THE BURIAL BOYS OF EBOLA

by Alexa Poteet

Sherdrick Koffa, estranged from his family because he helped burn bodies during the Ebola outbreak. Credit Samuel Aranda for The New York Times, December 10, 2015

In Monrovia,
the wakes used to go on for weeks.
The living applied ointment to the dead
with gentle fingertips, kissed
their eyelids shut. Scrubbed under fingernails,
pressed through earrings. Sewed garments of gold, green
for those who would never dress themselves again. Bodies
were not washed but made new and dirtless
for the next life. Their pockets stuffed

with coins. Working men
went days without food to buy
mahogany caskets, marble markers
and plots large enough for houses.
On Decoration Day, brigades
of families brought bleach and good towels
to polish the hand-chiseled tombstones.
This, Liberia once said, was how to cross
into the next life. To keep ghosts
from weeping at your bedside in the night.
There were no burial boys then, you see.

Now—goggled, gloved, otherplanetary—they arrive. Breath
and sweat trapped in a terrarium of plastic. The medical
membrane that keeps good in and bad out. Underneath,
the pockets of their oil-stained clothes
brim with matchbooks. The tools
of this trade are plain.  The boys don’t cry
anymore because the masks fog in the heat. Burning,
the state says, is the only way

The mourners scream, beat their heads with fists
for children set ablaze. Their hair curling into
charred sulfuric tendrils, skin blistered
black.Their pooled blood—an acrid human ore.
Burial boys is a misnomer;
usually, they don’t have to.

Guardians of a safety no one can bear
to want, their belongings litter the street
outside childhood homes. Familiar voices break
in the telephone: You burning body?
Then I’nt want see you no more around me.
The Ministry of Health did not invite them
to the ceremony where foreign doctors
clasped hands with the president.

It sends them moonshine in old cassava crates
once a month. Easy, because they live together;
there’s nowhere else. At night, they pour
cloudy liquor for each other. Clean fingernails
before shooting up
until their minds are spotless.


Alexa Poteet is a poet and freelance writer from Washington, DC with a master’s degree in poetry from Johns Hopkins University. Her poetry has appeared in Reed Magazine, Lines + Stars, and PennUnion among others. She has also enjoyed staff positions at the Washington Post, The Atlantic and The National Interest.

SHOULD NEVER

by Jay Duret

On the grassy plains of Siberia 42,000 years ago, a baby woolly mammoth fell into a sticky mud hole and choked to death, leaving her mother to grieve for her. Now this little mammoth is the star attraction of [London’s] Natural History Museum’s Ice Age exhibition, which opens [May 24]. Because of her riverbed location, her body was . . .  pickled by acids formed by bacteria that entered her body soon after death, which was then frozen in permafrost. . . . Her DNA is well preserved and there are very few samples of this type of mammoth. --Daily Mail (UK), May 21, 2014

Image source: SingularityHUB

 I.

Should never
I see that now.
Twisted by logic
Played by logicians, swept
By the force of cunning argument.
Should never.

Debate will do that.
The river of words
Slow, languorous even, at the edges
Where you first step in.
Gently seductive, gently urging,
Gently gently gently down the stream.
But further, towards the sluicing middle, the current
Irresistible. The logic, the argument, the hard claw of debate.
Irresistible.
I was carried down the stream.
I am sorry.
Should never.

I blame Google.
It is one thing, after all, to search for words.
We do that.
We are human; we have no choice.
But pictures? Images?
This should be taboo.

Once I saw you I could not straighten my thinking.
I knew the arguments, heard the debates,
I have a mind that can hold opposing ideas in balance.
In equipoise.
But the swoop of your ivory. Its magnificent curl.
The rich dignity of your coverings.
As a people, we dream of a coat like your colossal swinging fur coat.
We hear in dreams the deep poundings of your stride
Turning tundra to grassland, step by booming step.

To see your image was to fail you.
Should never.
Should never have brought you,
Woolly Mammoth, Woolly Mammoth,
I should never have brought you back.

II.

I was born in a glass tube in a clinic in LA
Cloned from a morsel of DNA, that DNA exhumed
From a nugget of amber,
Or a bubbling tar pit, or a fossil in the Dakotas.
My papa, not mammoth, not woolly,
A balding man in a white lab coat
With bad breath, like he stunk inside,
Like all humans.
Stunk inside.

I don’t speak human.
Human sounds won’t pass my mouth.
We took a vow, my brothers and sisters,
Even as we dwindled,
Even as the light that burned within us
Flickered
We would never utter words that had been spoken
By humans or their kind.
Poisoned meat. Poisoned grasses.
The rapaciousness of hunters.
The voraciousness of human hunger.
You hunted us down. You ate us up.
All of us.
Extinction.

I know why it is you brought me back.
I know what it is you want.
The debate, the logic, the business with Google; all lies
I know why you brought me back:
You want me to blow life into you.
You want me to give a gift of words.
But I won’t speak them.

To be extinct is to be beyond words.
Beyond any words, beyond all words,
Human words, mammoth words, it doesn’t matter.
I am beyond words.
I am dead to words.
I don’t speak human.
I took a vow.

Jay Duret is a San Francisco writer and illustrator. His stories have appeared in many online and print journals. He blogs at www.jayduret.com and welcomes feedback at jayduret(at)yahoo.com.