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Showing posts with label Zionism. Show all posts
Showing posts with label Zionism. Show all posts

Friday, December 26, 2025

GREETINGS FROM ARKANSAS

by Mohja Kahf


Lake Wilson, Fayetteville, Arkansas. Photo by the poet.


Thirty years I’ve taught in Arkansas

Sometimes in Arkansas I paddle the lake

under foliage forty-three shades of glory and jade,

as kinetic as my students’ creativities,

and the state forges fetters for thinking minds:

Act 372 tried to make queer library books a crime,

but it turned out Act 372 was a crime

 

Thirty years I’ve curated space for students

to think through choices, weighing in hand,

like palming the heft of Lake Sequoyah pebbles

before picking one to skip across the surface

The state puts hands on our bodies now:

Arkansas Act 180 makes abortion illegal

even after rape, killing more than choice

 

Thirty years I’ve taught in Arkansas

where ice makes bright blades of branches in winter

while daffodils sunshine up through the snow

Forgetting that we live on colonized land,

my state lets ICE deport dreamers

and taxpaying international students,

but defends a mob that scorched the nation’s capital

 

Thirty years I’ve mattocked rocks to upturn soil

where love can grow, and imagination

Act 710 calls boycotting Israel antisemitic hate

makes anyone who wants to speak on campus sign

a pledge never to boycott Zionist Israel—

I’m a proud supporter of nonviolent boycott,
and Act 710 is antisemitic and hateful

 

Sometimes I float the swim hole near Ponca,

thanking my friends who saved the Buffalo River

from hog carcass dumps by agribusiness

till the next polluter tramps in these waters

The state claims that wanting justice for Palestinians 

means wanting to trample on Jewish peoples—

I wish the state would read a queer Palestinian library book

 

Sometimes in Arkansas I hike Hemmed-in-Hollow

and the sunset is streaked purple and healing

My state produces white phosphorus for Israel

to streak skies in Gaza and Lebanon, over Arab folk’s homes

Sometimes my state breaks federal law:

the Leahy Act forbids weapons for war crimes

White phosphorus on civilians is a war crime

even if the civilians aren’t white

 

Thirty red-gold autumns I’ve taught in Arkansas

planting bulbs that push through thirty springtimes

The white phosphorus arsenal risks workers’ health

in Arkansas’ Blackest and poorest city in the Delta

Act 237 calls teaching critically about racism a shame,

calls what I do on campus indoctrination:

Act 237 is a shame and indoctrination

 

Thirty years I’ve taught in Arkansas,

more hemmed in than ever, and hollow here ring

guarantees of First Amendment freedoms

If I invite a white phosphorus expert to campus,

they’d have to sign a loyalty pledge to Israel

Sometimes I hear the queer purple music of the Ozarks,

and the state forges fetters for thinkers and dreamers



Mohja Kahf is author of a novel and three poetry books, including My Lover Feeds Me GrapefruitKahf’s work has been translated to Turkish, Japanese, Italian, Arabic, German, Portuguese, Urdu, and French. She is a supporter of the Palestinian-led nonviolent movement for Boycott, Divestment, and Sanctions since that movement’s inception in 2005. Winner of a Pushcart Prize and a 2018 Lifetime Award in Inclusive Education from the Northwest Arkansas Democratic Black Caucus, Kahf has been a professor of comparative literature and Middle Eastern studies at the University of Arkansas since 1995. 

Tuesday, March 12, 2024

FIRING MORAH

by Stacey Z Lawrence



Morah Hebrew School Teacher Mug



I lean on a miniature 

sea blue chair, the color of Israel

& conduct my class to the curtain call with a 

rudimentary rendition of 

Hatikvah. The boys & girls adjust their babushkas 

torn from superhero 

sheets. They pretend to be partisans, they pretend

to survive genocide with water guns & plastic bricks

plopping the toy props across the stage like burial plots


& the synagogue chapel 

explodes

in waves of gratitude reigning 

down, micro-rubble crushed 

under rubber spinning & spinning 

strikes me as my students hold hands

swaying like paper cut-outs 

mouthing Hebrew words they 

do not understand

squinting & studying me, 

their Morah’s lips we blast


out this anthem beak fed from birth 

myths spun from milk, guts, honey &

the soot of charred Jews 

chanting hollow prayers into green wind 

we cradle some bald-cackling madcap 

who flies rabid dragonflies beyond his fancy 

fence like  

Dylan Klebold with a broken console 

       Boom, Boom, Kaboom, 

Fizz, Kaboom, Fizzle, Silence.


He crunches on fried falafel tossing

bits of chicks & peas, digging the edge of

that six-pointed star between his yellow teeth

planting olive trees & Long Island Zionists

beneath Alephs & Bets 

like Herzl’s Thieves of the West

his flying monkeys, 

stripping us of our Ashkenazi selves 


our Yiddish, our guttural cadence,

depositing our smoldering mishpocha

us Kikes still stinking of Zyklon B,

bitter the almond smell of 

neglected eggs, shoveling us 

beneath BritishpoundsAmericandollars,

wailing limestone.



Author's note: In December of 2023, days after the congregation celebrated my work with my students, the local synagogue fired me, prohibiting my entrance forever. It was the first night of Chanukah. 



Stacey Z Lawrence is a veteran teacher of English and a Literature Professor. She has an MAT in Theater and Speech and is a poet for Writing The Land, a collaboration between poets and protected land. Her poetry was shortlisted for the Fish Prize in 2019, and 2021 and nominated for a Pushcart Prize in 2022. Stacey’s first collection of poems Fall Risk was released to acclaim in August 2021 through Finishing Line Press