TODO BUENO?

by Andrés Castro

from Macmillan

New York City continues to grow and grate on me.
     Being born at Coney Island Hospital the summer of ’58, 

     after my family arrived from Puerto Rico—Borikén 

to the Indigenous—should make me a Boricua, but no.

Mi familia on the island often says I am from Por Allá, 

     especially those claiming bloodlines to native villages—

     chiefs rabid in their gatekeeping—when calling 
the post-Columbian colonizing label, Taino, inauthentic. 

My genté, speaking from por alla/my over here—

     just call me Nuyorican. My ancestral archipelago remains

a natural wonder; but why erase my mainland city tribe. 
     My adolescence was blessed with a South Bronx block 

of modest homes owned by Black, brown, and white 

families that mixed—no matter the surrounding chaos 

of the sixties. My transplanted island roots took root 
above and below concrete. So what I was born too late 

to be an OG Nuyorican—say The Young Lords or outlaw

poets Pedro Pietri, Miguel Algarín, and Miguel Piñero, who

founded the Nuyorican Poets’ Café to welcome everyone. You
can’t grow up where I did and not be Nuyorican—this one, 

given my nature, still needs activism and revolutionary poetry.  

     The stakes are too high now: the world is being set ablaze 

with the U.S. the head arsonist—aren’t the U.S. bombs that made 

Gaza a wasteland and suddenly dropped on Iran enough proof? 

     I only wish my roots were not drying out so quickly. My mother

would say, “Cuídate, de los buenos quedan pocos,” if still alive.

I have gone from little boy to brittle—taking care and being good 

in 2025 is old as analog. The robotic other side is evil and reckless—

signing the Doomsday Clock will strike midnight in my lifetime—
whether I practice Yucayeque rituals in Borikén’s central mountains 

or rattle downtown on the Lexington Ave express. What I really

need to talk about is the genocide of Palestinians given the chance.  

Andrés Castro, a PEN member, is listed in Poets & Writers Directory and keeps a personal blog,
The Practicing Poet. Andrés is currently working on Militant Humanist, a project for poets, 
writers, artists, and others.

FACES OF MARIA

by Andrés Castro

“We found many children in Utuado living in these conditions. No roofs, water, power, and little food.” Tweeted by Antonio Paris‏ @AntonioParis 


Who in their right mind would name a hurricane Maria?

Only the diabolical would wrap death in Mother Maria.



As Boricuas die, our Commander and Chief Drone tweets,

plays golf, calls the begging Mayor of San Juan, no Maria. 



My grandfather, Don Manolo, an Independista until the end,

cut cane as a young man, hoping to marry sweet sixteen Maria.

Titi Carmen, the Santera in the family, would take her old
grandmother and introduce her to the spirit Orichas as Maria.

In Don Pablo’s basement church, sacred African-Cuban drums
conjured my favorite Changó by the statues of Virgin Maria.

Don’t substitute your prayers for baby food, water, electricity,
give your money to crooked Priests and Pastors, Ave Maria.

We know this is a man’s world, a white man’s world, a rich
white man’s world, I am a poor Nuyorican, loving Maria.

The trees, birds, little green coquis will come back in time,
fathers and mothers with faith will name their babies Maria.

Andrés Castro is a PEN member/volunteer and is also listed in the Directory of Poets and Writers. His work has appeared in the anthologies Off the Cuffs: Poetry by and About the Police and Close to Quitting Time, as well as in print and online journals including Left Curve, Counterpunch, The Potomac, Mobius: The Journal of Social Change, Long Shot, Acentos, Pilgrimage, Montreal Serai, and ImageOutWrite. He also regularly posts work on his blog The Practicing Poet: Dialogue to Creativity, Poetry, and Liberation.