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Monday, March 16, 2026

PINS ON THE MAP

by J. Alan Nelson
 

After spending some of his prime years aiding German concentration camp survivors and guarding Nazi leaders tried for crimes against humanity at Nuremberg, a US second world war veteran is now believed to have become his country’s oldest known organ donor. The story of 100-year-old Dale Steele (above), who died in February after a head injury led to his being placed on life support, demonstrates how donors’ health is a more important consideration than how old they are, according to Live On Nebraska, an organ-procurement organization in his home state. “Mr Steele … is a powerful reminder that generosity has no age limit,” Live On Nebraska’s president and CEO, Kyle Herber, said in a statement. —The Guardian, March 13, 2026


Whenever I swear I don’t care anymore,
I open the phone, that glowing atlas,
and touch the red pins I dropped like blood drops
across the skin of the world.

One for the women I fucked in borrowed rooms,
their breath hot against my neck, thighs parting
like pages in a book I never finished reading.
One where Father left the dog behind,
old mutt howling at the empty driveway,
a childhood door slammed shut forever.

One where I straddled a pine like Frost’s secret rider,
sap sticky on my palms, wind laughing through needles.
One where I held the knife above an evil man’s throat,
his wife asleep beside him, innocent as milk,
and mercy rose up, sour and sudden,
and I walked away empty-handed.

One for the half-mile district win,
lungs burning, crowd a blur of small-town faces.
One for the bear in the Rockies,
black eyes meeting mine, both of us startled
into stillness, two animals deciding not to fight.

One where I sank into Icelandic snowdrift,
white world swallowing me whole,
cold like a lover who won’t let go.
One for the switchblade in Mexico,
cold steel kissing my throat,
I tasted metal and my own pulse.

One where I crashed Clinton’s party,
slipped past Secret Service like a dream,
shook the president’s hand, felt history
warm and ordinary in my grip.

I pin these moments still,
geography of scars and small triumphs.

Late nights when the step counter mocks me,
a few thousand short of ten,
I walk the empty streets at ten p.m.,
beer can sweating in my fist,
streetlights buzzing like tired blues.

On my pointer fingers, tattoos: RS and LP,
right starboard, left port,
so even drunk I know which way the ship turns.

And somewhere in Nebraska,
a hundred-year-old veteran, Dale Steele,
WWII quiet in his bones,
gives his liver after death,
organ young as three, they say,
regenerating cells like a river keeps running,
old body gifting what still lives.

I think of him when I pin another dot:
a man who outlasted war, depression, time,
then handed over the soft machine inside him
so someone else could keep breathing.

The map glows.
I zoom in, zoom out.
Infinity folds in on itself,
tessellations, impossible stairs,
hyperbolic curves bending away forever.

Yet here I am,
walking home under stars,
beer almost gone,
still pinning,
still caring,
one small step at a time.


J. Alan Nelson, a poet, actor, lawyer and journalist, has been nominated for a Pushcart Prize, Best of Net and Best Microfiction. He played the lead in the viral video Does This Cake Make Me Look Gay, the verbose “Silent Al” in HBO’s Emmy-winning SXSWestworld, and narrated New York Times videos on AIDS programs in Africa.