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Showing posts with label Iraq War. Show all posts
Showing posts with label Iraq War. Show all posts

Monday, August 31, 2026

MY WIFE AND I WERE DISTURBED

by Kevin Boyce



 

while watching the nightly news 

by a noise coming from outside.

Thunk                 thunk                   thunk

 

A catbird in our rhododendrons 

had declared war on his reflection in

our basement window. Each time 

his attack was repelled by an equal 

and opposite force. 

Thunk                  thunk                   thunk

 

He could not be deterred from defending 

his homeland from this imaginary foe.

Something had to give in the battle 

between this birdbrain and glass pane.

 

I covered the window with cardboard

to curtail his instinctual onslaught 

and save him from an early demise.

My wife and I went back to the news.

 

In August of 1914, soldiers enlisted 

in the War to End All Wars, assured

that the conflict would end by Christmas. 

Four more years and 15 million souls would pass 

before the close of this grand adventure.

 

Then 2003 brought Bush on the boat with his banner

prematurely exclaiming “Mission Accomplished.”

The Iraq War lasting a mere eight more years

after victory was secured.

 

Vladimir Putin invaded an independent Ukraine confident 

of conquest within months. Here we are four years later.

 

Operation Epic Fury began on February 28, 2026

with Israel and the US attacking Iran certain that 

they could not resist. Mission accomplished.

 

Thunk                  thunk                   thunk

 

 

 

Kevin Boyce is a poet, photographer, children’s book author, and lifelong resident of New England. He volunteers in his hometown, leading a community-sponsored contest and publication for emerging authors. Kevin’s poems have appeared or are forthcoming in ONE ART, Nostalgia, The New Verse News, The Broken Teacup, Discretionary Love, The Poetry Lighthouse, and elsewhere.

Thursday, December 12, 2019

C'ÊST COLLATERAL DOMMAGE

by Myron Pulier


“So ‘the book of collateral damage’ is this project that the bookseller in Baghdad is working on, but it's almost an impossible project because he wants to document, minute-by-minute, everything that gets destroyed [in the 2003 bombing of Iraq by the United States]. And the objects themselves tell their story, but he never gets beyond the first minute. ... The narrator tells him this requires an institution, and the bookseller tells him there are no institutions anymore, and I'm alone ... it might sound like an insane project, but someone has to do it.” —Sinan Antoon, author of The Book of Collateral Damage, a novel due out in paperback in April 2020, speaking on NPR, July 9, 2019.


No rhyme will tell all
names of those who fell fore telling
the fortune that befell
upon their just
deserts below the Belt
Way’s subdominant inner
circle of force
majeur subject due
with all retrospect to
unforeseen circumstances


Myron Pulier is a clinical professor of psychiatry at Rutgers New Jersey Medical School.

Sunday, March 20, 2016

WE BOMBED IRAQ SIX DAYS AFTER PARIS FASHION WEEK

by Clara B. Jones


New photographs show the Unites States Air Force preparing for strikes on ISIS targets at a secret military base in the Persian Gulf. Daily Mail, Feb. 26, 2016. Getty Images Photo via Daily Mail.


Climate crescented when Anthropocene
overwhelmed Antarctica, displacing
penguins whose food no longer swelled

the ocean, each year of our lives displayed
in glass cases cleaned every day, reflecting
a day-glow billboard sign selling scale

models of maps more detailed than the
landscapes they defined, so finely drawn
that cities looked like flies fixed in pixels.

The secret to my cat's success is her element
of surprise—clowns jumping out of bomber
jets, boreal birds barreling into bathrooms,

babies speaking sentences. In 2003, we
bombed Iraq six days after Paris Fashion Week.
Now we have drones to keep runways safe.


Clara B. Jones is a retired scientist, currently practicing poetry in Asheville, NC. She is a staff writer for the poetry journal, Yellow Chair Review. As a woman of color, she writes about the “performance” of identity and power and conducts research on experimental poetry. Her poems, reviews, essays, and interviews have appeared or are forthcoming in numerous venues.

Thursday, October 22, 2015

ON RED

by David Chorlton



Relatives of soldiers killed in Iraq have claimed a partial victory after Sir John Chilcot announced he would finally set a timetable for his report on the six-year inquiry into the war. The retired civil servant’s announcement came just days before the expiry of a deadline set by grieving families of some of the 179 British soldiers killed in action, after which they had threatened to take legal action if he refused to set a release date. It is more than a month after Chilcot finally confirmed the end of a lengthy right-of-reply process for those criticised in the report, known as Maxwellisation, which had been seen as the final obstacle to its publication. —The Guardian, October 15, 2015



A misty arc of rainlight spans the sky
between the darkest
and the brighter clouds
whose shifting moods drift over
a city whose lost dogs run
in circles and whose doves flock back
together when a shower ends.
There’s a man by every traffic light

with a sign that says he’s had bad luck, please help,
and a world of music
inside every car that stops beside him
to drown the misery out
interrupted by a bulletin
of news announcing a delay
in peace negotiations, suspended
talks on reducing pollution,
and the latest postponement

of the report’s release
that tells who lied about invading
Iraq, while there isn’t enough
patience to go around, not even
here, where a pedestrian pushes a button
four times to ask to cross the road

and the mechanical voice repeats
wait, wait, wait, wait . . .
so he pushes again
wait, wait . . .


David Chorlton is a transplanted European, who has lived in Phoenix since 1978. His poems have appeared in many publications on- and off-line, and reflect his affection for the natural world, as well as occasional bewilderment at aspects of human behavior. His most recent book, A Field Guide to Fire, is his contribution to the 2015 Fires of Change exhibition shown in Flagstaff and Tucson in Arizona.