Guidelines



Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.

Saturday, November 29, 2025

FEMMINICIDIO

by Annie Rachele Lanzillotto


Giulia Cecchettin, a 22-year-old university student was killed by her ex-boyfriend in 2023.
Graphic: 
Giulia Cecchettin Foundation


Italy Passes a Femicide Law, Seeking to Prevent Violence Against Women: Murders of women killed for misogynistic reasons will now be classified as femicide. Campaigners say a broader cultural shift is still needed. —The New York Times, November 26, 2025

 

Femminicidio

a word not in daily use 

Femicide 

a word that needs to be in use.

 

I am the product of violence. 

That’s a pretty word for it.

It sounds like, I dunno, parfait.

I’ll have the parfait violence per favore.

Soft sibilant whispering sounds

for being quartered and drawn emotionally.

 

Violence might as well as be my name.

The very existence of me is a scenario of violence.

My mother escaped my father several times.

The year before I was born, she lost a pregnancy, 

from getting hit or kicked or punched 

or pushed down the stairs, or maybe she fell out of fear, 

this story has been told different ways over lifetimes.

 

He wooed her, pursued her, wouldn't let her go.

Impregnated her. Whether it was romance between beatings

or violence amidst a beatingI will never know. 

She was subjugated; that’s for sure.

She was a woman enslaved in a Bronx Italian marriage.

None of her family wanted to see her pregnant again.

They wanted her to get out. 

 

Yet. Here I am.

 

Born into a violent hell

My body shakes when I hear glass breaking.

There are reasons for this.  Facts.  Episodes.  

Shattered glass around my crib.

I am sensitive to noises, beeps, neighbors’ fighting.

I wonder how it was that I was not killed.  

That my mother was not killed.

That my father had some kind of emergency brake

That my mother got the hell outta there, finally.

That we survived, I consider miraculous.

 

My father remembered being beaten as a boy 

and as a Marine, he learned to kill and to dismember.

He survived one of the more vicious battles on earth.

The very last major battle of WWII:

the American invasion of Okinawa in 1945,

eighty-two days of ferocious rabid hell 

over 241,000 people were killed

Soldiers and civilians.

 

Femminicidio

the killing of women

 

In 2018, I walked the streets of Roma and Napoli

where exterior walls of buildings

are covered with the photos of women

all who have been killed to violence

most from men they knew

brothers boyfriends husbands acquaintances

 

Femminicidio

the killing of women

 

In Italy, there's a long history of "honor killings"

killing of women—basically sanctioned

the kill

understood

 

One day in New York, I ran into an old friend.

I was feeding the meter

standing on the sidewalk

pushing a quarter into the metal slot

turning the nose of the meter

when I looked over at two women in straw sun hats

walking down the sidewalk, in my direction.

I pushed the quarter into the slot

heard it click and our eyes locked, 

me and the younger woman.

I recognized her instantly from high school.

Her eyes were the same, from years ago.

She was one of the sweetest kids I'd gone to school with.

Now we were in our fifties.

 

In that moment, we hugged and talked 

as if no time had passed at all.

I asked her, "Ya got a quarter?"

And she dug in her pocketbook and filled my meter up.

 

Her mother remembered me from when I was sixteen.

She recalled a moment I spoke with her at the high school gong show.

She said, you came up to me and said, 

“I have to tell you that your daughter 

is the sweetest kid I ever met,

and she stands up for the underdog, 

if a kid is being bullied,

she always sticks up for them.”

 

There was a street fair going on.

All flowing dresses on racks on the sidewalk.

We happened to be standing, 

right outside a new place,

where a portrait of a beautiful girl was in the window.

I read the inscription.  She had been murdered 

by a man she was dating.

The place was called "One Love,"

a non-profit for education to combat femicide.

I remember saying,

“Isn’t this wild, in between these boutiques

probably paying thirty grand a month rent,

is a foundation for domestic violence?”

 

We fell into a conversation about domestic violence

And I was open about the violence I grew up with

And how it affected me.

I’d always feared for my life 

didn't want my blood relatives knowing where I lived.

The declining health of my mother exacerbated family interactions.

Emergency room visits and holidays were tense.

Most holidays we ended up in the Emergency Room

my mother getting dangerous blood pressure spikes from tension.

 

Looking back on our reunion,

I wish I read things semiotically, spiritually. 

Paid attention to the signs:

The parking meter

My memento mori

Time expiring

The portrait of the beautiful dead girl in the store front window

 

Femminicidio

 

Not long after that, 

My friend was shot dead by her brother

in front of her mother,

on their front lawn.

They’d been bickering about emptying the dishwasher

 

No one knew he kept the old gun in the basement.

The old gun their father had many decades ago

For his own protection.



Annie Rachele Lanzillotto is an American memoirist, poet, and performance-artist whose stage presence has been called riveting and volcanic.  She was born in the Bronx. Her books include Whaddyacall the Wind? (Bordighera Press); Hard Candy: Caregiving, Mourning, and Stage Light and Pitch Roll Yaw (Guernica World Editions); L is for Lion: an italian bronx butch freedom memoir (SUNY Press; finalist for LAMBDA Literary Award); and  Schistsong (Bordighera Press).  Lanzillotto has been awarded grants from New York State Council on the Arts, New York Foundation for the Arts, The Rockefeller Foundation, Dancing in the Streets, Dixon Place, Franklin Furnace, Puffin Foundation, Creatives Rebuild New York, and Trickle Up NYC.  

Friday, November 28, 2025

WHILE TAPPING MY FOOT

by Mark Hendrickson


AI slop tops Billboard and Spotify charts as synthetic music spreads —The Guardian, November 13, 2025



MIT Invents Injectable Brain Chips —Futurism, November 16, 2025



While tapping my foot

to the AI-generated 

number one song 

on the billboard charts

that I asked Siri to play,

I abandon my Kindle book 

and switch to my iPhone 

to shop for paintings 

in the style of Rothko on Etsy,

but I become distracted 

by automated news summaries

reporting that computer chips can now 

be injected directly into our brains,

and how many jobs will be lost

to AI and automation,

and an article saying 

that one day soon 

robots will replace or kill us all.

I laugh to myself and say, 

“Never gonna happen” 

as I click the Buy Now button

because I decide 

I like the reproduction

better than the original.



Mark Hendrickson (he/him/his) is a poet and writer in the Des Moines area navigating the Sturm und Drang of daily life through wordcraft. His words appear in The Ekphrastic Review, The New Verse News, and Modern Haiku. Follow him @MarkHPoetry or at https://www.chillsubs.com/profile/mhendrickson .

Thursday, November 27, 2025

THANKSGIVING

by Morrow Dowdle


AI-generated graphic by NightCafé for The New Verse News.


My four year-old comes into the bathroom where I sit. 

He turns the toilet paper roll slowly, says, It’s a nice day

for peeing. Thankful for the body and its routines. 

And so am I—thankful for emptyings and intakes,

 

the food soon to be had, then had for days after. Thankful

I will eat more than a side salad. Thankful this holiday’s lie

of peace between buckle-hatted colonists and Indigenous

victims is obsolete. Thankful we gather anyway. 

 

Thankful for what won’t be at the table—china and silver,

political scuffles, sullen drunks. The chain-smoking

grandmother’s green bean casserole. The pedophile

grandfather’s electric knife. White-knuckled silence. 

 

Thankful for the Peanuts meme my sister texts,

that after all the fallings-out, we’ve righted the rowboat

called Family of Origin. Thankful I’ve been back

on antidepressants for a week and feel like having sex again,

 

or at least a hug. That I can forgive myself for not missing

someone recently deceased, but feel the burn of grief

for those who do, light a candle at the empty plate. 

I can forgive myself for singeing the cranberry sauce

 

and buying the wrong-sized pie crust, and not extrapolate

that I’m a failure. See, I’ve been fumbling towards sainthood,

but now I’m aiming at stable and decent and good enough. 

Thankful to host rather than be hosted, to have more

 

than leftovers to offer. Thankful to prepare every room

for guests, to cross each threshold and see traces

of my persistence. Thankful my son gave me this poem

and that I could receive it, knowing there will be days ahead

 

when verse will flow like gravy, and days there will be none,

and my mind will feel stale as the cheap white bread

we use to make the stuffing. But there will be days. 

There will be days.



Morrow Dowdle (they/them) poet / arts organizer / curator "Weave & Spin" performance series and open mic (founder/curator/host) @morrowdowdle (Instagram)

Wednesday, November 26, 2025

THE GIRL; A DIAMOND

by Jennifer Schneider

in honor of the Women’s Professional Baseball League Draft—gems, in a league of their own.

For the first time in history, women’s professional baseball players heard their names called in a Draft. The inaugural WPBL Draft on November 2025 was more than just a list of picks; it was be the moment when the league’s four founding teams took shape. The newly assembled teams will then begin preparing for the inaugural season. For the athletes, it will mean competing alongside—and against—the best players in the world. For fans, it’s the start of a new tradition: professional women’s baseball at a level never seen before. —WPBL


The girl spends her days dreaming of diamonds. 
The girl spends her nights playing the field.
The girl fields heavy hitters. The girl
catches sluggers. Of dingers and stingers
and grand-slam aces, the girl swings.
The girl hits as hard as she pitches.
She doesn’t care for cracker jacks.
She doesn’t bluff the crowd’s backs.
She doesn’t whistle at strikes.
She doesn’t negotiate the crows’ caw.
She doesn’t wait for a league to call.
She plays in a league of her own.
She plays the game she loves.
She loves her life.
She relishes full counts.
She balances balls like Jello.
She calculates the distance
from home at awkward angles.
She drives hard. She runs harder.
She’s strong. She’s tough. Tougher
than the Earth’s hardest, natural
mineral. She’s a natural gem.
A woman. A pioneer. A revolution
in motion. Fingers wrapped
around wood. She’s at home on the turf.
She’s got good eyes and a love of leather.
She prefers supple gloves, white pants,
and form-fitting helmets. She doesn’t need
a diamond on her finger. She hits her own home runs.
Of blisters, bloopers, and bleeders, she cleans–
she cleans the bases. Of manicured fields
and destination bleachers, the girl is a pro. The girl
is home, home at last–at the plate where the diamond
begins and where the diamond ends.


Jennifer Schneider is an educator who lives, writes, and works in small spaces throughout Pennsylvania. Recent works include A Collection of RecollectionsInvisible InkOn Habits & Habitats, and Blindfolds, Bruises, and Breakups.

THE BOOK OF QUIET GIRLS WHO BURN

by Linda K. Sienkiewicz



To the pediatrician who insisted on taking a rectal temperature with me across his knees,
To the pediatrician who tweaked my nipples during a physical,
To the neighbor’s grandfather who worked his fingers into my shorts,
To the stranger in Woolworth’s who grabbed my hand to rub against his crotch and ran,
To the boy who called me into the pool for one last swim and tried to drown me,
To the mechanical drawing teacher who rubbed his elbow against my breasts while checking my work,
To the employer who told his female, high-school-aged staff that whoever got the most sales would win an overnight date with him,
To the guy who raced his car through town while I screamed for life from the passenger seat after I said I was breaking up with him,
To the recruiter who told me to wear a short skirt to the job interview,
To the hiring manager who instructed waitress applicants to go heavy on makeup,
To the neurologist who sat on the arm of my chair, pinning me there in nothing but a hospital gown, while discussing my options,
To the employer who gave me a gold necklace but told me never to wear it at work,
To the guy who date raped me in a warehouse loft,
To the guy who parked in the woods and shoved my head into his crotch,
To the guy who said he should rape me after I broke up with him,
I remember every one of you.
Quiet. Quiet piggy.


Linda K. Sienkiewicz is the author of the multi-finalist award-winning novel Love and Other Incurable Ailments, forthcoming novel In the Context of Love, five poetry chapbooks and a children’s picture book. Among her awards are a poetry chapbook and a Pushcart Prize Nomination in poetry. She holds an M.F.A. in Creative Writing, and serves as Honorary Director of Detroit Working Writers.

Tuesday, November 25, 2025

A COUP DOH! TO BRAZIL

by Steven Kent



"Jailhouse shock: Brazil coup monger Bolsonaro finally faces life behind bars" —The Guardian, November 20, 2025


There's a shift in opinion: Today

Bolsominions indignantly say

Jails are too inhumane,

Though they've made it quite plain

Up till now that's the only Right way.



Steven Kent is the poetic alter ego of writer and musician Kent BurnsideHis work appears in 251, Asses of Parnassus, The Dirigible Balloon, Light, Lighten Up Online, The Lyric, New Verse News, The Orchards Poetry Journal, Philosophy Now, The Pierian, Pulsebeat Poetry Journal, The Road Not Taken: A Journal of Formal Poetry, Snakeskin, and Well Read. His collections I Tried (And Other Poems, Too) (2023) and Home at Last (2025) are published by Kelsay Books.

USAID

by Lynne Barnes


(Understanding Unloved-Unloving, Untreated, Up-thrust Sociopaths Always Injure & Destroy)


 

1.


U and I have been

Sending

Aid to

Individuals

Destitute around the world, for

Decades.

 

Donald is now at the helm of our ship of state,

Doing away with our helping hand, and the

Death toll is hundreds of thousands so far.

Destined to reach 14 million over what will be the next

Dreadful ten years if we don’t resist, re-find and restore our

Democracy’s humanitarian kindness.

 

Unless we persist, prevent this, we are

Sliding into

An era of 

Intense, horrific

Destruction and death around our globe.

 

2.


Dark Triad is not a diagnosis,

            but a poem, penned by psychologists—

            a metaphor for a group of traits.

 

Dark Triad humans—

Deny

Devalue

Distract

Dominate

Deviate, fall into

Dysfunction.

Dark Triad is narcissism, psychopathy, and

            Machiavellianism intertwined.

 

Dark Tetrad adds a verse to the poem—

            Sadism— pleasure at the suffering of others.

 

            We must

 

Disarm Donald, our fellow damaged,

        handicapped human, remove him from his

            legal and military commands, and

 

            pray that we never allow a

Dark triad/tetrad human, incapable of empathy, to

Dump shit on us ever again.



Lynne Barnes is a retired psychiatric nurse and librarian living in San Francisco, honored that her poems have appeared in past months in The New Verse News. Her poetry memoir, Falling Into Flowers (Blue Light Press, 2017) was a finalist for the 2018 Eric Hoffer Book Award.