GREETINGS FROM ARKANSAS

by Mohja Kahf

Lake Wilson, Fayetteville, Arkansas. Photo by the poet.

Thirty years I’ve taught in Arkansas

Sometimes in Arkansas I paddle the lake

under foliage forty-three shades of glory and jade,

as kinetic as my students’ creativities,

and the state forges fetters for thinking minds:

Act 372 tried to make queer library books a crime,

but it turned out Act 372 was a crime

 

Thirty years I’ve curated space for students

to think through choices, weighing in hand,

like palming the heft of Lake Sequoyah pebbles

before picking one to skip across the surface

The state puts hands on our bodies now:

Arkansas Act 180 makes abortion illegal

even after rape, killing more than choice

 

Thirty years I’ve taught in Arkansas

where ice makes bright blades of branches in winter

while daffodils sunshine up through the snow

Forgetting that we live on colonized land,

my state lets ICE deport dreamers

and taxpaying international students,

but defends a mob that scorched the nation’s capital

 

Thirty years I’ve mattocked rocks to upturn soil

where love can grow, and imagination

Act 710 calls boycotting Israel antisemitic hate

makes anyone who wants to speak on campus sign

a pledge never to boycott Zionist Israel—

I’m a proud supporter of nonviolent boycott,
and Act 710 is antisemitic and hateful

 

Sometimes I float the swim hole near Ponca,

thanking my friends who saved the Buffalo River

from hog carcass dumps by agribusiness

till the next polluter tramps in these waters

The state claims that wanting justice for Palestinians 

means wanting to trample on Jewish peoples—

I wish the state would read a queer Palestinian library book

 

Sometimes in Arkansas I hike Hemmed-in-Hollow

and the sunset is streaked purple and healing

My state produces white phosphorus for Israel

to streak skies in Gaza and Lebanon, over Arab folk’s homes

Sometimes my state breaks federal law:

the Leahy Act forbids weapons for war crimes

White phosphorus on civilians is a war crime

even if the civilians aren’t white

 

Thirty red-gold autumns I’ve taught in Arkansas

planting bulbs that push through thirty springtimes

The white phosphorus arsenal risks workers’ health

in Arkansas’ Blackest and poorest city in the Delta

Act 237 calls teaching critically about racism a shame,

calls what I do on campus indoctrination:

Act 237 is a shame and indoctrination

 

Thirty years I’ve taught in Arkansas,

more hemmed in than ever, and hollow here ring

guarantees of First Amendment freedoms

If I invite a white phosphorus expert to campus,

they’d have to sign a loyalty pledge to Israel

Sometimes I hear the queer purple music of the Ozarks,

and the state forges fetters for thinkers and dreamers

Mohja Kahf is author of a novel and three poetry books, including My Lover Feeds Me Grapefruit. Kahf’s work has been translated to Turkish, Japanese, Italian, Arabic, German, Portuguese, Urdu, and French. She is a supporter of the Palestinian-led nonviolent movement for Boycott, Divestment, and Sanctions since that movement’s inception in 2005. Winner of a Pushcart Prize and a 2018 Lifetime Award in Inclusive Education from the Northwest Arkansas Democratic Black Caucus, Kahf has been a professor of comparative literature and Middle Eastern studies at the University of Arkansas since 1995. 

DAYS AFTER

by Indran Amirthanayagam

Bombed, shot, knifed 

into silence, no more. 

I will walk to the store. 

I will walk to the post 

office. I will send a letter. 

I won’t go postal. I will 

not melt down inside

or out. I will love you, brother. 

I will hug you, sister.

I will get up, turn up,

count, be counted. 

I will not let the darkness 

triumph. I will not allow 

the dark night permanence.

Wake up. Wake up. Wake up. 

Indran Amirthanayagam writes a Substack. He has just published Isla itinerante ( Editorial Apogeo, Peru, 2025) and White Space Sonnets ( Sarasavi publishers, Sri Lanka, 2025). His other publications include El bosque de deleites fratricidas ( RIL Editores), Seer (Hanging Loose Press),The Runner's Almanac (Spuyten Duyvil), Powèt Nan Pò A: Poet of the Port (Mad Hat), and Ten Thousand Steps Against the Tyrant (Broadstone Books). He is the translator of Kenia Cano’s Animal For The Eyes (Dialogos Books) and Origami: Selected Poems of Manuel Ulacia (Dialogos Books). He edits The Beltway Poetry Quarterly, hosts the Poetry Channel on YouTube, and publishes poetry books with Sara Cahill Marron at Beltway Editions.

TURNING POINT

Jan Chronister is a retired educator who splits her year between the extremes of northern Wisconsin (by Lake Superior) and southern Georgia. She has authored three full-length poetry collections and twelve chapbooks. Jan edits and publishes the work of fellow poets under the imprint of Poetry Harbor.

WRAPPING PAPER, DECEMBER 2025

by Catherine D'Andrea

white snowflakes

                  are scattered

on red 

                  the pattern

regular

                   I try

not to think 

                  too much 

not to look 

                  too close  

pretend each 

                  shape is 

unique not

                  the same

repeaters

                  the same

pattern again

                  and again 

the red

                  unfurled

on the floor 

                  spattered

on the ground

                  beach

classroom

                  bed

the red

                  the red 

Catherine D’Andrea taught French, raised two children, and confronted cancer before succumbing to poetry. She is a graduate of the MFA program at Western Connecticut State University and her work has appeared in Blue Heron Review, Literary Mama, The New Verse News, Poor Yorick Journal, and other publications. She lives in Connecticut with her husband and two cats.

ESCOFFIER GRABS A BURGER

by Jon Wesick

 

Cartoon by Nick Anderson

After John Steinbeck inaugurates the Trump-

Kennedy Center, Edwin Hubble gets his horoscope 

done, setting off a flash flood of intellectual foment. 

Simone de Beauvoir tunes in to Andrew Tate,

Lord Haw-Haw blows Winston Churchill’s mind,

Stanley Kubrick remakes Birth of a Nation, 

and Aaron Copeland replaces “Fanfare for the Common Man”

with “Who Let the Dogs Out?”

 

Rachel Carson invests in coal. Jonas Salk delves into iridology. 

Charles Darwin searches for lizard people in the Galapagos.

Carl Friedrich Gauss abandons mathematics for numerology.

Coco Chanel wears Garanimals. Epicurus praises Jell-O.

Isaac Newton is never without his lucky rabbit’s foot

and Albert Einstein always forwards chain letters.

Fyodor Dostoevsky watches Jerry Springer 

and Virginia Woolf never misses Real Housewives. 

You can find Da Vinci painting Elvis on velvet at any gas station.

Hundreds of Jon Wesick’s poems and stories have appeared in journals such as the I-70 Review, New Verse News, Paterson Literary Review, and Unlikely Stories. He is a regional editor of the San Diego Poetry Annual and host of the Gelato East Fiction Open Mic as well as the NAV Arts poetry reading. His latest short story collection is Saint John the Blasphemer. He lives in Manchester, New Hampshire and longs for gene editing to bring giant wombats back from extinction.

THE SCRUBLAND

by Sezin Devi Koehler

for Rob Reiner

the humid air streams off the slash pine barks

     the breath of a ghost lover against my neck

the tinnitus buzzing of insects, some vampires some not

     the goth butterfly that lands on my sweaty shoulder

     for a drink—I become nectar

gopher turtles scurry into their burrows at my footsteps

     grumpy Harry before Sally

sugar sand yields under my pink sandals

     when it rains, hungry quicksand 

     isn’t just a threat to Westley and Princess Buttercup

this oak tree is 265 years old, the banyan dripping limbs at least 300

these willows extend a fairy circle in the air

rodents of usual size rut below sawgrass thrones

the path into the forest has been worn by hundreds of feet

the train runs parallel, its mournsome whalesong

     I’m the fifth friend in Stand By Me

     looking for my own dead body in the moist brush

     a phoenix in progress

I didn’t forget my comb here by the tracks

     but I did forget myself in the junkyard of a marriage

     that did not bring us together today

I walk through the woods of your memory

as I wish

     come back to us soon

     come back soon

     come back

Sezin Devi Koehler is a multiracial Sri Lankan/Lithuanian American and author of Much Ado About Keanu: A Critical Reeves Theory (April 2025, Chicago Review Press), a sociocultural deep dive into what makes Keanu Reeves so extraordinary as a performer and artist. Pop-culture writer, entertainment journalist, and Rotten Tomatoes-certified film and TV critic for Black Girl Nerds, Sezin's bylines also include Entertainment Weekly, The Daily Beast, Scalawag Magazine, Tasteful Rude, Teen Vogue, and many more. Her poetry has appeared in Tension Literary. Sezin is a board member of the San Francisco Writers Grotto and wordsmiths from an East Oakland historic landmark that looks uncannily like the house from Practical Magic, where she can see the San Francisco Bay from her own window.  

DROPPING OFF THE NATIVITY

by Tricia Knoll

For the community of Winooski [Vermont], the week following Thanksgiving began with a disturbing absence: a second-grade student’s desk was empty. What followed was a rapid-fire sequence of press releases, emotional pleas, and contradictory reports that have left many Vermonters confused about how a seven-year-old boy went from a holiday road trip to a federal detention center in Texas. —Compass Vermont, December 7, 2025

Handmade of painted paper mâché, the figures of the old nativity scene rest in the tattered box I pick up at the church bazaar for $2. Baby Jesus. A goat. Two men with lambs on their shoulders. Mary. Joseph. Five wise men bearing gifts. Two identical angels hinting this might be a combination from two original sets. A blue angel who cannot stand up. A flimsy barn and dry grass. I leave it on the doorstep where my favorite children live, hoping someone might tell the children the story of outcasts, love and humble housing. How Christmas got its name. Even if they use pagan filters. A text arrives: their house doesn’t do nativity. It’s going to Goodwill. I ask for it back. The news: ICE pulled over a seven-year-old and his mother in Illinois. Originally from Ecuador, they live in the town just upriver from me. The child’s school was the first declared sanctuary school in Vermont. The mother and child are now in detention in Texas. The superintendent of schools works to raise money for legal aid, to help the father contact them. Inside me sounds like sanctuary, mercy, peace, star of hope and love reverberate like the striking of a distant temple bell. 

Tricia Knoll's hometown of Williston, Vermont is the center of ICE's national data collection and the place scouring social media to find evidence of immigrants without citizenship. She is a poet currently writing in prose. Her chapbook The Unknown Daughter was recently a finalist in the New England Poetry Club chapbook contest.

OBITUARY FOR WOMEN WHO STOP TRAFFIC

by Mary K O'Melveny

Cora Weiss, who was active for more than half a century in support of gender equality, international peace, the anti-Vietnam War movement, civil rights and nuclear disarmament, and who helped organize some of the most important mass demonstrations of the 1960s, died on Monday in Manhattan. She was 91. —The New York Times, December 8, 2025

          For Cora Rubin Weiss (1934-2025)

 

Women Strike For Peace detected

Strontium 90 in newborn’s teeth,

food, air, water. Filled Central Park

with a million activists for 

nuclear disarmament.

Pedestrian gridlock stilled horns,

thrilled peace advocates everywhere.

Atomic tests were later banned.

 

Later, Cora chaired justice protests,

led the New Mobilization 

Committee to end the American 

War in Vietnam. She carried signs:

Not Our Sons. Not Your Sons as she

pursued Pentagon bigwigs, garbed in

pearls, high heels, demanding war’s end. 

Hundreds of thousands followed her there.

 

Traffic came to a stop when she 

lay down on Park Avenue with 

her resistance sisters, each one

bearing names of  Vietnamese 

dead by US guns, bombs, napalm. 

She ferried letters from Hanoi

POWs to home and back.

Carried hopes, parried criticism.

 

Mentored by Eleanor Roosevelt

as a girl. In college, she met,

married Peter, a civil rights 

lawyer activist. Together, 

they fought against bigotry – from

McCarthy to Trump. Cora knew

the key role that women play in

teaching about love, unity.

 

Throughout her life, she stopped traffic-

king of hate. Fought for global peace

education. Fought for humanity.

She never gave up. Never walked 

away from a righteous cause. Never

stayed silent when protest was called

for. Never got up from a roadway

if something remained to fight for.

Editor's note: Peter Weiss died in November 2025 at the age of 99.

Mary K O’Melveny, a happily retired attorney, is the author of four poetry collections and a chapbook. Her most recent, If You Want To Go To Heaven, Follow A Songbird, is an album of poems, art and music. Mary’s award-winning poems have appeared in many print and on-line literary journals and anthologies and on international blog sites, including The New Verse News. Mary’s collection Flight Patterns was nominated for the Eric Hoffer Book Award. Her book Merging Star Hypotheses (2020) was a semi-finalist for The Washington Prize, sponsored by The Word Works. Mary has been three-times nominated for a Pushcart Prize. She is an active member of the Hudson Valley Women’s Writing Group and her poetry appears in the Group’s two published anthologies An Apple In Her Hand and Rethinking The Ground Rules. Mary lives with her wife near Woodstock, New York.

MASS SHOOTING #8

600 block of Jackson Ave., Muskegon, MI, Dec 6, 2025

“2 people dead, three others, including child, injured in Muskegon shooting”

by Ron Riekki

“Sure, this world is full of trouble

I ain't said it ain't.”

—Douglas Malloch, “It’s Fine Today”

They say there are 200 different words for snow

in the Sámi language, like the northern Sámi

 

vahtsa, which is new snow on old snow, which

now is the case, driving a rented car on plowed

road, but then turning onto the street of our latest

 

mass shooting in Michigan and instantly it’s

unplowed, so thick with snow that it scrapes

 

the bottom of the vehicle, yet ice on the tires

so that the car swerves back and forth, with

a realization that I can’t stop, so I drive by

 

a house with caution tape lying in snow, but

it doesn’t look like the photos or videos online

 

of where the shooting happened and I wonder

if it’s another incident, especially since this city—

Muskegon, Michigan—has been plagued with

 

a dozen shootings: 9mm and Glock and “AR-

style rifle” and “stolen pistol” and “handguns”

 

and another shooting on the 1400 block of

Gyrock and a “19-year-old has been arraigned”

and nine killed and eleven injured in Muskegon

 

this year alone, a population of 38,000, and it’s

26 degrees with the wind chill, two months since

 

the last mass shooting; and a Democrat online

tells me it’s due to the cold, and someone else

online says it’s due to astrology, wants to know

 

the alignment of the stars, and I stare at the home

I think where the shooting happened, but I can’t

 

stop, the street empty, absolutely nobody outside,

and the house where it happened looks dead, no

lights on inside, but, later, down the street, I see

 

a window with bright white Christmas decorations,

a snow-colored fake tree elegant in the window,

 

and I swing the car around once there’s plowed

road and go down it again, still not able to stop,

still swerving, windows down, the cold frowning

 

into the car, a church nearby unplowed as well

as if no human has been down this street since

 

the shooting, the feel of abandonment, how that

tends to be the feeling of so many of these sites

of shooting, and I stop at a shop, a garage, closed

 

for the night, a large sign saying BLOOD’S all

in red, all in caps, such an odd name for a “front

 

end clinic,” the address 13-something, and

the building bone-colored; getting my bearings,

I drive, looking for anyone to talk to, but all

 

is winter-quiet, a worker stepping out of a back

exit of a restaurant, wiping sweat off his fore-

 

head with his sleeve, his breath visible, and

then, amidst all these closed stores: a liquor

store, how so many of these mass shootings

 

are near liquor stores and churches, parks

and cannabis dispensaries. A 4-year-old

 

was shot at this mass shooting. A 22-year-

old woman and 25-year-old man killed.

A worker throws out piles of cardboard

 

into a dumpster—no recycling—massive

letters of SAM’S DRINK ALL on the store,

 

such a bizarre name, like a command, and

the worker tells me he has no thoughts on

the shooting, doesn’t want to talk about

 

the shooting, doesn’t want me going into

the store, calls and confirms that I am not

 

allowed into the store, but then teenagers

walk into the liquor store and there seems

to be no problem with this. Seeing two

 

children alone in a car, the mother later

emerging from inside. I talk with a 14-

 

year-old who wanders up, says that his

birthday is tomorrow. He’s with a friend.

I ask how we stop gun violence, if they

 

heard about the shooting. They tell me

they know there’ve been shootings. How

 

do we stop them? One of them walks

away, into the store.  The 14-year-old

remains, saying it’s “parenting” and

 

"finances," that “it gets harder every year,”

that people sell drugs to survive. I ask

 

how he’s avoided it: “work and school

and sports.” Football.  Behind him,

the words liquor – beer – wine – lotto.

 

These liquor stores near mass shootings,

always so busy. The 14-year-old goes inside.

Ron Riekki co-edited Undocumented: Great Lakes Poets Laureate on Social Justice.