Editor's Note: We are pleased to repost this poem, originally published in TheNewVerse.News on Thursday,March 19, 2015. It is one of our 2015 Pushcart Prize nominees.
DUNKING
by Richard Spilman
Back when you were fourteen, small
and new to that school, three toughs
cornered you in the boys’ john, shoved
your head into a bowl of yellow water,
and when they let you up you screamed
bloody murder, hit anything your arms
could reach. To shut you up, the big one
put his foot on your neck and told you
what they’d do. You believed and cried.
Hands in pockets they left one by one
Silently, as if they’d watched a man
betray his friends for a moment of breath.
You dried off, picked up your books,
and went to class. You didn’t tell, and
the teachers didn’t ask about you wet shirt,
and the kids already knew your disgrace.
That was the last time you ever cried.
Not when you were wounded in war,
not when your wife left telling you
she couldn’t love a man so closed off.
You make money trading commodities.
You don’t buy and sell goods, you buy
and sell futures—someone always wins,
someone loses, roulette with wheat and gold.
You trade in illusions, in rises and falls
on a screen created by phantom sales.
Investors like fish rise to your bait.
At the reunions you bring your latest,
her blonde youth a testament to your
prowess, but they laugh behind your back.
For them, your collar is forever yellowed
with piss, your eyes rimmed with tears.
Richard Spilman is the author of In the Night Speaking and Suspension. He lives in Hurricane WV where he is discovering that a bathroom above a garage makes for a frigid winter.
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Showing posts with label urine. Show all posts
Showing posts with label urine. Show all posts
Sunday, November 08, 2015
DUNKING
Labels:
bullying,
business,
cry,
illusions,
new verse news,
poetry,
Pushcart Prize Nominee,
reunion,
Richard Spilman,
school,
tears,
toilet dunking,
urine,
war,
wounded
Thursday, March 19, 2015
DUNKING
by Richard Spilman
Back when you were fourteen, small
and new to that school, three toughs
cornered you in the boys’ john, shoved
your head into a bowl of yellow water,
and when they let you up you screamed
bloody murder, hit anything your arms
could reach. To shut you up, the big one
put his foot on your neck and told you
what they’d do. You believed and cried.
Hands in pockets they left one by one
Silently, as if they’d watched a man
betray his friends for a moment of breath.
You dried off, picked up your books,
and went to class. You didn’t tell, and
the teachers didn’t ask about you wet shirt,
and the kids already knew your disgrace.
That was the last time you ever cried.
Not when you were wounded in war,
not when your wife left telling you
she couldn’t love a man so closed off.
You make money trading commodities.
You don’t buy and sell goods, you buy
and sell futures—someone always wins,
someone loses, roulette with wheat and gold.
You trade in illusions, in rises and falls
on a screen created by phantom sales.
Investors like fish rise to your bait.
At the reunions you bring your latest,
her blonde youth a testament to your
prowess, but they laugh behind your back.
For them, your collar is forever yellowed
with piss, your eyes rimmed with tears.
Richard Spilman is the author of In the Night Speaking and Suspension. He lives in Hurricane WV where he is discovering that a bathroom above a garage makes for a frigid winter.
Back when you were fourteen, small
and new to that school, three toughs
cornered you in the boys’ john, shoved
your head into a bowl of yellow water,
and when they let you up you screamed
bloody murder, hit anything your arms
could reach. To shut you up, the big one
put his foot on your neck and told you
what they’d do. You believed and cried.
Hands in pockets they left one by one
Silently, as if they’d watched a man
betray his friends for a moment of breath.
You dried off, picked up your books,
and went to class. You didn’t tell, and
the teachers didn’t ask about you wet shirt,
and the kids already knew your disgrace.
That was the last time you ever cried.
Not when you were wounded in war,
not when your wife left telling you
she couldn’t love a man so closed off.
You make money trading commodities.
You don’t buy and sell goods, you buy
and sell futures—someone always wins,
someone loses, roulette with wheat and gold.
You trade in illusions, in rises and falls
on a screen created by phantom sales.
Investors like fish rise to your bait.
At the reunions you bring your latest,
her blonde youth a testament to your
prowess, but they laugh behind your back.
For them, your collar is forever yellowed
with piss, your eyes rimmed with tears.
Richard Spilman is the author of In the Night Speaking and Suspension. He lives in Hurricane WV where he is discovering that a bathroom above a garage makes for a frigid winter.
Tuesday, January 29, 2013
AT LARGE
by Ana Garza G'z
No pride--just a glass door, a desk,
a story, an application.
Weeks later, you’re denied
By a scowl when you check in.
You wonder what it takes
to fill a gallon with piss?
Well, first, you need a gallon.
You think you can get milk,
but for that, you need four dollars.
You also need a fridge.
to keep it in, a house,
gas and power service,
and a forty-hour job
that pays at least minimum
so you can try for Food Stamps
and low-income housing.
You have to wait on both,
despite the questions (“where do you live?”)
despite the weather (January),
despite the work you did
in that other life.
God forbid,
the people who spend four dollars
on a cup of coffee spend
a little extra here
and there. They’ll never miss
a cent. You panhandle for
a morning to buy the milk.
You drink it in a day.
You get the massive shits.
You don’t care. You aim,
and you gather every drip,
every single drip. You take
your time. With dehydration,
it takes five days. You sit
at public computers, filling in
boxes. And then you walk
back to the glass doors and the desk
with nothing for the jobless,
but advice: those who seek find success.
You stand there, under a roof
you can’t have, and you give in
to the impulse to show them
your work, a gallon, which you spill.
Ana Garza G'z has an M. F. A. from California State University, Fresno. Forty-one of her poems have appeared in various journals and anthologies, most recently in The Mom Egg. She works as a community interpreter and translator.
![]() |
Someone threw a gallon of urine in the lobby of the
Fresno Housing Authority office on the Fulton Mall on Thursday morning,
the Fresno Fire Department said. The office, in the 1300 block of
the mall, was evacuated briefly while the Fire Department investigated
the incident, which happened about 10 a.m. A man described by a
witness as "homeless" tossed the container, which then broke, spilling
the fluid, a Fire Department spokesman said. There were no injuries and workers returned to the building. The suspect is at large. --The Fresno Bee, Thursday, Jan. 17, 2013
Read more here: http://www.fresnobee.com/2013/01/17/3137073/container-of-urine-thrown-in-fresno.html#storylink=cpy |
No pride--just a glass door, a desk,
a story, an application.
Weeks later, you’re denied
By a scowl when you check in.
You wonder what it takes
to fill a gallon with piss?
Well, first, you need a gallon.
You think you can get milk,
but for that, you need four dollars.
You also need a fridge.
to keep it in, a house,
gas and power service,
and a forty-hour job
that pays at least minimum
so you can try for Food Stamps
and low-income housing.
You have to wait on both,
despite the questions (“where do you live?”)
despite the weather (January),
despite the work you did
in that other life.
God forbid,
the people who spend four dollars
on a cup of coffee spend
a little extra here
and there. They’ll never miss
a cent. You panhandle for
a morning to buy the milk.
You drink it in a day.
You get the massive shits.
You don’t care. You aim,
and you gather every drip,
every single drip. You take
your time. With dehydration,
it takes five days. You sit
at public computers, filling in
boxes. And then you walk
back to the glass doors and the desk
with nothing for the jobless,
but advice: those who seek find success.
You stand there, under a roof
you can’t have, and you give in
to the impulse to show them
your work, a gallon, which you spill.
Ana Garza G'z has an M. F. A. from California State University, Fresno. Forty-one of her poems have appeared in various journals and anthologies, most recently in The Mom Egg. She works as a community interpreter and translator.
Labels:
Ana Garza G'z,
at large,
food stamps,
Fresno,
gallon,
homeless,
jobless,
milk,
new verse news,
poetry,
suspect,
thrown,
urine
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