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Showing posts with label teeth. Show all posts
Showing posts with label teeth. Show all posts

Friday, May 03, 2024

NEANDERTHALS IN THE TILE

by Sally Zakariya


This floor tile imported from Turkey and installed during a home renovation contains what is believed to be a cross section of an ancient human jawbone. (Courtesy of Reddit user Kidipadeli75 via The Washington Post)


Check the counters and floors
check all the travertine tiles

Look for signs of the old ones
reaching up through time
   slivers of bone
      shards of teeth

Imagine the beginning: a natural
hot spring somewhere in Turkey

Layer after layer of plants and animals
trapped in the mud and fossilized

Mammoths, rhinos, giraffes,
deer, reptiles—even humans—
embedded in the travertine

Look down and count the years—
a million or more

Each step we take on earth, we walk
on the past


Sally Zakariya’s poetry has appeared in some 100 publications and been nominated for the Pushcart Prize. Her publications include All Alive Together, Something Like a Life, Muslim Wife, The Unknowable Mystery of Other People, Personal Astronomy, and When You Escape. She edited and designed a poetry anthology Joys of the Table and blogs at www.butdoesitrhyme.com.

Monday, February 21, 2022

INTIMIDATION AND BLACKMAIL FOR THE PURPOSE OF TAKING OVER THE WORLD

by Terese Coe





Watch for the multiple rows of replacement teeth,

the not-unfair comparison to sharks,

the antipathies that betray the territorial,

the sonar for the nascent dictatorial.

 


Terese Coe’s poems, prose, and translations appear in The New Verse News, Agenda, Alaska Quarterly Review, Cincinnati Review, The Classical Outlook, Cyphers, Hopkins Review, Metamorphoses, The Moth, New American Writing, New Scotland WritingPloughshares, Poetry, Poetry Review, The Stinging Fly, Stone Canoe, Threepenny Review, the TLS, and many other international publications. Her book Shot Silk was short-listed for the 2017 Poets Prize, and her poem “More” was heli-dropped across London in the 2012 Olympics Rain of Poems. Giorno Poetry Systems, West Chester Poetry Conference, Barnstone Translation Award, and others have awarded her prizes or honors and scholarships.

Tuesday, May 19, 2020

GUMLINES, AMONG OTHERS

by Barbara Simmons




Build-up, they call it, the slow accretion colorless
at first. Later I guess you’d think my teeth had bathed
in egg yolk if I’d let it go that far. Especially if I were smiling today.
But today, I’m not thinking recession as in my gums, but as in
our economy, how the graphs display the V’s that look like troughs
not mountains. Feels too much like my slackline has no anchors,
that I’ll be eternally between, above, not able to begin or end. Reminds
me of those hemlines we called handkerchief, the 70’s loved them, I
loved them, made me feel that I was whirling standing still. More standing
still on stars or footprints or just blue tape lined up outside Target
or the post office, I’m wondering if last night’s dreams are still available,
shelved someplace, line forming here, I’d even pay for their retrieval. Lost
moments, lines breaking up. I’m back inside my mouth, imagining what they’ll
find after I’m beyond words. Not anything as artful as the lapus lazuli
the 1000-year old teeth held, medieval teeth, medieval scribe, medieval woman
breathing in the bright blue pigment, licking her brush while blue began
its residence in her mouth. What would my mouth hold—a piece of jasmine rice,
the inhalation of surprise and joy, the drupelets of a final raspberry, the
exhalation of all the lines I’d thought about and haven’t had a chance to write.


Barbara Simmons grew up in Boston, now resides in San Jose, California—the two coasts inform her poetry. A graduate of Wellesley College, she received an MA in The Writing Seminars from Johns Hopkins. As a secondary school English teacher, she loved working with students who inspired her to think about the many ways we communicate. Retired, she savors smaller parts of life and language, exploring words as ways to remember, envision, celebrate, mourn, and, always, to try to understand more about being and living and expressing her identity and human-ity. Publications have included, among others, The Quince, Santa Clara Review, Hartskill Review, Boston Accent,  TheNewVerse.News, Soul-Lit, 300 Days of Sun, Capsule Stories: Isolation Edition and Perspectives on KQED, the NPR local affiliate. 

Sunday, July 16, 2017

ALEX'S TEETH

Spiraling Abecedarian
by Susan Vespoli


 “Trumpcare Will Be a Disaster for Opioid Epidemic” –Rolling Stone, June 28, 2017


Alex’s                                      baby
bottom                                     choppers
crept up like                            darts.
Duo of                                     early pearls
emerging                                 front row
finial twins,                             grinners,
grinders,                                  happy sprouts
held                                         in mouth like
innocence                                jiggled loose, lost,
jammed  beneath pillow.         Kid notes 
kissed up to tooth fairy          “Leave cash, please.
Lots.”  The                              mom
(me)                                        never said
“No”                                       or maybe
only rarely.                             Put five bucks under his
pillow, smiled                        quietly smoothed
quilt.    No sign of                  rotting then. Cavity free.
Really                                     straight
sans orthodontia.                    Teeth
to die for, eventually               under siege. Addiction is
ugly. I can’t watch them         vanquished,
vanishing into                         white powder,
wasting gray.                           Xed out by OxyContin
Rx. Then junk.                        Ya. I can’t watch 
you dissolve,                           zero each enamel bead into
zilch. Zot.


Susan Vespoli lives in Phoenix, AZ where the opioid epidemic is alive and well. Her work has been published in a variety of spots including Mom Egg Review, TheNewVerse.News, Write Bloody, and dancing girl press.

Thursday, December 27, 2012

CIVILIZED DENTISTRY

by Caru Cadoc




We pay dentists to shave down our canines
nice and flush with the others
to help us dress up
and play humanists.
It's vain but honest.
They're such savage looking teeth.
And who needs canines anyway
when we have blow guns of chrome
Powered by powder more forcful than our little jaws
To project shards of metal designed to tear far deeper
Than our quaint little teeth.


Caru Cadoc is the lyricist for the Pseudosufis.  His work has appeared in Dead Flowers,The BoilerMAKEJersey Devil PressWord Catalyst and Storyglossia.