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Today's News . . . Today's Poem
The New Verse News
presents politically progressive poetry on current events and topical issues.
Guidelines
Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Sunday, October 25, 2026
AFTER THE CRIME
Saturday, October 24, 2026
THE PROGRESS OF OCTOBER IN VERMONT
Leaves here are notorious, glorious and over-reported. Cars clog the notches in mountain roads as cell phones capture luminous but fleeting colors that flash all the way to Canada. Everything falls. Branches that endured heat and drought and quenching rains crack and crash like broken promises for healing healthcare. Storms grab leaves, sails unprepared to survive to make a chaos of lawns and a litter of forests. Shedding before the nakedness of winter. Hands that wield a rake are prone to blister. This state holidays honors the Abenaki people, ancestor-caretakers of the land, while Christopher Columbus statues tumble to the ground, nose first into the dirt. The Hunter Moon witnesses as a bald man whose lips hold tight his sour secret–casting a night light that prey hide from in the verges of the reaping, just-mowed fields. Outside the chiropractor’s office near town a 20-foot-skeleton with flashing red eyes leans on the doctor’s advertising sign. At a house down the road, a Tarot-like man hangs by one foot from the rafters, dressed reminiscent of Uncle Sam, twists in the wind–the residents’ nod to weak guns laws, a protest of ICE violence and a proposal to live-stream the death by firing squad of a wheelchair-bound terrorist. On rain-wet roads people rush to deposit marked ballots early to town halls to second-guess what may go wrong next. The children know days march toward Halloween and the Day of the Dead, a stampede toward candy cached in pillowcases, the subterfuges of breeze-blown gauzy ghosts hanging on white strings on front porches, and the scurry of small-feet boot prints in mud. Nothing stands still among the windswept.
Tricia Knoll is a Vermont poet who cast her vote days before the No King's actions. She pays close attention to seasonal storm winds of both politics and climate change. She is writing prose poems these days though her collection of free verse about aging, Gathering Marbles, is coming out from Fernwood Press in July 2027.
UKRAINE: AN ERASURE
Friday, October 23, 2026
WORLD WITHOUT END? OMEN
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| The Guardian, October 22, 2026 |
As metaphor,
It's most emphatic:
What could be more
Emblematic?
Steven Kent is the poetic alter ego of writer and musician Kent Burnside. His work appears in 251, The Asses of Parnassus, Blue Unicorn, The Dirigible Balloon, The Hypertexts, Light, Lighten Up Online, The Lyric, The New Verse News, The Orchards Poetry Journal, Philosophy Now, The Pierian, Pulsebeat Poetry Journal, The Road Not Taken: A Journal of Formal Poetry, Snakeskin, Well Met, and Well Read. His collections I Tried (And Other Poems, Too) (2023) and Home at Last(2025) are published by Kelsay Books.
WHY I’M SO NICE TO ALEXA
THE FIRST WORD
Mama.
Thursday, October 22, 2026
A NOTE ON MUSIC
Peter F. Crowley is a prolific writer from the Boston area whose work spans short fiction, op-eds, poetry, and academic essays. His writing has appeared in publications such as Pif Magazine, Flash Fiction Magazine, RavensPerch, New Verse News, Common Dreams, The Galway Review, Digging Through the Fat, and The Opiate. He was a finalist in both the short story and poetry categories of Adelaide’s Award Anthologies, and his work has been nominated to Best of the Net. He is the author of two poetry collections, Those Who Hold Up the Earth and Empire’s End, as well as a short fiction collection, That Night and Other Stories.
COOL YOUR EYES
by Sarah Manasrah
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did Reem
named after the gazelle’s tenderness
know her naseeb
when she named her baby Maryam
born shortly after
her husband was murdered?
who three years later was broadcast
across the world burning alive
while her toddler daughter watched
paralyzed by the orange blaze?
Maryam, the only woman
with an entire surah
as her namesake
who begged in the throes
of childbirth to have died before
how toddler Maryam,
covered in third degree burns
staring vacantly and saying
“my body hurts”
pleaded for her mama
may Qu'ran 19:23-26
give her fresh gauze
in her worst moments
when she realizes
her mama will never return
“do not grieve
your Lord has provided a
stream at your feet”
the stream is all of our tears
and Maryam will never die
Editor’s glosses:
Reem: A traditional Arabic feminine name (ريم) meaning "baby deer" or "gazelle," symbolizing purity and tenderness in literature and poetry.
naseeb: destiny
surah: chapter.
Qu’ran 19:23 — And the pains of childbirth drove her to the trunk of a palm tree. She said, 'Oh, I wish I had died before this and was in oblivion, forgotten.’
The quotation in the penultimate stanza is from Surah Maryam 19:24-26 of the Qu’ran. It records the comforting words spoken to Maryam (Mary) during the painful and isolated birth of Jesus (Isa), reassuring her to find peace, drink from the stream, and shake the palm tree for fresh dates.
Sarah Manasrah is a proud girl mama, community organizer, writer, and full spectrum birth worker growing movements for transformative justice and community care. She's part of a Jewish-Muslim-Palestinian family, a descendant of refugees spanning six countries.
Wednesday, October 21, 2026
NO KINGS ON CONNECTICUT
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| No Kings, October 17, 2026 |
MAKING A JOYFUL NOISE
We are at the Village Green.
Hand-made signs displayed like
concert batons. Cars honk like geese.
Like bicycle horns. Like coronets.
Turns out, each vehicle’s horn has
distinct sound. Tinny. Bulbous. Sharp.
A thin wail. A robust shout. A stout
man on an opera stage. A US
composer once conducted a horn
concerto with twenty Mini-
Coopers. It is easy to imagine
on this brisk October afternoon.
Drivers are music makers too.
They Toot Toot Toot Toot. Ta Ta Ta.
Beep Beep Beep Beep. Passengers wave,
clap, shout out No Kings. This Is What
Democracy Looks Like. We wave
back, save our voices for the next
chant. The bus bound for Oneonta
unfurls foghorn sounds as it passes.
One man bellows No Kings But Jesus!!
Another yells Vote like your life
depends on it. We hurl those words
back in agreement. Vote Early! Vote!!
A Mariachi band arrives in full
regalia, guitars at the ready.
Celito Lindo! Ay Ay Ay Ay!
Harmonies filter through chilled air.
Tourists take in the scene. Some nod,
Smile. Others look away, as if their
purchases have somehow made them
complicit in this moment. Someone
with a drum begins to snap snap
tap tap. We’re all a swing band now.
We’re playing for keeps. Praying to
be heard. Staying upbeat. Ay Ay Ay Ay!
Mary K O’Melveny, a happily retired attorney, is the author of five poetry collections and a chapbook. What Remains? is just out from Broadstone Books. Mary’s award-winning poems have appeared in many print and on-line literary journals and anthologies and on international blog sites, including The New Verse News. Mary’s collection Flight Patterns was nominated for the Eric Hoffer Book Award. Her book Merging Star Hypotheses (2020) was a semi-finalist for The Washington Prize, sponsored by The Word Works. Mary has been three-times nominated for a Pushcart Prize. She is an active member of the Hudson Valley Women’s Writing Group and her poetry appears in the Group’s two published anthologies An Apple In Her Hand and Rethinking The Ground Rules. Mary lives with her wife near Woodstock, New York.










