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Showing posts with label Buck Rogers. Show all posts
Showing posts with label Buck Rogers. Show all posts

Sunday, May 21, 2023

TWISTING THE DIAL

Down Radio Age’s Memory Lane of Childhood 

by Dick Altman




Congress is trying to prevent the death of AM radio calling it ‘irreplaceable’ as car companies drop it from their new EV models. —Fortune, May 19, 2023


Back when it’s nothing to scoot home alone—

a mile or two from school—I leave on the run—

to hear voices live bring to life Jules Verne’s 

To the Center of the Earth—or pretend to be

Captain Nemo—in his 20,000 Leagues 

Under the Sea. Nothing but imagination—no bot—

no screen—a few vacuum tubes—to illuminate 

the colossal octopus strangling Nemo’s submarine – 

or vessel boring—like a giant screw worm—

into planet’s core.

 

Some days I’m Buck Rogers—Others—Flash 

Gordon dodging Ming the Merciless—rocketing 

star to star—Back on earth—I run collie Lassie 

and shepherd Rin-Tin-Tin, till my legs drop—King—

my huskie, never tires, as I play Sargeant Preston 

of the Royal Canadian Mounties.  You can almost

hear me in the street yell—“Stop—in the name

of the Queen!”—as King holds at bay one more

perp in snowy wilds.

 

Three o’clock in the afternoon and I turn

into sheriff Tennessee Jed, then Hopp Harrigan

piloting bombers over Germany. Back on ground,

I’m the Green Hornet, whose sting sends many

a gangster up river. Sundays see me as Nick Carter—

ace detective—followed by Lamont Cranston—

whose guise lets me know what evil lurks in hearts

of men—as I purge streets of crime—invisible—

but for my indelible shadow.

 

A lifetime ago—yet the characters—imbedded in

memory—enfolded in imagination—rise from the mists

as if from yesterday—I recall most  how deeply I lose

myself in the spoken word—each syllable taking 

on a life of its own—with each breath of my own—

Even beyond words—as I Toscanini—pencil in hand—

conduct  a live rehearsal of Prokofiev’s Love of Three 

Oranges—theme—poundingly militaristic—to radio’s 

FBI, In Peace and War. Into which—come Thursday

nights—I again disappear.

 


Dick Altman writes in the high, thin, magical air of Santa Fe, NM, where, at 7,000 feet, reality and imagination often blur. He is published in Santa Fe Literary Review, American Journal of Poetry, riverSedge, Fredericksburg Literary Review, Foliate Oak, Blue Line, THE Magazine, Humana obscura, The Offbeat, Haunted Waters Press, Split Rock Review, The RavensPerch, Beyond Words, The New Verse News, Sky Island Journal, and others here and abroad. A poetry winner of Santa Fe New Mexican’s annual literary competition, he has in progress two collections of some 100 published poems. His work has been selected for the forthcoming first volume of The New Mexico Anthology of Poetry to be published by the New Mexico Museum Press. 

Sunday, December 22, 2013

KIM JUNG-UN CONSIDERS BUCK ROGERS

by Jim Bartruff




My grandfather's panel, from his decadence,
signed by the ghost who dreamed the three,
Buck Rogers, Wilma, Ming the Merciless,
the terrorist, the victim and the steel,
eternal metaphors of Snow and Spring
and her fertility between the two,
he kept for the imaginary stress
depicted on the three-dot color pane
of Sunday luxury, his time abroad
recanted with the War, because the line
was like the line cartographers had drawn
with politicians sleeker than my uncle,
another yellowed relic we displayed
in stills from slightly overhead to show
his hair in disarray, already dead
the man beneath the bare place on his head,
walked down the aisle with white gloves on each arm
like ice on maples, and the tree a bride
defiled and veiled in black instead of white,
and so disposed of as her village would,
dissected from the revolution's arms,
assassination as the mark of Cain
on every generation of his line.

With famine as the rigor of our faith,
and falling in the withered field as belief
no longer potent proofs or martyrdom,
and truth a cartoon inked, re-inked, erased,
we see the ray-gun at Buck's side,
and see it through a holocaust of snow,
as solid you see me while the old
impediments and those they raised go down,
so we in freedom may proceed in strength
developing a ray-gun that will work,
and hold Buck bayed, while Ming moves toward the girl.


Jim Bartruff's work has appeared in Canto, Westwind, Barney, Marilyn, Drastic Measures.  He is a past winner of the William Carlos Williams and Academy of American Poets prizes.  A third-generation native of Los Angeles, he was previously a print journalist and screenwriter, now living in Portland, Oregon.