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Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Showing posts with label static. Show all posts
Showing posts with label static. Show all posts

Sunday, August 13, 2023

SHISHI-ODOSHI IN THE CONSTITUTION GARDEN

by Richard L. Matta 




A bamboo pipe
sun-bleached to parchment paper white
trickles water like truth
makes deliveries to a receiver pipe,  
and when it’s had enough, it doesn’t lie still 
but sounds an alert. 

Big red dragonflies 
alight on the pipe, as if to refute the value
of the water, and all the while 
little blue dashers 
zigzag for attention. The lower rocker pipe 
fills and pivots and spills 
and smacks a rock and
who should stay in place 
but the big red dragonflies. 

The device is like a gavel for everyone to hear
but despite the crack 
it’s become background static.
Not even a deer or boar
would hesitate to spy and steal 
and disrupt the plentiful garden 
where a shishi-odoshi 
is just an artful design. 


Richard L. Matta grew up in New York and now lives in San Diego. Some of his work is found in Ancient Paths, Dewdrop, San Pedro River Review, Third Wednesday, Gyroscope, and many international haiku journals. 

Sunday, May 05, 2013

DISCONNECT

by Rick Gray


Image by Joe


In this dishonest script, my brother,
We must pretend no one is listening in,
and we are not men, but children
Put to sleep with lullabies so sweet
You’ll want to scream
When the next bombing hits
and our connection breaks into a
quagmire of static.


Rick Gray served in the Peace Corps in Kenya and currently teaches at the American University of Afghanistan in Kabul. He was a finalist for the Editor's Award at Margie, and has an essay that will be appearing in the forthcoming book, Neither Here Nor There: An Anthology of Reverse Culture Shock.