the NAV Arts poetry reading. His latest short story collection is Saint John the Blasphemer. He lives in Manchester, New Hampshire and longs for gene editing to bring giant wombats back from extinction.