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Showing posts with label cope. Show all posts
Showing posts with label cope. Show all posts

Wednesday, September 02, 2026

INTERRUPTION TO AN AFTERNOON OF OUR DISCONTENT

by Mary K O’Melveny




Today we visited good friends for lunch.

As we discussed the world’s sorry state,

a yellow and black Goldfinch landed on 

a tall sunflower on the back wooden deck.

 

Rain clouds had begun to shroud the Catskill

peaks. Circles of grey, shadows of charcoal

emphasized the sunflower bed’s aureate glow. 

The butter-hued bird was star of the show.

 

Would cops be at the polls? Would there be

a martial law declaration? A breeze caught

the flower, rustled it to the right. The finch

hustled with it as it veered back to center.

 

Would it ever be safe to eat lettuce again?

Would climate change leave our skies colored like

metal? The finch bent down past petals,

pulled out a seed as the reed thin stem moved

 

against wind. He swayed as if dancing in

a conga line. Swish  swish  swish  hop.  Swish  

swish  swish  hop. He dropped onto another

flower, stayed for seconds, popped right back.

 

Will young people go out to vote? How can

we retain hope? How can we cope as daily 

outrage becomes rote? The bird dared us to

watch him at play in early afternoon light.

 

Our (he was “ours” now) Goldfinch was unwilling 

to wallow in woe. He leapt upward, stopped –

wings aflutter—then turned, returned to his

floret launch pad where he glanced our way: 

 

There are seeds to snatch. Breezes to catch. 

As if prearranged, sunflowers shifted, shivered. 

Petals quivered—amber arcs arrayed against 

a grieving sky. Glistening like a firefly’s spark,

 

he stayed put—as if listening, as if he thought 

our exchange mattered. We loved our brilliant bird then.

He was an augur of resilience, of possibilities. Soon,

he lifted, drifted high, veered toward the mountain range.



Mary K O’Melveny, has authored five poetry collections and a chapbook, including If You Want To Go To Heaven, Follow A Songbird (Jerry Jazz Musician 2024);  Flight Patterns (Kelsay 2023) (nominated for the Eric Hoffer Book Award); Merging Star Hypotheses (Finishing Line 2020), semi-finalist, The Washington Prize/The Word Works). What Remains? (Broadstone Books) will debut in fall 2026. A three-time Pushcart nominee, Mary’s award-winning poems are widely published. Mary lives with her wife near Woodstock, New York.

Sunday, February 19, 2017

SECURITY

by Joan Mazza


Drawing by Tom Gauld for The New Yorker, January 10, 2017


In scary times, I have my ways to cope.
I make art and distract myself by listening
to books or reading. I get some neglected
chore done, one unpleasant overdue task.

I purchase supplies to last more than a year.
Paper towels, toilet tissue, Kleenex by the case.
Soap and bleach, lotion, dental floss, toothpaste,
cotton swabs. Of course, I buy more six-packs

of canned green beans, corn, tuna by the dozen.
I maintain my stash of pasta. Who knows what
tweet might interrupt the flow of goods in shipping
containers crossing the oceans? Even

my cold tablets, nail polish, and art supplies
are made in China, all Smithfield pork processed
there. So I buy while I can, not quite the prepper,
not rich enough for a condo underground

in New Zealand or a pilot on call to take me there,
but I’m good at this, once an adept and eager
camper. Watch me rake my wood paths
and place Band-Aids on the coming avalanche.


Joan Mazza has worked as a medical microbiologist, psychotherapist, seminar leader, and has been a Pushcart Prize and Best of the Net nominee. Author of six self-help psychology books, including Dreaming Your Real Self (Penguin/Putnam), her poetry has appeared in Rattle, Kestrel, The MacGuffin, Mezzo Cammin, Slipstream, and The Nation. She ran away from the hurricanes of South Florida to be surprised by the earthquakes and tornadoes of rural central Virginia, where she writes poetry and does fabric and paper art.