SUFFER THE LITTLE CHILDREN

by Lynn White

A Scottish pro-Palestine activist is facing charges for “threatening and abusive behaviour” after reading a poem about children killed by Israel. Bill Williamson, 74, said he had been at a weekly Palestine vigil outside Dunoon Burgh Hall on July 4 when he was approached by a pair of police officers while he was reading out “Don’t Mention The Children” by the Jewish writer Michael Rosen through a megaphone. —The National (Scotland), July 19, 2026

Poets are dangerous.

Naming the dead 

leads to arrest.

The killing 

of some,

by some

is fine,

unlike

the threatening

nature

of reading a poem.

And the unmentionables,

the nameless

children,

must suffer silently.

Poets are ‘The Brave’

in Scotland today.

Poetry is dangerous.

Lynn White lives in north Wales. Her work is influenced by issues of social justice and events, places and people she has known or imagined. She is especially interested in exploring the boundaries of dream, fantasy and reality and writes hoping to find an audience for her musings. She was shortlisted in the Theatre Cloud 'War Poetry for Today' competition and has been nominated for a Pushcart Prize, Best of the Net and a Rhysling Award. Her poetry has appeared in many publications including: Apogee, Firewords, Peach Velvet, Light Journal, and So It Goes.

WANDERING INTO A DREAM WORLD

by Susan Cornelis

Art by the poet.

. . .and I’ve wandered into 
a dream world I no longer recognize,
teeming with shapes,
twisted
gone
out of bounds
dangerous,
like a cell phone
mistaken for a gun.

So many ways
to get it wrong,
to step where a trap is set.

Too much for this little guy
who sees a featureless white shape,
which seems to be slumbering, 
like Fox, who is warm around his neck,
but where is the thing’s head
where is the mouth
where the teeth?

Too much for this little guy
who knows not yet
the art of hiding.

Too much for me
and for you too,
even as we stand here
learning the shape of fear,
trying not to turn away.

Susan Cornelis is an Olympia, WA mixed media artist, workshop teacher and art blogger. Her ekphrastic  poetry is an exploration of the emotional content of her paintings. She refers to these as Conversations with the Muse, which are regularly posted on her blog by that name at http://susancornelis.wordpress.com/

THIS MAN, 2024

a cento by Jacquelyn Shah

Source: Stablecog

How will the future reckon with this man?

  ––Edwin Markham, “The Man with the Hoe”

   

There is no shape more terrible than this––

. . . dangerous man . . .

ignorant demagogue . . .    

inscrutably smiling

thick with power oozed over branches,

the capitalistic offices

   . . . makes us all turn green with fright

and through the green his crimson furrow grooves.

He must have come up from a drain.

Knowing this man . . .

(mean, underhanded, lacking all attributes . . .)   

is a man who makes avenging armies.

He makes of laws

a broken staff,

disturbs polite conversation . . .

The knotted fabric of our lives,

our words, our lives, our pains––nothing!

We talk despairingly and drink our tea,

everyone a life alone.

All day, all night, we hear, we feel,

men, women in cities, multitudes, millions.

The dead and the dead

of spirit now joined . . .     

All––only putty that tyranny rolls

between its fingers . . .     

Poor people make poor land.

Author’s Note: Cento—lines & partial lines (occasional slight alterations), in order of appearance, from: Edwin Markham; Sarah N. Cleghorn, Cleghorn; Lola Ridge; Archibald Fleming; E. B. White; William Rose Benét; Roy Campbell; Alfred Hayes; Edwin Rolfe; Selden Rodman; S. Funaroff, Funaroff; Oscar Williams; Josephine W. Johnson; Baratolomeo Vanzetti; James Palmer Wade; James Agee; William Stephens; Eunice Clark; Frederic Prokosch, Prokosch; Hugh MacDiarmid, MacDiarmid; Pare Lorentz. All poets included in A New Anthology of Modern Poetry, 1939 Ed. Selden Rodman.

Jacquelyn Shah. A.B., M.A., M.F.A. & Ph.D.––English/creative writing. Publications: poetry chapbook, small fry; full-length poetry book, What to Do with Red; poems in journals. In 2023 her memoir Limited Engagement: A Way of Living was published, and she was a Pushcart Prize nominee for Gleam: Journal of the Cadralor.

WHITE BIRD

by Marilyn Mathis

in memory of Wong Ching Ping

HONG KONG — Under the cover of darkness early Thursday, authorities in Hong Kong tore down a public sculpture dedicated to the victims of the Tiananmen Square massacre, accelerating a campaign to erase the crackdown from public recollection and stamp out dissent in a city that until recently was one of Asia’s freest. The 26-foot-tall artwork, known as the “Pillar of Shame,” had stood at the University of Hong Kong for nearly a quarter-century and honored the hundreds, if not thousands, of students and others killed on June 4, 1989, when the Chinese military crushed pro-democracy protests. —The Washington Post, December 23, 2021

You send the kite skyward,

Unknowing

If it will fly or fall.

You speak

In Hong Kong

Unknowing if you will last the day.

But the kite,

Saying only a single word,

Is still an opinion,

A dangerous breath.

See, already winter branches have stopped it.

Fragile, 

Wind-shredded,

Fluttering desperately.

Silk and paper? Or a living bird?

It is of no matter.

The State will remove it.

 

 

Marilyn Mathis’ poem “On Turning Seventy” was published in 2021 by Sylvia Literary Magazine, U.K. She is the winner of the 2020 Ageless Authors Poetry Prize, third place, for “White Bird” which remained unpublished until now. She received international awards in writing, magazines and promotional projects throughout her career in corporate communications. Marilyn has edited a nonfiction book, Thriving Beyond Survival by Martha Germann. She has authored local and national magazine and newspaper features. She is currently at work on a mystery novel, several short stories and more poetry.