I HEAR AMERICA CRYING

by Judy Trupin

holding in their fingers the shreds of constitution
tattered perhaps beyond repair
The insurrectionists running free, absolved
I hear America crying
the carpenter and the mason being dragged away
by the chilling iceman
their families slipping on their tears
and murmuring to each other
What is this land in which we dwell?
A boatman turned pilot ferries them away to 
prisons in countries unknown
I hear America crying
as judges erase the law of the land
another pilot does not cry but grits his teeth
as he drops his bombs
preserving his president’s honor but nothing else
I hear America reeling as yes becomes no
and truth morphs into lies
I hear America whispering
too afraid to sing
to afraid to shout
huddling in their homes
uncertain what the night will bring
or when the night will end
and if they will sing 
and if they will sing
again.

Judy Trupin lives, writes, and thinks in Pittsburgh, PA. Walking, teaching and practicing yoga and singing to her plants keeps her sane.

FOR NOW

by Pepper Trail

—The New York Times, May 30, 2025

For now, strip a half-million refugees of any illusion of safety or mercy

Allow honorably-serving transgender troops to be expelled from the military, for now

For now, okay the use of the 1798 Alien Enemies Act against Venezulean immigrants

Condone the termination of awarded grants that promote diversity and tolerance, for now

 

Do not get excited.

This is not the end of democracy.

This is “for now.”

Someday, we, the Justices of the Supreme Court, might stand up.

Might defend the Constitution, could uphold the separation of powers.

May act, at last, as a check upon an utterly lawless and corrupt regime.

 

Not today.

But perhaps, someday.

Pepper Trail is a poet and naturalist based in Ashland, Oregon. His poetry has appeared in Rattle, Atlanta Review, Spillway, Kyoto Journal, Cascadia Review, and other publications, and has been nominated for Pushcart and Best of the Net awards. His collection Cascade-Siskiyou was a finalist for the 2016 Oregon Book Award in Poetry.

SPRING (RUDE) AWAKENING

or HANDS OFF MY SHOWERHEAD

President Trump, who has waged a long-running battle against low water pressure, signed an executive order that redefined a common bathroom fixture. —The New York Times, April 10, 2025

by Ann Weil

after Louise Glück’s “October (section I)”
 

Is it Spring again, is it green again,
aren’t we a field of four-leaf clover,
aren’t we coming up posies, 
 
weren't we promised,
aren’t we deserving,
aren’t we special, 
 
wasn’t he strong,
tougher than bullets,
 
didn’t he vow a phoenix nation,
to clean the shop
of waste and scum,
isn’t he bold, isn’t he clever, not telling
the half of his plans 
for ’25—
 
I remember our weakness, our shameful
kindness, our brotherly love, our lead-by-example,
didn’t those values drag us down,
drown us in our Gulf of America,
 
I can’t remember 
which government bloat 
I’m supposed to hate more—
park rangers or cancer researchers,
 
I no longer care
about clean air and healthcare, 
but, man, those egg prices
keep me up at night—
 
who needs allies, free-trade, or 401Ks,
who needs hurricane warnings
or Judy Blume books, 
 
down with DEI, up with ICE,
when was I young there were no illegals, 
no signs in Spanish, my grandparents spoke
only English, swept their Yiddish 
under the rug,
 
when did the taco trucks takeover
and bubble-tea shops spread like a rash,
when did a skirt 
give a guy a free pass
to the ladies room—
a scourge more worrisome 
than measly measles,
 
I blame the Fathers’ faulty foundation—
the Constitution’s lunatic creed,
 
didn’t we thrive without due process, 
without free-speech and fair elections,
 
wasn’t it great
when we were subjects
subject to
the whims of a king,
 
didn’t so-called progress
lead us to this towering cliff,
 
aren’t we jumping, won’t we bounce,
bounce back better like he said,
 
yes, we’re jumping,
isn’t it Spring?  
Yes, it’s Spring, 2025.

Ann Weil is the author of Lifecycle of a Beautiful Woman (Yellow Arrow Publishing, 2023) and Blue Dog Road Trip (Gnashing Teeth Publishing, 2024). Her poetry appears or is forthcoming in Best New Poets 2024, Pedestal Magazine, RHINO, Chestnut Review, DMQ Review, Maudlin House, 3Elements Review, and elsewhere. A four-time Pushcart nominee, Weil lives with her husband in Ann Arbor, MI, and Key West, FL.

ON THE AFTERMATH OF A CONSEQUENTIAL ELECTION

by Peter Nohrnberg

Art by Soybeing at Michael Moore Substack

Outraged and exhausted, we make our choice
guided by billions that masquerade as voice.
Like good consumers, we were well apprised; 
knew the cost of eggs, if not of lies.
Fever dreams of unruly immigration 
return to T---p the frayed reigns of the nation.
Sworn in under the Capitol’s Rotunda—
a cold snap turns DC to arctic tundra—
the colossus takes his oath on Lincoln’s Bible.
(Who but Abe or Jesus can claim libel?) 
Fearing his dark promise of retribution 
Silicon Valley makes a contribution. 
Bureaucrats begin to take their leave 
as Musk and DOGE descend like drones on Kyiv.
Among those given the algorithmic axe:
employees who fend off nuclear attacks. 
Less government reform than “shock and awe,” 
cutting of red tape, and rule of law. 
T---p wields his blunt Sharpie like a machete,
shreds the Constitution to confetti.
Vital public info goes up in smoke,
sacrificed on the altar of “anti-woke.”
An able four-star general gets the sack,
replaced by one with three-stars who’s not black.  
POTUS’s pen claims there’s but two genders;
and those born intersex? return to sender!
Like King David who forgave his half-brother, 
Trump pardons both rioter and traitor. 
The Senate coddles his menagerie of weasels 
while unvaxed kids in Texas contract measles.  
The keys to New York City pass to ICE
while Don Junior cavorts on Greenland’s ice.
Deported “illegals” are dealt a dismal fate:
and on the return flight? The brothers Tate. 
Statecraft becomes T---p’s Art of the Self-Deal,
while folks in Gaza scavenge for a meal. 
(One day they’ll all be served a ten-course feast 
at the “Riviera of the Middle East”;
but first they must go on a long vacation 
while Gaza undergoes renovation). 
Back in the Oval Office on his knees 
Zelenskyy begs, but stops at “pretty please”:
desperately in need of guns and tanks,  
dressed down for not dressing up, not saying “thanks.” 
 
Does the arc of history bend toward justice;
Or does history simply bend and break us? 
Does democracy die in darkness, or blinding light? 
How should we view this spectacle, our plight? 
Will art and culture help us ride out the storm,
or did they bring about this new abnorm?  
Did treating blue collar folks as ignore-ables 
help gather MAGA’s “basket of deplorables”?
Or were their grievances, self-pity
what drove them to become so proudly sh---y? 
Perhaps there’s something deep within us all 
that answers to the con man’s siren call.   
Devotion to another’s certainty 
distracts us from the world’s contingency.  
How easy to blame DEI, the border;
easier still to make disorder out of order.
 
When power controls the future and the past, 
can even the written word persist, outlast?  
Yet words, like insects tend to stick around;
gone for years, they emerge from underground:
can sting or float, be bee or butterfly,
little strong things to pinch an ugly lie.   

A poet, cultural critic, and a scholar of literary modernism, Peter Nohrnberg has had his poetry published by Southwest Review, Notre Dame Review, The Wisconsin Review, and Oxford Poetry, among other journals. His poem “Pantoum After a School Shooting” was awarded second place in the 2020 Morton Marr Poetry Prize. 

TORN

by Thomas R. Smith

AI-generated graphic by NightCafé for The New Verse News.

Though our little lives go on, we’re aware
of a massive tearing—a fabric
we’d thought sturdy is being ripped by
unseen hands, cruel, immensely powerful.
This was not supposed to happen in our
country. The rent is pulling apart
the graves of those who died for a proud
ideal. My high school Memorial Days
in the band playing trombone at the cemetery
are torn down the middle, every
school morning that began with the Pledge
of Allegiance in shreds, and the history
book pages of our defeat of fascism
fallen to the ground like shotgunned birds.
Sit with it a moment and you’ll hear it
loud and close, a chainsaw biting into
our soul. Where are our old Scout masters,
our civics teachers who elevated
the virtues of our form of government? 
Where are the leaders we were taught to respect?
Where are the generals sworn to uphold
the Constitution while the demented
king wages war on his own people? Where
is Betsy Ross with her needle to drive
into the hole in our nation’s heart
and stitch back together this wounded cloth?

Thomas R. Smith’s recent books are a poetry collection Medicine Year (Paris Morning Publications) and a prose work Poetry on the Side of Nature: Writing the Nature Poem as an Act of Survival (Red Dragonfly Press). He lives in western Wisconsin near the Kinnickinnic River.

MY HOUSE, YOUR HOUSE, AND THE PEOPLE’S HOUSE

by William Palmer

AI-generated graphic created by Nightcafé for The New Verse News.

Evil can be “defined most simply as the use of political power to destroy others for the purpose of defending or preserving the integrity of one’s sick self.”

M. Scott Peck, The People of the Lie: The Hope for Healing Human Evil  

 

 

At home I hear a muffled buzz

then press my ear to a wall—

it feels soft

enough to push

my finger through. 

 

I cut out a square

and find a mass

of larvae squirming

in the light, eating

the backing—

 

a replica of the Constitution.

 

I hire an exterminator.

 

Sorry, but you have an infestation.

See the sawdust—they’re gnawing 2-by-4s.

 

They’re even going after steel beams.

Look at the tiny shavings.

 

There is no guarantee we can eradicate

what’s happening.

 

Please do what you can, I say.

 

Each day I listen for the lies.

William Palmer’s poetry has appeared in Ecotone, JAMA, On the Seawall, One Art, The New Verse News, and elsewhere. A retired professor of English at Alma College, he lives in Traverse City, Michigan.

IT CAN’T HAPPEN HERE

by Jim Burns

with echoes of Buffalo Springfield

AI-generated graphic by Shutterstock for The New Verse News.

it can’t happen here 

they say

and go on 

with their day, 

but are they sure,

do they remember a time 

way back in their prime 

when they raised voices and sang

that something’s happening here,

it’s not exactly clear,

but we’d better beware

and look what’s goin’ down

what’s that sound, 

it ain’t exactly clear, 

but something for sure 

is happening here, 

the Constitution, institutions, 

are biting the dust, 

like used up metal 

they’ll dissolve into rust 

while we whistle 

in the dark, 

take a walk 

in the park, 

say it’ll be alright

and forget 

that what follows

the dark 

is the night

Jim Burns was born and raised in rural Indiana, received degrees from Indiana State University and Indiana University, and spent most of his working life as a librarian. After retirement he turned to an earlier love of writing and has been fortunate to have seen over 20 of his poems and prose published either online or in print. He lives with his wife and dog in Jacksonville, Florida.

THREE YEARS SINCE JANUARY 6TH

by David Feela

Traitor Trump is a drawing by Mike Scott which was uploaded to Fine Art America on December 8th, 2022.

the rhetoric simmers
the threats rise like steam
the traitor still leading the charge
the office in florida a command post
the golf course his bunker
the tower branded by his babel 
the lies
the three years burning like acid reflux in democracy’s gut
the smell of pepper spray in everything he says
the mass deportation of his conscience  
the rumor he doesn’t have one
the constitutional disdain he swears to protect
the lies
the charisma he carries like a infected boil
the rule of law that doesn’t apply to him
the courtroom where he sits and glares
the indictments and mug shot 
the lies
the money he grifts 
the pussy he’s entitled to grab
the election he never won
the lies
the reelection he continues to rig 
the bible raised as a prop
the lies
the comb over that covers his heart

David Feela writes monthly columns for The Four Corners Free Press and The Durango Telegraph. Unsolicited Press released his latest chapbook Little Acres.

PLAINFIELD TOWNSHIP

by Jeremy Nathan Marks

in memory of Wadea Al-Fayoume (6 years old)

The last words of a six-year-old US Muslim boy stabbed to death in a suspected hate crime over the weekend were "Mom, I'm fine", his uncle said as hundreds gathered to lay the child to rest… Police say Wadea al-Fayoume was attacked because he was Muslim. His funeral was held as the family's landlord appeared in court charged with the boy's murder. The 71-year-old accused was allegedly upset about the Israel-Hamas war. —BBC, October 16, 3023

Six-year-old sons are supposed to live the dream of a free-range American boyhood.
Cowboys and Indians. Minecraft and mumps inoculations. Even gender-neutral pronouns. 
 
Muslim or Christian, it shouldn’t matter since we, the people, possess a constitution
once amended to address that there is no sin in being subaltern.
 
But our land is filled with weapons. Frontier remnants, perhaps. Anger makes fathers
guard their daughters with rifles. We should never ignore that faith is a live wire.
 
What about knives. A mother discovers how a landlord’s grandfatherly fondness for her son
turns to murder. He raises his blade to the boy twenty-six times, practically a lunar cycle.
 
How did a man who carpentered nails and boards to build young Wadea a house
decide to enlist in sorrow’s circle. Was it Iblis or X. OAN perhaps. Maybe Fox. 
 
Did he go mad from the whisper of his neighbor’s dog
(like Berkowitz)
who said never trust anyone who abstains from swine.
 
I believe property is a theft. Claim a land, claim a life.
Now our nation reckons with a terrible debt.
 
Who but a martyred boy can account for that.

Jeremy Nathan Marks lives in Canada. His latest book is Flint River (Alien Buddha Press, 2023). New and recent work appears/will appear in Mobius, Rattle, Terrain.org, Writers Resist, Topical Poetry, and Belt Magazine. He holds two passports.

SHISHI-ODOSHI IN THE CONSTITUTION GARDEN

by Richard L. Matta 

A bamboo pipe

sun-bleached to parchment paper white

trickles water like truth

makes deliveries to a receiver pipe,  

and when it’s had enough, it doesn’t lie still 

but sounds an alert. 

Big red dragonflies 

alight on the pipe, as if to refute the value

of the water, and all the while 

little blue dashers 

zigzag for attention. The lower rocker pipe 

fills and pivots and spills 

and smacks a rock and

who should stay in place 

but the big red dragonflies. 

The device is like a gavel for everyone to hear

but despite the crack 

it’s become background static.

Not even a deer or boar

would hesitate to spy and steal 

and disrupt the plentiful garden 

where a shishi-odoshi 

is just an artful design. 

Richard L. Matta grew up in New York and now lives in San Diego. Some of his work is found in Ancient Paths, Dewdrop, San Pedro River Review, Third Wednesday, Gyroscope, and many international haiku journals. 

CLEAR DEMANDS

by Indran Amirthanayagam

Police ran an armored carrier
into the gate of San Marcos
University, then charged
by the hundreds to rouse
students from sleep and
hound them into courtyards
arresting dozens upon

dozens. For what? For
allowing peasants to sleep
on the grounds while
in the city, to express
their right to protest, to say
no to the hard and clumsy-
handed, new, unelected

leader, to ask for
the dictator Fujimori
constitution to be
discarded then rewritten,
to ask for jobs and
seeds after the ravages
of the pandemic.

Indran Amirthanayagam is the translator of Origami: Selected Poems of Manuel Ulacia (Dialogos Books). Ten Thousand Steps Against the Tyrant (BroadstoneBooks) is the newest collection of Indran's own poems. Recently published is Blue Window (Ventana Azul), translated by Jennifer Rathbun.(Dialogos Books). In 2020, Indran produced a “world" record by publishing three new poetry books written in three languages: The Migrant States (Hanging Loose Press, New York), Sur l'île nostalgique (L’Harmattan, Paris) and Lírica a tiempo (Mesa Redonda, Lima). He writes in English, Spanish, French, Portuguese, Haitian Creole and has twenty poetry books as well as a music album Rankont Dout. He edits The Beltway Poetry Quarterly and helps curate Ablucionistas. He won the Paterson Prize and received fellowships from The Foundation for the Contemporary Arts, New York Foundation for the Arts, US/Mexico Fund For Culture, and the MacDowell Colony. He hosts the Poetry Channel on YouTube and publishes poetry books with Sara Cahill Marron at Beltway Editions.

MAGICIANS

by Katherine West

At first they just let us out for Christmas 

like Eleanor of Aquitaine 

in Lion in Winter

We were a bit cranky 

(like Eleanor of Aquitaine)

and it didn’t go well

Nevertheless, they kept trying 

and many called for our presence 

at Easter 

We sat between chicks 

and bunnies 

and tried to look fluffy

Better this time

as long as we didn’t speak 

or bare our teeth while eating chocolate rabbits 

Soon birthdays were demanded

like clowns or magicians 

no party was complete without us 

until someone pulled a baby 

out of a hat 

(instead of a scarf or a white rabbit) 

pink and plump 

and lisping mama

so that everyone could hear 

They had forgotten 

that we 

could do that 

They tried to lock us up  

citing the Constitution 

and the Bible 

but we had learned a thing or two 

from our time 

in the limelight 

When they came to take us away (again) 

we put our hands over our heads and clapped

like Albus Dumbledore in Harry Potter 

We vanished 

(like Dumbledore)

but no one said we had “class”

Hidden in plain sight now 

we walk the streets barefoot 

leaving bloodprints behind us 

impossible not to follow 

We magnetize the races 

like Joan of Arc in Joan of Arc

Katherine West lives in Southwest New Mexico, near Silver City. She has written three collections of poetry: The Bone Train, Scimitar Dreams, and Riddle, as well as one novel, Lion Tamer. Her poetry has appeared in journals such as Writing in a Woman's Voice, Lalitamba, Bombay Gin, The New Verse News, Tanka Journal, Splash! and Eucalypt, Writers Resist, and Feminine Collective. The New Verse News nominated her poem "And Then the Sky" for a Pushcart Prize in 2019. In addition she has had poetry appear as part of art exhibitions at the Light Art Space gallery in Silver City New Mexico, the Tambaugh Gallery in Las Cruces, New Mexico, and at the Windsor Museum in Windsor, Colorado.

THE CONSTITUTION AND A SPRIG OF RUE

by David Chorlton

     Clarence Thomas says American citizens are seemingly

     'more interested in their iPhones' than 'their Constitution'

 

Because an iPhone knows

the difference between a single-shot musket

and an automatic weapon;

because the Constitution never mentioned

an abortion but if you ask Siri

she will direct the question to a source explaining

the what and how of it; a source

incidentally unavailable in seventeen-eighty-seven.

One little know-all tablet

fitting comfortably in the hand

can tell you where to turn to reach a stated

destination, connect to the latest baseball scores,

and provide a recipe. But even an iPhone

can’t tell behind

which desk a pupil ought to shelter, or

where the emergency exit is

to get away from someone openly carrying.

Its time to reload

the letters in the Constitution’s “chuse”

with the neatly rounded “oo” that brings

choose up to modern usage.

Ask Siri when the wire coat hanger

was invented. She’ll say Eighteen sixty-nine.

For what was used in earlier

times, Benjamin Franklin advised the use

of an abortifacient to resolve

“the misfortune” of an unwanted pregnancy . . .

while an old Sephardic song

tells of Una Matica de Ruda, the sprig of rue

as a gift from the young man

who has fallen in love.

David Chorlton came to live in Arizona in 1978 and always loved the desert. The land has come to be a part of much of his writing, while other aspects of political and social life present more troubling questions. 

JUSTICE, CLARENCE?

by Geoffrey Philp

Justice Clarence Thomas, hailed as the “brightest

possible northern star“ and lauded as a “legal titan”

prefers the sobriquet of Originalist, a justice intent

on reversing laws not explicit in the Constitution.

And while he remained quiet during oral arguments,

he’d been preparing tortured briefs against abortion

and affirmative action, which he called a threat

to the “notion of equality,” in his considered opinion.

But I wonder what the other black-robed justices think.

For at the Constitutional Convention in Philadelphia

Clarence would’ve been reduced to 3/5 of a man—

His marriage would’ve been ruled as miscegenation

His home surrounded by hooded men on horseback:

“Don’t be scared, ma’am. We’re just here for the n***er.”

Geoffrey Philp is the author of two novels, Garvey’s Ghost and Benjamin, my son,, three children’s books, including Marcus and the Amazons, and two collections of short stories. He has also published five books of poetry. His forthcoming books include a graphic novel for children titled My Name is Marcus and a collection of poems titled Archipelagos. His forthcoming poetry collection borrows from Kamau Brathwaite’s “Middle Passage” lecture, Aime Cesaire’s Discourse on Colonialism, Sylvia Wynter’s “1492,” and Amitav Ghosh’s thesis in The Nutmeg’s Curse to explore the relationship between Christianity, colonialism, and genocide. He is currently working on a collection of poems titled Letter from Marcus Garvey. He can be found on twitter and on instagram.

A LOADED GUN

by Ann E. Wallace

after Emily Dickinson

by C.B.

Had my life but stood 

a loaded gun, I might have 

roamed these sovereign states

with ease and in the open.

 

But though this woman’s body

may live longer than its lover,

or its foe, it receives no such 

constitutional protections.

 

We grant inalienable safeguards 

to our guns, as to the men who

cock and press the sacred trigger

with force and as they please.

 

If I were indeed that loaded gun, 

my liberty to choose, to carry 

or to abort, would be a right 

that is secured in perpetuity.

Ann E. Wallace is a poet and essayist from Jersey City, New Jersey. Follow her on Twitter @annwlace409 or on Instagram @annwallace409.