LET PEACE BE THE MOTHER OF EVERYTHING

by Steven Croft

Polemos pater panton (War is the father of all things.)

—Heraclitus

From the internet I read about the bombardment of Barcelona

by Italians, Germans, in 1938, watch the Movietone footage

of children running, the torn arm of a father's tweed jacket dark

with blood even in the film's black and white.  Omen, prelude

of what would come.  Today Germans, Italians, the rest of us,

condemn the bombs' carnage in Kharkiv, Kyiv, Mariupol.

The UN was founded in 1945 to prevent world war and make

the world better.  A gradualism powered by hope, a world

where the center will hold, held by our civilized will, forged

from what we all want and what we know we did wrong.  But...

those bomb-melted multistorey wrecks of buildings in the gritty,

jumpy newsreel are grimly colored in today in Kharkiv, Kyiv, Mariupol.

War could never be a mother.  Not that she couldn't cradle a rifle

as easily as a baby, plant a garden of mines—but motherhood

is too likely to want the peace to nurture children, is too ready

to negotiate, to drop the aim of a final strike on the wounded,

seeing her own sons and daughters in them, their mothers' pain.

Even if it, she, starts small like an opening bud in spring, compassion

could start at a steel plant in Mariupol where bloody-bandaged men

are being stretchered out to buses today on CNN.  Negotiation

could spread to Kharkiv, Kyiv, Kherson, Luhansk, Mykolaiv, peace

could become a warm-bedded garden, now the mother of everything.

Steven Croft lives on a barrier island off the coast of Georgia. He is the author of New World Poems (Alien Buddha Press, 2020).  His poems have appeared in Willawaw Journal, San Pedro River Review, The New Verse News, North of Oxford, Anti-Heroin Chic, Soul-Lit, and other places, and have been nominated for the Pushcart Prize and Best of the Net.

THE THREE SHADES

by Sara Cahill Marron

After Les Trois Ombres, 1886, Auguste Rodin, 

Plaster, Bronze

Three hooded men sit knees pressed to chests
foreheads falling together on the curb
Not quite a prayer circle the needles

lay littered, Chick-fil-A styrofoam cups
dance semi-circles between feet some
shoed some toes exposed from greyed

socks I sniff for the stench of days old
urine on cloth smelling only syrup thick
yellow honey heaviness tree pollen whipped

lighter as four p.m. descends on a breeze
carrying contagions, The Three on the nod
from too much junk slowing labored lungs

still as cut bronze heads and shoulders
hung so lowly so lost in Sister Morphine’s
seductive dose depressing respiration

The Three Shades barely breathing surrender
one battle, one corner—CoVID, the Queen,
burns through the streets with her World War.

Sara Cahill Marron, a relocated New York poet living in Washington D.C., is the author of Reasons for the Long Tu’m (Broadstone Books, 2018) and Associate Editor of Beltway Poetry Quarterly. Her work has been published widely in literary magazines and journals such as Dark Matter, Chagrin River Review, Foliate Oak, Gravel, Crab Fat Magazine, Gravitas, Atlas + Alice, Joey & the Black Boots, The Write Launch, Cordella, FLARE the Flagler Review, Newtown Literary, South Florida Poetry Journal, Golden Walkman, Lunch Ticket.