MORGAN

by Ann Neuser Lederer

When William Morgan was executed outside a Havana prison on March 11, 1961, his strange story seemed to vanish from the popular imagination as quickly as it had appeared; it was lost in the classified archives of the Cold War; and it was edited out of Cuban history by Fidel Castro’s retelling of the revolution as an epic tale of a handful of men fighting under his direct command at the exclusion of all others. —PBS American Experience

Under the low thorn bush it lurked, planning to pounce.
The white and black cat, named Morgan, for the lady
who gave us his mama as a kit, vowing it was male.
But now I know better: all calicos are girls.

The secret buzz was: Mrs. Morgan’s son was killed in Cuba.
His little daughter was sent to her grandma.
This could happen to any of us: a father runs off
to join the revolution, the "Yankee Comandante"*
falls out of favor, faces a firing squad.

Morgan the cat’s needle teeth poked out
from its cavernous, soundless mouth.
It was born mute, we soon figured out. Maybe deaf, too.

One time too many times it wandered near
the neighbor's fence,waving its feathery tail
at the pacing black-gummed Chow Chow
whose orange mane flared and fangs spit drool.
Morgan didn’t hear those loud barks of warning.

I didn't witness the feline neck fur wet with red,
when the big beast shook and bit.
I never heard yowls, but still can hear them.

I never saw the lineup, blindfolds, smoke or slump.
Often enough I saw the little girl, a quiet waif.
By and by, Castro, frail in his papery shell,
lay on his stark white bed.

Every little instance holds a tidbit to pass on.  
When driving on a winding road,
always point straight toward the curves.

Ann Neuser Lederer was born in Toledo, Ohio and grew up hearing whispers there about the legendary "American Comandante." She also lived and worked in Pennsylvania, Michigan, and Kentucky as a Registered Nurse. Her poetry and nonfiction appear in journals, anthologies, and in her chapbooks Approaching Freeze, The Undifferentiated, and Weaning the Babies.

DEATH COMES FOR THE COMMANDANT

by Bruce Dale Wise

Castro will be buried at the Santa Ifigenia cemetery in southern Cuba. Photograph: Jonathan Watts/The Guardian.

        "Cambiar de amos no es ser libre..."

                —José Martí

The flags are at half-mast, beside the palms out in the air.
The Sun is shining over Revolutionary Square.
The people stroll about, meandering. Not much has changed.
The silence shows. The individuals are rearranged.
The statues and the towers, still, remain . . . another day.
The avenues, the walkways, and the latest news are gray,
as are his ashes, his cigars: Fidel Castro is dead.
Havana cannot hold him longer in white, blue, and red.
It's time to go, to leave the capital, alone, uncoil,
to Santa Ifigenia in Santiago soil.

Bruce Dale Wise is a poet and essayist who writes under various charichords (anagrammatic heteronyms). The creator of new poetic forms, like the tennos (10 lines of iambic heptametre), his publication credits include magazines and ezines under his own name and various pseudonyms. This tennos is an example of his docupoetry. Among poets he admires are Cubans José Martí and Nicolás Guíllen.

CUBA, NOVEMBER 2016

by Clara B. Jones 

Ropa Viejo

Yet soul food & southern food are the same thing though Inga is a common tree flowering in March when raucous monkeys peer up at toucans near the dam at Havana where you chose principle over compromise . . . reading Galeano thinking—Life isn't simple after all & Birds fly North of the tropics & Ordering the Daily Special is usually a bad idea—you exchanged chaos for order . . . form inverted function [like Jakobsen said media changes poetry] as écriture noire was a separatist movement in Martinique where fruit bats roost in caves with Didelphids . . . by June rains soaked roaming tapir alert yet cautious as you were vigilant at El Barracón eating Ropa Viejo amid the sounds of crowds & the smell of tap beer . . . you were privileged but everyone has a cross to bear since Phyllis Wheatley was a member of the Black Arts Movement after Che Guevara called you a “belligerent force.”

Clara B. Jones is a retired scientist, currently practicing poetry in Silver Spring, MD (USA). As a woman of color, she writes about the “performance” of identity, alienation, and power and conducts research on experimental poetry, as well as, radical publishing. Clara is author of three chapbooks, and her poems, reviews, essays, and interviews have appeared or are forthcoming in numerous venues.